Michael Hauptman's first monograph presents a selection of his personal work that explores the themes of nature, technology, phenomena and the cosmos. Hauptman sometimes uses digital manipulation not to make pictures that looks unreal but to attempt to depict mysteries of time and space. A former photo assistant of Richard Burbridge, Michael Hauptman has been taking pictures and living in New York City for the last 15 years.

Although it is one of the oldest techniques in photography, stereoscopy receives little attention in contemporary photography. Wrongly so, as the timeless works in this book show. For nine years now, Sebastian Cramer has been working on his project Two Views, which is presented in book form for the first time in this volume. Its focus is on images of plants that look like nothing ever seen before. Viewed through 3D glasses, the seemingly familiar natural forms take on a thoroughly unique quality: delicate and fragile, sometimes alien, appear the leaves and blossoms as they form into a photographic sculpture. Two Views on Plants is a book about visual perception and the experience of space.

'Wide-ranging and eclectic' TLS 'Seductively curious' Observer 'A visual and intellectual journey' Herald See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.

"When you first view Rose-Lynn Fisher's photographs, you might think you're looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you're looking at her tears. . . . [There's] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher's images are the only remaining trace of these places, which exist during a moment of intense feeling-and then vanish." -NPR "[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion." -Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper's, New Yorker, Time, Wired, Reader's Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.

Laura E. Smith unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing successive years of powwows and pageants at various fairs, expositions, and other events. Though Poolaw earned some income as a professional photographer, he farmed, raised livestock, and took other jobs to help fund his passion for documenting his community. Smith examines the cultural and artistic significance of Poolaw's life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and American Indian religious and political activism. Rather than through the lens of Native peoples' inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw's photography within art history and Native American history, simultaneously questioning the category of "fine artist" in relation to the creative lives of Native peoples. A tour de force of art and cultural history, Horace Poolaw, Photographer of American Indian Modernity illuminates the life of one of Native America's most gifted, organic artists and documentarians and challenges readers to reevaluate the seamlessness between the creative arts and everyday life through its depiction of one man's lifelong dedication to art and community.

Watching and recording the gradual dismantling of life, beauty and diversity in our oceans is a tortuous experience for scientists. Our oceans function as earth's organs and our survival depends on their health. Yet in the last fifty years half of coral reefs have disappeared, only 10% of large fish remain and many species are at the brink of collapse. Unsustainable fishing practices, pollution - including 20 million tonnes of plastic entering the oceans yearly - and rising temperatures are continued threats. Even as the sense of urgency to save our oceans continues to grow, at the time we publish this book, an estimate of only 2% of all global philanthropic and charitable donations go to protecting the environment. Of this, only a tiny fraction go toward supporting and safeguarding our oceans. Brimming with spectacular, full-page photography of underwater scenes from the Pacific, Atlantic, Indian, Southern and Arctic oceans and many seas, Call of the Blue tells the stories of positive, focused people who are working to save our oceans. The first book of its kind, Call of the Blue unites more than 100 modern-day explorers, sailors, free divers, film-makers, lawmakers and conservationists who talk about their lives, passions and exploits on, in or under the water. Call of the Blue demonstrates how the efforts of individuals and communities can inspire and drive change. Notable contributors include United States Senator Sheldon Whitehouse; explorer and BBC presenter Paul Rose; Danish environmentalist and Director General of the IUCN Inger Andersen; French photojournalist and UNEP Goodwill Ambassador Yann Arthus-Bertrand; and American marine biologist Edith Widder (to name only a few). Contributors include hardworking men and women from around the world including the United Kingdom, the United States, Australia, Canada, France, India, Mozambique, Mauritius, Ecuador and more. Alongside these passionate and necessary voices, Philip Hamilton's mesmerising images - of reefs, blue whales, salt water crocodiles, manatees, sea lions, sailfish, penguin, mantas, jellyfish, turtles, sharks, pygmy sea horses and more - provide readers a glimpse of some of the world's most stunning underwater locations, bringing into sharp focus all we are at risk to lose.

