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Books > Arts & Architecture > Photography & photographs > Individual photographers
"Local or visitor, London courses through your body as if its
rainbow-coloured system of underground veins is somehow
intrinsically linked to your own." ~ Chris Holmes Often waking
before dawn, photographer Chris Holmes captures rare moments of
solitude and calm as the city of London yawns, stretches and begins
its day. His high-contrast scenes depict the miniature dramas
unfolding all around us, obscured by the hectic pace of
metropolitan life. Moving to London as an adult, Chris fell in love
with the city in tandem with his development as a photographer and
shoots his adopted home as both a romantic insider and an impartial
admirer. Hidden in Chaos pairs Chris's cinematic images with the
words of 18 poets of various backgrounds, adding more layers of
texture and meaning to the complex but devoted relationship that
London's residents and visitors have with the city's many faces.
London's gray and glow, its daily ebb and flow, are celebrated,
questioned and contemplated in this visual and poetic tribute.
Includes poems by Elena Ashton, Shez Chung Blake, Troy Cabida,
Laura Corns, Paul Cree, Caroline Druitt, George Duggan, Sam
El-Bahja, Tom Gill, Bizhan Govindji, Imogen Hudson-Clayton, Danny
Martin, Louise McStravick, Aaliyah Orridge, Astra
Papachristodoulou, Abdul Patel, Ben See, and Janay Stephenson.
Please note that all blank pages in the book were chosen as part of
the design by the publisher.
A good street photographer must be possessed of many talents: an
eye for detail, light, and composition; impeccable timing; a
populist or humanitarian outlook; and a tireless ability to
constantly shoot, shoot, shoot, shoot and never miss a moment. It
is hard enough to find these
qualities in trained photographers with the benefit of schooling
and mentors and a community of fellow artists and aficionados
supporting and rewarding their efforts. It is incredibly rare to
find it in someone with no formal training and no network of peers.
Yet Vivian Maier is all of these things, a professional nanny, who
from the 1950s until the 1990s took over 100,000 photographs
worldwide--from France to New York City to Chicago and dozens of
other countries--and yet showed the results to no one. The photos
are amazing both for the breadth of the work and for the high
quality of the humorous, moving, beautiful, and raw images of all
facets of city life in America's post-war golden age.
It wasn't until local historian John Maloof purchased a box of
Maier's negatives from a Chicago auction house and began collecting
and championing her marvelous work just a few years ago that any of
it saw the light of day. Presented here for the first time in
print, "Vivian Maier: Street Photographer" collects the best of her
incredible, unseen body of work.
Alone Street brings together two major bodies of work by Gregory
Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of
Moths (Aperture, 2020), in a single, elegant, and affordable
monograph. Both series expand on the artist's obsessive exploration
of the psychogeography of small-town, post-industrial New England
and underscore the precision and depth of Crewdson's unique mode of
photographic storytelling. In each image, light, color, and
carefully crafted scenography evoke the feeling that, as art
historian Alexander Nemerov has astutely described, "all that ever
happened in these places seems crystallized in his tableaux, as if
the quiet melancholy of Crewdson's scenes gathered the unruly
sorrows and other little-guessed feelings of people long-gone who
once stood on those spots." In addition to the full set of images
from each series, Alone Street, presents a selection of
behind-the-scenes images and storyboards, revealing the extensive
preparation and planning that went into the making of each work.
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Bev Grant: Photography 1968-1972
(Hardcover)
Bev Grant; Edited by Cay Sophie Rabinowitz; Introduction by William Cordova; Text written by Peggy Dobbins, Johanna Fernandez
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R1,285
R1,091
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Ever since his student days, Cy Twombly has concerned himself with
photography, but only in recent years has he turned it into a
unique artistic concept- and an aesthetic sensation. Twombly's
photographic pieces are documents of a fascinatingly enigmatic and
personal poetry. His studios in Lexington and Gaeta, details of his
own sculptures and collected sculptural items, landscape motifs,
fruits and flowers appear in a mysteriously transformed manner on
these delicate sheets. Printed in matte colors on matte paper using
a dry-print process that imbues them with velvet and an almost
grainy hue, the images are vaguely reminiscent of the pictorialist
tradition in fin de siecle photography. In their minimalist way,
however, generating aesthetic visions by the simplest of means,
they are utterly contemporary.
'Photographs 1951-2007' presents Twombly's photographic works of
over fifty years- full of surprises and breathtaking beauty.
