Few creative alliances flourished as productively as that of the artist Georgia O'Keeffe and the photographer Alfred Stieglitz. Author Peter-Cornell Richter examines the lives of these artists to reveal the roads they took together and independently. Alternating biographical chapters interweave their stories. More than fifty exquisite reproductions of their paintingsand photographs illustrate how the two artists inspired and influenced each other, producing masterpieces of lasting relevance.

The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.

With a title inspired by the name of the character in the acclaimed book The Outsiders, by S.E. Hinton, Sodapop is a love letter to French New Wave cinema. Also inspired by classic Italian cinema, this story of culture on the fringes features tales and portraits of the iconoclasts, rebels, punks, and romantics, all set in Downtown Manhattan and Brooklyn in the span of predominantly one summer. The glamorous and the rebellious, fishnets and cigarettes, improvised on New York City's streets, rooftops, hotels, and dive bars in raw, immediate form.

Paris has about 600 impasses, cites, villas and squares: streets that come to a dead end - cul-de-sacs, as they used to be called in French and are still called in English. Within the Peripherique, Paris is the most densely populated city in Europe, with more than 20,000 inhabitants per square kilometre. This book depicts about 200 cul-de-sacs from the 1st to the 20th arrondissement for the first time. The photographs offer a glimpse of part of Paris that usually goes unnoticed. Text in English, French, and Dutch.

The biggest and most comprehensive volume on Steve McCurry published to date and the final word on forty years of McCurry's incredible work. Written and compiled by Bonnie McCurry, Steve's sister and President of the McCurry Foundation, Steve McCurry: A Life in Pictures is the ultimate book of McCurry's images and his approach to photography. The book brings together all of McCurry's key adventures and influences, from his very first journalistic images taken in the aftermath of the 1977 Johnstown floods, to his breakthrough journey into Afghanistan hidden among the mujahideen, his many travels across India and Pakistan, his coverage of the destruction of the 1991 Gulf War and the September 11th terrorist attacks in New York, up to his most-recent work. Totalling over 350 images, the selection of photographs includes his best-known shots as well as over 100 previously unpublished images. Also included are personal notes, telegrams and visual ephemera from his travels and assignments, all accompanied by Bonnie McCurry's authoritative text - drawn from her unique relationship with Steve - as well as reflections from many of Steve's friends and colleagues. Steve McCurry: A Life in Pictures is the complete, definitive volume on McCurry

Corridor of Uncertainty is published as a limited edition. 400 copies will be available. In addition, a special Collector's Edition, limited to 100 signed and numbered copies and including a specially produced inkjet print, will be available. The specification is as follows: slipcased hardback, Cialux cloth with foil stamping, 210mm x 247mm, 72 pages with 58 colour plates. Printed on 170gsm high quality matt art paper.

Could it be that our world is just a construction - a manufactured illusion? A few years ago, this existential discussion was limited to the academic world and science fiction. But things are changing. Bank of America recently issued a report to all of their customers in which they stated that the probability that we live in an artificial reality is between 20% and 50%.Tesla and founder, Elon Musk,believes that the chance that we do not live in a computer simulation is one in a billion. The Merge visually explores the question: Is it possible that our physical reality does not exist as we believe it to, but instead life is a computer simulation?

The English illustrator Anna Atkins (1799-1871) was in every respect a modern woman. For the publication of her plant collections she used the latest technology, the recently invented cyanotype. In 1843 she used the process to create the first photo book in history, with images of breathtaking beauty and originality which often look like modern art. At first Anna Atkins worked for and with her father, the zoologist John George Children; later she chose the objects for her scientific compositions herself: algae and ferns. Atkins placed them on light-sensitive paper that turned dark blue in water after being developed, with the exception of the places that had been covered by the plants. Initially alone, and then with her friend Anne Dixon, she produced well over 10,000 copies of her photograms and assembled them in several books like albums. Today these rare copies are regarded as treasures and are preserved in museums and libraries.

From the perspective of his 90 years of age, from the height of being a legend in photography, William Klein looks back and selects his favourite works, those that he considers to be the best in his whole career, in order to pay homage to photography itself. This book, not by chance titled Celebration, is a tour to his most emblematic works: unique instants captured in New York, Rome, Moscow and Paris, in powerful black and white or striking colour. A true celebration of photography. This volume also includes a text by the author in which he reflects upon photographic art and explains what prompted him to make this sort of director's cut, this exceptionally personal selection, which brings together the works that, in his view, have made a contribution to the world of photography. A small-format but high-voltage volume that, page after page, makes it clear why Klein is one of the summits of contemporary photography.

