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Books > Arts & Architecture > Photography & photographs > Individual photographers
Richard Long has been at the forefront of land art for more than
half a century. A pioneer of conceptual practices in the 1960s, his
expanded approach to sculpture has consistently taken the medium
out of the studio into the natural world and around the globe,
using time, space, distance, navigation, perception, the elements
and the geological forces that have shaped the landscape around us
as both his tools and his vocabulary. Many Rivers to Cross is a
thorough overview of Long's career, selected by the artist himself
and spanning the late 1960s to the present day. It covers his
practice in all its forms - walks, photographs, text works, large
installations, mud works and drawings, including some early
unpublished works as well as many seminal and celebrated projects.
A number of short 'back stories' written by Long not only provide
insight into the context and creation of key works, but also evoke
the sense of freedom and adventure of an epic journey across
foreign landscapes. Texts include a recent conversation between
Long and internationally acclaimed composer and musician Nitin
Sawhney; a dialogue about the recreation of Muddy Water Circle
(1994) at Frieze Masters in London with Lisson Gallery in 2013; and
a discussion with curator Alkistis Dimaki on the occasion of the
presentation of Athens Slate Line at the Acropolis, Athens, in
summer 2020. The book also includes documentation of works
presented internationally in museums and galleries. Using earth,
rocks, sticks and other natural materials and forces ranging from
water and gravity to clouds and constellations of stars, over the
course of his distinguished career Long has represented the primal
relationship between humankind, art and the landscape. In a modern,
post-industrial, digital world, his poetic and often profound
practice is a poignant reminder of the origins of life, of human
development and civilization, and of the fundamental, primordial
drive to create.
This volume explores the lives of women in Iran through the social,
political and aesthetic contexts of veiling, unveiling and
re-veiling. Through poetic writings and photographs, Azadeh
Fatehrad responds to the legacy of the Iranian Revolution via the
representation of women in photography, literature and film. The
images and texts are documentary, analytical and personal. The
Poetics and Politics of the Veil in Iran features Fatehrad’s own
photographs in addition to work by artists Hengameh Golestan,
Shirin Neshat, Shadi Ghadirian, Abbas Kiarostami, Mohsen
Makhmalbaf, Adolf Loos, Gaëtan Gatian de Clérambault and Alison
Watt. In exploring women’s lives in post-revolutionary Iran,
Fatehrad considers the role of the found image and the relationship
between the archive and the present, resulting in an illuminating
history of feminism in Iran in the twentieth and twenty-first
centuries.
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Good Life
(Hardcover)
Jasper Morrison
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R576
R541
Discovery Miles 5 410
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Photo essays imagining the stories behind a series of seemingly
ordinary situations Just what is it that catches the eye, and why?
What's the significance of a broken flowerpot, a pair of identical
tables side by side, a garden hose wrapped around an old car wheel?
In this collection of photo essays, the famous designer Jasper
Morrison examines and imagines the life behind a series of
seemingly ordinary situations.
The first definitive monograph of color photographs by American
street photographer Vivian Maier. Photographer Vivian Maier's
allure endures even though many details of her life continue to
remain a mystery. Her story-the secretive nanny-photographer who
became a pioneer photographer-has only been pieced together from
the thousands of images she made and the handful of facts that have
surfaced about her life. Vivian Maier: The Color Work is the
largest and most highly curated published collection of Maier's
full-color photographs to date. With a foreword by world-renowned
photographer Joel Meyerowitz and text by curator Colin Westerbeck,
this definitive volume sheds light on the nature of Maier's color
images, examining them within the context of her black-and-white
work as well as the images of street photographers with whom she
clearly had kinship, like Eugene Atget and Lee Friedlander. With
more than 150 color photographs, most of which have never been
published in book form, this collection of images deepens our
understanding of Maier, as its immediacy demonstrates how keen she
was to record and present her interpretation of the world around
her.
When Joe McNally moved to New York City in 1976, his first job was
at the Daily News as a copyboy, the wretched dog of the newsroom.
He was earning the lowest pay grade possible and living in a cheap
hotel in Manhattan. Life was not glamorous. But with a fierce
drive, an eye for a picture, and a willingness to take (almost) any
assignment that came his way, Joe stepped out onto the always
precarious tightrope of the freelance photographer and never looked
back. Fast forward 40 years, and his work has included assignments
and stories for National Geographic, Time, LIFE, Sports
Illustrated, and more. He has travelled for assignments to nearly
70 countries and received dozens of awards for his photography. In
The Real Deal, Joe tells us how it all started, and candidly shares
stories, lessons, and insights he has collected along the way. This
is not a dedicated how-to book about where to put the light, though
there is certainly instructional information to be gleaned here.
