Marking the occasion of Didier Vermeiren's eponymous solo exhibition at WIELS in Brussels, this book illuminates the recurrent strategies of repetition, reversal, doubling and inversion that the artist explores in his work Published to mark the occasion of Didier Vermeiren's (b. 1951) eponymous solo exhibition at WIELS in Brussels, Double Exposition takes its name from a photograph by Vermeiren that refers to its own double exposure ("exposition" in French, which also translates as "exhibition"). The title thus evokes the recurrent strategies of repetition, reversal, doubling, and inversion that Vermeiren explores in his work. Conceived by the artist and containing a rich array of his striking photographs, this book also features an in-depth analysis of Vermeiren's most recent sculptures written by long-term commentator on his practice, Michel Gauthier; an essay on the central role of photography in his studio practice by Susana Gallego-Cuesta; and a look at the shifts and continuities in his oeuvre over the past four decades by the exhibition's curator, Zoe Gray. Distributed for Mercatorfonds

The collapse of Russian communism in 1991 resounded to the shudder of an empire. Soviet imperialism and empiricism was dead and lands, nations, and peoples would henceforth be free from the tyranny of the communist diktat. But it also sounded the death knell of a small, impoverished, and forgotten land-locked state in the Caucasus which had the misfortune to be of geopolitical importance. Stanley Greene's photographs in Open Wound are so powerful as to make Chechnya our responsibility. He is unashamed to use guilt, with his painter's eye, to relate the deeds of men in Chechnya to our own conduct.

The photographer Richard Koek is a visual storyteller with a gift for being in the right place at the right time. For this book, he turns his gaze to the people and streetscapes of New York, capturing the diversity and energy of the city that inspires so many to come here to realise their dreams. These are photos of real New Yorkers, night and day, at work and at play, in their neighbourhoods, at their jobs, and on the street. The city itself, from glass fronted buildings to sidewalk food stands, reflects the tenacity and spirit of the people who call the Big Apple home. "Richard has a unique eye for the still astonishing diversity of New Yorkers, natives or transplants. A transplant himself, there's no denying the power of Richard's personal vision of the city he has made his home. His evident talent and the works' singularity speak for themselves." - Julia Gruen, Executive Director, Keith Haring Foundation, New York

With shimmering outfits, poetic texts and energetic performances David Bowie delighted millions of fans. As Ziggy Stardust, Major Tom or the Thin White Duke he proved his innovative power and eagerness to experiment. Bowie showed the world that, to stay true to yourself, you have to keep on reinventing yourself. On the occasion of the 5th anniversary of Bowie's death, photographer Masayoshi Sukita presents an extraordinary illustrated book on the celebrated musician, actor and producer. During their 40-year cooperation Sukita captured the essence of Bowie - in iconic black-and-white photos and extravagant portrait photos. The best of them were chosen for this book and topped off with informative texts. The musician and his photographer - a different Bowie biography "Bowie was not like other rock'n'rollers, he had that certain something, and I knew, I wanted to turn that into pictures." - This is how Sukita remembers meeting the exceptional musician for the first time in 1972. Sukita's work mirrors the artist's eventful life as well as eventful times. Through his camera he looks at manipulative strategies of self-presentation, of creating fictional characters, that commenced in the '70's art and music and were brought to perfection by David Bowie. A kaleidoscope of timeless portraits, far from the usual rock star snapshots! Text in English and German.

The title Present Perfect ambiguously relates to an “ideal present� on the one hand culminating in a “perfect� moment, and on the other hand to the English tense referring to a state or an action that began in the past and continues to the present. An allusion to the photography’s utopian attempt to enshrine the present moment, when it is only ever able to capture a moment in the past. Echoing a plethora of attentive everyday observations, Eidinger’s photographs capture oftentimes paradoxical scenes of mundane life including people’s ambivalent behaviour. In a society of singularities, reality has become a colossal photomontage. Behind it lies an abysmal world entangled in contradictions. Eidinger depicts the lonely emptiness of modern life’s non-places, provisionalities, garishly out-of-place oddities. His confrontations with insufferable incongruities turn into symbolic images of an era of exhaustion. Present Perfect assembles new images captured with his mobile phone, as well as images taken with a reflex camera, tracing Eidinger’s photographic self-explorations over the past 20 years.