Alexey Titarenko created the series of collages and photomontages that became Nomenklatura of Signs from 1986-1991, under the strict Soviet rule. This new publication presents the series in its entirety for the first time. Working in secret, Titarenko conceived the project as a way to translate the visual reality of Soviet life into a language that expressed its absurdity, in a hierarchy of symbols that, together, formed a nomenclature - or, in Russian, nomenklatura, a term for the system by which government posts were filled in the Soviet Union. Drawing inspiration from the aesthetics of Kazimir Malevich, Aleksandr Rodchenko, and other artists of the early 20th century Russian avant-garde, Titarenko captures an uncanny, darkly comic world in which language is controlled and subverted much like the Newspeak of George Orwell's novel 1984. The book includes an introduction by writer Jean-Jacques Mari and art historian Gabriel Bauret, as well as a critical interpretation of the series by art historian Ksenia Nouril. The book is designed by Kelly Doe Studio, NYC.

'A fascinating document, a window on to a lost world of glamour, grandeur and snobbery . . . an elegy, sad and comical, to a passing era' Craig Brown, MAIL ON SUNDAY 'I got as caught up in these distant but strangely evocative events as Vickers did . . . delicious in its way, recreating a lost world' Ysenda Maxtone Graham, THE TIMES 'A luxuriant trawl through the recovered past . . . extraordinary book' John Walsh, SUNDAY TIMES 'A quite brilliant record of a fading social and artistic milieu . . . a world to which Vickers is an unrivalled cicerone' Matthew Sturgis, THE OLDIE 'Vickers' diaries bristle with injudicious indiscretion...it is no small compliment to say that the biographer is here the equal of his subject' Michael Arditti, THE SPECTATOR 'Beaton himself was one of the finest 20th-century diarists. It is no small compliment to say that the biographer is here the equal of his subject' THE SPECTATOR 'Illuminating and brilliantly scurrilous' Marcus Field, THE STANDARD 'Scintillating' DAILY MAIL 'When Mr Vickers has his eye to the keyhole, we see a secret panorama' Dominic Green, THE WALL STREET JOURNAL 'Vickers - as ever - is a warm and enthusiastic guide to a nearly lost world' TATLER.COM The witty and perceptive diaries kept by Cecil Beaton's authorised biographer during his many fascinating encounters with extraordinary - often legendary - characters in his search for the real Cecil Beaton. Hugo Vickers's life took a dramatic turn in 1979 when the legendary Sir Cecil Beaton invited him to be his authorised biographer. The excitement of working with the famous photographer was dashed only days later when Cecil Beaton died. But the journey had begun - Vickers was entrusted with Beaton's papers, diaries and, most importantly, access to his friends and contemporaries. The resulting book, first published in 1985, was a bestseller. In Malice in Wonderland, Vickers shares excerpts from his personal diaries kept during this period. For five years, Vickers travelled the world and talked to some of the most fascinating and important social and cultural figures of the time, including royalty such as the Queen Mother and Princess Margaret, film stars such as Grace Kelly, Audrey Hepburn and Julie Andrews, writers such as Truman Capote, and photographers such as Irving Penn and Horst. And not only Beaton's friends - Vickers sought out the enemies too, notably Irene Selznick. He was taken under the wings of Lady Diana Cooper, Clarissa Avon and Diana Vreeland. Drawn into Beaton's world and accepted by its member

