A spiritually uplifting and beautiful designed visual memoir by the hugely popular photographer on Instagram, Joe Greer, combining thoughtful essays and more than 100 gorgeous landscape photos-half fan favorites, and half never-before-seen. "Each photograph really does come down to a split second when you decide to freeze that moment in time. . . . You ask yourself what the story is that you want to tell, and let the rest unfold: Click."-from the introduction Joe Greer never imagined he would become a photographer. Raised in Florida by an aunt and uncle after his mother's death when he was four, Joe had a seemingly normal childhood, spending summers at church camp and dreaming of going to college. But nearly fifteen years later, the ground shifted beneath his feet when he discovered a family secret that would impact the rest of his life. Trying to make sense of that revelation and what it meant for his future, Greer set his sights on becoming a pastor at Spokane's Moody Bible Institute. There, he discovered Instagram-and a passion for photography. His pictures of the lush, wild beauty of the Pacific Northwest landscape attracted a large following that has grown to more than three quarters of a millions fans and continues to expand. The Lay of the Land is Joe's story in words and pictures. In this stunning compendium, he reflects on the trauma of his early life and what photography has taught him: how to find his light; how to slow down; how to appreciate the world around him, a reverence for the nature world that that both nurtures and amplifies his creativity and faith; how to love-his photography led him to his wife, Madison-and how to heal. For Joe, photography has been a way to find purpose, better understand his faith, and express himself. Though he began with landscapes, meeting his wife sparked a new love of portraiture, and he turned to making photos of street scenes that explored his complicated feelings about family. A love letter to the natural world, to faith, and to finding your calling in the most unexpected places, The Lay of the Land is a window into the beautiful mind and heart of one of the internet's favorite photographers. Moving and inspiring, it is a creative and spiritual journey that offers lessons on life and living. As Greer reminds us all, whatever it is you want, it's up to you to make the moment (and the photograph).

Phil Borges, a documentary photographer and filmmaker whose work is aimed towards social justice and preservation of different cultural heritage, from over 25 years has been documenting indigenous and tribal cultures, striving to create an understanding of the challenges these people face everyday. In exclusive preview, the volume offers the chance to admire several works from his most famous series such as Tibetan Portrait, Tibet: Culture on the Edge, Enduring Spirit (created in association with Amnesty International), Spirit of Place and Women Empowered. Text in English and Italian.

Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloguing and promoting Milton's vast body of work all over the world. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breath-taking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs. Numbered to only 250 copies, this deluxe edition will be produced with the highest quality paper and cloth binding, packaged in a stunning cloth clamshell presentation case. Each book will come with a limited edition estate-stamped print, measuring 355 x 279mm, from Marilyn's 'Negligee Sitting', which will be hand numbered, and a letter of authenticity from the Milton Greene estate.

The portraits in this book have been personally selected by Bailey from the wide range of subjects and groups that he has captured so brilliantly over the last five decades: actors, writers, musicians, politicians, film-makers, models, artists and people encountered on his travels to Australia, India, Sudan and Papua New Guinea; many of them famous, some unknown, all of them engaging and memorable. Baileys Stardust will be accompanied by a major exhibition at the National Portrait Gallery, London, in spring 2014, which will then tour to venues on four continents. The book, like the exhibition, is structured thematically, with iconic images presented alongside many lesser-known and previously unseen portraits, and includes an illuminating introduction by the art historian Tim Marlow. Initially engaged as an assistant to John French in 1959, Bailey was contracted by British Vogue the following year. He has since worked for the French, Italian and American editions of the magazine, created album sleeves for major recording artists such as the Rolling Stones, directed television commercials, and made documentary films, including in-depth studies of Cecil Beaton, Luchino Visconti and Andy Warhol. Baileys photographs helped to define the cultural and social scene of the 1960s, and immortalising figures from the worlds of fashion, music, film and art soon elevated Bailey to the status of celebrity himself. Antonionis cult film Blow-up (1966), about a London fashion photographer, was inspired by Bailey, whose life was also dramatised recently in the BBC film Well Take Manhattan (2012), which tells the story of his 1962 New York fashion shoot with the model Jean Shrimpton. The tritone-printed images in this book have been reproduced from prints newly made by David Bailey himself for the accompanying exhibition. The photographer has been closely involved in all aspects of the design and production of the book, including page layout, the selection of the paper and the tonal density of the printed images.

