A classic college textbook containing a judicious selection from the whole field of Roman elegy, with introductory matter and English commentary. It helps the student obtain a general acquaintance with Roman elegiac poetry, and features the writings of Catullus, Tibullus, Propertius and Ovid.

A thoroughly updated edition of the witty and engaging exploration of the history, application, and tenets of literary theory in ten lessons. The first edition of Ten Lessons served as a “literary� introduction to theoretical writing, a strong set of pedagogical prose poems unpacking Lacanian psychoanalysis, continental philosophy, Marxism, cultural studies, feminism, gender studies, and queer theory. Calvin Thomas returns to these ten “lessons,� each based on an axiomatic sentence selected from the canons of theory, each exploring the basic assumptions and motivations of theoretical writing. But while every lesson explains the working terms and core tenets of theory, each also attempts to exemplify theory as a “liberatory practice� (bell hooks), to liberate theory as a “practice of creativity� (Foucault) in and of itself. Features: - Critical keywords bolded for easy reference - Expanded footnotes with detailed discussion of key concepts - Anti-racist overhaul of each lesson in the wake of Trumpism, Black Lives Matter, and #MeToo - Urgent emphasis on Afropessimism, critical race theory, and other developments in postcolonial Black cultural production - Designed to cross-reference with: Adventures in Theory: A Compact Anthology, edited by Calvin Thomas The Bloomsbury Handbook of Literary and Cultural Theory, edited by Jeffrey R. Di Leo The Bloomsbury Handbook to 21st Century Feminist Theory, edited by Robin Truth Goodman The revised, updated, and expanded second edition, featuring 25% new material, still argues for theoretical writing as a genre of creative writing, a way of engaging in the art of the sentence, the art of making sentences that make trouble, that desire to make radical changes in very fabrication of social reality.

This Norton Critical Edition includes: The New York Edition text of the novel-the one that had James's final authority-newly and fully annotated by Jonathan Warren. A full introduction, compositional history and textual notes by Jonathan Warren. Revised and expanded contextual materials, topically organised to promote classroom discussion: "James, the Ghost Story, and the Supernatural", "James on The Turn of the Screw", "Other Possible Sources for The Turn of the Screw" and, new to the Third Edition, "Adaptations and Illustrations". Thirty-two critical assessments-from early reactions to the present day-sixteen of them new to the Third Edition. A chronology and suggestions for further reading. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

If you've ever wanted to know more about the power of 'P', the hypnotic rhythm of anapestic tetrameter, or how to change the mood of a verb, then look no further. If you've ever needed to catch a red herring, wield a zeugma, deepen your pathos or improve your character, then this is the book for you. The TRIVIUM consists of the three liberal arts pertaining to language, Grammar, Logic, and Rhetoric. These ancient disciplines have been studied for over two thousand years as a way of refining a speaker and their speech. With extra sections on Euphonics, Poetic Meter and Form, Ethics, and Proverbs, this unique compendium contains a wealth of rare information.

Lessing was a playwright, scholar, poet, archeologist, philosopher, and critic. His genius is evident in the works collected in this volume, which includes the comedy Minna von Barnhelm, the tragedy Emilia, Galotti, Nathan the Wise, The Jews (and related correspondence), Ernst and Falk: Conversations for the Freemasons, and selections from philosophical and theological writings>

