This definitive portrayal of Tina Modotti brings to life the iconic artist who throughout her life vacillated between the purity of inspired creativity and the struggle for social justice. Incorporating extensive archival material, interviews with Modotti's contemporaries and many rare photographs, this illustrated biography magnificently portrays Tina Modotti, her contemporaries and their tumultous times. Shortlisted for the prestigious Infinity Award.

Light Break presents the first survey since 1996 of photographer Roy DeCarava, an essential figure of American art and culture, whose "poetry of vision" re-forms urban life, labor, love, and jazz into the discovery of "an intimate, emotional arc of transformation." Though DeCarava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility--his traditional training in painting and printmaking as well as his philosophical undertakings. It brings the viewer to a consideration of contradictory precepts in DeCarava's work that seeks resolution through tonal and structural elements within the image. Light Break presents a wide-ranging selection of DeCarava's photographs accompanied by a preface by Zoe Whitley, an American curator based in London, and features an introduction and essay by curator and art historian Sherry Turner DeCarava. Titled "Celebration," Turner DeCarava's essay considers the artist's singular poetic vision, his timeless portrayals of individuals and places, and his mastery of composition and photographic printmaking. "In making photographs, as in life, DeCarava was patient. Possessing both a peerless self-awareness and acute observational skills, he knew intuitively when to wait and when to open the camera's shutter. In the dark room, he availed himself of these same attributes, moving with steady assurance to develop his prints so as to allow the full range of what he called his "infinite scale of grey tones"--often realized at the deepest end of the spectrum--to emerge slowly and fully." This exquisite volume showcases a dynamic range of images that underscore DeCarava's subtle mastery of tonal and spatial elements across a wide, fascinating array of subject matter: from the figural implications of smoke and debris to the "shimmering mirror beneath a mother as she walks with her children in the morning light." These photographs express a strength of imagery--an intent to synchronize and honor the pulse of art as an emergent signal for creative and revelatory freedom.

David Wojnarowicz's use of photography, at times in conjunction with text and painting, was extraordinary, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape , begun in col - laboration with the artist before his death in 1992 and first published in 1994, engaged what Wojnarowicz would refer to as his "tribe" or community. Contributors-from artist and writer friends such as Karen Finley, Nan Goldin, Kiki Smith, Vince Aletti, Cynthia Carr, and Lucy R. Lippard, to David Cole, the lawyer who represented him in his case against Donald Wildmon and the American Family Association-together offer a compelling, provocative understanding of the artist and his work. Brush Fires is also the only book that features the breadth of Wojnarowicz's work with photography. Now, on the twentieth anniversary of Brush Fires , when interest in the artist's work has increased exponentially, this expanded and redesigned edition of this seminal publication puts the work in front of an audience all over again while maintaining the integrity of the original. Through the lens of various contributors, the book address Wojnarowicz's profound legacy: the relentless tugs, allegiances, censorship, and ethical issues, alongside his aesthetic brilliance, courage, and influence.

About "Exiles," Cornell Capa once wrote, "Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. " In this newly revised and expanded edition of the 1988 classic, which includes ten new images and a new commentary with Robert Delpire, Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs--mostly taken during Koudelka's many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968--speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in "Exiles" suggest alienation, disconnection and love. "Exiles" evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.
Josef Koudelka (born 1938) has published ten books of photographs, many of which focus on the relationship between man and the landscape, including "Gypsies" (1975; revised and enlarged edition in 2011), "Exiles" (1988), "Black Triangle" (1994), "Invasion 68: Prague" (2008) and "Wall" (2013). Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, both in New York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur de l'Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague.

In 'Eternal London' Brunelli uses his distinct film-noir style to create a unique and evocative view of the capital. The images are framed around the silhouettes of people and animals including the statue of Winston Churchill depicted alongside Big Ben; a dog running into the Thames river; and a woman featured against the backdrop of St. Paul's Cathedral. Brunelli takes his photographs during daily early morning walks, randomly choosing a person to follow before focusing his camera on them. Working discreetly, Brunelli often uses a removable viewfinder, to be able to photograph his subjects from waist height and other unusual angles, such as directly from behind and with extreme close-up. He protects their anonymity by obscuring their faces while exploiting light, shadow and contrast to imbue his images with a dramatic atmosphere and a feeling of claustrophobia. - from Lensculture

A photographer's gift to the viewer is sometimes beauty in the overlooked ordinary - Saul Leiter

Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works including early street photographs, images for advertising, nudes and paintings cover Leiter s career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