Gillian Laub’s photographs of her family from the past twenty years, now collected in one volume, explore the ways society’s biggest questions are revealed in our most intimate relationships. Family Matters zeroes in on the artist’s family as an example of the way Donald Trump’s knack for sowing discord and division has impacted communities, individuals, and households across the country. As Laub explains, “I began to unpack my relationship to my relatives—which turned out to be much more indicative of my relationship to the outside world than I had ever thought, and the key to exploring questions I had about the effects of wealth, vanity, childhood, aging, fragility, political conflict, religious traditions, and mortality.” These issues became tangible in 2016, when Laub and her parents found themselves on opposing sides of the most divisive presidential election in recent US history; and further exacerbated in the lead-up to the 2020 election, in the wake of a global pandemic and protests in support of Black Lives Matter. Family Matters reveals Laub’s willingness to confront ideas of privilege and unity, and to expose the fault lines and vulnerabilities of her relatives and herself. Ultimately, Family Matters celebrates the resiliency and power of family—including the family we choose—in the face of divisive rhetoric. In doing so, it holds up a highly personalized mirror to the social and political divides in the United States today.

Emotionally resonant photographs of everyday life in the Jewish Lodz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario

Photography is ubiquitous. The visual image is the predominant form of communication. Arguably it is a very democratic medium, since billions of people all over the planet take photographs on their phones, and digital storage means that expensive printing is not necessary and therefore the practice is not prohibitive. Photography is important to political and social movements and connects people in emotionally meaningful relationships. This book explores the myriad ways in which photographs can be used: to document events, places or things; to consolidate personal identity; to pose a challenge to an idea or regime; to animate the inanimate (in other words, to breathe life into objects); to capture the fleeting and transitory; to create stories; to reveal what may be taken for granted, including seeing social practices; to enhance our perception and allow us to notice previously unnoticed details; to consolidate relationships; to represent the overlooked or marginalised; to commemorate; to authenticate; to tantalise. All these modes of photography have different possibilities, different intentions and different effects.

Explore and discover the most beautiful places in Wiltshire. Visit and photograph the ancient and mysterious sites of Stonehenge, Avebury and Silbury Hill; the great houses and gardens at Longleat, Bowood, Wilton, Stourhead; villages and churches; Georgian Bradford-on-Avon and the chalk White Horses and the Fovant Badges etched into the hillsides. You will enjoy photographs of the strip lynchets along the downs where sheep have grazed for centuries; the big open farmland, the Ridgeway, the chalk streams; Salisbury Plain and Salisbury Cathedral. With over 500 colour photographs, Photographing Wiltshire is the definitive visitor and photo-location guidebook to photographing this fascinating county. Introductory sections explain the story of Wiltshire's varied landscape, exceptional cultural heritage and diverse wildlife. It will appeal to Wiltshire residents, outdoor enthusiasts, photographers and anyone who loves Wiltshire and would like to understand it better.

"To look at Oliver Hellowell's photography is to see the natural world through his eyes." - Boudicca Fox-Leonard, The Telegraph "In Ollie's hands [...] the camera is more than a mere instrument; it is an extension of his inquisitive mind." - Iolo Williams From flower-filled forests to ancient castles and isolated lochs, from the concrete jungle to the play of sunlight across the sea, the latest book from award-winning young photographer Oliver Hellowell captures Britain at its most beautiful. The British landscape is renowned for its infinite moods. Oliver's photography celebrates this, capturing rain-jewelled flowers and haunting, mist-shrouded ruins. Perhaps the most charming aspect of his work is his ability to highlight overlooked beauty. To some, the dandelion is nothing but a weed - but Oliver finds a worthwhile subject in even the humblest wildflower. Insightful commentary reveals the inspiration behind each of Oliver's pictures. An ode to the British Isles from a passionate young photographer, every page demonstrates the enthusiasm and talent that endeared Oliver to his worldwide following. Also available: Oliver's Birds ISBN 9781788840101

Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloguing and promoting Milton's vast body of work all over the world. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breath-taking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs. Numbered to only 250 copies, this deluxe edition will be produced with the highest quality paper and cloth binding, packaged in a stunning cloth clamshell presentation case. Each book will come with a limited edition estate-stamped print, measuring 355 x 279mm, from Marilyn's 'Bed Sitting', which will be hand numbered, and a letter of authenticity from the Milton Greene estate.

A new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers of the last 60 years, Terry O'Neill. This updated edition includes 32 additional pages of new stories behind some of the O'Neill's most iconic images. From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital - these are the stories behind the images as only Terry O'Neill can reveal. "I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying... I just reached out with the letter in my hand and he took it. He opened it, read it... turned to his security men and said, "this kid's with me." I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle." - Terry O'Neill From The Beatles to the Rolling Stones, Terry O'Neill fast became the photographer of the 1960s. Having an eye - and ear - for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. "I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we'd do next, after all of this was over. By this, we meant the fame, being the 'new kids of the moment'. Usually, this sort of celebrity doesn't last. Little did we know that 60 years later, we'd still be at it." Music led O'Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He travelled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage. O'Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O'Neill has worked with over the past 60 years is a Who's Who in celebrity; from film to music, sports to politics. Terry O'Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.

'A beautiful memoir in which Oliver Sacks comes wonderfully to life ... Exquisitely wrought, heartrending and joyous' Joyce Carol Oates

Bill Hayes came to New York in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.

