A groundbreaking introduction to the photographic work of an iconic modern artist The pathbreaking artist Georgia O'Keeffe (1887-1986) is revered for her iconic paintings of flowers, skyscrapers, animal skulls, and Southwestern landscapes. Her photographic work, however, has not been explored in depth until now. After the death of her husband, the photographer Alfred Stieglitz, in 1946, photography indeed became an important part of O'Keeffe's artistic production. She trained alongside the photographer Todd Webb, revisiting subjects that she had painted years before-landforms of the Southwest, the black door in her courtyard, the road outside her window, and flowers. O'Keeffe's carefully composed photographs are not studies of detail or decisive moments; rather, they focus on the arrangement of forms. This is the first major investigation of O'Keeffe's photography and traces the artist's thirty-year exploration of the medium, including a complete catalogue of her photographic work. Essays by leading scholars address O'Keeffe's photographic approach and style and situate photography within the artist's overall practice. This richly illustrated volume significantly broadens our understanding of one of the most innovative artists of the twentieth century. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (October 17, 2021-January 17, 2022) Addison Gallery of American Art, Phillips Academy, Andover, MA (February 26-June 12, 2022) Denver Art Museum (July 3-November 6, 2022) Cincinnati Art Museum (February 3-May 7, 2023)

In Search for Meaning is the first published book by artist-photographer Felisa Tan. This striking collection covers most of her major work for the past 15 years, many of which were never published before. Consisting of 72 photographs exquisitely made and sequenced by Felisa herself, unveiling spellbinding and strange mundane subjects from her extensive travels and light experimentations at home, she has created a record of the way she experiences the world after undergoing more than a decade of evolution as an artist and human being. Felisa's photographs reflect honest, clear observation, and an intricate and layered way of seeing, as she watches life unfold itself before her eyes. Her exceptionally loaded ways of looking at the world are reflected in her handling of space, composition, synchronised colours, shapes, and framing, and rather imperfect subjects and places. Common things - graffiti, carnivals, twilight, lonely scenes, and empty spaces - are all transformed by her subtle luminous vision into an extraordinary teacher, filled with ageless Presence and wisdom. The consistency of her proclivity towards certain kinds of places and moments of time, and deep insightful rendering of these moments, present us with an extension of her present tense, reading of meaning, and judgment of what might be of timeless importance to the readers in every phase of their lives. Furthermore, with her ability to grasp the little details that come her way as both an individual and a representative of a larger human and universal context, this rich compendium of images in both natural and human settings transport the viewer into the heart of childlike wonder and a lush infinite Universe.

The story of Adam and Eve powerfully retold in photographs, from an unexpected viewpoint With his last book, Travels with Van Gogh and the Impressionists, Neil Folberg - already well known as a photographer of landscape and architecture - took his work in a surprising, and successful, new direction, using costumed actors and carefully arranged settings to reconstruct the milieux of some of the world's most beloved artists. Serpent's Chronicle represents a further evolution of Folberg's interest in staged photography: here, the images form a continuous narrative, namely, the story of Adam and Eve, as seen through the eyes of the Serpent. For this ambitious exercise in pictorial storytelling, acted by modern dancers and set in a wild Mediterranean valley, Folberg draws upon the full range of his artistic resources as a photographer in color and black and white, and of the landscape, the human figure, and even the night sky; the result, according to ARTnews, is a series of "lush depictions" that use "subtle anachronism, metaphor, and theatricality to memorable effect." To memorable effect and, one might add, in a spirit of serious spiritual inquiry; Folberg's imaginative retelling of the story, based on an ancient oral tradition and accompanied by a poetic text, addresses the profound questions inherent in the biblical account. For instance, how could there be a state of paradise with only one human inhabitant? And how could conflict be avoided if there were two? Presenting Adam and Eve as Everyman and Everywoman, in a time and place at once archetypal and contemporary, Folberg shows us that the story of Eden is the true prototype of every human relationship and endeavor.

The setup is classic and familiar: a table draped with a white cloth, a dish of fruit, a sugar bowl. Yet instead of the meal awaiting an unseen viewer's consumption, as in a classic still life, Laura Letinsky photographs what remains on the table after the food has been eaten, leaving only crumbs, melon rinds, a cantaloupe pocked with rot and a half-finished lollipop. Letinsky explores the inextricable relationship between ripeness and decay, delicacy and clumsiness, waste and plenitude, pleasure and sustenance. The influence of Dutch-Flemish and Italian still-life paintings--whose exacting beauty documented shifting social attitudes resulting from exploration, colonization, economics and ideas about seeing as a kind of truth--can be seen here as well. In "After All," Letinsky explores photography's transformative quality, changing what is typically overlooked into something splendid in its resilience. Poet Mark Strand contributes an essay to this marvelous volume.