This six-volume Voices of Liberation series book set is a celebration of lives and writings of South African and African liberation activists and heroes. Each book provides human, social and literary contexts of the subject, with critical resonance to where we come from, who we are, as a nation, and how we can choose to shape our destiny. This series invites the contemporary reader to ensure that the debates and values that shaped the liberation movement are not lost, by providing access to their thoughts and writings, and engaging directly with the rich history of the struggle for democracy, to discover where we come from and to explore how we, too, can choose our destiny. Books in this set are: Voices of Liberation: Albert Luthuli by Gerald Pillay. Albert Luthuli was a teacher, activist, a lay preacher, and a politician. He was the president of the African National Congress from 1952 until his accidental death. Voices of Liberation: Ruth First by Don Pinnock. Ruth First was an anti-apartheid South African activist and a scholar. She was killed by a parcel bomb addressed specifically to her in Mozambique, where she in exile from South Africa. Voices of Liberation: Patrice Lumumba by Leo Zeilig. Patrice Lumumba was a Congolese politician and independence leader, who served as the first Prime Minister of the independent Democratic Republic of Congo, after Congo was liberated into an independent republic from Belgium. Voices of Liberation: Chris Hani by Greg Houston & James Ngculu. Chris Hani was the leader of the South African Communist Party and chief of staff of Umkhonto weSizwe. He was a fierce opponent of the apartheid government, and was assassinated on 10 April 1993. Voices of Liberation: Frantz Fanon by Leo Zeilig. Frantz Fanon was an activist, philosopher, and psychiatrist whose work shaped the late 20th century critical anthropology in Europe and North America. Voices of Liberation: Steve Biko by Derek Hook. Steve Biko was a South African anti-apartheid activist. Ideologically an African nationalist and African socialist, he was at the forefront of a grassroots anti-apartheid campaign known as the Black Consciousness Movement during the late 1960s and 1970s.

The Heinemann Plays series offers contemporary drama and classic plays in classroom editions. Many have large casts and an equal mix of boy and girl parts. This play depicts the conflict between a fading Southern belle and the brash lower-class society of her sister's family.

When Bunny Carter, the old lady from the Manor House, is discovered in an open grave, Sophie Sayers is sure it's a case of foul play. But when it comes to suspects, she's spoiled for choice. One of Bunny's squabbling children from three different husbands? Petunia Lot from the Cats Prevention charity, always angling for a legacy? All these and more had motive and opportunity. But who is to blame? And can Sophie and her boyfriend, village bookseller Hector Munro, stop them before they strike again? Previously published by Debbie Young.

How do communities tell and retell stories of catastrophe to explain their own origins, imagine their future, and work for their survival? This book contends that such stories are central to how communities claim a position within history. It explores this question, so vital for our present moment, through narratives produced in eighteenth-century France: a tumultuous period when a new understanding of a properly 'modern' national history was being elaborated. Who gets to belong to the modern era? And who or what is relegated to a gothic, barbarous or medieval past? Is an enlightened future assured, or is a return to a Dark Age inevitable? Following barbarians, bastards, usurpers, prophets and Revolutionary martyrs through stories of catastrophes real and imagined, the book traces how narrative temporalities become historicities: visions of the laws which govern the past, present and future. Ultimately it argues that the complex temporality of catastrophe offers a privileged insight into how a modern French historical consciousness was formed out of the multiple pasts and possible futures that coexisted alongside the age of Enlightenment. Further, examining the tension between a desire to place the imagined community definitively beyond catastrophic times, and a fascination with catastrophe in its revelatory or regenerative aspect, it offers an important historical perspective on the presence of this same tension in the stories of catastrophe that we tell in our own multiple, tumultuous present.

Drawing on both historical analysis and theories from the modern affective sciences, Shakespeare and Disgust argues that the experience of revulsion is one of Shakespeare's central dramatic concerns. Known as the 'gatekeeper emotion', disgust is the affective process through which humans protect the boundaries of their physical bodies from material contaminants and their social bodies from moral contaminants. Accordingly, the emotion provided Shakespeare with a master category of compositional tools - poetic images, thematic considerations and narrative possibilities - to interrogate the violation and preservation of such boundaries, whether in the form of compromised bodies, compromised moral actors or compromised social orders. Designed to offer both focused readings and birds-eye coverage, this volume alternates between chapters devoted to the sustained analysis of revulsion in specific plays (Titus Andronicus, Timon of Athens, Coriolanus, Othello and Hamlet) and chapters presenting a general overview of Shakespeare's engagement with certain kinds of prototypical disgust elicitors, including food, disease, bodily violation, race and sex disgust. Disgust, the book argues, is one of the central engines of human behaviour - and, somewhat surprisingly, it must be seen as a centrepiece of Shakespeare's affective universe.