And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance is captured in funny and touching vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015). Insomniac City is both a meditation on grief and a celebration of life. Filled with Hayes's distinctive street photos of everyday New Yorkers, the book is a love song to the city and to all who have felt the particular magic and solace it offers.

This book is a vivid photographic record of daily life in Istanbul from the 1940s to the 1980s. Captured through the unerring lens of the award winning Ara Guler, the 'Eye of Istanbul', it reflects the city's melancholy aesthetic as it oscillates between tradition and modernity. Guler's remarkable duotone photographs are accompanied by evocative commentaries from Orhan Pamuk, another leading figure in Turkish culture. Both writer and photographer each held in their youth the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his hometown and captures, through image and word, its very soul.

"It's very hard for me to accept that Sukita-san has been snapping away at me since 1972, but that really is the case. I suspect that it's because whenever he's asked me to do a session, I conjure up in my mind's eye the sweet, creative and big-hearted man who has always made these potentially tedious affairs so relaxed and painless. May he click into eternity." - David Bowie For Sukita, the creative mastermind behind the iconic cover for David Bowie's album 'Heroes', photography is an expression of a 'fundamental secret' shared between artists: a spiritual communication that transcends the minutiae of language. Born and raised in Kyushu, Japan, Sukita's reverence of American and Western counter-culture lured him to New York and London. He immersed himself in the western music scene which he loved, while his relaxed photo sessions endeared him to many celebrity figures, including David Bowie and Iggy Pop (with both of whom Sukita had a 40-year long professional relationship), Marc Bolan, and Japanese musician Hotei, best known for his work on the Kill Bill soundtrack. His work spans the early US and UK seventies rock scene, the London punk-rock era to the present crop of emerging Japanese rock artists. This photo book is the first time the photographer has collaborated on a major retrospective of his career and includes some of his early documentary work and his rarely-seen travel and street photography. It introduces the artist through two essays that explore his place within the wider context of both Western and Japanese photography, presented alongside the many iconic shots of both Western and Japanese artists that earned him his eternal reputation.

Ernst Haas's color works reveal the photographer's remarkable genius and remind us on every page why we love New York. When Haas moved from Vienna to New York City in 1951, he left behind a war-torn continent and a career producing black-and-white images. For Haas, the new medium of color photography was the only way to capture a city pulsing with energy and humanity. These images demonstrate Haas's tremendous virtuosity and confidence with Kodachrome film and the technical challenges of color printing. Unparalleled in their depth and richness of color, brimming with lyricism and dramatic tension, these images reveal a photographer at the height of his career.

Photoscapes and the Egg is an intimate book to be savoured and kept nearby, perhaps on a coffee table because of its sheer beauty. Inside its robin egg blue cloth cover are improvised photos of objects, nature, and art, each matched with a photo of an egg inside a cosmic circle - eggs with personalities from the calm ethereal to the hot aggressive. In full, there are more than 100 stunning colour photos, all taken with an iPhone. The match of phenomena and eggs alludes to the dance of the material world with the invisible "birthing source" represented by the egg. Accompanying text and poems bring stories to the dance. The juxtapositions evoke surprise, insight, emotions, hope, and refreshment. They make wry jokes and touch on realities beyond the obvious. This book contains unabashed gentleness and spiritual toughness without pretence. Photoscapes and the Egg sprang from the mind of Patricia Z. Smith, a 79-year-old photographer and writer with extensive life experience and a pull since childhood to meld the physical with the esoteric. The design by Louis Brody is modern and serene. The book is a gift to the reader and her or his friends. It is a resource for these times and our future.

Back and more gleaming than ever, this new edition of Stars & Cars marks the 100th anniversary of legendary Irish photographer, Edward Quinn. A curation of 150 of Quinn's finest photographs that captures the jet-set glamour and opulent car design of 1950s Cote d'Azur: Picasso and his Hispano-Suiza, Brigitte Bardot in her Lancia, and the Onassis' in their Porsche, amongst others. A lavish ride through midcentury joie de vivre, where celebrities from showbiz, art, and aristocracy ride their classic cars through the golden South of France sunshine. Text in English, German, French, Spanish, and Italian.

Syrians fleeing their homes to escape civil war retain one crucial line of communication with those left behind. For these refugees, the mundane act of texting is transformed into an exchange of precious communiques that confirm the survival or death of their loved ones.In Texting Syria, Toronto-based photographer Liam Maloney examines mobile phone technology as a conduit for the struggles and strength of Syrians exiled in Lebanon. His photographic portraits, audio recordings and reproductions of refugees' real text messages combine in testimony to the private dramas of wartime, exposing intimate parallel narratives beyond those that are represented in conventional documentary photography.His innovative and multi-sensory approach to documenting Syrian refugees' experiences has led Maloney to become a recipient of the Prix Dazibao, as well as being nominated for Picture Story of the Year by the News Photographers Association of Canada. Texting Syria has been exhibited in Canada, the US, Turkey, Norway and Switzerland