Just over a century after his death, Walter Pater's critical
reputation now stands as high as it has ever been. In the
English-speaking world, this has involved recovery from the
widespread neglect and indifference which attended his work in the
first half of the twentieth century. In Europe, however,
enthusiastic disciples such as Hugo von Hofmannsthal in the
German-speaking world and Charles Du Bos in France, helped to fuel
a growing awareness of his writings as central to the emergence of
modernist literature. Translations of works like Imaginary
Portraits, established his distinctive voice as an aesthetic critic
and his novel, Marius the Epicurean, was enthusiastically received
in Paris in the 1920s and published in Turin on the eve of the
Second World War. This collection traces the fortunes of Pater's
writings in these three major literatures and their reception in
Spain, Portugal, Poland, Hungary, and the Czech Republic.
Series Editor: Dr Elinor Shaffer: Institute of Germanic Studies,
School of Advanced Study, University of London.
Contributors: Stefano Evangelista, University of Bristol Stephen
Bann, University of Bristol Benedetta Bini, University of Tuscia
Maurizio Ascari, University of Bologna Elisa Bizzotto, University
of Venice-Ca'Foscari Emily Eells, University of Paris X-Nanterre
Benedicte Coste, Stendhal University, Grenoble Wolfgang Iser Ulrike
Stamm, Berlin Martina Lauster, University of Exeter Mihaly
Szegedy-Maszak, Eotvos University, Budapest Martin Prochazka,
Charles University, Prague Adam Mickiewicz University, Poznan Maria
Teresa Malafaia, University of Lisbon Jorge Miguel Bastos da Silva,
University of Oporto Jacqueline Hurtley, University of Barcelona
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