Ask the Dust is an epic journey through ruins from the genteel parlours of long dead haute bourgeoisie families to the sparse industrial beauty of mid-century factories as they quietly rust away. Like a vivid daydream, you find yourself absorbed in wordless reveries from page to page. Ask the Dust is a feast of urban ruin photography, executed in gorgeous full colour, full page spreads framed by the overview of the young French adventurer behind the camera. Featuring a potent blend of haunting images of never before seen locations and new angles on classic subjects - Ask the Dust is a visual treat for anyone who cannot keep their eyes away from the elegant corruption of decomposing buildings. Romain Veillon, light hunter, adventurer, urban explorer - goes out to discover the things that progress has left behind and bring them back to the rest of us in his hauntingly beautiful images. The edge of the world is now found in the crumbling edifices left behind by the endless expansion of the built environment. Into these weird castles he brings his big light, to reanimate, for the space of a hot-triggered-slave-flash-fire, a fragment of a sunken reality.This collection of images is as disturbing and hypnotic as any requiem should be - and it offers an exquisite moment of escape from a culture increasingly experienced as a lifetime of frenetic activity divorced from any chance for reflection. Discover: Epecuen: The town that drowned. Ghostly images from the real life Atlantis that was under water for over 25 years. Kolmanskop: The abandoned diamond ghost town that was swallowed by sand. Urban Exploration: A spectacular and captivating photographic record of European abandonment. Evocative imagery and thought provoking commentary combine to powerful effect."

Dreamscapes is a stunning collection of over fifty of the world's most beautiful gardens from across the globe, photographed by internationally renowned and awarded photographer Claire Takacs. Dreamscapes includes many gardens designed by famous designers such as Piet Oudolf, Paul Bangay, and Spanish designer Fernando Martos among others, with photographed locations including Australia, New Zealand, UK, USA, Europe and Asia. This book will astound and delight you with the diversity and creativity of the gardens featured, all portrayed at that rare moment when they are at their most stunning. Iconic gardens included are the stunning Welsh garden Dyffyryn Fernant, Australia's Cloudehill, Martha Stewart's private garden, the beautiful Edwardian idyll of Bryan's Ground in Herefordshire, the former home of Vita Sackville-West, Long Barn in Kent, the naturalistic French garden of Le Jardin Plume in Normandy, Hermannshof in Germany at the forefront of planting design, and Kenfokuen one of Japan's most beautiful public gardens.

A new-born baby is carefully checked over at a hospital in Jaipur, a small girl grins from a bench on Rome's Piazza Navona and energetic boys jostle in front of the camera in Havana - over his long career and on his many travels Steve McCurry has taken an incredible selection of photographs of children, each one managing to hint at an epic story. Stories and Dreams brings a unique selection of these images together for the first time. With an introduction from Ziauddin Yousafzai, father of Malala, this is a colourful portrayal of the challenges, hopes and adventures of children from across the world.

For five years Linda Herzog photographed her Swiss hometown of Zurich, the once industrial city of Birmingham, England, and the vibrant Turkish metropolis of Istanbul. These 52 color images, shown entirely without text, record cultural differences and commonalities, and raise provocative questions about the new Europe.

Jarred by the 9/11 attacks, photographer Jack Spencer set out in 2003 "in hopes of making a few 'sketches' of America in order to gain some clarity on what it meant to be living in this nation at this moment in time." Across thirteen years, forty-eight states, and eighty thousand miles of driving, Spencer created a vast, encompassing portrait of the American landscape that is both contemporary and timeless. This Land presents some one hundred and forty photographs that span the nation, from Key West to Death Valley and Texas to Montana. From the monochromatic and distressed black-and-white images that began the series to the oversaturated color of more recent years, these photographs present a startlingly fresh perspective on America. The breadth of imagery in This Land brings to mind the works of such American masters as Edward Hopper, Grant Wood, Mark Rothko, and Albert Bierstadt, while also evoking the sense of the open roads traveled by Woody Guthrie and Jack Kerouac. Spencer's pictorialist vision embraces the sweeping variety of American landscapes-coasts, deltas, forests, deserts, mountain ranges, and prairies-and iconic places such as Mount Rushmore and Wounded Knee. Jon Meacham writes in the foreword that Spencer's "most surprising images are of a country that I suspect many of us believed had disappeared. The fading churches, the roaming bison, the running horses: Spencer has found a mythical world, except it is real, and it is now, and it is ours."

