From 1982 to 1986, Roger Ballen, an American, travelled widely throughout South Africa, visiting its scattered towns and villages. During this time he developed a unique vision towards little-known corners and artefacts, trading stores, old houses and humble people. Textured with time, these photographs reveal the essence of these places.

This is a revised second edition of Roger Ballen’s powerful photographic journey containing new unpublished images never seen before.

Roger says he has tried to depict what he believes to be a disappearing South African aesthetic. With each year, the anonymity of the present further transforms the character of these places.

In 2002, Tabitha Soren first began photographing a group of minor league draft picks for the Oakland A's-young men coming into the major league farm system straight from high school or college. Since then, she has followed the players through their baseball lives, an alternate reality of long bus rides, on-field injuries, friendships and marriages entered and exited, constant motion, and very hard work, often for very little return. Some of the subjects, like Nick Swisher and Joe Blanton, have gone on to become well-known, respected players at the highest level of the game. Some left baseball to pursue other lines of work, such as selling insurance and coal mining. Others have struggled with poverty and even homelessness. Fifteen years after that first shoot, Fantasy Life portrays a selection of these stories, gathering together a richly textured series of photographs taken on the field and behind the scenes at games, along with commentaries by each of the players and memorabilia from their lives-from kindergarten-age baseball cards to x-rays of player injuries. Dave Eggers contributes a five-part short story that compellingly condenses the roller-coaster ride of the minor-league everyman, from youthful pursuit of stardom through the slog of endless hardscrabble games, to that moment of realization that success may not be just around the corner after all. Additonally, a number of the featured players add their own real-life experiences of trying to make it to "The Show." Together, these elements evoke the enduring spirit of this quintessential American fantasy of making it in the major leagues.

First we had dogs underwater, then dogs shaking off water... and now dogs soaking up the exhilarating no-holds-barred pleasure of a ride in a car. Photographer Lara Jo Regan began her pet project as a calendar but the response was overwhelming and absolute: her photographs of the cruising canines, taken from incredible perspectives, with tongues hanging and ears flapping, became a global Internet sensation. The energy of the photographs is impressive and visceral. In order to get these shots, Regan built a special light, which jutted out over the roof of the car, a harness that allowed her to lean out of the window and various other contraptions to make the images come to life. Dogs In Cars will have the reader laughing out loud.

For fifty years, music fans, hippies, artists, and songwriters have converged each spring on Quiet Valley Ranch in the Texas Hill Country. They are drawn by the thousands to the annual Kerrville Folk Festival, a weeks-long gathering of musical greats and ordinary people living in an intentional community marked by radical acceptance and the love of song. At the festival, David Johnson is known as Photo Dave, the guy who lugs around a large-format camera and captures the moments that make Kerrville special. It Can Be This Way Always collects eighty images from the past decade. Portraits of attendees and volunteers accompany scenes of stage performances, campfire jam sessions, and vans repurposed into coffee stands. In these images we see the temporary, makeshift world that festivalgoers create, a place where eccentricities are the norm and music is the foundation of friendship and unity. "It can be this way always" is a popular saying at Kerrville: simultaneously optimistic and wistful like a good folk song-or a photograph from your best life.

"Photography is documenting life as it happens, it's capturing the decisive, unexpected and unique. Over the years, my style and work have changed but I've always focused on street portraits, with a side of architecture." ~ Ope Odueyungbo Although Ope currently shoots for global brands like Audi, Adidas, and American Express, the idea of being a photographer didn't cross his mind until he was in college. Now, just a few years later, he routinely posts stunning images to his nearly 100,000 Instagram followers. A Londoner from New Cross, Ope less often displays another side of his work - a personal photographic journey that has taken him to nearly every continent on the globe, including Nigeria, where his parents are from and still home to his grandmother and extended family. Ope's unusual aesthetic sensibility reveals his vision of the world, viewed with eternal optimism and hope.

For most people in the West, the realities of life behind the Iron Curtain have faded into caricatures of police state repression and bread lines. With the world seemingly again divided between democracies and authoritarian regimes, it is essential that we understand the reality of life in the Soviet Bloc. American photojournalist Arthur Grace (born 1947) was uniquely placed to provide that context. During the 1970s and 1980s Grace traveled extensively behind the Iron Curtain, working primarily for news magazines. One of only a small corps of Western photographers with ongoing access, he was able to delve into the most ordinary corners of people's daily lives, while also covering significant events. Many of the photographs in this remarkable book are effectively psychological portraits that leave the viewer with a sense of the gamut of emotions in that era. Illustrated with over 120 black-and-white images-nearly all previously unpublished-Communism(s) gives an unprecedented glimpse behind the veil of a not-so-distant time filled with harsh realities unseen by nearly all but those that lived through it. Shot in the USSR, Poland, Romania, Yugoslavia and the German Democratic Republic, here are portraits of factory workers, farmers, churchgoers, vacationers and loitering teens juxtaposed with the GDR's imposing Social Realist-designed apartment blocks, annual May Day Parades, Poland's Solidarity movement (and the subsequent imposition of martial law) and the vastness of Moscow's Red Square.