"A history of cool." — Airmail "Without a doubt she is the great reference of photography in the Hip Hop Culture, with photos that are already the history of contemporary culture of the 20th century." — Staf Magazine "In over 240 pages, the book encapsulates the spirit of history-making generations and their influence on fashion and wider visual culture." — The Luupe Covering four decades of photography, this book serves as a stunning snapshot of Beckman’s significance in the world of art, photojournalism, music, fashion, and popular culture – but most prevalently, it’s a testament to her unique ability to extract beauty from the outliers of society. With written contributions from Beckman’s peers including academia’s Jason King, Chair of NYU’s Clive Davis Institute of Recorded Music & Vivien Goldman Author & Professor at NYU; journalists Vikki Tobak, and co-founder of PAPER, Kim Hastreiter; visual artist Cey Adams; music legends Sting, Run DMC, Paul Weller, Salt-n-Pepa, Belinda Carlisle, and Slick Rick; and fashion’s Dapper Dan, Dior’s Maria Grazia Chiuri, Levi’s Chad Hinson – Rebels: From Punk to Dior showcases Janette Beckman’s influence in her realm. In addition to publishing five books, Janette Beckman’s work has been exhibited in galleries worldwide and is included in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, and the British National Portrait Gallery. She is represented by the Fahey Klein Gallery.

Noel Kerns is a Texas-based photographer who specializes in capturing ghost towns, decommissioned military bases, and industrial abandonments by night. His images incorporate two distinct photographic techniques: time-exposure by the natural light of a full moon, and the artful application of artificial light, vividly painted into the scene while the cameras shutter is open. Light-painting is all about vision, says Kerns. Or more accurately, pre-vision. Its the ability to imagine the scene you want to emerge from the darkness, and then to execute it in such a way as to match or surpass what you imagined. NIGHTWATCH: PAINTING WITH LIGHT is the first book from Kerns, one of the worlds foremost practitioners of the art of light-painting. Join him as he ventures into the darkness of the American Southwest, exploring remote desert ghost towns under a full moon, or prowling the abandoned, seemingly post-apocalyptic structures of Americas industrial wastelands. In his photographs, Kerns captures the world surreal: flowing cloud-streaks in a night sky, the laser-like light trails of cars racing by on a highway, a raging ocean shoreline rendered eerily calm through long exposure.

On 31st January 2020, Newcastle Hospitals became the first hospital in the UK to receive patients suffering from a new illness - Covid-19. At the time Tom Warburton was a senior director at Newcastle City Council and was directly involved in organising many of the city's responses to the Covid pandemic. As a keen amateur photographer, he knew he would be in a unique position to try and make a photographic record of the pandemic's effect on Newcastle and its people during one of the most difficult periods in recent history. Over the next two years, and with controlled access to some of the most sensitive and strategic areas of the battle against the virus, Tom recorded both the sadness and desperation as well as the achievements and sacrifices of those in the frontline fight against the pandemic. Tom's photographs will serve as an important historical reminder of one of the most significant and strange times in Newcastle's history and as a fitting tribute to those who took risks to help others and provide life-saving services. A proportion of the book's sales revenue will go to Newcastle Hospitals Charity and West End Food Bank.

Kicking Sawdust is a series of photos taken from 1988-1992 while on the road with the circus, carnival, sideshows. It is a personal documentation of friends and people Clayton Anderson encountered in his daily life while working and traveling in his family's food business. Shot on black and white film and developed by author while on the road, after hours.

