In 1941, Ansel Adams photographed America's national parks for a series of murals that would celebrate the country's natural heritage. Because of the escalation of World War II, the project was suspended after less than a year, but not before Adams had produced these images, which illustrate both his early innovations and the shape of his later, legendary career as America's foremost landscape photographer. The invitation to photograph the nation's parklands was the perfect assignment for Adams, as it allowed him to express his deepest convictions as artist, conservationist, and citizen. These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams' technical and aesthetic inventiveness. In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams' work an enduring influence on environmentalism as well as art.

Through a series of photographs, Ahmed Mater charts the city's origins to its more recent history over the last 5 years. It is a study of the site's recent transformation - Makkah, until recently, embodied a unique urban tapestry, layered with histories that are stitched together by an abundance of organically rooted communities and cultures. It is a place that accommodated not only sacred structures and sites but also huge fluctuations in population during Ramadan (up to 3 million visitors a year travel to Makkah for Eid and Hajj). More recently, these sites and communities have been eradicated and are being replaced with five-star-studded high rise developments, transforming it from an active metropolis to the world's most exclusive, yet most visited religious tourist destination, reflective of an unprecedented experimentation with architecture and its possible impact on social stratification. This photographic essay is a celebration of Makkah's real and projected or imaginary states. It provides singular access to this site and its associated social and religious rituals, along with its architectural urban planned and proposed development.

Few creative alliances flourished as productively as that of the artist Georgia O'Keeffe and the photographer Alfred Stieglitz. Author Peter-Cornell Richter examines the lives of these artists to reveal the roads they took together and independently. Alternating biographical chapters interweave their stories. More than fifty exquisite reproductions of their paintingsand photographs illustrate how the two artists inspired and influenced each other, producing masterpieces of lasting relevance.

Beneath the world's waters lie landscapes, species, vegetation and populations as diverse and splendid as those on land, yet these kingdoms have been explored by few. is an extraordinary look at the work of David Doubilet, an artist and diver who pioneered the medium of deep-sea reportage to become widely acclaimed as the world's leading underwater photographer. This fascinating and evocative volume looks at a world in which humans are neither the measure nor the master, but an encumbered intruder. From the waters of the Galapagos to the Red Sea, from the Pacific shores to the fresh waters of North America, Water Light Time includes over 25 years of Doubilet's work, and reveals the mesmerising beauty of more than 30 bodies of water. Rich with fascinating sea creatures, wondrous life forms and breathtaking underwater landscapes, Water Light Time is an unforgettable look at many of the earth's most remarkable natural compositions.

"[A] gorgeous anthology of fashion images ... Leibovitz is nothing less than America's greatest living photographic portraitist ... she has changed fashion photography forever." - Anna Wintour Legendary photographer Annie Leibovitz's surprising account of her encounters with fashion over five decades. This luxury edition is presented in a beautiful and elegant slipcase. 'Looking back at my work, I see that fashion has always been there, ' Annie Leibovitz observes in the preface to Wonderland. 'Fashion plays a part in the scheme of everything, but photography always comes first for me. The photograph is the most important part. And photography is so big that it can encompass journalism, portraiture, reportage, family photographs, fashion ... My work for Vogue fueled the fire for a kind of photography that I might not otherwise have explored.' Includes 350 extraordinary images (many of them previously unpublished) featuring a wide and diverse range of subjects: Nicole Kidman, Serena Williams, Pina Bausch, RuPaul, Cate Blanchett, Lady Gaga, Matthew Barney, Kate Moss, Natalia Vodianova, Rihanna, Chimamanda Ngozi Adichie, Karl Lagerfeld, Nancy Pelosi. With a foreword by Anna Wintour.

"The Suffering of Light" is the first comprehensive monograph charting the career of acclaimed American photographer Alex Webb. Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, "to me it all is photography. You have to go out and explore the world with a camera." Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs, "The Suffering of Light" provides the most thorough examination to date of this modern master's prolific, 30-year career.
The photographs of Alex Webb (born 1952) have appeared in a wide range of publications, including "The New York Times Magazine," "Life," "Stern" and "National Geographic," and have been exhibited at the International Center of Photography, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009). A member of Magnum Photos since 1976, Webb lives in New York City.

Could it be that our world is just a construction - a manufactured illusion? A few years ago, this existential discussion was limited to the academic world and science fiction. But things are changing. Bank of America recently issued a report to all of their customers in which they stated that the probability that we live in an artificial reality is between 20% and 50%.Tesla and founder, Elon Musk,believes that the chance that we do not live in a computer simulation is one in a billion. The Merge visually explores the question: Is it possible that our physical reality does not exist as we believe it to, but instead life is a computer simulation?

