Americans is the second book in a series on America by Christopher Morris. While the first book My America (Steidl, 2006) focused on Republican nationalism, Americans takes a much broader journey across American society. With an empathetic and critical eye, Morris presents a nation in a state of perpetual loss and its people searching for an identity- stranded within two long-running wars and an economy on the verge of collapse. Christopher Morris, born in California in 1958, began his career as a documentary conflict photographer, working almost exclusively with Time Magazine, where he has been on contract since 1990. Parallel to his career as a photojournalist, Morris has recently expanded into the fashion world, working for such clients as Roberto Cavalli and magazines on the collections of Louis Vuitton, Prada and Max Mara. Morris has received many awards including the Robert Capa Gold Medal, the Olivier Rebbot Award, and the Infinity Award for photojournalism from the International Center of Photography. Morris is a founding member of VII Photo Agency in New York.

The American photographer Abe Frajndlich has close connections with New York. He describes the cityas his muse and repeatedly records it and its people in haunting photographs.This volume shows selected, highly personal images which are very different from the ubiquitous postcardsand poster views, which is lavishly illustrated in this book. Abe Frajndlich (*1946, Frankfurt am Main) is known internationally for his portraits of famous people such as Jack Lemmon and Stephen Hawking. Since moving to New York in 1984 the city itself has been one of his principal subjects. He is fascinated by its radiance and watches spellbound how it changes and reinvents itself on a daily basis. The result is a multi-faceted picture: the black-and-white photographs aresometimes perceptive, sometimes thoughtful, and sometimes witty or quirky -but they are always a declaration of love to New York.

William Klein (born 1928) is a photographer who has always moved against the current. A painter, filmmaker, graphic designer and fashion photographer, Klein grew up in New York but has been based in Paris since 1948. His shots are often intense and immediate, disrupting the established order of things and capturing fragmented snatches of distortion and movement. Although best known for his images of New York in the 1950s, he has also worked in other urban environments, including Tokyo and Moscow, as well as producing a striking series of painted contact sheets. Throughout his varied body of work, his insatiable desire to confront the chaos of the world shines through.

In this album, the compelling photographer Alessandra Sanguinetti explores her vision of France, in which old traditions persist even while they fray and shift in relation to contemporary stresses, including multiculturalism. The work presents an intuitive, often lyrical journey that is undercut with a sense of tension about what it means to be French-and to photograph the French-today. Le Gendarme Sur La Colline is the result of a major new commission by Fondation de l'entreprise Hermes and Aperture Foundation, working in alliance. Called "Immersion," the program seeks to expand artistic dialogue between France and the US, while investing in creativity, and providing a platform for an important emerging artist to create a major new body of work.

Three decades of fashion brought together in one Collection, worn as originally intended by the Collector herself, and developed over five years by established fashion and portrait photographer Frederic Aranda: this is Electric Fashion. But why is it electric? It is the story of how the Collector, Christine Suppes, blazed an indelible trail into online fashion editorial whilst developing a unique collection in the heart of Silicon Valley. Electric Fashion is essential viewing, punctuated with academic perspective, comprehensive technical references, and archival text from the collection's accompanying website, fashionlines.com. This timeless tome boasts a double vantage point; on the one hand, each garment is photographed in a studio setting to enhance critical academic understanding, whilst on the other, worn by the collector herself at locations around the world to depict the garments as they were originally intended to be worn. The finished product is a 360 degree view of fashion, from historical, cultural, and practical standpoints.

In "Photography After Frank," former "New York Times" writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's "The Americans" as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming spontaneity and its documentation of life beyond the picket fence. Thus viewed, "The Americans" provides Gefter with a bridge to the phenomenon of the staged document and Postmodernism's further challenge to image fidelity. Other areas of discussion include photojournalism, the recent diversity of portraiture styles, the influence of private and corporate collections on curatorial decisions and how the market shapes art making. Throughout "Photography After Frank," Gefter deftly demonstrates Frank's legacy in the work of dozens of important individual artists who followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Ryan McGinley. The book includes texts written exclusively for this publication as well as essays drawn from Gefter's critical writings, reviews and even obituaries. "Photography After Frank" offers a page-turning approach to a subject that will appeal to students and art world aficionados alike.

"The style that Jimmy Katz has developed over the years has become a distinctive feature in the iconography of jazz photography, comparable to the tone of Louis Armstrong's trumpet or the sound of John Coltrane's saxophone." - Michael Cuscuna (Blue Note) The volume, published on the occasion of Umbria Jazz 2019, collects 80 images by Jimmy Katz (New York, 1957), award-winning photographer of the most famous jazz musicians. Over the course of two decades, Katz has immortalised the main actors of the jazz scene against the background of New York: Cassandra Wilson, Herbie Hancock, Sonny Rollins, Keith Jarrett, Ornette Coleman, Chick Corea, Brad Mehldau, Pat Metheny and many more. In the studio, in clubs, on the streets, at work or at rest, Katz portrays the musicians in their most intimate aspects, capturing the traits that unequivocally define their personality. The wise use of lights and the glimpses of New York locations make his shots iconic and unmistakable, a sincere testimony to his great passion for jazz. Text in English and Italian.