"It reveals a unique look into the profession of photography." -Gerd Ludwig Photography Charles Moriarty, Stills department manager for Star Wars and photographer for Amy Winehouse, presents Photographers on the Art of Photography: a series of intimate conversations with some of the most highly regarded names in photography. From celebrity portraitists such as Terry O'Neill, to famed fashion photographers like Jerry Schatzberg and wildlife specialists Tim Flach and Sue Flood, this book offers a unique insight into all angles of the profession. Twenty celebrated photographers discuss how they got started, as well as their favoured techniques, motivations, inspirations and greatest accomplishments. Discover each artist's vision in their own words and reflect on what makes their talents unique. Interviews from: Ed Caraeff (music); Terry O Neill (celebrity portraiture); Norman Seeff (music); Johnathan Daniel Pryce (fashion); Douglas Kirkland (Hollywood); Gerd Ludwig (National Geographic); Slava Mogutin (queer fine art); Jerry Schatzberg (fashion, film, music, portraiture); Tim Flach (wildlife); Richard Phibbs (fashion, commercial, portraiture); Eva Sereny (Hollywood, celebrity portraiture); Sue Flood (wildlife); Tom Stoddard (photojournalism).

A close look at Man Ray's interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris Shortly after his arrival in Paris in July 1921, Man Ray (1890-1976)-the pseudonym of Emmanuel Radnitzky-embarked on a sustained campaign to document the city's international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray's subjects included cultural luminaries such as Berenice Abbott, Andre Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Meret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray's portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Annees folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation. Distributed for the Virginia Museum of Fine Arts Exhibition Schedule: Virginia Museum of Fine Arts, Richmond (October 30, 2021-February 21, 2022)

A year before 1967's famed Summer of Love, documentary photographer William Gedney set out for San Francisco on a Guggenheim Fellowship to record "aspects of our culture which I believe significant and which I hope will become, in time, part of the visual record of American history." A Time of Youth brings together eighty-seven of the more than two thousand photographs Gedney took in San Francisco's Haight-Ashbury neighborhood between October 1966 and January 1967. In these photographs Gedney documents the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture. Gedney lived among these young people in their communal homes, where he captured the intimate and varied contours of everyday life: solitude and companionship, joyous celebration and somber quiet, cramped rooms and spacious parks, recreation and contemplation. In these images Gedney presents a portrait of a San Francisco counterculture that complicates popular depictions of late 1960s youth as carefree flower children. The book also includes facsimiles of handwritten descriptions of the scenes Gedney photographed, his thoughts on organizing the book, and other ephemera.

Sacred presents photographs of locations cloaked in mysticism and imbued with a spiritual energy, exploring the meaning of the sacred in a global, multicultural context. Countless cultures have found it in the magnificence of nature and what can be called the divine gestures of the nature landscape. We looked to the majesty of snowcapped mountains, the glow of the full moon, the power of a magical waterfall, the endless sands of the Sahara Desert, the towering height of the tallest trees and the subtle essence of a lotus flower. We created remarkable buildings to the essence of what we felt to be sacred. What is sacred and what do cultures around the world consider sacred? What is sacred to a Muslim, a Tibetan monk, a Native American, a Christian elder, an atheist, a mountaineer, a poet or an artist? Chris Rainier has spent the last forty years in search of the sacred--from the peaks of Tibet to the icebergs of Antarctica, from the vibrant mysticism of India to the mysteries of the Silk Road, from the jungles of New Guinea to the druid stones of Scotland, and from the deserts of the Southwest United States to the rock art of aboriginal Australia and Africa. Rainier's photographs masterfully capture the wonder and awe inherent to all these sites. Sacred presents photographs from this lifelong journey. The collection offers spiritually driven glimpses of ancient monuments and haunting landscapes from around the world--each echoing with the energy of timeless and sacred power places. RENOWN PHOTOGRAPHER AND AUTHOR: Chris Rainier is a documentary photographer and National Geographic explorer who is highly respected for his documentation of endangered cultures and traditional languages around the globe. AWARD-WINNING PHOTOGRAPHY: Rainier was Ansel Adams last photo assistant and has contributed numerous photographs for the United Nations, UNESCO, Amnesty International, Conservation International, the Smithsonian Institution, CNN, BBC, NPR, National Geographic, TIME magazine, the New York Times, and LIFE magazine. CELEBRATED CONTRIBUTORS: Over twelve internationally recognized contributors discuss what sacred means to them and include British essayist and novelist Pico Iyer; ethnographer, writer, photographer, and filmmaker Wade Davis; and Pulitzer Prize winner and National Geographic Fellow Paul Salopek.

'Each shoot is a total love letter to an object from the V&A, sometimes several objects. My relationship to objects is like falling in love with someone. It relates to how we interact as people, how you become best friends with someone. It's a search for a new friend...' TIM WALKER Published to accompany the V&A's mesmerizing exhibition Tim Walker: Wonderful Things, this book is a journey through the creative mind of one of the world's most inventive photographers. It presents over 100 compelling photographs, from ten magical photoshoots inspired by objects from the V&A's enormous and eclectic collection. Featuring conversations between the set designers, stylists, hair and make-up artists, models and muses who bring Walker's imagination to life, it includes contributions by Jack Appleyard, Zoe Bedeaux, Terry Bloxham, Edie Campbell, Gwendoline Christie, Josephine Cowell, James Crewe, Malcolm Edwards, Karen Elson, Katy England, Edward Enninful OBE, Amanda Harlech, Shona Heath, Hungry/Johannes Jaruraak, Ibrahim Kamara, Kate Phelan, James Spencer, Jerry Stafford, Tilda Swinton and Gareth Wrighton. Previously unpublished behind-the-scenes imagery and preliminary sketches combine to reveal Walker's extraordinary creative process, from his detailed research in the labyrinth of storerooms and galleries at the V&A, to his spectacular final pictures.