"Tony Gentile is the most famous, but paradoxically also the most obscure, photographer among Italians familiar with a photograph he took that is so exceptional in nature that it became an icon of contemporary Italian history. Actually, everyone knows the photograph: it has been published a million times in newspapers and books, it is found on courthouse gables, at anti-Mafia associations, at political events and in books about contemporary history. I'm talking about the extraordinary photograph of Giovanni Falcone and Paolo Borsellino, sharing a private word. An image that was added to the family album of an entire generation." - Ferdinando Scianna Text in English and Italian.

Trope Publishing Company's new Mobile Edition Series identifies fine art photographers shooting in a new way, using mobile devices as their primary tool to capture images, in a category still defining itself. Among the millions of images posted to social media every day, the work of these photographers stands out for its discipline and mastery. Beijing native Cocu Liu's work emphasizes its simplicity, ordered composition, and mastery of light and shadow. An early adopter of the iPhone, Cocu has built his work around the idea that the best camera is the one you have with you. His ability to notice, compose, and capture an image with such spontaneity, so simply, is a true sign of his artistry. Cocu Liu introduces a wider audience to the talent that has won him multiple awards, notice from mobile phone makers, and the admiration of fellow photographers and his over 130K social media followers.

The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.

London-based artist Stephen Willats is a pioneer of conceptual art and has made work examining the function and meaning of art in society since the late 1950s. His first South London Gallery exhibition in 1998, entitled Changing Everything, brought together a body of work made in partnership with local residents over a two-year period. Aiming to create a cultural model of how art might relate to society, the work invited visitors to make their own contributions to it, shifting the way the art institution relates to the world around it. For his latest SLG show, Surfing with the Attractor, Willats re-presents material from Changing Everything alongside a new installation featuring a huge 'data stream' spanning 15 metres and made in collaboration with 14 London-based artists. Comprising hundreds of carefully ordered images in various media, the data stream documents two contrasting streets of London: Rye Lane in Peckham and Regent Street in the West End.Extending beyond the gallery space, the show also includes films from the data stream shown on monitors in shops on Peckham Road and Camberwell Church Street, and graphic stickers will be widely distributed.

In a book of Porsche photography and engaging conversation, Lance Cole journeys through a personal passion for Porsche one that many supercar enthusiasts share. Herein light falls on sculpted metal and paint -shiny and less shiny. Throwing off the conventions of Porsche purism, yet at the same time always respecting the origins of Porsche, and the status of the 911, this is a book that celebrates the engineering and the design language of Porsche amid its culture. From an oily-rag 356 to old 911s and new 911s, with a brief alighting upon other cars of the Porsche clan, this is an eclectic collection of enthusiasts moments captured across a British Porsche landscape.

Christo (1935-2020) and Jeanne-Claude (1935-2009) created some of the most breathtaking artworks of the 20th and 21st centuries. Their projects radically questioned traditional conceptions of painting, sculpture, and architecture. This lavish photo book is the first comprehensive publication on the artists' oeuvre to be released after Christo's death in May 2020. It also serves as a curtain-raiser for Christo und Jeanne-Claude's last major project - the wrapping of the Arc de Triomphe in Paris, which will be carried out posthumously in the fall of 2021. Presenting a wealth of photographs and studio snapshots from 1949 to 2020, some of which are private, this book allows an intimate peek behind the scenes of Christo und Jeanne-Claude's monumental installations which fascinated the public for decades. In addition to pictures capturing the artists at work, it includes photos documenting all of their major projects. Matthias Koddenberg (b.1984), art historian and close friend of the artists, spent many years compiling the more than 300 images featured in this volume. Among them are pictures taken by companions and friends and hitherto unpublished photographs from the artists' estate. Together they tell the extraordinary story not only of the couple's artistic collaboration, but also of their five-decade-long partnership.

Paris has about 600 impasses, cites, villas and squares: streets that come to a dead end - cul-de-sacs, as they used to be called in French and are still called in English. Within the Peripherique, Paris is the most densely populated city in Europe, with more than 20,000 inhabitants per square kilometre. This book depicts about 200 cul-de-sacs from the 1st to the 20th arrondissement for the first time. The photographs offer a glimpse of part of Paris that usually goes unnoticed. Text in English, French, and Dutch.