Poverty, in its universality, seems immediately understandable and yet, as a global problem, its dissolution remains highly complex.To illustrate what it means to live at the poverty line, Stefen Chow and Huiyi Lin visited thirty-six cities on six continents, and examined poverty with regards to food. From the local markets, they bought vegetables, fruits, cereal products, proteins and snacks - the amount of food they could afford per day based on the respective poverty line definition set by each government. They photographed the resulting pile of food, placed on a page of a local newspaper they bought that day. Using visual typology and artistic research as their guiding principle, they carefully calibrated lighting and shooting distance to ensure uniformity and comparability. In this visual reader, Chow and Lin embark on an economic comparison between the thirty-six countries and territories making the problem of poverty visible and comprehensible. In addition to the examination of the poverty line and its meaning across the world, the duo selected nine foods available in most of the economies observed to illustrate the globalization of production and the variations in prices and consumption. The book is enriched by texts that shed light on issues around the poverty line as a global phenomenon: The authors relate to the challenges of our society and the UN 2030 Agenda for Sustainable Development whose first of seventeen goals is to end poverty in all its forms.

The black and white shot photographs (2016-2019), part of de Mortemart's Quest project, portray humans deluged in daily routine, lost in the anonymity of large cities, facing the unknown in search of themselves. The characters are seeking solutions and perhaps answers to the reason for their existence - lost in the universe, without any understanding but with a desire to find a solution with a sentiment of solitude and anxiety in a rapidly changing world. With the belief that we are entering an era of increasing uncertainty where people are losing faith and lacking the answers to dealing with a fractured world, the men and women appearing in Quest are not capable of telling who they are, nor where they come from in a world they hardly understand any longer.

In 2009 Karolina Gembara moved to Delhi to learn photography and stayed for seven years. When we lie down, grasses grow from us, comprises photographs taken during this period, as Gembara developed a love/hate relationship with the city, borne out of a combination of fascination, homesickness and a feeling of transience. During her time in the city, Gembara moved around frequently and found it difficult to establish a home, or a place where she felt truly comfortable. She met many in a similar position - housing was temporary and even romantic relationships were somehow superficial and makeshift.

While candy-colored pinup may be popular with some, this is a collection of dark, sexy images that truly reflect the sophisticated side of the pinup genre. Seemingly ripped from the men's magazines of yesteryear, these photos are so authentic looking down to the smallest detail as if they were actually taken decades ago. Bullet bras, seamed stockings, high heels, and girdles bursting at the seams! Internationally published photographer Mark Anthony Lacy specializes in bringing out the allure and sensuality of his female subjects. He combines his backgrounds in art, architecture, film, and photography to create incredibly authentic vintage tableaus in his New York studio.

Todd Forsgren (born 1981) creates intimate portraits of birds at the moment of their capture in mist nets as part of scientific surveys and ornithological research. This monograph serves as an effective and original critique of our impulse to name, classify and quantify wildlife.

Underage is an award-winning photographic documentation aimed at understanding the minds of underage male prostitutes in Thailand in a most candid and visceral way. Photographer Ohm Phanphiroj uncovers the life, choice, and consequences that these young boys are experiencing. Underage prostitution results from several reasons, from being molested by family members and/or relatives, poverty, being a runaway, and drug addiction.Underage has been exhibited worldwide, among others at Newspace Center for Photography (2011), Sommerblut International Art Festival (2011), Noordelicht Photo Festival (2012), The Kinsey Institute (2013), Tally Beck Contemporary (2014), Miami Art Festival (2014), and Documentary Arts Asia (2014).The photographic project received multiple awards, i.e. Lightwork (2012), Newspace Center for Photography (2012), Documentary Arts Asia (2014), Columbia College fellowship (2015), Noor-Nikon (2015), Society for Photographic Education (2015).

Stephen Dowle first started taking photographs using a pre-war Coronet Cub given to him by his father. He spent the 1970s and the early 1980s documenting his home city and the lives of the inhabitants who resided there. The photographs in this book are atmospheric and evocative, revealing poignant scenes that have changed significantly over the following years. With over 140 unique images, each accompanied by Stephen's informative, often wry, descriptions, Bristol: A Portrait 1970-82 is a significant work that documents the recent past, capturing the city during a period of great change and bringing it to life again. A nostalgic read for Bristolians and a historical account for others, this book is a must-have for residents of this great city.