In this special issue, contributors argue that addiction is at the forefront of current global conversations on biopolitics, yet its history is only beginning to be uncovered. By reassessing what counts as addiction and where we might find it, the authors present new approaches to the concept that addiction can be an expression of devotion (as its Latin etymology suggests), can provide authorial inspiration, or can be defined by legal bias and institutional structures, a phenomenon largely devised to exclude or target racialized groups (as with imperial and colonial attitudes toward drug use).

Love thy neighbour or fear thy neighbour? For myself and Lauren, my 10-year-old daughter No3 Beech Close was to be our refuge after two years of hell nursing my sick mother. In need of a fresh start and wanting to distance ourselves from the bad memories of my mother's house we moved to Beech Close, a small cul-de-sac of six houses situated around a picture-perfect green. It seemed perfect but I had underestimated the secrets that this tightknit community shared. Within hours of moving in my next-door neighbour Valerie made it abundantly clear we were not welcome. I soon discovered that Valerie hadn't welcomed the previous occupant either and she'd since disappeared without a trace. Had I put myself and my daughter in danger moving to Beech Close? Which neighbours, if any could I trust? And how far would they go to keep their secret? Perfect for fans of Liane Moriarty, Shari Lapena and Lisa Jewell

No Fear Shakespeare gives you the complete text of Othello on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare containsThe complete text of the original playA line-by-line translation that puts Shakespeare into everyday languageA complete list of characters with descriptionsPlenty of helpful commentary

Die boek behandel spraakopleiding en opvoedkundige drama

It has been fifty years since Theodor Adorno's Aesthetic Theory was first published in 1970, a year after his death. The work appeared at a historical moment when political tension on the left was at its height and the movements of pop art and postmodernism began eclipsing the modernist aesthetic values Adorno cherished. Aesthetic Theory was met with initial resistance, in part because its aesthetic criteria appeared antiquated. This issue reckons with the dialectical complexity of this often misunderstood and misinterpreted work. Essay topics include the metaphysics of landscapes, the potential of film as a medium for social critique, Adorno's conception of the spiritual in art, and a nuanced reading of his polemic against Oswald Spengler's Decline of the West. Bringing together philosophers, art historians, musicologists, and literary theorists, this issue shows that Aesthetic Theory still has lessons that extend beyond disciplinary bounds. Contributors. J. M. Bernstein, Hent de Vries, Peter E. Gordon, Eva Geulen, Martin Jay, Sherry Lee, Max Pensky, with two additional essays on Adorno by Mikko Immanen and Ricardo Samaniego de la Fuente

If you're looking for a fast, focussed and effective way to revise for your AS or A2 exams, Revision Express is the answer. Now fully updated for the new A-levels, Revision Express covers everything you need for success in your exams. Each chapter is broken down into two-page topic sessions, packed with information, top tips and unique features to help you carefully organise your revision and gain vital extra marks. All the information is presented in short, memorable chunks for quick and simple revision and you can check your understanding and progress as you proceed with checkpoint questions. Develop and practice your exam techniques with sample exam-style questions (and answers - luckily!) and get some inside information as A-level examiners reveal the secrets to getting top grades.

A passionate book of poetry from New York Times bestselling author Louise Erdrich.In this important collection, award-winning author Louise Erdrich has selected poems from her two previous books of poetry, Jacklight and Baptism of Desire, and has added nineteen new poems to compose Original Fire. "These molten poems radiate with the ferocity of desire, and in them Erdrich does not spin verse so much as tell tales--of betrayal and revenge, of hunting and being hunted."--Minneapolis Star Tribune

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!