Portal: The Curious Account of Achintya Bose, conceptualized,
compiled and reproduced by Shan Bhattacharya, recipient of the
Umrao Singh Sher-Gil Grant for Photography, 2015 (instituted by the
Sher-Gil Sundaram Arts Foundation), presents the personal diary of
the owner of a small photography studio in Calcutta, India,
maintained sporadically from 1994 to 1996, before his sudden
unexplained disappearance. The diary is a fictional 'found archive'
that contains his collection of photographic prints, letters, torn
pages from books, newspaper and magazine cuttings, declassified
police records, polaroids and print advertisements obtained from
different sources. Through these documents spanning the twentieth
century, he attempts to trace photographic 'evidence' and
information about an elusive woman who seemingly does not age
through a century. Mr Bose's search is also a journey through the
local history of vernacular photography and regional publications
that reflect popular culture, politics, fashion, design,
advertising and other iconography, and their transformations over
time. In this book, images serve both as the primary objects of
interest and a narrative device. The cover plot interrogates the
veracity of photographs - the way they are used as indices and
evidence of a person's existence in spatio-temporal reality. These
images are staged in variously contrived scenarios, often taking
cues from the several utilitarian subsets of twentieth-century
photography-the wedding portrait, the convocation photo, the
vacation/holiday photo, candid snapshots, product advertisements-as
though taken by different fictional photographers using different
image-making aesthetics, techniques and formats appropriate to the
time/place/visual cultures that those prototypes historically
belong to. Referring to the genre of historiographic metafiction,
fictional text and visual elements based on real events and
characters are introduced to enable this 'found archive' assume
certain characteristics of a hoax.
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Irving Penn
- Centennial
(Hardcover)
Maria Morris Hambourg, Jeff L. Rosenheim; Contributions by Alexandra Dennett, Philippe Garner, Adam Kirsch, …
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R1,650
R1,306
Discovery Miles 13 060
Save R344 (21%)
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The definitive book on the work of a virtuosic and revered American
photographer Irving Penn (1917-2009) was among the most esteemed
and influential photographers of the 20th century. Over the course
of a nearly seventy-year career, he mastered a pared-down aesthetic
of studio photography that is distinguished for its meticulous
attention to composition, nuance, and detail. This indispensable
book features one of the largest selections of Penn's photographs
ever compiled, including famous and beloved images as well as works
that have never been published. Celebrating the centennial of
Penn's birth, this lavish volume spans the entirety of his
groundbreaking career. An enlightening introduction situates his
work in the context of the various artistic, social, and political
environments and events that affected the content of his
photographs. Lively essays acquaint readers with Penn's primary
subjects and campaigns, including early documentary scenes and
imagery; portraits; fashion; female nudes; peoples of Peru, Dahomey
(Benin), New Guinea, and Morocco; still lifes; and much more.
Irving Penn: Centennial is essential for any fan of this artist's
work or the history of 20th-century photography. Published by The
Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule: The Metropolitan Museum of Art
(04/20/17-07/30/17) Grand Palais, Paris(09/21/17-01/29/18)
Instituto Moreira Salles, Sao Paolo (Fall 2018)
Flower fans and nature enthusiasts will fall in love with this
charming art book from Instagram sensation Flora Forager featuring
the best of her unique floral compositions created with botanical
materials. Flora Forager creates images out of flower petals,
leaves, stones, twigs, and other natural materials that she finds
in her garden and in urban wild areas in her neighbourhood. This
intimate, lovely book collects her best pieces, including 20% new,
exclusive art, along with a peek into her unique creative process.
Featured pieces include scenes, mandalas, animals, birds, fish,
insects, mythical creatures, iconic women, old masters, and more.
Each artwork is accompanied by explanatory text on a facing page
including piece name, materials used, and a short, evocative
description of the artist's process and inspiration.
The San Quentin Project collects a largely unseen visual record of
daily life inside one of America's oldest and largest prisons,
demonstrating how this archive of the state is now being used to
teach visual literacy and process the experience of incarceration.
In 2011, Nigel Poor-artist, educator, and cocreator of the
acclaimed podcast Ear Hustle-began teaching a history of
photography class through the Prison University Project at San
Quentin State Prison. Neither books nor cameras were allowed into
the facility, so an unorthodox course with a range of
inventivemapping exercises ensued: students crafted "verbal
photographs" of memories for which they had no visual
documentation, and annotated iconic images from different artists.
After the first semester, Poor says, "one student told me he could
now see fascination everywhere in San Quentin." When Poor received
access to thousands of negatives in the prison's archive, made by
corrections officers of a former era, these images of San Quentin's
everyday occurrences soon became launchpads for her students' keen
observations. From the banal to the brutal, to distinct moments of
respite, the pictures in this archive gave those who were involved
in the project the opportunity to share their stories and
reflections on incarceration.