Flowers in a Thorn Tree is the story of wildlife conservation in Northern Kenya. Over three years, Thackston made several trips to Kenya, whereupon he would imbed with ranger units of the Northern Rangelands Trust. They’re known as the Warriors for Peace and Wildlife. He lived off a troop-carrier. He would patrol, eat and sleep with the rangers, photographing them as they chased poachers, murderers, and as they worked within the pastoral communities. In this regard, the book is very much an “On the Road,” book. The aim of the photographer is to show and let the pictures tell, in a nonlinear and organic manner. NRT rangers work both on and off of their respective conservancies (there are 5 ranger groups, the 9-1 through the 9-5 sprinkled throughout northern Kenya.) Amongst the pastoral peoples, they have contacts who tell them about the movements of animal herds and potential poaching rings. They also work as peacekeepers within these communities with the idea that a happy and stable community is less likely to feel the need to poach an endangered animal. The mission to change the hearts and minds of the pastoral people regarding the treatment of endangered animals, is instilled within the ranks of the ranger units. The elephants and rhinos that appear in this book are all rescue animals or live on conservancies. They would probably not be alive without the efforts of men, particularly the rangers who populate my book. The rangers believe in their work. This group of humble men have one of the most important jobs in the world and they are succeeding. That’s good for you and me and our families.

Edward Weston is a collection of 125 photographs from the renowned fine art photographer Edward Weston (1886-1958). This comprehensive monograph features the artist's iconic and classic still lifes, nudes, and landscapes. The book also features 125 written excerpts from Weston's daybooks that chronicle his life and travels. * Edward Weston is considered one of the most preeminent and influential 20th century photographers. * His black-and-white photographs are part of museum collections around the world. Bound in a high-quality linen cloth with Edward Weston's seminal nude image from 1936 on the cover, this book is a beautifully designed tribute to one of photography's most significant creators. * The perfect gift for art and photographer lovers, museum buffs, black-and-while film fans, and anyone who appreciates art history * An ideal coffee table book and a welcome addition to any emerging or extensive art book collection * Great for those who loved Edward Weston: The Flame of Recognition by Edward Weston, Ansel Adams: 400 Photographs by Ansel Adams, and Group f.64: Edward Weston, Ansel Adams, Imogen Cunningham, and the Community of Artists Who Revolutionized American by Mary Street Alinder

"Local or visitor, London courses through your body as if its rainbow-coloured system of underground veins is somehow intrinsically linked to your own." ~ Chris Holmes Often waking before dawn, photographer Chris Holmes captures rare moments of solitude and calm as the city of London yawns, stretches and begins its day. His high-contrast scenes depict the miniature dramas unfolding all around us, obscured by the hectic pace of metropolitan life. Moving to London as an adult, Chris fell in love with the city in tandem with his development as a photographer and shoots his adopted home as both a romantic insider and an impartial admirer. Hidden in Chaos pairs Chris's cinematic images with the words of 18 poets of various backgrounds, adding more layers of texture and meaning to the complex but devoted relationship that London's residents and visitors have with the city's many faces. London's gray and glow, its daily ebb and flow, are celebrated, questioned and contemplated in this visual and poetic tribute. Includes poems by Elena Ashton, Shez Chung Blake, Troy Cabida, Laura Corns, Paul Cree, Caroline Druitt, George Duggan, Sam El-Bahja, Tom Gill, Bizhan Govindji, Imogen Hudson-Clayton, Danny Martin, Louise McStravick, Aaliyah Orridge, Astra Papachristodoulou, Abdul Patel, Ben See, and Janay Stephenson.

Born in Antwerp in 1941, Harry Gruyaert was one of the first European photographers to explore the creative potential of colour in the 1970s and 1980s. This book brings together his best work, including images from his renowned 1972 series TV Shots and the later Made in Belgium, in one beautifully produced volume. Influenced by such American photographers as Saul Leiter, Joel Meyerowitz, Stephen Shore and William Eggleston, as well as by cinema, Gruyaert's work defined new territory for colour photography: an emotive, non-narrative and boldly graphic way of perceiving the world. His photographs are autonomous and self-sufficient, often independent from any context or thematic logic. A member of Magnum Photos since 1982, he has embraced the possibilities of digital photography in his most recent work, feeling that it allows him to take more risks and capture new kinds of light.