Golovchenko depicts the lives of those who run roadside stalls in Ukraine where they sell fruit according to season. The merchants, many of them coming from Azerbaijan and Georgia, mix with locals and live close to their makeshift emporiums in tents and trailers. Golovchenko s images talk about his compassion for these uprooted people, about the bitterness in their lives."

Set in the grounds of Windsor Castle, The Royal Windsor Horse Show and Windsor Castle Royal Tattoo is a quintessentially British event on a truly international scale. It is the UK's largest outdoor show and features international competitions in four different equestrian disciplines. It also encompasses military displays involving The King's Troop and The Household Cavalry, as well as various other regiments from the British Army, Navy and Air Force. Visiting troupes have also participated, including the legendary French Foreign Legion. The Queen alternates her more formal duties in the Royal Box of the temporary arena with informal visits to members of the regiments, as well as inspections. She is also to be seen walking between the many different events that are spread throughout the grounds of the castle - her 'backyard'. Leading British photographers Anderson Low look behind the scenes during this very special week of events, to reveal the remarkably informal and intimate relationship between participants, horse-breeders, support staff and the general public. The resultant images present a superb kaleidoscope of portraits - intimate, truthful character studies of the participants, and of the uniquely magical setting in which this annual pageant unfolds.

Between 2016 and 2018 Pablo Ortiz Monasterio visited the city of Buenos Aires in Argentina three times. Observing how the "Me too" movement was gaining strength not only in the United States, but also throughout Latin America, Ortiz Monasterio witnesses the power, latent and at the same time palpable, of the women of the city. Women, he says, who step strong and portrayed in this small book of a great moment, represent the forcefulness of the affectsthat lead the feminist movements that fight and work for a fairer future.

'Brother|Sister' tells the story of Edvard and Bergit Bjelland who grew up with their parents and siblings on a small farm in a remote part of Norway on the south-west coast. The farmhouse itself dated back to 1800s and is now a listed building. Edvard was the fourth generation of his family to have owned the farm and had kept horses, cows, pigs, hens and over one hundred sheep. When Elin Hoyland first met him, his sister Berjit had recently died, most of the livestock had been sold off and the land rented out. He now lived alone looking after just a handful of sheep. Edvard had been the only one to stay on the homestead, though his sister Bergit eventually moved back into the farnhouse with him, after living several years in the city of Stavanger. In the late 1970s she moved out again, but this time to a new house that she had built just a stone's throw from her childhood home. Bergit died in 2011 and Edvard now looks after her house. This is a story of two very different lives, lived within a matter of yards of each other. Whilst the physical distance separating Edvard and Bergit may have been minimal, their emotional and lifestyle choices are so far apart. Through her photographs Hoyland explores these choices, the different dreams and needs that the brother and sister sought to fulfill, whilst award winning Norwegian novelist and poet, Gaute Heivoll provides a short fictional piece inspired by the images. The collaboration is both absorbing and moving.

Through images taken by Rasmussen across dozens of states- introducing him to hundreds of people along the way-and essays by renowned legal scholar Frank H. Wu, the book seeks to provoke thought and conversation around the complicated nature of American identity. 'The Good Citizen does not pretend to provide answers,' says Rasmussen,"This is not a polemic, a textbook or a political tract. Rather, it is a series of images and essays that seek to provoke thought and conversation around the complicated nature of American identity.'

Eijkelboom's work is always about the relationship between the individual and the mass mass both in the sense of a lot of people, and of everything we encounter on a daily basis, and which we are part of. A world to which we must relate if we are to live in it."

