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Books > Arts & Architecture > Photography & photographs > Individual photographers
The first of a set of 5 additions to the best selling Recollections
series taking us on a nostalgic tour of Britain during the 1950s,
60s and 70s.Cedric Greenwood takes us on a photographic journey
from Cornwall to Scotland with a wide selection of atmospheric
shots taken during those three decades.Using the means of transport
available including buses, trams, trains and ships we see the
street scenes and life as it was back then.The fashions, the
vehicles, the shops, the industries, the landscape and much, mich
more frozen in the moment and captured by Cedric's camera for us to
enjoy 40, 50, 60 years later!This first volume (No 70 in the
Recollections series takes us to the centre of Britain covering
Northamptonshire to Merseyside.
New York Times bestsellerThe Dogist is a beautiful, funny, and
inspiring tribute to the beloved dogs in our lives. Every page
presents dog portraits that command our attention. Whether because
of the look in a dog’s eyes, its innate beauty, or even the
clothes its owner has dressed it in, the photos will make you ooh
and aah, laugh, and fall in love. Photographed by Elias Weiss
Friedman, aka The Dogist, every portrait in the book tells a story
and explores the dog’s distinct character and spirit. Themed
sections include Puppies, Cones of Shame, Working Dogs, and Dogs in
Fancy Outfits, giving every dog lover something to pore over.
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The Lament
(Hardcover)
Harvey Benge
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R787
R702
Discovery Miles 7 020
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Photographer Ryland Hormel traveled across the United States from
Alaska to Florida, asking people “When do you feel free?”
Respondents wrote down their answers on 3” x 5” index cards,
then had their photographs taken with Hormel’s vintage Leica M6
analog camera. When Do You Feel Free? is a collection of over 100
hand-written responses, alongside photographs that put the answers
in context. The pages contain answers of photographs of recent
immigrants, former convicts, fishermen, cowboys—that all come
together to create a collective conversation about freedom through
the fragmented perspectives of individuals across America. When Do
You Feel Free? makes the reader realize freedom isn’t a location,
but a state of mind, one that can be uncovered at any time.
Francesco Radino (Bagno a Ripoli, Florence, 1947) is one of the
masters of contemporary Italian photography. Participating in the
developments of research photography on the contemporary landscape,
over the course of fifty years he developed an intimate way of
exploring reality in its profound economic, historical, social and
cultural transformations. The volume contains the most significant
works of his rich production, accompanied by numerous critical
interventions and writings by Radino himself. Contributions by:
Roberta Valtorta, Giovanni Arpino, Giovanna Calvenzi, Paolo
Cognetti, Eleonora Fiorani, Antonella Pelizzari, Urs Stahel,
Fabrizio Trisoglio, Mauro Zanchi, Francesco Radino. Text in English
and Italian.
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Coney Island
(Hardcover)
Rob Ball; Introduction by Mark Rawlinson
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R764
R684
Discovery Miles 6 840
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Finalist, 2021 Writers' League of Texas Book Award Regarded as both
a legend and a villain, the critic Dave Hickey has inspired
generations of artists, art critics, musicians, and writers. His
1993 book The Invisible Dragon became a cult hit for its potent and
provocative critique of the art establishment and its call to
reconsider the role of beauty in art. His next book, 1997's Air
Guitar, introduced a new kind of cultural criticism-simultaneously
insightful, complicated, vulnerable, and down-to-earth-that
propelled Hickey to fame as an iconoclastic thinker, loved and
loathed in equal measure, whose influence extended beyond the art
world. Far from Respectable is a focused, evocative exploration of
Hickey's work, his impact on the field of art criticism, and the
man himself, from his Huck Finn childhood to his drug-fueled
periods as both a New York gallerist and Nashville songwriter to,
finally, his anointment as a tenured professor and MacArthur
Fellow. Drawing on in-person interviews with Hickey, his friends
and family, and art world comrades and critics, Daniel Oppenheimer
examines the controversial writer's distinctive takes on a broad
range of subjects, including Norman Rockwell, Robert Mapplethorpe,
academia, Las Vegas, basketball, country music, and considers how
Hickey and his vision of an "ethical, cosmopolitan paganism" built
around a generous definition of art is more urgently needed than
ever before.
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Dior by Sarah Moon
(Hardcover)
Sarah Moon; Text written by Maria Grazia Chiuri, Olivier Saillard
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R3,978
R3,048
Discovery Miles 30 480
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In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister pays
homage to the muses who have sparked their alienating dream world.
From artists worldwide, legendary figures, their collection of
taxidermy to lurid places where their figures were born, such as
the catacombs of Palermo, Pyramiden or the disaster area around
Chernobyl. A special fairy tale world that flirts with the morbid,
religious and grotesque and in which stuffed animals are brought
back to life in an extraordinary way.