The Photofile series brings together the best work of the world's greatest photographers. Each book contains a selection of the photographer's most important and representative images, plus an introduction and a bibliography. American photographer Berenice Abbott first took up the art while working as an assistant to Man Ray, but soon left to set up her own studio, where she photographed the leading lights of Paris's literary and artistic circles, including James Joyce and Jean Cocteau. She also met and was inspired by the great photographer Eugene Atget, whose work she tirelessly promoted. On her return to her homeland, Abbott began her major project, Changing New York, in which she documented the interaction between the city's dramatic architecture and its people in a series of remarkable images that made her name. By the time of her death at the age of 93, Abbott's diverse body of work had earned her a place as one of the greatest American photographers.

Juxtaposing the albums of Lady Brassey, an overlooked figure among Victorian women travelers, with Brassey's travel books, Nancy Micklewright takes advantage of a unique opportunity to examine the role of photography in the 1870s and 1880s in constructing ideas about place and empire. This study draws on a range of source material to investigate aspects of the Brassey collection. The book begins with an overview of Lady Brassey's life and projects, as well as an examination of issues relevant to subsequent discussions of the travel literature, the photographs, and the albums in which the photographs are assembled. Lady Brassey is next considered as a traveler and public figure, and the author gives an overview of Brassey's travel literature, placing her in her social and political context. Micklewright then considers the seventy volumes of photographs which comprise the Brassey album collection, taking an especially close look at the eight albums devoted to the Middle East. Analyzing the specific contents and structure of the albums, and the interplay of text and image within, she explores how the Brasseys constructed their presentation of the region. While confirming some earlier work about constructions of the Orient by the British during the time, this book offers a much more detailed and nuanced understanding of how photographic and literary constructions were related to individual experience and identity within a larger British identity. The first appendix explores the illustrative relationship between the photograph albums and Lady Brassey's travel books, yielding an understanding of the processes involved in transferring the photographic image to a printed one, at a particular moment in the development of book illustration. A second appendix lists the contents and named photographers of all seventy albums in the Brassey collection. All in all, Micklewright's study makes a significant contribution to our understanding of the complex and unstable social, political and imperialist discourses in the nineteenth century.

Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.

The transformation of man to beast is a central aspect of traditional pagan rituals that are centuries old and which celebrate the seasonal cycle, fertility, life and death. Each year, throughout Europe, from Scotland to Bulgaria, from Finland to Italy, from Portugal to Greece via France, Switzerland and Germany, people literally put themselves into the skin of the 'savage', in masquerades that stretch back centuries. By becoming a bear, a goat, a stag or a wild boar, a man of straw, a devil or a monster with jaws of steel, these people celebrate the cycle of life and of the seasons. Their costumes, made of animal skins or of plants, and decorated with bones, encircled with bells, and capped with horns or antlers, amaze us with their extraordinary diversity and prodigious beauty. Work on this project took photographer Charles Freger to eighteen European countries in search of the mythological figure of the Wild Man: Austria, Italy, Hungary, Slovenia, Slovakia, Spain, Poland, Portugal, Germany, Greece, Macedonia, Bulgaria, Czech Republic, Switzerland, Croatia, Finland, Romania and the UK.

Dan Graham, one of America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series, Homes for America, pictures of typical American suburbia in New Jersey. To this day the theme of architecture and its surfaces represents an extremely important facet of his work, as does the question of what role it plays in postmodern society and in the context of everyday culture. This publication presents new photographs by Dan Graham, taken in the context of a study trip with the architecture faculty of Columbia University, together with a selection of original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, because they were taken in the same locations, in the same deserts of suburban streets and housing that Graham had photographed in the 1960s. This creates a fascinating reference system of repetitions and differences, in terms of both the temporal and the spatial, that asks questions of the viewer about architecture, public space, and their function in society.

Rouge Lointain is first and foremost a book of photographs that is in line with the resolutely contemporary trend of preserving traces of places and activities that are in danger of disappearing. Through the images of its superb machinery that has now disappeared and its deserted architecture, it is the memory of an Italian-style theatre that lives on today. Through them it is also the work of those who worked there in the shadows and without whom the show could not have existed as we imagine. Fascinated by the beauty of its frames, the dilapidated materials, the magic of these mechanisms made of ropes, pulleys, capstans and narrow footbridges on three antique masts, Andre Soupart invites us to wander on the grill, under the stage and backstage and to discover a universe unknown to the spectators. Text in English and French.