Discover the history behind photography and learn the skills to get the best from your photographs. A comprehensive all-in-one guide, Photography introduces you to the art, history, and culture of photography, and shows you how to take your own fantastic professional-standard photographs. An in-depth guide to all things photographic, Photography opens with a gallery of more than 30 key figures in photography, from 19th-century pioneers to the top photographers working today. The gallery provides fascinating contrasts between diverse genres, such as art photography, reportage, portrait, and wildlife photography. The book then tells the story of photography, from its "garden shed" beginnings to the rise of the "selfie" today. Photography further features: - All the skills and techniques of photography and features tips for using a smartphone to create stunning photos. - Combines creative typography, graphics, and clear text to present photographic skills in a clear, easily understood way. - Provides an introduction to the history of photography. - Includes a guide to the leading photographers The second half of the book introduces cameras, accessories, and software, explaining what they can do and how to use them. It shows how to take better photographs by mastering the technical aspects of your camera, how to experiment with composition, colour and light, and how to digitally enhance your photos. Inspirational masterclasses covering all genres of photography - landscape, portraits, wildlife, architecture, art - also provide you with an opportunity to apply your newfound skills in a clear and practical way and give advice on becoming a professional photographer yourself. The ideal book for anyone with an interest in the history of photography, or who wants to improve their own photography technique, doubling up as the perfect gift book for photography and art students who are seeking to learn more about these subjects.

In his quest for the bizarre and the absurd, Harvey Benge continues to scavenge the urban landscape. Lucky Box - A guide to Modern Living is his fifth book and as always Benge thrives on the everyday moments of ordinary life, as he searches for the ambiguities and tensions that lie behind modern urban living. This is a journey of contrast and conflicts - frequently humorous and often deeply disturbing.

Derek Ridgers is one of the UK's foremost portrait photographers with a career spanning forty years. He is best known for his photography of music, film and club/street culture - photographing everyone from James Brown to The Spice Girls, from Clint Eastwood to Johnny Depp. During his career, Ridgers has worked for many publications, including Time Out, The Sunday Telegraph, NME, The Face, Loaded, The Sunday Times, The Sunday Independent, GQ Style and Arena.

Manhattan Sunday is part homage to a slice of New York nightlife, and part celebration of New York as palimpsest-an evolving form onto which millions of people have and continue to project their ideal selves and ideal lives. In the essay that accompanies his photographs, Richard Renaldi describes his experiences as a young man in the late 1980s who had recently embraced his gay identity, and of finding a home in "the mystery and abandonment of the club, the nightscape, and then finally daybreak," each offering a "transformation of Manhattan from the known world into a dreamscape of characters acting out their fantasies on a grand stage." Drawing heavily on his personal subcultural pathways, Renaldi captures that ethereal moment when Saturday night bleeds into Sunday morning across the borough of Manhattan. This collection of portraits, landscapes, and club interiors evokes the vibrant nighttime rhythms of a city that persists in both its decadence and its dreams, despite beliefs to the contrary. Manhattan Sunday is a personal memoir that also offers a reflection the city's evolving identity-one that still carries with it and cherishes the echoes of its past.

This book brings together a wide series of photographs that travel through unknown times and places in the Salon de Reinos, the former Army Museum in Madrid. The images of Alvaro Perdices constitute an archive and visual device that reveals the corners, the absences, the shields without weapons, the empty showcases, the reflection of the intruders or the feasts that have gathered in the remains of the old palace of Felipe IV. The approaches of this art and archive project delve into the ruptures and changes of this state building and its symbols over time. Texts by Juan Herreros, Maria Virginia Jaua, Maria Dolores Jimenez-Blanco, Manolo Laguillo, Alvaro Perdices and Manuel Segade. In co-edition with the CA2M, Centro de Arte Dos de Mayo, Madrid. Text in English and Spanish.

The site of the leather bar Eagle LA in Los Angeles has been home to three highly popular leather bars over the decades--the Shed, the Outcast and the Gauntlett II. The Eagle LA, opened in 2005, follows a long-standing tradition of leather fetish and uniform, set forth by leather Eagle bars around the country. This publication presents images by American photographer John Arsenault (born 1971), who worked at the Eagle LA as a barback, or "barmaid," as Arsenault liked to refer to the position. The series consists of customer and employee portraits, interior landscapes from the bar, and self-portraits. Having observed the fetish leather and uniform community from afar for many years, Arsenault was eventually accepted into its midst. These exclusive photographs reflect an insider view of the iconic bar.

The black and white shot photographs (2016-2019), part of de Mortemart's Quest project, portray humans deluged in daily routine, lost in the anonymity of large cities, facing the unknown in search of themselves. The characters are seeking solutions and perhaps answers to the reason for their existence - lost in the universe, without any understanding but with a desire to find a solution with a sentiment of solitude and anxiety in a rapidly changing world. With the belief that we are entering an era of increasing uncertainty where people are losing faith and lacking the answers to dealing with a fractured world, the men and women appearing in Quest are not capable of telling who they are, nor where they come from in a world they hardly understand any longer.

