In October of 1966, a coal waste tip slipped down the mountainside above the Welsh village of Aberfan and buried its school, killing 116 children. Within hours, the worldwide news media descended upon the village, stripping away any sense of deserved privacy and rendering "the village that lost its children" a perennial destination for disaster tourism. Shimon Attie's sensitive portrayal of Aberfan today takes the form of a five-channel high definition video installation and a body of still photographs in which the villagers "perform" being themselves, in terms of their social or occupational roles. Thus, Attie subsumes the story of the disaster below a contemporary art historical narrative that helps normalize how the village is represented. This volume presents both photographs and video stills. It comes with a DVD featuring the award winning BBC documentary "An American in Aberfan," as well as a short film representing the installation.

In 1960, photographer William Claxton and noted musicologist Joachim Berendt traveled the United States hot on the trail of jazz. Through music halls and marching bands, side streets and subways, they sought to document this living, breathing, beating musical phenomenon that enraptured America across social, economic, and racial lines. The result of Claxton and Berendt's collaboration was Jazzlife, much sought after by collectors and now revived in this fresh TASCHEN volume. From coast to coast, from unknown street performers to legends of the genre, this defining jazz journey explores just what made up this most original of American art forms. In New Orleans and New York, in St. Louis, Biloxi, Jackson, and beyond, Claxton's rapturous yet tender images and accompanying texts examine jazz's regional diversity as much as its pervasive vitality and soul. They show the music makers and the many spaces and people this music touched, from funeral parades to concert stages, from an elderly trumpet player to kids who hung from windows to catch a glimpse of a passing band. With images of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charles Mingus, Thelonious Monk, John Coltrane, and many more, this is as much a compelling slice of history as it is a loving personal tribute.

Liam Wong's debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo. 'I want to take real moments and transform them into something surreal, to make the viewer question the reality depicted in each photograph. This body of work encompasses my three years as a photographer and ultimately the completion of my debut photo series.' Liam Wong A testament to the deep art of colour composition, this publication - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the book's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights are invaluable to admirers and photography enthusiasts alike.

If Sir Elton John wrote the Foreword and director John Waters wrote the Afterword, then we're surely dealing with a major talent. In this 400-page retrospective, award-winning photographer Greg Gorman presents the finest shots of his half-century in Hollywood. Throughout his star-studded portfolio entitled, It's Not About Me, you'll find the likes of Leonardo DiCaprio and Johnny Depp at the beginning of their careers, as well as the iconic posters Gorman created for films such as Scarface and Tootsie, record covers for David Bowie, and magazine covers for Andy Warhol.

David Wojnarowicz's use of photography, at times in conjunction with text and painting, was extraordinary, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape , begun in col - laboration with the artist before his death in 1992 and first published in 1994, engaged what Wojnarowicz would refer to as his "tribe" or community. Contributors-from artist and writer friends such as Karen Finley, Nan Goldin, Kiki Smith, Vince Aletti, Cynthia Carr, and Lucy R. Lippard, to David Cole, the lawyer who represented him in his case against Donald Wildmon and the American Family Association-together offer a compelling, provocative understanding of the artist and his work. Brush Fires is also the only book that features the breadth of Wojnarowicz's work with photography. Now, on the twentieth anniversary of Brush Fires , when interest in the artist's work has increased exponentially, this expanded and redesigned edition of this seminal publication puts the work in front of an audience all over again while maintaining the integrity of the original. Through the lens of various contributors, the book address Wojnarowicz's profound legacy: the relentless tugs, allegiances, censorship, and ethical issues, alongside his aesthetic brilliance, courage, and influence.

"Stunning images in fine art photobook capture the 'strength and dignity' of America's cowboys and their breathtaking Wild West home." – Daily Mail “Titled American Cowboys, the book captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Daily Mail The ranching communities in the heartland of the great American West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has been drawn back time and time again to explore this largely unfamiliar and overlooked part of the world. In West: The American Cowboy, Anouk revisits this enduring iconic symbol of America's pioneering spirit. Set out in a stunning large-format book, the pages within inspire with a fresh and contemporary perspective of the American West. Along with the cowboy's ranching traditions comes a life built around the core values and faith that are central to their integrity. Long admired for their strength, relentless work ethic, and humble values, the forgotten American cowboy is alive and well, and has never stood in such stark contrast to the rapidly changing nation that surrounds them. Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller. Also available by Anouk Krantz: Wild Horses of Cumberland Island ISBN 9781864708851

Trope Publishing Company's new Mobile Edition Series identifies fine art photographers shooting in a new way, using mobile devices as their primary tool to capture images, in a category still defining itself. Among the millions of images posted to social media every day, the work of these photographers stands out for its discipline and mastery. Neal Kumar shoots for clients such as Marriott, Gucci, and the Mexico Board of Tourism in addition to his primary work as a dermatologist, but rigorously limits his Instagram feed to images taken on his iPhone. With his travel and urban photography, Neal pushes the boundaries of what the technology can do, while celebrating and exploring its limitations, always striving to exceed what mobile images "should" look like. Neal Kumar showcases the talent and discipline of a photographer who has wholeheartedly embraced mobile photography as a tool of choice.

