The photomontage pieces that form the core of this project are
built around a repeating grid of 15 rectangles into which
photographs from a specific location are placed to form a playful
spirit or 'phantom' of place. Each phantom is from a different
location and each site chosen has personal resonances or relates to
the history of surrealism in Britain and Europe. The works are both
an interpretation of landscape and place as well as an opportunity
to explore the history of the surrealist movement in Britain and
how the idea of surrealism is often tied to landscape explored, not
for its picturesque or romantic aspects but for its psychological
and visionary resonance.
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