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Books > Arts & Architecture > Photography & photographs > Individual photographers
Marking the occasion of Didier Vermeiren's eponymous solo exhibition at WIELS in Brussels, this book illuminates the recurrent strategies of repetition, reversal, doubling and inversion that the artist explores in his work Published to mark the occasion of Didier Vermeiren's (b. 1951) eponymous solo exhibition at WIELS in Brussels, Double Exposition takes its name from a photograph by Vermeiren that refers to its own double exposure ("exposition" in French, which also translates as "exhibition"). The title thus evokes the recurrent strategies of repetition, reversal, doubling, and inversion that Vermeiren explores in his work. Conceived by the artist and containing a rich array of his striking photographs, this book also features an in-depth analysis of Vermeiren's most recent sculptures written by long-term commentator on his practice, Michel Gauthier; an essay on the central role of photography in his studio practice by Susana Gallego-Cuesta; and a look at the shifts and continuities in his oeuvre over the past four decades by the exhibition's curator, Zoe Gray. Distributed for Mercatorfonds
Using his camera as a passport, Encounters is Tom Bowden's (known as TBow) portrait diary of human life in America. Known for his inimitable style, TBow somehow turns potentially unwilling subjects into compliant participants in his portrait making. Encounters is a unique look at people, documented through the lens of an ambitious observer of the human condition. In her essay in the book, the renowned documentary photographer Maggie Steber writes: "Nowadays, much of street photography is detached. Not TBow's. He is a visual minstrel and troubadour. People are comfortable with him and they reveal their stories." Interspersed throughout the book are short texts that tell stories about some of his subjects. For the portrait of "Scott with His Pistol, Austin Texas, 2016," TBow writes: "This photograph was made the day 'open carry' was legalized in Texas. I asked Scott what he thought about gun control and he told me, "Gun control is knowing where your gun is pointed at all times."
Sensual and softly surreal, the nude photography of Ralph Gibson frames the female form both organically and graphically, referencing art history while also innovating in the arena of erotic imagery, at once summoning visceral sensation and calling out for tactile attention. Thumb through this exquisite tribute to the contours and curves of womanhood and experience the intimacy of the photographic lens. Reviving TASCHEN's sold-out Collector's Edition, this tribute gathers the best of Gibson's exquisite nudes alongside some of his most recent works in an accessible, revised format, complete with a fresh in-depth interview by Eric Fischl. Strikingly graphic, meticulously composed, and loaded with subtle provocations, the master photographer's mysterious, dreamlike images pay homage to greats such as Man Ray and Edward Weston, while continually pursuing new frontiers. "A photographer once said that beauty in women is endless. Perhaps it was I who said it. [...] I love photographing women and could say that the form of the female body is absolute and perfect." -Ralph Gibson
From 1982 to 1986, Roger Ballen, an American, travelled widely throughout South Africa, visiting its scattered towns and villages. During this time he developed a unique vision towards little-known corners and artefacts, trading stores, old houses and humble people. Textured with time, these photographs reveal the essence of these places. This is a revised second edition of Roger Ballen’s powerful photographic journey containing new unpublished images never seen before. Roger says he has tried to depict what he believes to be a disappearing South African aesthetic. With each year, the anonymity of the present further transforms the character of these places.
ToiletMartin PaperParr Book limited edition is a high-impact visual volume revealing the most iconic images from the prolific archives of internationally celebrated artist Martin Parr and the duo who created Toiletpaper, Maurizio Cattelan and Pierpaolo Ferrari. Martin Parr's ironic, full color images combine perfectly with the irreverent and poignant wit created by Maurizio Cattelan and Pierpaolo Ferrari. The 120 vibrant back-to-back images included in this compelling volume are sensually and visually appealing, as well as reflecting reality. This book of the books shakes up our minds and leads us to move our gaze in multiple directions. This limited edition comes with a special cover and includes a surprise gift...
This body of work is a visual investigation of a series of objects, photographs, and memorabilia found in the house of an unknown Milanese chemist. The collection and the biographical notes of Giulia C., the enigmatic figure at the origin of this work, allow Italian photographer Andrea Ferrari to ponder the topic of a visual alphabet. Combining documentaries and rearrangements, the photographic
quest turns the assumed physical space of Giulia C.'s house into a
mental one. Through collecting, objects gain a sort of camouflage
and acquire an aura of enigma. Hidden meanings gain the upper hand
over the actual objects.
A full biography of legendary East Village artist and gay activist David Wojnarowicz, whose work continues to provoke twenty years after his death.
Friendly. Loyal. Affectionate. The list of wonderful traits possessed by America's #1 dog goes on and on. Given the Lab's good looks, trainability, and devotion, is it any wonder that there are millions of happy Lab owners in the United States? In The Love of a Lab, Jim Dratfield's beautiful photographs, combined with witty, insightful, and poignant quotes, capture the many reasons people feel the way they do about these cherished companions. Like Dratfield's previous books, Pug Shots, and Day of the Dachshund, this is sure to become a classic gift book for Lab owners and dog lovers everywhere.
Abandoned Planet showcases the haunting poetry of abandoned places and takes you on a journey through a world most will never see. The pathos, the magic, the profound sadness of each image invites you to contemplate not only the eventual failure of all human endeavour but also that difficult to describe, indistict yearning for a world less civilised, a nostalgia for wild spaces - for a life less tame.
