In this volume of The Photography Workshop Series, Graciela Iturbide-known for her portraits and landscapes imbued with poetic ambiguity and documentary truth-explores photographing in ways that employ a deeply personal vision, while also reflecting subjects' rich cultural backgrounds. Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from portraying spirituality in photographs and engaging with different cultures to the importance of curiosity.

This limited-edition edition version of Silver. Skate. Seventies. is sure to become a valuable collector's item. Only 500 numbered copies of this special package are available worldwide. Drawing design inspiration from vintage photo packaging, the 12x15 inch box features a metallic printed sticker on the cover and includes the following: * A numbered copy of Silver. Skate. Seventies., signed by Hugh Holland. * A never-before released, 9 x 12 inch black and white, gelatin silver print entitled Deep Canyon Drive, stamped and signed by Hugh Holland. This print is packaged in a clear acid-free archival envelope for protection and is suitable for framing. * A custom sheet of 1970s skateboarding inspired silver metallic stickers. In the 1970s, photographer Hugh Holland masterfully captured the burgeoning culture of skateboarding against a sometimes harsh but always sunny Southern California landscape. This never-before-published collection showcases his black-and-white photographs that document young skateboarders sidewalk surfing off Mulholland Drive in concrete drainage ditches and empty swimming pools in a drought-ridden Southern California. From suburban backyard haunts to the asphalt streets that connected them, this was the place that inspired the legendary Dogtown and Z-Boys skateboarders. With their requisite bleached-blond hair, tanned bodies, tube socks and Vans, these young outsiders evoke the sometimes reckless but always exhilarating origins of skateboarding lifestyle and culture.

From the creator of the popular blog Advanced Style, photographer Ari Seth Cohen's Advanced Love collects affectionate portraits of subjects who prove that love is bound by neither the constraints of age or time. The book includes 40 profiles of inspiring couples from around the world, and more than 200 photos. The profiles explore themes of love and companionship through firsthand insight from the subjects; they share their stories of falling in love, what they have learned after decades of partnership, and valuable relationship advice. Advanced Love is a touching look at the often-ignored partnerships of the senior set. Filled with couples who have built their lives together, it's an indispensable trove of wisdom on love and the lessons they have learned along the way.

Laura E. Smith unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing years of powwows and pageants at fairs, expositions, and other events. Smith examines the cultural and artistic significance of Poolaw's life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and Native religious and political activism. Rather than through the lens of Native peoples' inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw's photography within art history and Native American history, questioning the category of "fine artist" in relation to the creative lives of Native peoples. A tour de force of art and cultural history, Horace Poolaw, Photographer of American Indian Modernity illuminates the life of one of Native America's most gifted, organic artists and documentarians and challenges readers to reevaluate the seamlessness between the creative arts and everyday life through its depiction of one man's lifelong dedication to art and community.

Beautiful, haunting photographs of abandoned places around the world. Once thriving buildings now ravaged by nature and time are the subject of this fascinating book. The vestiges of Abkhazia, a country that does not exist, an abandoned power plant turned into a set for Hollywood movies, the Buffer Zone in Cyprus, the ghost city of the Chernobyl disaster, an Art Nouveau theatre in Brussels, a unique 18th-century Italian fortification, the city of Tskaltubo with its waters of immortality, one of the oldest baths in Romania… Roman Robroek is an urban-obsessed and award-winning photographer, born and raised in the enchanting south of the Netherlands. He takes unique photos of forgotten and abandoned places all over the world. What is the story behind those buildings? Who used to live there? What purpose did these objects serve, and why were they abandoned? This curiosity has created a close bond between him and Urban Photography, and Oblivion is the result of the last 10 years, which he spent exploring incredible ghostly locations, trying to answer these endless questions.

It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created. The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between German Gemutlichkeit and the constant threat of the Cold War. They show the winners and losers of the "economic miracle," people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century. For this revised edition, we have digitally remastered all photographies in a new, full-frame format that captivate with their highly pigmented colors and fine press varnish.

The first extensive monograph dedicated to the work of Paolo Ventura (Milan, 1968). Ventura has established himself in the field of artistic photography, offering a singular and absolutely original interpretation of staged photography, an art form in which photography is the final product of a creative process which, in his case, involves the preparation of scenarios and mannequins: the latter, together with real characters among which the artist himself often appears, are the protagonists of his stories. In these three-dimensional settings Ventura recreates, and then fixes through photography, a mental space that refers to the atmosphere of “magical realism” and to the fairytale flavour of childhood, generating a deliberately surreal contrast with the depth of some topics involved (such as war, abandonment, memory, identity). The volume offers an overall look at the artist’s 15 years of activity, showcasing 21 series from 2005 to the present time, highlighting the evolution of his language which, in addition to photography, is also expressed through drawings. The monograph includes critical texts by Walter Guadagnini and Francine Prose, an interview with Ventura by Monica Poggi and biographical notes. Text in English and Italian.