How did a photographer who was a relentless playboy, an unashamed womaniser and a leather-clad motorcyclist marry the Queen's sister and become the Establishment figure Lord Snowdon? The brilliantly talented Antony Armstrong-Jones often humiliated Princess Margaret, yet he was compassionate to the causes he cared about. Since his death in 2017, Snowdon still hasn't escaped the limelight, as more and more is revealed about his wild and intriguing life. Written with exclusive access to Snowdon and the people closest to him, this book uncovers the real man and his times. Addressing the facts behind the myths - the secret courtship of Margaret, the love child born just weeks after the royal marriage, the affairs on both sides, the suicide of one mistress and the birth of an illegitimate son to another - this is a balanced yet no-holds-barred account of Snowdon's life.

City Lust is a timely dialogue between words and images about a crucial moment in our recent history: the apotheosis of globalisation and its current unravelling. In this book, Charlie Koolhaas - an artist, photographer, and writer - takes us to London, Guangzhou, Lagos, Dubai, and Houston, cities in which she has either lived or worked. Her personal and humorous account explores the rapid changes taking place in these culturally vastly different metropolises that are being united by the influences of global trade and the evolution of a shared global culture. A captivating combination of photographic documentary and written testimony, City Lust portrays a global landscape that contradicts the current pessimism to reveal unexpected creativities, connections, and collective references that emerge despite huge global and economic divides.

Foreword by His Holiness the Dalai Lama. This beautiful book invites readers to experience the cultural-spiritual traditions of Tibet, Bhutan, Nepal, Sikkim, and Ladakh. The wisdom of the ancient teachings is transmitted in simple yet expressive language that is accessible to today's readers. Complementing and subtly echoing the teachings, Marcia Keegan's sensitive photos capture the unique qualities of these traditional Buddhist lands and cultures.

Danish photographer Jacob Holdt is internationally revered for his vision of America, as portrayed in classic volumes like "American Pictures" and "United States 1970-1975." It is a vision which has inspired many, both in its extremity (the director Lars von Trier is reputedly a fan) and in its tenacity. Holdt arrived in the U.S. in the early 70s with almost no money, and hitchhiked all over the U.S., earning a living by selling blood, and proceeded to build an amazing portrait of the margins of America over the course of his 100,000-mile journey. This monograph continues Holdt's fascination with American society, with a portfolio of photographs from the 70s to the present. Holdt's photographs document the social realities of the people he travels with, spanning the demographic from poor families to millionaires, junkies and even members of the Ku Klux Klan.

On one of Spencer Ostrander's early visits to Times Square, the rain began to fall. The people in the crowd, suddenly draped in plastic, were transformed into abstract, brilliant reflections of the massive advertising that surrounded them. Designed to entrap the consumer with illusions of status, the good life, and happiness by product, the vast LED light boards turned visitors into walking ads for MTV, Coca-Cola, and The Lion King. And when the flickering LEDs hit his camera's sensor, they created streaks of color and lines that don't exist, but are part of the photos, a technical mirage that perfectly suits Ostrander's subject-the empty allure of late capitalism. Moving among the people with his camera, Ostrander began to see sorrow, tenderness, despair-a hidden story that starts to reveal itself in his photographs.

This striking book shows the world's most beautiful libraries through Candida Hoefer's mesmerizing photographs. No one photographs spaces quite like Candida Hoefer and no one has captured better the majesty, stillness, and eloquence of libraries. Traveling around the world, Hoefer shows the exquisite beauty to be found in order, repetition, and form--rows of books, lines of desks, soaring shelves, and even stacks of paper create patterns that are both hypnotic and soothing. Photographed with a large-format camera and a small aperture, these razor-sharp images of the Pierpont Morgan Library in New York, the Escorial in Spain, Villa Medici in Rome, the Hamburg University library, the Bibliotheque Nationale de France in Paris, and the Museo Archeologico in Madrid, to name a few, communicate more than just the superb architecture. Glowing with subtle color and natural light, Hoefer's photographs, while devoid of people, shimmer with life and remind us again and again that libraries are more than just repositories for books. Umberto Eco's essay about his own attachment to libraries is the perfect introduction to an otherwise wordless, but sublimely reverent journey.

Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring. Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither colour nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films. For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus. Text in English and German.

James Mollison's photo projects are defined by smart, original concepts applied to serious social and environmental themes. For his latest book, Playground, Mollison photographs children at play in their school playgrounds, inspired by memories of his own childhood and interested in how we all learn to negotiate relationships and our place in the world through play. For each picture, Mollison sets up his camera during school break time, making multiple frames and then composing each final photograph from several scenes, in which he finds revealing "play" narratives. With photographs from rich and poor schools, in countries including Argentina, Bhutan, Bolivia, India, Israel, Italy, Japan, Kenya, Nepal, Norway, Sierra Leone, the United Kingdom, and the U.S., Mollison also provides access for readers of all ages to issues of global diversity and inequality.

75 years after the end of World War 2, members of an extremist nationalist party have been elected into German parliaments, once more. How was this possible? And what does this tell about a country which has until today not adequately dealt with parts of its own past, particularly with the atrocities committed in the neighbouring Poland? Having lived in the US for almost two decades, professor of photography Jörg Colberg (*1968) attempts to understand what is going on within his native country and, given his own biography, to what extent he still is part of the whole complex. Text in English, German, and Polish.