Kingdom of Sand and Cement by Peter Bogaczewicz explores the challenges Saudi Arabia faces today as it rapidly transforms from a conservative and tribal desert culture to an influential world power. In less than a century the Saudis have experienced profound change as they transitioned from living in traditional mud buildings to commencing work on the world's tallest skyscraper. Examining this legacy through large-format color photographs, Peter Bogaczewicz documents a country of sharp contrasts where visual traces of an old reticent society can be seen in the midst of a burgeoning modern culture reflecting the ambitious agenda of the new King and his charismatic son and successor, the Crown Prince, a decisive risk-taker whose bold policies have received a warm welcome by some, yet have alienated others.
André Kertész (1894-1985) was one of the most inventive, influential, and prolific photographers in the medium's history. This small volume, first published in 1971, became one of his signature works. Taken between 1920 and 1970, these photographs capture people reading in many parts of the world. Readers in every conceivable place—on rooftops, in public parks, on crowded streets, waiting in the wings of the school play—are caught in a deeply personal, yet universal, moment. Kertész's images celebrate the absorptive power and pleasure of this solitary activity and speak to readers everywhere. Fans of photography and literature alike will welcome this reissue of this classic work that has long been out of print.
"[A] gorgeous anthology of fashion images ... Leibovitz is nothing less than America's greatest living photographic portraitist ... she has changed fashion photography forever." - Anna Wintour Legendary photographer Annie Leibovitz's surprising account of her encounters with fashion over five decades. This luxury edition is presented in a beautiful and elegant slipcase. 'Looking back at my work, I see that fashion has always been there, ' Annie Leibovitz observes in the preface to Wonderland. 'Fashion plays a part in the scheme of everything, but photography always comes first for me. The photograph is the most important part. And photography is so big that it can encompass journalism, portraiture, reportage, family photographs, fashion ... My work for Vogue fueled the fire for a kind of photography that I might not otherwise have explored.' Includes 350 extraordinary images (many of them previously unpublished) featuring a wide and diverse range of subjects: Nicole Kidman, Serena Williams, Pina Bausch, RuPaul, Cate Blanchett, Lady Gaga, Matthew Barney, Kate Moss, Natalia Vodianova, Rihanna, Chimamanda Ngozi Adichie, Karl Lagerfeld, Nancy Pelosi. With a foreword by Anna Wintour.
Having left South Africa at the age of four as a political refugee
with his parents, photographer Koto Bolofo returned to his home
country with his wife in 1992, two years after Nelson Mandela had
been released from prison. Bolofo got free access to the notorious
and by now deserted prison of Robben Island, where Mandela had been
held for the majority of the twenty-seven years of his confinement
in a cell of barely 6 square metres in Section B. The photographer
and his wife eagerly began documenting the site's abandoned
interiors and surroundings, dreading the prison's potential
closure. Meanwhile, it was converted into a well-frequented museum
in 1997 and included on the World Heritage List by UNESCO in 1999.
The black and white photographs of this volume conspicuously favour
close-up depictions of details as opposed to general views:
leftover items, barbed wire fences, spacious dormitories viewed
through a spyhole, the key in the lock to Mandela's cell which is
so tiny it cannot be taken as a whole--all this is conveying the
gloomy sense of claustrophobia and suppression that characterise
the place. The camera is constantly searching for the few rays of
light that penetrate the ubiquitous grimness and silence of
cruelty.
Over the course of his three-decade career, Thomas Ruff has taken up many approaches to photography in his investigation into the status of the image in contemporary culture. In Thomas Ruff, the artist presents new work that continues his ongoing probe into the history, different processes, techniques, and technology of photography. One of the most influential photographers working today, Thomas Ruff has redefined photography's conceptual possibilities, simultaneously capturing and challenging the essence of the medium as both a means and a tool for visual experience. Over the past twenty-five years, he has investigated various photographic genres, including portraiture, the nude, and landscape and architectural photography, using both analog and digital technologies, and culling imagery from scientific archives, print media, and the internet. Presented here is a selection of Ruff's most well-known works, as well as the newer Tripe series, begun in 2018, which draws on negatives of India and Burma taken in the 1850s by an officer in the East India Company army. Also included is a conversation between Ruff and Okwui Enwezor, which took place at the Haus der Kunst in Munich, in connection with Ruff's retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff's artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist. Published on the occasion of the artist's solo exhibition at David Zwirner, Hong Kong, in 2019, Thomas Ruff is available in both English only and bilingual English/traditional Chinese editions.
Bridget Riley is one of the most important British painters of our time. Since the early 1960s, when she first gained recognition with her powerful black and white paintings, the artist has continued to explore the principles of abstraction in startling and original ways. Through her systematic engagement with colour, tone, form and structure, Riley pushes the boundaries of perception, challenging us to look at the world anew. This landmark publication brings together for the first time all of Bridget Riley's known paintings, including well over 650 works ranging from the late 1940s to 2017. Each painting is illustrated with a full-page colour image, many of which have been sourced from the artist's extensive archive and rarely published. Drawing on archival research and expert knowledge, the publication includes an introductory essay, explanation of materials and methods, extended exhibition history, biographical information and explanatory notes. The publication benefits from the remarkable input of Bridget Riley herself, who has been present at every stage of the project and has provided first-hand information about her work and exhibition and sales history. Bridget Riley: The Complete Paintings is a seminal visual resource and provides the most comprehensive overview of the artist's paintings to date.
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