This is also not a navel-gazing look back at the good old days,
because those never really existed anyway. Instead, The Real Deal
is simply a collection of candid field notes some short, some quite
long gathered over time that, together, become an intimate look
behind the scenes at a photographer who has pretty much seen and
done it all. Though the photography industry bears little
resemblance to the industry just 10 years ago (much less 40 years
ago), what it really takes to become a successful photographer the
character traits, the fundamental lessons, the ability to adapt,
and then adapt again remains the same. Joe writes about everything
from the crucial ability to know how to use (and make!) window
light to the importance of creating long-term relationships built
on trust; from lessons learned after a day in the field to the need
to follow your imagination wherever it takes you; from the random
and lucky moments that propel one s career to the wonders and
pitfalls of today s camera technology. For every mention of f-stops
and shutter speeds, there is equal discussion about the importance
of access, the occasional moment of hubris, and the idea of
becoming iconic. Before Joe was a celebrated and award-winning
photographer, before he was a well-respected educator and author of
multiple bestselling books, he was just Joe, hustling every day,
from one assignment to the next, piecing together a portfolio, a
skill set, a reputation, a career. He imagined a life and then took
pictures of it. Here are a few frames.
Over the course of his three-decade career, Thomas Ruff has taken
up many approaches to photography in his investigation into the
status of the image in contemporary culture. In Thomas Ruff, the
artist presents new work that continues his ongoing probe into the
history, different processes, techniques, and technology of
photography. One of the most influential photographers working
today, Thomas Ruff has redefined photography's conceptual
possibilities, simultaneously capturing and challenging the essence
of the medium as both a means and a tool for visual experience.
Over the past twenty-five years, he has investigated various
photographic genres, including portraiture, the nude, and landscape
and architectural photography, using both analog and digital
technologies, and culling imagery from scientific archives, print
media, and the internet. Presented here is a selection of Ruff's
most well-known works, as well as the newer Tripe series, begun in
2018, which draws on negatives of India and Burma taken in the
1850s by an officer in the East India Company army. Also included
is a conversation between Ruff and Okwui Enwezor, which took place
at the Haus der Kunst in Munich, in connection with Ruff's
retrospective then on view. The conversation, published here for
the first time, has been edited for this volume and examines Ruff's
artistic practice and inspiration, serving as an engaging and
dynamic introduction to the artist. Published on the occasion of
the artist's solo exhibition at David Zwirner, Hong Kong, in 2019,
Thomas Ruff is available in both English only and bilingual
English/traditional Chinese editions.
100 Churches of Venice and the Lagoon is a photographic project
started by Merizalde in 2014, alongside a broader body of work that
began in the city in 2008. The color photographs in this book
document religious temples from every "sestiere" of Venice, and the
smaller towns of the Venetian lagoon. Starting in every
neighborhood in the city, and navigating the Venetian lagoon-from
Murano to Burano and Torcello, from Pellestrina to Chioggia, and
deep into the northern lagoon to areas like Lio Piccolo, Mesole and
beyond-he found and photographed their respective churches whether
they remained in service or were deconsecrated or repurposed.
Following their architectural similarities, the book presents a
layout that favors the facade, relying on this subtle repetition
for artistic sustenance and balance. A poignant essay by Marina
Gasparini Lagrange provides an account tthat combines her personal
experience as a former resident with a balanced historical
perspective. 100 Churches of Venice and the Lagoon presents an
in-depth view of Venetian culture and history through its place of
worship in a book of exceptional appeal.
Celebrate what it means to be young and filled with possibility and
passion. From Jordan Matter, author of Dancers Among Us with more
than 100,000 copies in print and a social media star with over
800,000 followers, comes his most irrepressible project yet, Born
to Dance. Using his special gift for photographing dancers in the
midst of daily life and focusing it on kids between the ages of 4
and 17, Matter captures a sense of exuberance and joy - what it
must feel like to be a young dancer and perform the amazing,
gravity-defying things that your body can do. Every girl and boy in
the book feels that they were born to dance, and they imbue every
common action - hanging at the playground, walking on the beach,
eating in the cafeteria, waiting in line at the movies, playing a
game with friends - with beauty, humour, and surprise. They twirl,
they bounce, they stand on point, and they flip. They bend backward
at an impossible angle, leap so high it makes you gasp, and jump in
a way that it seems they're levitating. The result, through Jordan
Matter's incredible ability to capture the exact right moment, is a
visual appreciation of childlike joy and sadness, resilience and
energy. Chapters are introduced with Matter's charming personal
stories and include "When I Grow Up," "Do They Like Me?" and "I Can
Do It." Photos are accompanied by inspiring quotes from the
dancers, making it a perfect gift for every dance fan and the
parents, teachers, friends, and family who support them. Telling a
story that makes people gasp and smile through photography is
Jordan Matter's mission. Born To Dance does this by conveying
memorable, unique, extraordinary moments and rites of childhood
through amazing, often gravity-defying dance positions. Dancers
from 4-17 enact sleepovers, first crushes, the joy of an ice cream
cone, feeling left out, having a best friend, going swimming and
many more joys and trials of childhood.
