A testament to the art of colour composition, this book - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the volume's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to making a good composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights that will be invaluable to admirers and photography enthusiasts alike.

A flaneur and photographer at once, Eugene Atget (1857-1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called "documents" of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage. Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Revolution Surrealiste, while Ray and much of his artistic circle purchased Atget prints. Atget's fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget. This fresh TASCHEN edition gathers some 500 photographs from the Atget archives at Musee Carnavalet and the Bibliotheque Historique de la Ville de Paris to celebrate his outstanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through courtyards and arcades and the 20 arrondissements, we find a unique portrait of a beloved city and the making of a modern photographic master. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Daniel Meadows is a pioneer of contemporary British documentary practice. His photographs and audio recordings, made over forty-five years, capture the life of England's 'great ordinary'. Challenging the status quo by working collaboratively, he has fashioned from his many encounters a nation's story both magical and familiar. This book includes important work from Meadows' ground-breaking projects, drawing on the archives now held at the Bodleian Library. Fiercely independent, Meadows devised many of his creative processes: he ran a free portrait studio in Manchester's Moss Side in 1972, then travelled 10,000 miles making a national portrait from his converted double-decker the Free Photographic Omnibus, a project he revisited a quarter of a century later. At the turn of the millennium he adopted new 'kitchen table' technologies to make digital stories: 'multimedia sonnets from the people', as he called them. He sometimes returned to those he had photographed, listening for how things were and how they had changed. Through their unique voices he finds a moving and insightful commentary on life in Britain. Then and now. Now and then.

Jeff Lowdermilk's passion for World War I and of military history began as a lad when he listened to his grandfather, George A. Carlson, tell his life's stories about serving as a 'doughboy' in Europe during the Great War. When his grandfather passed away in 1982, his mother gave to Jeff her father's amazing diary, which included not only lengthy descriptions of the landscapes, towns, and battles he experienced, but also heartfelt observations and insights about what life as a soldier on the road and in battle and in the trenches meant to all of Mr. Carlson's buddies. Thus began Jeff Lowdermilk's life-long quest to tell his grandfather's story.As one can imagine, the young Lowdermilk became fascinated with the diary and how long and detailed it was. He transcribed it and then plotted his grandfather's path through France, Belgium, and Germany as part of the American Expeditionary Forces. And he immersed himself in the history of the Great War and in the geography of the places where his grandfather and other doughboys walked and fought. He also dedicated himself to becoming a first-rate photographer, and thus his career path as a writer and photographer and lecturer of World War I and II was securely in place."Honoring the Doughboys: Following My Grandfather's World War I Diary" is a unforgettable tribute to all the doughboys, the foot soldiers, who served during World War I. Integrating passages from his grandfather's diary with his own anecdotes and photographic survey of the places his grandfather traveled and fought over, Lowdermilk has composed an enduring compilation of how the reality of battle and of war can be reconciled through commemoration and memorialization and even a pilgrimage such as his, in which he walked and drove thousands of kilometers during many decades retracing his grandfather's journey.This book provides a rich visual and historic tour of Europe's landscapes, towns, battlefields, memorials, cemeteries, and monuments of World War I. And it offers the reader that rare chance to share in the experience of thousands of America's doughboys who, like Mr. Carlson, gave it their all in the fight to keep Europe free of tyranny and oppression. Jeff Lowdermilk has done the nation a real favor with his moving expression of gratitude to American veterans of World War I. And Helen Patton, granddaughter of General George S. Patton, Jr., adds her voice of appreciation for Jeff Lowdermilk's effort in her heartfelt foreword.

Daydreams Walking is comprised of 196 photographs shot on the streets of New York City by Jeremiah Dine between 2010 and 2017. Dine's exploration of the daily ebb and flow of humanity follows in the tradition of 20th Century street photography as practiced by Henri Cartier-Bresson, Robert Frank and Garry Winogrand, among others. The city illuminated is the subject, with the people, objects and streets the supporting cast. Dine has photographed on the streets of New York since he was a teenager, first in black and white with 35mm cameras, then starting in the 2000s in color with digital cameras. The book's title is derived from the Frank O'Hara poem Music, which is included in the book, as well as a playlist of songs that Dine listened to while walking and shooting. Robert Sullivan, author of Rats, The Meadowlands and My American Revolution contributes an essay. The book was designed and edited by Yolanda Cuomo.

After his last book Escapes, Stefan Bogner returns to the Alps with this illustrated book. This time not only did he photograph particular routes, but he looked for the ideal tour through the Alps: 3 countries, 14 passes - the perfect little escape for 4 days. Different from Bogner s photographs in Escapes or Curves, where he just presents dreamlike empty streets, Porsche Drive focuses on the journey in Porsche models such as Porsche 906, Porsche 911, Porsche 918 and more. Stefan Bogner drives his own Porsche 911 1970 ST. Apart from Bogner's photographs, Porsche Drive offers information on each route and height profile. Thus you can follow Bogner's itinerary on a long weekend.