Richard Long has been at the forefront of land art for more than half a century. A pioneer of conceptual practices in the 1960s, his expanded approach to sculpture has consistently taken the medium out of the studio into the natural world and around the globe, using time, space, distance, navigation, perception, the elements and the geological forces that have shaped the landscape around us as both his tools and his vocabulary. Many Rivers to Cross is a thorough overview of Long's career, selected by the artist himself and spanning the late 1960s to the present day. It covers his practice in all its forms - walks, photographs, text works, large installations, mud works and drawings, including some early unpublished works as well as many seminal and celebrated projects. A number of short 'back stories' written by Long not only provide insight into the context and creation of key works, but also evoke the sense of freedom and adventure of an epic journey across foreign landscapes. Texts include a recent conversation between Long and internationally acclaimed composer and musician Nitin Sawhney; a dialogue about the recreation of Muddy Water Circle (1994) at Frieze Masters in London with Lisson Gallery in 2013; and a discussion with curator Alkistis Dimaki on the occasion of the presentation of Athens Slate Line at the Acropolis, Athens, in summer 2020. The book also includes documentation of works presented internationally in museums and galleries. Using earth, rocks, sticks and other natural materials and forces ranging from water and gravity to clouds and constellations of stars, over the course of his distinguished career Long has represented the primal relationship between humankind, art and the landscape. In a modern, post-industrial, digital world, his poetic and often profound practice is a poignant reminder of the origins of life, of human development and civilization, and of the fundamental, primordial drive to create.

At 17 Mike Brodie hopped his first train close to his

home in Pensacola, FL thinking he would visit a

friend in Mobile, AL. Instead the train went in the

opposite direction to Jacksonville, FL. Days later,

Brodie rode the same train home, arriving back

where he started. Nonetheless, it sparked something

and Brodie began to wander across the U.S. by

any means that were free - walking, hitchhiking and

train hopping. Shortly after, Brodie found a

Polaroid camera stuffed behind a carseat. With no

training in photography and coke-bottle glasses, the

instant camera was an opening for Brodie to document

his experiences.

As a way of staying in touch with his transient community,

Brodie shared his pictures on various websites

gaining the moniker "The Polaroid Kidd" sic].

When the Polaroid film he used was discontinued,

Brodie switched to 35mm film and a sturdy 1980's

camera. Brodie spent years crisscrossing the U.S.

amassing a collection, now appreciated as one of the

most impressive archives

Throughout the modern era, photography has been enlisted to classify the world and its people. Driven by a belief in the scientific objectivity of photographic evidence, the systems utilized to classify photographs have shaped modern visual culture. Accompanying the exhibition The Order of Things: Photography from The Walther Collection, this book investigates the production and uses of serial portraiture, vernacular imagery, architectural surveys and time-based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia and North America. Setting early modernist photographers Karl Blossfeldt and August Sander in dialogue with contemporary artists such as Ai Weiwei, Nobuyoshi Araki, Richard Avedon, Zanele Muholi, Stephen Shore and Zhang Huan, The Order of Things illustrates how typological methods in photography have developed globally.

Overgrown industrial complexes, disused asylums, abandoned palaces and monasteries feature in this latest incendiary book from Carpet Bombing Culture. Beauty in Decay - The Art of Urban Exploration broke new ground in depicting the global phenomenon of Urban Exploration (Urbex) when it published in 2010. Author RomanyWG has again tirelessly tracked down dozens of new locations to amaze viewers of Beauty in Decay II, a further peek behind the Urbex curtain. Urban explorers find the beauty layers of history, multi-hued peeling paint, antique objects, ancient initials in the dust and the other physical manifestations of memory that abandoned, impermanent urban spaces manifest. For Beauty in Decay RomanyWG has gone behind the lens to give us a further peak behind the Urbex curtain. This time the HDR is paired down and the spectacle ramped up.

With such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the '90s supermodels, and numerous solo exhibitions at world-renowned institutions including the Pushkin Museum in Moscow, the Ullens Center for Contemporary Art in Beijing, and the Gagosian in London, Peter Lindbergh is a master of his craft who has made his mark in the halls of photography history. The industry quickly became enamored with his almost anti-fashion photography, capturing the Zeitgeist and the spirit of his subjects rather than pursuing today's search for perfection, which he considers inhuman. Handpicked from 37,000 unreleased photos from his groundbreaking 2017 Pirelli calendar shoot, Lindbergh offers an intimate insight into a pool of extraordinary talent: Nicole Kidman, Julianne Moore, Alicia Vikander, Charlotte Rampling, Dame Helen Mirren, Jessica Chastain, Kate Winslet, Lea Seydoux, Lupita Nyong'o, Penelope Cruz, Robin Wright, Rooney Mara, Uma Thurman, and Zhang Ziyi. His message is simple. These images speaks about a different kind of beauty, far away from society's obsession with youth and perfection; one which is concerned with individuality, the courage to be yourself, and your very own sensibility.