"North Warning System" is Donovan Wylie's third and final book of photographs on the themes of vision and power in military architecture, and draws a close to his "Tower Series." Surveying a radar station just inside the Canadian Arctic, Wylie examines the detection of invisible threats through unmanned observation posts in remote regions. The development of long-range bombers and missiles after the Second World War made Canada's arctic frontier vulnerable to attack from the air. This forced Canada and the United States to jointly construct a matrix of short and long-range radar stations in the 1950s. Known as the Distant Early Warning Line, these stations provided electronic observation and surveillance capability across Canada's northern frontier throughout the Cold War. In the 1990s, these stations were upgraded to form the North Warning System (NWS) which is increasingly active-as international maritime traffic develops throughout the north, so does military presence. In "North Warning System," whiteness takes on the quality of a blank canvas, a metaphor for the sweep of history.

Kings & Queens in Their Castles has been called the most ambitious photo series ever conducted of the LGBTQ experience in the U.S. Over a span of 15 years, Atwood photographed more than 350 subjects at home nationwide (with over 160 in the book), including nearly 100 celebrities (with about 60 in the book). With individuals from 30 states, Atwood offers a window into the lives and homes of some of America's most intriguing and eccentric personalities. Among those depicted are Meredith Baxter, Alan Cumming, Don Lemon, John Waters, George Takei, Alison Bechdel, Barney Frank, Don Bachardy, Billy Porter, Ari Shapiro, Arthur Tress, Michael Urie, Greg Louganis, Tommy Tune, Jonathan Adler and Terrence McNally. Modern day tableaux vivants, the images portray whimsical, intimate moments of daily life that shift between the pictorial and the theatrical. Rich in beauty and clarity, these personal landscapes are both a witness and a celebration

Artists II is the second volume of Jason Schmidt's ongoing photographic documentation of today's most significant artists. From young to old, emerging to career peaking, world famous or as-of-yet-known, the creative forces that the New York-based photographer has managed to capture over a period of 12 years has come to serve as perhaps the most incisive look into the art world as it stands today. Artists II captures 166 artists, including John Baldessari, Ai Weiwei, Glenn Ligon and Cindy Sherman, in their studios or work environments and the resultant images reveal the context in which the art was made or conceived and the artists in their most intimate moment--in the process of creation. A text by each artist in their own words accompanies each photograph: some are literal descriptions of the encounter, others are poetic or enigmatic; each is a window into their artistic methods and perspectives. The strength of this artists series lies not solely in its individual compositions but in its value as a comprehensive archive of contemporary artistic practice. Situated between portraiture and landscape, Schmidt's photographs show art and artist in a constant moment of transformation.

Ron Buckley's photographs show the changing locomotive scene taking place from the later 1930s throughout the East Midlands and East Anglia, illustrating pre-grouping locomotive classes still working across Lincoln, Cambridge, Norfolk, Suffolk, Nottingham, Leicester, Northampton, Bedford, Hertford, Buckingham and Essex. During later LNER days, locomotives of the Great Eastern and Great Northern Railways continued working the many secondary routes and branch lines while the main East Coast saw from 1935 the appearance of Nigel Gresley's streamlined class A4 locomotives working the high speed passenger traffic between Edinburgh and London. The LMS influence saw many former London and North Western and Midland Railway locomotives handling both passenger and goods traffic especially the product of the many collieries in Nottinghamshire.

In 2019 Manfred Zapatka ended his more than 50-year-long career in the theatre at the Residenz Theatre in Munich. An outstanding actor, he represents a generation of German-language ensemble theatre-makers that has recently been retiring. The photographer Fabian Zapatka (*1978) decided to accompany his father as he bade his farewell. His photographic piece Vater (Father) starts in the world of the Munich theatre. The end of their journey is marked by his father's retreat to his parents' home in Cloppenburg, Lower Saxony, where he spent his childhood. The old house in the old hometown, which stood empty for nearly 30 years, will become his new home. Text in English and German.

A classic, indeed perhaps the best of the Mapplethorpe books. And for many most certainly the most typical Mapplethorpe, now available once again thanks to this re-edition. The Black Book, first published in 1986, presents 96 formally stringent and highly erotic nudes, all of them photographs of black men, either as full figures, or staged as details, as fragments of their bodies. Stylized as classical statues or provocatively in all their presence and sensuous radiance. Black-and-white photography was Mapplethorpe's preferred medium. And his obsessive aesthetics was based on completely mastering it, as this enabled him to visualize any number of tonal gradations and penetrate deep into the very pores of the gleaming black skin. It is a method that reached a climax in these images. The Black Book, Mapplethorpe s homage to the black male body, has always been one of the most important visual contributions to the discussion on beauty, sensuality, and sexuality in photography.

Throughout the modern era, photography has been enlisted to classify the world and its people. Driven by a belief in the scientific objectivity of photographic evidence, the systems utilized to classify photographs have shaped modern visual culture. Accompanying the exhibition The Order of Things: Photography from The Walther Collection, this book investigates the production and uses of serial portraiture, vernacular imagery, architectural surveys and time-based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia and North America. Setting early modernist photographers Karl Blossfeldt and August Sander in dialogue with contemporary artists such as Ai Weiwei, Nobuyoshi Araki, Richard Avedon, Zanele Muholi, Stephen Shore and Zhang Huan, The Order of Things illustrates how typological methods in photography have developed globally.