A festival of Indian folk rituals and costumes bursting with colour, captured by renowned photographer Charles Fréger, the creator of a distinctive and powerful new genre of portrait photography. Internationally renowned photographer Charles Fréger continues to explore global traditions and cultures, by celebrating the powerful visual aspects of Indian folk culture and religious ritual. India is the home to a myriad of local traditions, legends and religions, each with their own festivals, rites and rituals. Celebrations burst with vivid colours and often wildly exuberant costumes, some representing gods and goddesses, others legendary heroes from Sanskrit epics such as the Mahabharata and the Ramayana. In Charles Fréger’s photographs, those who honour local cultural traditions are represented in single or group portraits, represented against carefully chosen landscapes and backdrops, from the heart of festivals and celebrations. Fréger’s unmistakable style of portraiture allows us to admire the complexity of their adornments – masks and headdresses, costumes and body paint – and to consider the abundance of imagination that expresses India’s countless stories and characters, both human and divine. This spectacular gathering of warrior figures, deities, musicians, tigers, mahouts, epic characters and their avatars is accompanied by texts setting the huge variety of eclectic costumes in context, and describing the local festivals and rituals. This compelling sequence of new portraits will enthral those with an interest in folk traditions, as well as the followers of this internationally acclaimed photographer.

SPOOR comprises groups of colour photographs made by Roger Palmer while following rail routes between towns and settlements of South Africa. The photographs were accumulated between 2014 and 2018 as Palmer drove along mostly minor roads through the country's nine provinces. A 'spoor' is the track or scent of an animal or person. In Afrikaans it also refers to rail tracks.

"We must remember that in the brutality of battle another such apocalypse is always just around the corner." -Sebastiao Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein's troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires, creating one of the worst environmental disasters in living memory. As the desperate efforts to contain and extinguish the conflagration progressed, Sebastiao Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado's smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this "huge theater the size of the planet": the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado's epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award, recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series. Like Genesis, Exodus, and The Children, it is as much a major document of modern history as an extraordinary body of photographic work.

The horse has been central to Welsh history and retains a place of great significance and importance in Welsh society even in the age of car travel and growing urbanisation. Photographer Bruce Cardwell set himself the task of recording the many ways in which horses still gallop across the country's physical and mental landscape. His stunning black and white photographs range from the internationally famous Welsh cobs to wild ponies roaming housing estates. There is the horse at work - mounted shepherds in mid Wales, mounted police in the south. The horse and sport in the form of racing, trotting, and point to point.And there is horse society - markets, fairs, shows, gymkhana - and the people who make it - breeders, riders, farmers, judges, hunters, vets. Cardwell has captured the whole world of the horse in Wales, composed of many different worlds all superbly photogenic.This book is a must-have for anyone with an interest in our four-legged friends.

"When you first view Rose-Lynn Fisher's photographs, you might think you're looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you're looking at her tears. . . . [There's] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher's images are the only remaining trace of these places, which exist during a moment of intense feeling-and then vanish." -NPR "[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion." -Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper's, New Yorker, Time, Wired, Reader's Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.

For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maske, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.

* This is an introduction to the life and work of Cindy Sherman.

The first full-length title in English on the celebrated photographer Claude Cahun whose work was rediscovered in the 1980s.

This lively and original book looks at Cahun and her oeuvre in the contexts of the turbulent times in which she lived. Surveying standard postmodernist approaches to Cahun, born Lucy Schwob, Doy goes further, positioning Cahun's photographs as part of her life as a woman, lesbian and political activist in the early twentieth century. Doy considers Cahun's relationships with Symbolism and then Surrealism and her approach to dress and masquerade, assessing the images in the context of the situation of women at the time and within the prevailing fashion and beauty culture. She also pays attention to her curious images of constructed objects and re-evaluates the status of Cahun's small-scale snapshots as photographs.

Enormously readable, 'Claude Cahun' at last provides a fuller picture of this important artist's life and work.

Robert Mapplethorpe's black-and-white Polaroid photographs of the 1970s--a medium in which he established the style that would bring him international acclaim--are brought together in this new paperback edition. Critically praised for his finely modeled and classically composed photographs, Robert Mapplethorpe remains intensely controversial and enormously popular. This book brings together almost 300 images from the Robert Mapplethorpe Foundation's archive and private collections to provide a critical view of Mapplethorpe's formative years as an artist, revealing the themes that would inspire Mapplethorpe throughout his career. Included is a selection of color Polaroids and objects incorporating his early "instant" photography. Some images convey a disarming tenderness and vulnerability, others a toughness and immediacy that would give way in later years to more classical form. The author traces the development of Mapplethorpe's use of instant photography over a period of five years, from 1970 to 1975, when the artist worked mainly in this medium. The images include self-portraits; figure studies; still lifes; portraits of lovers and friends such as Patti Smith, Sam Wagstaff, and Marianne Faithful; and observations of everyday objects. Marked by a spontaneity and creative curiosity, these fragile images offer an illuminating contrast to the glossy perfection of the work for which Mapplethorpe is best known, allowing us a more personal glimpse of his artistry.

From the filth and the fury to the elegant extravaganza, 'Peter Gravelle', the many named photographer, has remained in the shadows of punk rock, low culture and high fashion, deflecting attention while steadily producing an epic body of iconic work. The Death of Photography is a tour de force, a high end art book showcasing forty years of the best punk, fashion and portraiture of Gravelle's career. Heavily stylised images are woven together with Gravelle's own fascinating recollections from a live lived in technicolour.