Finding himself faced with a feeling of disconnect from his city of
birth, Stephen Millar sets out on a mission to capture the heart
and essence of Glasgow, engaging with the patchwork of 'tribes'
which make up the fabric of the city. Meeting with members of a
remarkable variety of clubs and sub-cultures - from pagans, to
cosplayers, to traditional musicians - this collection moves beyond
stereotypes and delves deeper into the origins of these tribes.
Scottish photographer Alan McCredie brings their stories to life
through a blend of portraits and candid snaps.
Kathe Buchler (1876-1930) was a pioneering woman photographer whose
exceptional photographs offer very personal insights into Germany
during World War One, with a particular focus on the home front and
the lives of women and children. Born Katharina von Rhamm in
Braunschweig, Germany, and from a wealthy and privileged
background, she was taught painting as a girl; many of her
photographs have a notably painterly quality. She went on to study
photography at Berlin's Lette Academy which, unusually for the
time, admitted women. Like many women of the upper middle class,
family life with her husband and children was Kathe Buchler's focus
and became the central theme of her photography in the years before
the First World War. During the war itself, in the most public
phase of her career, her leading role in local institutions,
including the Red Cross, gave her largely unrestricted access to
the city's war effort and she produced unexpectedly intimate
photographs of daily life in Braunschweig, in the city's military
hospitals, as well as in the revealing series `Women in Men's
Jobs'. As a result, she offers us a distinctive vision, raising the
intriguing possibility of presenting the conflict from the
perspective of women and children.Surprisingly, Buchler's work
remained unknown outside its immediate locality, but it was
exhibited in the United Kingdom for the first time between October
2017 and May 2018, allowing the process of placing it within its
proper international context to begin. This catalogue, marking the
exhibition Beyond the Battlefields, contains a wide selection of
Buchler's work, including some of her exquisite Autochromes (using
the world's first commercially available colour photographic
process). The accompanying essays introduce the artist and address,
amongst other things, the role of amateur photography in
documenting war. In depicting the minutiae of daily life against
the backdrop of war and its aftermath, Buchler's remarkable
photographs speak to us across the intervening century, disrupting
national stereotypes and opening up fresh perspectives on the Great
War.
A member of Magnum, Marc Riboud has travelled the world, from
Europe to the Middle East and from Vietnam to the United States.
Repelled by violence, indifferent to the pursuit of 'events', yet
irresistibly drawn by the desire to see, he is a reporter under the
spell of life itself. Whether covering the Cultural Revolution or
the Soviet Union before perestroika, he waits for the inner truth
to 'rise to the surface of things'. These photographs reveal his
intense awareness of the innate power of each image.
It was no more than eight years after the surrender of the Nazi
government when Josef Heinrich Darchinger set out on his
photographic journey through the West of a divided Germany. The
bombs of World War II had reduced the country's major cities to
deserts of rubble. Yet his pictures show scarcely any signs of the
downfall of a civilization. Not that the photographer was
manipulating the evidence: he simply recorded what he saw. At the
time, a New York travel agency was advertising the last opportunity
to go and visit the remaining bomb sites. Darchinger's pictures, in
color and black-and-white, show a country in a fever of
reconstruction. The economic boom was so incredible that the whole
world spoke of an "economic miracle." The people who achieved it,
in contrast, look down-to-earth, unassuming, conscientious, and
diligent. And increasingly, they look like strangers in the world
they have created. The photographs portray a country caught between
the opposite poles of technological modernism and cultural
restoration, between affluence and penury, between German
Gemutlichkeit and the constant threat of the Cold War. They show
the winners and losers of the "economic miracle," people from all
social classes, at home, at work, in their very limited free time
and as consumers. But they also show a country that looks, in
retrospect, like a film from the middle of the last century. For
this revised edition, we have digitally remastered all
photographies in a new, full-frame format that captivate with their
highly pigmented colors and fine press varnish.
This is a highly personal selection of photographs amassed by Mary
McCartney, oldest child of The Beatles singer Paul McCartney. As
the title suggests, it's split into two volumes: one for color and
one for black and white images. The book shows McCartney's love for
quiet, intimate moments off the beaten track but it also gives an
extraordinary behind-the-scenes insight into the lives of
celebrities. I didn't put photos in for it to be a celebrity or
non-celebrity, McCartney tells Time. I am interested in shooting
all different types of people. I find a lot of people
inspirational. I'm interested in people, in their stories.
The photographs in Nicholas Pollack's new book Meadow were made
between 2015-2020 in and around Secaucus, New Jersey, U.S. Inspired
by the landscape of the New Jersey Meadowlands, Meadow is a body of
work about a small plot of land and the friendships and
interactions between a group of truck drivers who forge a
transcendent relationship with the place. Nicholas Pollack's Meadow
is tied to place - specifically, a place that is neglected by
society. Meadow tells the story of a group of truck drivers who
made a piece of overlooked salt marsh their own. Operating in the
tradition of documentary style photography, Pollack shows both the
social and the physical landscapes of America in Meadow. This book
is Nicholas Pollack's ode to a small portion of the sprawling New
Jersey Meadowlands, to its people and its landscape, and to the
humanity enveloped in a post-industrial landscape.
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