Celebrate the kings of the canine world with this collection of photographs and information by award-winning author and wildlife photographer Stan Tekiela. Their beauty strikes us. Their mystique enchants us. Wolves, coyotes, and foxes are beloved, appreciated, and misunderstood. A sighting in nature is rare, which serves to enhance our fascination with these magnificent animals. Award-winning author, naturalist, and wildlife photographer Stan Tekiela believes that wolves, coyotes, and foxes are mystical and elusive. He spent more than 20 years traveling across the United States and Canada to observe and photograph the various species, from Gray Wolves and Arctic Foxes to Coyotes and Red Wolves. He documented every aspect of the canines' secret lives: major events such as mating, as well as everyday activities including hunting, playing, and socializing. The result is a striking portrayal of these mammals in Wolves, Coyotes & Foxes. Stan's extraordinary photographs depict the creatures in a new, unique fashion. His fascinating text, drawn from detailed research and personal observations, provides information about every aspect of their lives. Presented with headings and short paragraphs, the coffee-table book is pleasurable to browse and easy to read. "Their presence commands respect and attention," says Stan. "They are nature's perfect model of a family." Unmatched by any other book on the market, Wolves, Coyotes & Foxes is a must-have for lovers of wildlife and nature.

These photographs are not about the t-shirt per se. The messages are combinations of pictures and words that reveal much about the identity of the wearer. They tell who these people are and who they aren't, who they want to be and what they want us to know about them. They advertise their hopes, ideals, political views, and personal mantras.

Begun in 2009, "TEE" has taken Susan Barnett to cities and tourist spots throughout the United States and Europe to record the ever-changing messages.

The fascination we have as humans with our ability to do evil, witness the evidence of horror and stare fixedly at photographic, filmic or artefacts connected with death, is at the heart of the phenomenon known as 'Dark Tourism'. These images are about much more than tourism and the visiting of such sites, they challenge the nature of our behaviour, our history and our societies' relationship with evil and mortality. They are a testament to our past, to our inability to move beyond it and our curious relationship with tragedy and death." - from the introduction by J.J. Lennon Ambroise Tezenas has visited over a dozen major sites of dark tourism across the world - from Cambodia to Rwanda, Lebanon to Lithuania, Ukraine to the United States. These are sites developed for tourism and linked to death, assassination, incarceration, mass killing and tragedy. Yet dark tourism is not a new phenomenon and similar sites have attracted human interest for many years. From the gladiatorial combats of ancient Rome through to attendance at public executions in London of the 1600s, it seems that death and disaster have maintained a lasting appeal.

As a small boy, John Comino-James stood in school cap and Sunday suit to have his snapshot taken under flags put up for Queen Elizabeth's Coronation. The resultant photograph resonates with an England long since disappeared, yet still fertile in the imagination. That sense of how that England has changed is the focus in John Comino-James' new book as he explores our everyday landscape of sign and symbol, from roadside verge to traffic-free shopping centre, to high-rise cityscapes. Art is in action ahead, and with a friendly corporate Hello, we are offered No Deposit Deals on Half Price Dreams. We are thanked for shopping, and offered free cash withdrawals. A Money Shop is at hand and woodlands are for sale - just visit the website. If we drop litter CCTV may catch us, and we are warned that if we leave something valuable on show in our car we can expect it to be stolen. Reminders of the valour and necessity, the sacrifices, the folly and the tragedy of war are never far away. Earthquakes may strike, stores may close but we can still buy artisan ice-cream. But if opportunity is the moment you have been looking for, where is salvation to be found if not in moments of direct relationship with others?

'Mother and Father', is a moving journal of the final years of a sixty-year marriage. For ten years, from 1997 to 2007 Paddy Summerfield photographed his parents, reflecting on the bond between them, which even the effects of Alzheimers could not break. They become symbols in a drama of balance and tension, which is both domestic and epic. As he says: "I recorded my mother's loss of the world, my father's loss of his wife and, eventually, my loss of them both." The images are primarily taken in their garden, though the central section shows holiday visits to the Welsh coast, where the raven, a Celtic symbol of death, frequently appears alongside their world. Finally, the once cultivated garden becomes a neglected wilderness, in the absence of the two people who spent long days there, who cared for it, and for each other. These thoughtful, often melancholy, images form a personal piece which is simultaneously universal.

"We must remember that in the brutality of battle another such apocalypse is always just around the corner." -Sebastiao Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein's troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires, creating one of the worst environmental disasters in living memory. As the desperate efforts to contain and extinguish the conflagration progressed, Sebastiao Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado's smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this "huge theater the size of the planet": the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado's epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award, recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series. Like Genesis, Exodus, and The Children, it is as much a major document of modern history as an extraordinary body of photographic work.