John Hinde was a pioneer of colour photography and one of the most successful postcard publishers in the world. His largest collection of postcards celebrated Ireland. He portrayed an island brightened by his imagination, a place where children were red-haired and freckled, the sun always shining, and the sky forever blue. His idealistic images were to become the stereotypical portrayal of Ireland for many years, and to this day elicit feelings of nostalgia from viewers worldwide. Return to Sender pairs Hinde's iconic, instantly recognisable postcards from the 1950s, '60s and '70s with corresponding contemporary photographs. The side-by-side contrast of these then-and-now photographs, wonderfully captured by photographer Paul Kelly, illustrates the ways Ireland's rural and urban landscapes have changed over the decades or, in some places, not changed at all.

As a little boy of seven or eight, Jacques Henri Lartigue was given his first camera, and soon was developing his own photographs. Born into a prosperous family, from childhood Lartigue acutely observed the social rituals of the upper echelons of society through his photography. The hand-held Kodak camera, first introduced in 1888, granted the young photographer flexibility to capture the fine details of eccentric family members at home, the elaborate social parade in the Bois de Boulogne, on the beach in Normandy and beyond. Classic images of motor cars and high fashion sit alongside previously unpublished photographs from the Lartigue archive. These images of family beau-monde and demi-monde life are not only evidence of a prodigious talent, but also offer an intimate, adolescent perspective of Belle-Epoque Paris, the world of Proust, Debussy and the Nabis, before the outbreak of the First World War. At a young age Lartigue mastered the medium of photography: this exploration of his extraordinary childhood is interwoven with a social and cultural portrait of the Belle Epoque. Bonnard and Vuillard used the camera as a reference point for painting, Eugene Atget documented the architecture of the old Paris ahead of its developers, but Lartigue was the first to harness the immediacy of the snapshot, often capturing his subjects mid-gesture as in real life, creating a new visual language for the 20th century.

Friendly. Loyal. Affectionate. The list of wonderful traits possessed by America's #1 dog goes on and on. Given the Lab's good looks, trainability, and devotion, is it any wonder that there are millions of happy Lab owners in the United States? In The Love of a Lab, Jim Dratfield's beautiful photographs, combined with witty, insightful, and poignant quotes, capture the many reasons people feel the way they do about these cherished companions. Like Dratfield's previous books, Pug Shots, and Day of the Dachshund, this is sure to become a classic gift book for Lab owners and dog lovers everywhere.

"Photography is documenting life as it happens, it's capturing the decisive, unexpected and unique. Over the years, my style and work have changed but I've always focused on street portraits, with a side of architecture." ~ Ope Odueyungbo Although Ope currently shoots for global brands like Audi, Adidas, and American Express, the idea of being a photographer didn't cross his mind until he was in college. Now, just a few years later, he routinely posts stunning images to his nearly 100,000 Instagram followers. A Londoner from New Cross, Ope less often displays another side of his work - a personal photographic journey that has taken him to nearly every continent on the globe, including Nigeria, where his parents are from and still home to his grandmother and extended family. Ope's unusual aesthetic sensibility reveals his vision of the world, viewed with eternal optimism and hope.

A Life Behind the Lens is a collection of the very best work of Richard `Dickie' Pelham, the multi award-winning chief sports photographer of The Sun for the past 30 years. He has covered six Olympic Games, six World Cups, any number of Test matches and many championship boxing bouts, capturing the moments of triumph and despair, the great goals, the knockout punches, the key wickets and the gold-medal glory. He has been trackside, ringside, pitchside and poolside as well as in the studio and on the training grounds with the biggest names in world sport, including Usain Bolt, Mo Farah, Jessica Ennis-Hill, Andy Murray, Paul Gascoigne, David Beckham, Tom Daley, Lennox Lewis and Anthony Joshua. His pictures have featured on memorable front and back pages and centre spreads. The images are accompanied by Dickie's own recounting of the human stories behind the pictures and the technical secrets of a master of his trade.

The first comprehensive, posthumous monograph and retrospective on Bernd and Hilla Becher, best known for their photographs of industrial structures in Europe and North America For more than five decades, Bernd (1931-2007) and Hilla (1934-2015) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers' quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects. Beyond the Bechers' iconic Typologies, the book includes Bernd's early drawings, Hilla's independent photographs, and excerpts from their notes, sketchbooks, and journals. The book's authors offer new insights into the development of the artists' process, their work's conceptual underpinnings, the photographers' relationship to deindustrialization, and the artists' legacy. An essay by award-winning cultural historian Lucy Sante and an interview with Max Becher, the artists' son, make this volume an unrivaled look into the Bechers' art, life, and career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (July 11-October 30, 2022) San Francisco Museum of Modern Art (December 17, 2022-April 2, 2023)