At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who developed a pioneering method of capturing color images on glass plates, scoured the Russian Empire with the patronage of Nicholas II. Intrepidly carrying his cumbersome and awkward camera from the western borderlands over the Volga River to Siberia and central Asia, he created a singular record of Imperial Russia. In 1918 Prokudin-Gorsky escaped an increasingly chaotic, violent Russia and regained nearly 2,000 of his bulky glass negatives. His subsequent peripatetic existence before settling in Paris makes his collection's survival all the more miraculous. The U.S. Library of Congress acquired Prokudin-Gorsky's collection in 1948, and since then it has become a touchstone for understanding pre-revolutionary Russia. Now digitized and publicly available, his images are a sensation in Russia, where people visit websites dedicated to them. William Craft Brumfield-photographer, scholar, and the leading authority on Russian architecture in the West-began working with Prokudin-Gorsky's photographs in 1985. He curated the first public exhibition of them in the United States and has annotated the entire collection. In Journeys through the Russian Empire, Brumfield-who has spent decades traversing Russia and photographing buildings and landscapes in their various stages of disintegration or restoration-juxtaposes Prokudin-Gorsky's images against those he took of the same buildings and areas. In examining the intersections between his own photography and that of Prokudin-Gorsky, Brumfield assesses the state of preservation of Russia's architectural heritage and calls into question the nostalgic assumptions of those who see Prokudin-Gorsky's images as the recovery of the lost past of an idyllic, pre-Soviet Russia. This lavishly illustrated volume-which features some 400 stunning full-color images of ancient churches and mosques, railways and monasteries, towns and remote natural landscapes-is a testament to two brilliant photographers whose work prompts and illuminates, monument by monument, questions of conservation, restoration, and cultural identity and memory.

Renowned for his contribution to the development of the motion picture, Eadweard Muybridge was a pioneering photographer. Alongside his remarkable photographic achievements, his personal life was riddled with melodrama, including a near-fatal stagecoach accident, a betrayal and a murder trial. Marta Braun's new biography traces the sensational events of Muybridge's life against his personal reinventions as artist, photographer, high-minded researcher and showman. Muybridge's opportunity in photography came in the 1870s, when his skills were enlisted by a racehorse breeder to prove the 'unsupported motion controversy' - the theory that during a horse's stride, there was a moment when all four of its legs left the ground. The resulting collection 'Motion Studies' gave Muybridge a taste for the scope of his trade; photography could be more than landscapes, and he went on to apply it to the realm of scientific research. He invented the 'zoopraxiscope' as a means of capturing movement too quick for the human eye to record.Simulating motion through a series of stills, his pioneering use of sequence photography served as a forerunner to the introduction of cinematography in the 1890s, and his work has gone on to influence the worlds of art, science and photography. Featuring newly discovered information about the photographer and his masterpiece Animal Locomotion this illuminating study examines the character of the man whose influence has resounded through generations. In Eadweard Muybridge, Braun considers why he was and is so central to the history of art, science, photography and motion pictures.

The artist Stefan Hunstein brought magical photographs of untouched landscapes back from his journey to the Arctic in 2012. In their majesty and beauty, their immensity and their deadly cold they echo the visions of ice in painting and literature, especially during the Romantic era. The publication shows a selection of these breathtaking photographs which are being presented in public for the first time - also in a series of exhibitions. Here Hunstein, famous for his critical exami nation of contemporary history through the artistic processing of existing pictures, has taken up the camera himself and has created "Dream Pictures" which retain a hint of unreality in their outlines, shadows and reflections, in their theatrical blue lumi nosity and the bizarre, constantly changing structures. In these photos - printed on glass using a special technique - the artist links the fragile and the monstrous, the beauty of nature and "the horrors of the ice and of darkness" (Christoph Ransmayr)

In this beautiful follow-up to the bestselling Humans of New York, street photographer Brandon Stanton celebrates our shared humanity with yet more stunning photographs and stories from the lives of ordinary, extraordinary New Yorkers. Ever since Brandon Stanton began interviewing strangers on the streets of New York, the dialogue he's had with them has increasingly become as in-depth, intriguing and moving as the photos themselves. In Humans of New York: Stories, Brandon presents portraits of a whole new group of humans, complete with stories that delve deeper and surprise with their greater candour. Humans of New York began when photographer Brandon Stanton set out on an ambitious project - to single-handedly create a photographic census of New York City. Gaining millions of followers online, the photos he took and the accompanying interviews became his first book: Humans of New York. With his second inspiring look at the residents of New York, let Brandon Stanton be your guide as he uncovers the astonishing stories of everyday people.

In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans," represents a seminal moment in both photography and in America's understanding of itself. To mark the book's fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a thoughtful and revealing critical commentary. Though the importance of "The Americans" has been widely acknowledged, it still retains much of its mystery. This comprehensive analysis places it thoroughly in the context of contemporary photography, literature, music, and advertising from its own period through the present.

"When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made." - Australian Women's Weekly Icons "Caine, the timeless gentleman." - Diego Armes, GQ Portugal "I had to be an actor," Michael Caine once said. "[...] And of course, you have to remember with me, the alternative was a factory." A working-class actor who broke through to stardom, Caine's screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O'Neill. Michael Caine: Photographed by Terry O'Neill offers an immersive visual journey through Michael Caine's career, immortalising Caine's charm both in and out of character. Caine occupies a landmark position in cinema and O'Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and colour images and includes never-before-seen contact sheets. Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.

In a book of Porsche photography and engaging conversation, Lance Cole journeys through a personal passion for Porsche one that many supercar enthusiasts share. Herein light falls on sculpted metal and paint -shiny and less shiny. Throwing off the conventions of Porsche purism, yet at the same time always respecting the origins of Porsche, and the status of the 911, this is a book that celebrates the engineering and the design language of Porsche amid its culture. From an oily-rag 356 to old 911s and new 911s, with a brief alighting upon other cars of the Porsche clan, this is an eclectic collection of enthusiasts moments captured across a British Porsche landscape.