From the filth and the fury to the elegant extravaganza, 'Peter
Gravelle', the many named photographer, has remained in the shadows
of punk rock, low culture and high fashion, deflecting attention
while steadily producing an epic body of iconic work. The Death of
Photography is a tour de force, a high end art book showcasing
forty years of the best punk, fashion and portraiture of Gravelle's
career. Heavily stylised images are woven together with Gravelle's
own fascinating recollections from a live lived in technicolour.
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Mona Kuhn: Kings Road
(Hardcover)
Mona Kuhn; Text written by Silvia Perea, David Dorenbaum; Designed by Holger Feroudj
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R1,281
Discovery Miles 12 810
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As soon as Bill Wyman was given a camera as a young boy, he quickly
developed a passion for photography. After joining what would
become the world's greatest rock 'n' roll band, Wyman continued his
hobby. When he didn't have his bass, he had his camera. The result
is an arresting, insightful and often poignant collection of
photographs, showing his exclusive inside view of the band. From
travelling to relaxing, backstage and on, Stones From the Inside is
a unique view captured by a man who was there, every step of the
way. Along with the images of the band at work and play, Wyman
includes remarkable images of those along for the ride, from John
Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and
Dan Aykroyd. To accompany his photographs, Wyman offers up
wonderful insights, anecdotes and behind-the-photo stories, giving
all us a front-row seat and backstage pass to what it was like to
be there, as music history was made as a member of The Rolling
Stones.
Ireland is a collection of 300 contemporary images of the
beauties of Ireland, covering every one of the 32 counties. The
photographs are taken by two of the country's leading landscape
photographers, Peter Zoller and Michael Diggin.
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Poverty Line
(Hardcover)
Chow And Lin; Text written by Armida Salsiah Alisjahbana, Andrea Brandolini, John Micklewright, Lucas Chancel
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R1,051
Discovery Miles 10 510
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Poverty, in its universality, seems immediately understandable and
yet, as a global problem, its dissolution remains highly complex.To
illustrate what it means to live at the poverty line, Stefen Chow
and Huiyi Lin visited thirty-six cities on six continents, and
examined poverty with regards to food. From the local markets, they
bought vegetables, fruits, cereal products, proteins and snacks -
the amount of food they could afford per day based on the
respective poverty line definition set by each government. They
photographed the resulting pile of food, placed on a page of a
local newspaper they bought that day. Using visual typology and
artistic research as their guiding principle, they carefully
calibrated lighting and shooting distance to ensure uniformity and
comparability. In this visual reader, Chow and Lin embark on an
economic comparison between the thirty-six countries and
territories making the problem of poverty visible and
comprehensible. In addition to the examination of the poverty line
and its meaning across the world, the duo selected nine foods
available in most of the economies observed to illustrate the
globalization of production and the variations in prices and
consumption. The book is enriched by texts that shed light on
issues around the poverty line as a global phenomenon: The authors
relate to the challenges of our society and the UN 2030 Agenda for
Sustainable Development whose first of seventeen goals is to end
poverty in all its forms.
A quirky, photographic exploration of two beloved subjects:
breakfasts and dogs. Curiosity. Longing. Hunger. Bread and a Dog is
a quirky photographic journey into the psychic trauma of living
with a professional food stylist... as a dog. Japanese food stylist
Kuwahar Natsuko photographs her breakfast, laid out every morning,
in beautifully arranged aerial tableaus with an unexpected twist,
her omnipresent, exceptionally well-trained dog. Through 100
photographs, readers will delight not only in Natsuko's delicious
meals served on beautiful dishes, glassware and flatware, but in
the dog's enthrallment with what is happening on the table above
him. Presented as a sequence of photographs, the book concludes
with recipes for each breakfast, and tips and tricks on food
photography from Natsuko herself. A perfect gift for animal lovers.
Features: - Recipes and tips for successful and stylish breakfasts
from the author, a professional food stylist. - 100 charming
photographs of an adorable dog taken from a refreshing and
relatable point of view. Perfect gift or impulse buy for animal or
food lovers.
Elliott Erwitt: Home Around the World offers a timely and critical
reconsideration of Erwitt’s unparalleled life as a photographer.
Produced alongside a major retrospective exhibition, the book
features examples of Erwitt’s early experiments in California,
his intimate family portraits in New York, his major magazine
assignments and long-term documentary interests, and his ongoing
personal investigations of public spaces and their transitory
inhabitants. Essays by photography experts based on extensive new
interviews with the photographer consider less-studied aspects of
Erwitt’s work: his engagement with social and political issues
through photojournalism, the humanist qualities of his very early
photographs, and his work as a filmmaker. Home Around the World
traces the development and refinement of Erwitt’s unique visual
approach over time. With over two hundred photographs, and ephemera
including magazine reproductions, advertisements, and contact
sheets, this volume is the first to offer a comprehensive
historical treatment of Erwitt’s body of work and position in the
field.
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