In Toy Soldiers, Simon Brann Thorpe blurs the boundaries between document, landscape and concept-based photography to explore this conflict. He examines the impact and potential consequences of the stalemate. Through real soldiers - posed as toy soldiers - he reveals the current situation in Western Sahara, a nation in waiting trapped in an historic cycle of colonial conflict, displacement and endless non-resolution. The work is a unique collaboration between Thorpe, a military commander and the men under his command. Shot entirely on location in the isolated and hauntingly beautiful territory known as 'Liberated Western Sahara' it is influenced by the historic works of photographers such as Mathew Brady, Roger Fenton and Edward Curtis. Toy Soldiers provides a contemporary archive on the issue of non-resolution and the paradigm of post colonial cycles of violence within modern conflicts.

Swiss artist Meret Oppenheim (1913–1985) is far more than just the creator of the iconic fur teacup. In the course of her career she produced a complex, wide-ranging, and enigmatic body of work that has no parallel in modern art. Like an x-ray beam, this book scans Oppenheim’s artistic oeuvre, bringing its variety, playfulness, and poetry to the fore. Instead of simply answering the riddles posed by these intriguing works, it maps out the paths that will lead us to still more clues. Simon Baur is a leading expert in the life and art of Meret Oppenheim. The nine new essays featured in this volume are at once scholarly and easy to read. In them, Baur shares the many fascinating insights and interpretations that he has gleaned from his decades-long engagement with Oppenheim’s work. The result is an anthology that combines both biographical and thematic aspects and takes us on an exciting journey into the poetic cosmos of a truly great female artist.

'The Gardener', is the winning project of the inaugural Syngenta Photography Award. Photographed by Jan Brykczynski, it is an extension of his previous projects in which he travelled to the outer corners of Europe to explore the lives of people in rural areas. This new work looks at how city dwellers try to connect with nature. The book documents urban gardens in Nairobi, New York, Warsaw, and Yerevan in Armenia. Jan Brykczynski approaches it as if the world were a single village, whose inhabitants seek to meet similar, and very human, needs. His focus is on low-income communities where people respond to a basic need rather than any passing fad. When they create their gardens, improvisation is all. The residents of these neighbourhoods make use of what is available - often re-using materials entirely out of context and in truly original ways. His particular interest is the way in which these spaces are arranged and in how structures for cultivation are created spontaneously. In some places these are an expression of group collaboration, in others they highlight individual imagination and the inventiveness of their creators. Yet there are surprising similarities across different continents, evidencing a collective consciousness and a common humanity.

On 31st January 2020, Newcastle Hospitals became the first hospital in the UK to receive patients suffering from a new illness - Covid-19. At the time Tom Warburton was a senior director at Newcastle City Council and was directly involved in organising many of the city's responses to the Covid pandemic. As a keen amateur photographer, he knew he would be in a unique position to try and make a photographic record of the pandemic's effect on Newcastle and its people during one of the most difficult periods in recent history. Over the next two years, and with controlled access to some of the most sensitive and strategic areas of the battle against the virus, Tom recorded both the sadness and desperation as well as the achievements and sacrifices of those in the frontline fight against the pandemic. Tom's photographs will serve as an important historical reminder of one of the most significant and strange times in Newcastle's history and as a fitting tribute to those who took risks to help others and provide life-saving services. A proportion of the book's sales revenue will go to Newcastle Hospitals Charity and West End Food Bank.

A lyrical manifestation of Leticia Valverdes' award-winning project that took her on a journey back to Portugal, her grandmother's motherland. This extraordinary project resulted in a magical collaboration with the inhabitants of Ana's birthplace, the village of Mundao. By inviting the villagers to write a postcard to her now dead grandmother, they became the fictional friends she believed she had whilst dying with Alzheimer's disease in Brazil. Through photography interspersed with poetic text, cyanotypes and votive offerings, this is a personal yet universal story exploring transgenerational trauma, longing, migration, and what it means to feel divided between two cultures. A hundred years on, this is the perfect time to tell this story, as Europe is engulfed in debates about borders, nationalism and migration.