"Boelsums' interplay of sky and light and land, her overwhelming
and yet intimate photos add a magnificent touch to what might
initially appear nondescript."- Manon Uphoff Quotes from the jury
who selected Saskia Boelsums as the Dutch Artist of the Year in
2020: "Vivid photography worthy of the old Dutch masters!"
"Exceptionally beautiful landscape photos: Saskia introduces a
completely new style to this discipline." "Her work moves me and
repeatedly renders me speechless." "Then I see Saskia Boelsums'
landscape photos on display. A shiver of pleasure runs through me."
Joyce Roodnat - NRC Handelsblad Saskia Boelsums dramatic
photographs of Dutch landscapes reflect on the atmospheric
paintings of the Golden Age painters such as Jacob van Ruisdael and
Jan van Goyen, but her work is clearly seeped in her own experience
of nature. Lashing rain over the sea, sun breaking through storm
clouds, and fields of flowers bathed in an otherworldly light:
these images are the result of hours and days of waiting to capture
the perfect moment. In this, her second book of landscape
photographs, she presents not only Dutch landscapes and seascapes,
but also landscapes photographed on visits to Germany, Switzerland,
and New York.
I See a City: Todd Webb's New York focuses on the work of
photographer Todd Webb produced in New York City in the 1940s and
1950s. Webb photographed the city day and night, in all seasons and
in all weather. Buildings, signage, vehicles, the passing throngs,
isolated figures, curious eccentrics, odd corners, windows,
doorways, alleyways, squares, avenues, storefronts, uptown and
downtown, from the Brooklyn Bridge to Harlem. He created a richly
textured portrait of the everyday life and architecture of New
York. Webb's work is clear, direct, focused, layered with light and
shadow, and captures the soul of these places shaped by the
friction and frisson of humanity. A native of Detroit, Webb studied
photography in the 1930s under the guidance of Ansel Adams at the
Detroit Camera Club, served as a navy photographer during World War
II, and then went on to become a successful postwar photographer.
His work is in many museum collections, including The Museum of
Modern Art in New York and the National Gallery of Art in
Washington. With 167 illustrations
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Rester
(Paperback)
Laurent Chardon
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R523
Discovery Miles 5 230
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For over two decades, legendary British photographer David Yarrow
has been putting himself in harm s way to capture immersive and
evocative photography of some of the world s most revered and
endangered animal species. With his images heightening awareness of
endangered species and also raising huge sums for charity and
conservation, he is one of the most relevant photographers in the
world today. Featuring his 150 most iconic photographs, David
Yarrow Photography offers a truly unmatched view of some of the
world s most compelling and threatened species. This collection of
stunning images, paired with Yarrow s first-person contextual
narrative, offers an insight into a man who will not accept second
best in the relentless pursuit of excellence. David Yarrow
Photography offers a balanced retrospective between his spectacular
work in the wild and his staged storytelling work that has earned
him wide acclaim in the fine art market. The intricacy and balance
in these considered vignettes reinforces the work ethic in his
research-based natural work. Yarrow rarely just takes pictures he
almost always makes them. Whether it be in the wilds of Alaska or
an old saloon bar in Montana, there will always be a preconception
of what he is looking for in the final work. The consistency of
this approach sets him apart from others in the field. Yarrow s
work will awaken our collective conscience and true to form he has
agreed to donate all the royalties from this book to conservation.
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Planets
(Paperback)
Arthur Tress
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R1,156
R900
Discovery Miles 9 000
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A series of beautiful photography books of previously unpublished
work by leading and emerging contemporary photographers. Each book
in the series contains from 10 to 18 photographs and includes a
statement by the photographer. This series belongs in the library
of all lovers of fine photography books. The book features
surrealism in a new vein.
Generation AK. The Afghanistan Wars 1993-2012 is a retrospective
selection of images of the country where Stephen Dupont has covered
everything from civil war and the rise of the Taliban in the 1990s,
to the launch of "Operation Enduring Freedom" and the ongoing war
on terrorism. Dupont completed much of this work on self-funded
trips and as part of one of the last small independent photographic
agencies, Contact Press Images, of which he has been a member since
1997. In 2008 Dupont survived a suicide bombing while travelling
with an Afghan opium eradication team near Jalalabad.
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