Berenice Abbott is to American photography what Georgia O'Keeffe is to painting or Willa Cather to letters. Abbott's sixty-year career established her not only as a master of American photography but also as a teacher, writer, archivist and inventor. A teenage rebel from Ohio, Abbott escaped to Paris-photographing, in Sylvia Beach's words, "everyone who was anyone"-before returning to New York as the Roaring Twenties ended. Abbott's best known work, "Changing New York", documented the city's 1930s metamorphosis. She then turned to science as a subject, culminating in work important to the 1950s "space race". This biography secures Abbott's place in the histories of photography and modern art while framing her accomplishments as a female artist and entrepreneur.

Playing cards that feature beautiful hummingbird photography This gorgeous deck of playing cards, put together by award-winning nature photographer Stan Tekiela, features 54 striking photographs of North America's hummingbirds, including the Ruby-throated, Black-chinned and Rufous hummingbirds. Anyone who appreciates birds will love having these cards for playing their favorite games.

The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth-cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes-paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images.

"Architects are trained to see a space before it's realised, so I think photography helps me with that. But I'd also say it's the other way around. My training helps me with the way I photograph. I look at space with a more symmetrical eye, and you see a lot of symmetry in my photos." ~ Vivien Liu Vivien Liu studied architecture at the University of Waterloo and then attended Harvard University's Graduate School of Design, where she was awarded the prestigious Clifford Wong Prize in Housing Design. As an architect, she has worked for nearly a decade in the United States, Canada, the United Kingdom, China and Hong Kong, where she now resides and first took up photography. As a photographer, she quickly developed a strong sensibility portraying space as seen through the first person, which now defines her style. What began as a weekend pastime has transformed Vivien into one of the most prolific urban photographers in Hong Kong, attracting over 240,000 followers on Instagram. Her first book, Being There explores the dialogue and tension between people and spaces through portraiture, landscapes, and street photography, from the urban density of Hong Kong and Tokyo to epic natural landscapes like Zhangjajie, China. With an architect's artful eye, Ms. Liu captures this juxtaposition in the most beautiful way, sharply highlighting her eye for patterns and symmetry across settings.

Jane Bown is a legendary Observer photographer best-known for her portraits of icons from Beckett to Bjoerk. This is a charming collection of 100 black and white pictures of felines which reveals the same sympathetic eye and wit as her portraits. She captures the cats sprawling, prowling, lolling, playing, feeding and lounging. House cats, alley cats, show cats and kittens trip and gambol across these pages making this the perfect photographic treat for cat-lovers.

Jarred by the 9/11 attacks, photographer Jack Spencer set out in 2003 "in hopes of making a few 'sketches' of America in order to gain some clarity on what it meant to be living in this nation at this moment in time." Across thirteen years, forty-eight states, and eighty thousand miles of driving, Spencer created a vast, encompassing portrait of the American landscape that is both contemporary and timeless. This Land presents some one hundred and forty photographs that span the nation, from Key West to Death Valley and Texas to Montana. From the monochromatic and distressed black-and-white images that began the series to the oversaturated color of more recent years, these photographs present a startlingly fresh perspective on America. The breadth of imagery in This Land brings to mind the works of such American masters as Edward Hopper, Grant Wood, Mark Rothko, and Albert Bierstadt, while also evoking the sense of the open roads traveled by Woody Guthrie and Jack Kerouac. Spencer's pictorialist vision embraces the sweeping variety of American landscapes-coasts, deltas, forests, deserts, mountain ranges, and prairies-and iconic places such as Mount Rushmore and Wounded Knee. Jon Meacham writes in the foreword that Spencer's "most surprising images are of a country that I suspect many of us believed had disappeared. The fading churches, the roaming bison, the running horses: Spencer has found a mythical world, except it is real, and it is now, and it is ours."

No place sums up the Bristol attitude of artistic creation and rebellion as Stokes Croft and Montpelier. With its world-renowned street art, thriving local scene and diverse cultural history, Stokes Croft has for decades been resisting the inevitable creep of corporate interests, but more importantly offers up an alternative. Colin's photographs take you under the skin of the people, cultures, and place in this unique area of the city, where lives intersect and a new world is being created every day.