The Many Lives of Erik Kessels presents the highly anticipated first illustrated survey of this pioneering and influential curator, editor, and artist whose varied experiments with photography and photographic archives have allowed us to reconsider the medium's vernacular and narrative possibilities in today's inundated image landscape. "People consume photographs," says Kessels, "they don't look at them anymore." This volume is a primer on how to look-and how to better understand the hybrid practice of this artist who defies categorization. Including more than twenty of the artist's series and features essays by Simon Baker, Hans Aarsman, and curator Francesco Zanot, The Many Lives of Erik Kessels is published in conjunction with a major mid- career retrospective at Camera: Italian Centre for Photography in Turin, Italy.

Custodians brings together for the first time, in this beautifully compiled collection, images of many of Oxford's most prestigious buildings along with some rarely seen, but wonderful venues and their 'Custodians'. Photographer Joanna Vestey set out to explore the extraordinary colleges and buildings of Oxford, behind the closed doors, often beyond the reach of the 9.5 million visitors a year who come here, and to meet the 'Custodians' playing a pivotal role in perpetuating these world-renowned institutions. Rarely do we get to catch a glimpse behind the closed facades of these iconic structures and to see the spaces that lie within. All the images have been captured in the University City of Oxford, known as the "City of Dreaming Spires" and show its extraordinary breadth of architecture since the arrival of the Saxons. It includes venues such as the 17th Century Divinity School, the mid-18th century Radcliffe Camera continuing through to the most recent award winning RIBA-nominated chapel at Ripon College completed last year. Venues such as the Sheldonian Theatre and Christchurch College sit alongside perhaps lesser known venues such as The Real Tennis Courts or the John Martyr Pawsons cricket pavilion portraying the breadth and diversity constituting the city. The 'Custodians' and their surroundings enjoy equal status in Joanna's formal compositions; they seem to belong together, yet do not fuse into one, thereby asking us to question how we are all largely shaped and influenced by the structures around us - how defined we are by them and how much they form us. Full of unexpected venues beautifully photographed, this book will appeal to the historian, city visitor, people interested in architecture and interiors as well as to the extensive alumni network of the colleges themselves. It will also appeal to an audience interested in contemporary photography.

Robert Polidori is known for his large format photographs of habitats and rooms saturated with the traces of human intervention. In EYE and I, he turns the lens around to reveal the portraits of people he has encountered in his work of over thirty years photographing around the world, particularly in the Middle East and India. These instantaneous portraits of mutual recognition reveal the photographed subject and the photographer intersecting with each other in a fleeting gaze of mutual regard. Robert Polidori was born in Montreal in 1951 and lives in New York City. His work has been the subject of exhibitions in New York, London, Brazil, Montreal, among other places. He received the World Press Photo Award in 1997, the Alfred Eisenstaedt Award for Magazine Photography in 1999 and 2000, and Communication Arts awards in 2007 and 2008. In 2006, Polidori's series of photographs of New Orleans after Hurricane Katrina was exhibited at the Metropolitan Museum of Art. His bestselling books Havana (2003), Zones of Exclusion-Pripyat and Chernobyl (2003), After the Flood (2006), Parcours Museologique Revisite (2009) and Some Points in Between... Up Till Now (2010) are published by Steidl.

NYC-based photographer Tommy Kwak brings Miami Beach to life After the destruction of Hurricane Andrew on Miami Beach in 1992, the lifeguard towers were commissioned to be redesigned in vibrant fashion to uplift the spirits of the town. In the tradition of the Becher's water tower series, this book of Tommy Kwak's photographs methodically examines the 30+ iconic towers that have become symbols of South Florida's revitalization. This award-winning series of photographs utilizes similar framing and long exposures to produce minimal sky and sea backdrops in order to highlight the traits of each tower, inviting the reader to appreciate and compare the electric color palettes and eccentric forms. This body of work shows Tommy's distinct approach recognizable by the composition of the pictures, sophisticated usage of the angles, and manipulation of light, shadow, and colors. Tommy's style of photography celebrates a kind of ephemeral beauty, and at the same time transforms these entities into more graphic forms, bringing a fresh perspective on the lifeguard towers of Miami Beach.

Wild and Precious documents the road trips that American photographer Jesse Burke (born 1972) takes with his daughter to explore the natural world. Burke's landscapes and portraits investigate the complex relationship humans have with nature, as well as a father's love for his child.