"Any man that loves Bond will love to get this amazing book in their life." - Men's Journal "A great coffee table book filled with amazing photos of everyone's favourite spy." - Tom Lorenzo, Men's Journal "No fan of 007 will want to miss this coffee-table album..." - Michael Dirda, The Washington Post Terry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognisable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O'Neill's photographs.

Good Sick by Jordan Baumgarten is a photographic portrait of the US opioid crisis, shown through its effects on one neighbourhood in Philadelphia. The neighbourhood of Kensington is a nexus for those in and around the city seeking heroin and all that it entails. The supporting addiction based economy co-exists alongside everyday life in the neighbourhood and in its surrounding landscape there are signs and premonitions of disorder and confusion. The photographs in this book depict chaos; nature encroaching on urban decay; an ambiguity between magic and darkness; private moments which are public; animals and humans roam free--fuelled by id, and always, somewhere, there is a fire burning. The images in Good Sick are a small proportion of those taken by Baumgarten, a native of the city, between the winter of 2012 and the spring of 2017.

In his new book, Wounded: The Legacy of War, Bryan Adams presents portraits of young British soldiers who have suffered life-changing injury in Iraq and Afghanistan or during training. His lens bares witness to their scars, disability and disfigurement. This unexpected directness challenges the viewer. At the same time the images reveal the sheer grit and bravery of the victims who, despite personal sacrifice, live each day with continued vim, vigour and dignity. What we see are staggering portraits of inspiring individuals who whilst not faltering have stood the test of war and lived to tell the tale. The images come with haunting interviews which provide a narrative to each personal journey to recovery.

John Arsenault's flowery photographs in For You! do not highlight perfection but, rather, show the continual wrestling act between beauty and decay. The result of a long-term exploration on the seductive beauty of the rose, these intimate and varied images stand as a symbol of the artist's budding ardor for his lover, now husband. Historically, roses have been used to symbolize desire, sexuality, seductiveness, and secrecy; this in-depth study is testament to the continued potency of the time-honored symbol of love. John Arsenault is internationally exhibited and has worked with clients ranging from The New Yorker and Volkswagen to Goldman Sachs and Out Magazine.

Beneath the world's waters lie landscapes, species, vegetation and populations as diverse and splendid as those on land, yet these kingdoms have been explored by few. is an extraordinary look at the work of David Doubilet, an artist and diver who pioneered the medium of deep-sea reportage to become widely acclaimed as the world's leading underwater photographer. This fascinating and evocative volume looks at a world in which humans are neither the measure nor the master, but an encumbered intruder. From the waters of the Galapagos to the Red Sea, from the Pacific shores to the fresh waters of North America, Water Light Time includes over 25 years of Doubilet's work, and reveals the mesmerising beauty of more than 30 bodies of water. Rich with fascinating sea creatures, wondrous life forms and breathtaking underwater landscapes, Water Light Time is an unforgettable look at many of the earth's most remarkable natural compositions.

The Day May Break, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos were all affected by climate change, displaced by cyclones and years-long droughts. Photographed at five sanctuaries, the animals were rescues that can never be re-wilded. As a result, it was safe for human strangers to be close to them, photographed so close to them, within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.

The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.

Paris has about 600 impasses, cites, villas and squares: streets that come to a dead end - cul-de-sacs, as they used to be called in French and are still called in English. Within the Peripherique, Paris is the most densely populated city in Europe, with more than 20,000 inhabitants per square kilometre. This book depicts about 200 cul-de-sacs from the 1st to the 20th arrondissement for the first time. The photographs offer a glimpse of part of Paris that usually goes unnoticed. Text in English, French, and Dutch.

Corridor of Uncertainty is published as a limited edition. 400 copies will be available. In addition, a special Collector's Edition, limited to 100 signed and numbered copies and including a specially produced inkjet print, will be available. The specification is as follows: slipcased hardback, Cialux cloth with foil stamping, 210mm x 247mm, 72 pages with 58 colour plates. Printed on 170gsm high quality matt art paper.

In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans," represents a seminal moment in both photography and in America's understanding of itself. To mark the book's fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a thoughtful and revealing critical commentary. Though the importance of "The Americans" has been widely acknowledged, it still retains much of its mystery. This comprehensive analysis places it thoroughly in the context of contemporary photography, literature, music, and advertising from its own period through the present.

This volume explores the lives of women in Iran through the social, political and aesthetic contexts of veiling, unveiling and re-veiling. Through poetic writings and photographs, Azadeh Fatehrad responds to the legacy of the Iranian Revolution via the representation of women in photography, literature and film. The images and texts are documentary, analytical and personal. The Poetics and Politics of the Veil in Iran features Fatehrad’s own photographs in addition to work by artists Hengameh Golestan, Shirin Neshat, Shadi Ghadirian, Abbas Kiarostami, Mohsen Makhmalbaf, Adolf Loos, Gaëtan Gatian de Clérambault and Alison Watt. In exploring women’s lives in post-revolutionary Iran, Fatehrad considers the role of the found image and the relationship between the archive and the present, resulting in an illuminating history of feminism in Iran in the twentieth and twenty-first centuries.

Winner of the 2020 Hugo Boss Prize One of the most intriguing photographers of her generation, Deana Lawson's subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a striking visual language to describe black identities, through figurative portraiture and social documentary accounts of ceremonies and rituals. Lawson works with large-format cameras and models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body-often nude-is central. Throughout her work, Lawson seeks to portray the personal and the powerful in black life. Deana Lawson: An Aperture Monograph features forty-five beautifully reproduced photographs and an extensive interview with the filmmaker Arthur Jafa. "Outside a Deana Lawson portrait you might be working three jobs, just keeping your head above water, struggling. But inside her frame you are beautiful, imperious, unbroken, unfallen." - Zadie Smith

Richard Long has been at the forefront of land art for more than half a century. A pioneer of conceptual practices in the 1960s, his expanded approach to sculpture has consistently taken the medium out of the studio into the natural world and around the globe, using time, space, distance, navigation, perception, the elements and the geological forces that have shaped the landscape around us as both his tools and his vocabulary. Many Rivers to Cross is a thorough overview of Long's career, selected by the artist himself and spanning the late 1960s to the present day. It covers his practice in all its forms - walks, photographs, text works, large installations, mud works and drawings, including some early unpublished works as well as many seminal and celebrated projects. A number of short 'back stories' written by Long not only provide insight into the context and creation of key works, but also evoke the sense of freedom and adventure of an epic journey across foreign landscapes. Texts include a recent conversation between Long and internationally acclaimed composer and musician Nitin Sawhney; a dialogue about the recreation of Muddy Water Circle (1994) at Frieze Masters in London with Lisson Gallery in 2013; and a discussion with curator Alkistis Dimaki on the occasion of the presentation of Athens Slate Line at the Acropolis, Athens, in summer 2020. The book also includes documentation of works presented internationally in museums and galleries. Using earth, rocks, sticks and other natural materials and forces ranging from water and gravity to clouds and constellations of stars, over the course of his distinguished career Long has represented the primal relationship between humankind, art and the landscape. In a modern, post-industrial, digital world, his poetic and often profound practice is a poignant reminder of the origins of life, of human development and civilization, and of the fundamental, primordial drive to create.