"We must remember that in the brutality of battle another such apocalypse is always just around the corner." -Sebastiao Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein's troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires, creating one of the worst environmental disasters in living memory. As the desperate efforts to contain and extinguish the conflagration progressed, Sebastiao Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado's smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this "huge theater the size of the planet": the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado's epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award, recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series. Like Genesis, Exodus, and The Children, it is as much a major document of modern history as an extraordinary body of photographic work.

A lyrical manifestation of Leticia Valverdes' award-winning project that took her on a journey back to Portugal, her grandmother's motherland. This extraordinary project resulted in a magical collaboration with the inhabitants of Ana's birthplace, the village of Mundao. By inviting the villagers to write a postcard to her now dead grandmother, they became the fictional friends she believed she had whilst dying with Alzheimer's disease in Brazil. Through photography interspersed with poetic text, cyanotypes and votive offerings, this is a personal yet universal story exploring transgenerational trauma, longing, migration, and what it means to feel divided between two cultures. A hundred years on, this is the perfect time to tell this story, as Europe is engulfed in debates about borders, nationalism and migration.

Michael Hauptman's first monograph presents a selection of his personal work that explores the themes of nature, technology, phenomena and the cosmos. Hauptman sometimes uses digital manipulation not to make pictures that looks unreal but to attempt to depict mysteries of time and space. A former photo assistant of Richard Burbridge, Michael Hauptman has been taking pictures and living in New York City for the last 15 years.

This is the first comprehensive, large-format monograph of Bob Willoughby's photographs of film and television stars from the 1950s to the 1970s. Considered the first on-set still photographer in the film industry, Bob Willoughby photographed numerous movie stars of the era, including Audrey Hepburn, Marilyn Monroe, Jean Seberg, Elizabeth Taylor, Natalie Wood, Frank Sinatra, Cary Grant, Doris Day, James Dean, and many more. These stars continue to influence fashion and culture, from Baby Boomers all the way to Gen Z. The iconic celebrities and others featured have lasting presence, still gaining fans today via both social media and the availability of classic films through streaming channels. This compendium features vintage and never-before-seen photographs of the most beloved stars of film and television. Willoughby's images include many taken during the filming of classics such as THE GRADUATE, MY FAIR LADY, ROSEMARY'S BABY, and others. In addition to on-set photography, there are also many candid portraits of actors at home, such as those of Audrey Hepburn. This compendium includes both black-and-white and color photographs of some of the greatest icons from this Golden Age of Hollywood.

For five years Linda Herzog photographed her Swiss hometown of Zurich, the once industrial city of Birmingham, England, and the vibrant Turkish metropolis of Istanbul. These 52 color images, shown entirely without text, record cultural differences and commonalities, and raise provocative questions about the new Europe.

Berenice Abbott is to American photography what Georgia O'Keeffe is to painting or Willa Cather to letters. Abbott's sixty-year career established her not only as a master of American photography but also as a teacher, writer, archivist and inventor. A teenage rebel from Ohio, Abbott escaped to Paris-photographing, in Sylvia Beach's words, "everyone who was anyone"-before returning to New York as the Roaring Twenties ended. Abbott's best known work, "Changing New York", documented the city's 1930s metamorphosis. She then turned to science as a subject, culminating in work important to the 1950s "space race". This biography secures Abbott's place in the histories of photography and modern art while framing her accomplishments as a female artist and entrepreneur.

One of the greatest photographers of the twentieth century. A collection of Norman Parkinson's greatest works, in the fields of fashion, celebrity, royalty and portraiture. Featuring many iconic images of famous faces including Audrey Hepburn, Mick Jagger, David Bowie, Jean Seberg, Jerry Hall and many more. A long overdue introduction into the work of a genius of photography. Norman Parkinson (1913-1990) is one of the greatest and most influential photographers of the twentieth century. Beginning in the 1930s his style of work helped define the look of each subsequent decade (including the New Look of Paris in the '50s and Swinging London of the '60s) and his impact on his followers was immense. Parkinson gained recognition in his early years revolutionising photography by moving female models from the static, serious and controlled environment of the photographic studio to real-life locations and exotic surroundings. This dynamic and spontaneous style garnered the attention of numerous fashion magazines including Harper's Bazaar, Vogue and Town & Country, earning Parkinson international recognition. His photographs helped create the age of the supermodel and made Parkinson the photographer of choice for fashion designers, artists and writers, musicians and actors, and British royalty. In a career that spanned six decades, Parkinson dazzled the world and inspired his peers with sparkling inventiveness as a portrait and fashion photographer. His achievements were recognised by the Queen of England when, in 1981, he was awarded a C.B.E. (Commander of the British Empire). In that same year he was also honoured with a major retrospective exhibition at the National Portrait Gallery in London.