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Books > Language & Literature > Literature: history & criticism
Pre-order the BRAND NEW psychological thriller from the bestselling
author of My Little Brother. Four sisters, four secrets. Who has
the deadliest of them all?Something happened to me when I was nine.
My childhood memories before that fateful day are gone.
Extinguished. The aftermath has become a living nightmare with a
guilt that runs so deep that I'm not sure I can ever tell anyone. I
fear I've left it too late... The burden of my secret and the hurt
and pain that silence cost each and every member of my family is
too overwhelming. But you can't avoid fate and now I have the
opportunity to right the wrongs inflicted on us. There was no
justice. Not then. Not now. But I can change that. The big question
is, how far am I willing to go? Diane Saxon's immersive thriller
will have you debating how far you would go for your family to
right a wrong...
Alice Pleasance Liddell inspired what is considered today to be the
greatest children's story of all time - Alice's Adventures In
Wonderland. Alice's Adventures In Wonderland brought Alice Liddell
and Lewis Carroll together forever. The story behind this story is
a dramatic saga of a very creative, curious, and magnetic young
girl who grew up to become a cultural icon and one of the most
celebrated women of the last 100 years. It is a story of love,
tragedy, duty, courage and loyalty to family and country - that
will surprise and deeply move you.
In 2006, award-winning author C.M. Rubin and her daughter,
Gabriella Rubin (who are related to the Liddell family), began an
incredible journey to create the ultimate book about the original
Alice in Wonderland's life. Their grand pictorial, biographic
vision for the book involved collecting photographs spanning two
centuries, reaching out to many celebrated Alice in Wonderland
artists (including Vik Muniz, Annie Liebovitz, Mark Steele, Lizzy
Rockwell, Helen Oxenbury, Frances Broomfield, Jeanne Argent, David
Cooper, Bruce Fuller, Tatiana Ianovskaia, Jewel, and Tom
Otterness), and connecting with museums, libraries and schools
around the world. The Real Alice in Wonderland book is told using
never before seen pictures along with prominent voices from Alice's
lifetime and from the present day. C.M. Rubin and her daughter
Gabriella explore the theme of inspiration. Behind every great
person there is the person who inspires and believes in him or her.
The person who motivates them to realize their dreams. This
magnificent cross-atlantic epic will fascinate you -- it will make
you think again: what does it mean to inspire?
The Real Alice In Wonderland book is dedicated to all those who
inspire the minds and souls of human beings.
It is commonly held among scholars that there was no mass
literature in the Soviet Union during the Stalin years. What should
we do, then, with Lev Ovalov's Major Pronin or with the stories of
Lev Sheinin, which began to appear in the mid-1930s? And what about
Nikolai Shpanov's post-war best-sellers? As The Soviet Spy Thriller
demonstrates, the Soviet authorities did not like to admit that
they published low-quality literature aimed at the uncultured
masses, but they greatly valued its propaganda value. These works
represented a break with the 'Red Pinkerton' tradition of the
1920s: the genre was being reinvented along new lines, with a new
seriousness, and documentary pretensions. The building of a new
kind of spy thriller also required a new enemy. Between the late
1930s and the early 1950s, the Soviet spy thriller reflects the
shift from an obsession with class to a new preoccupation with
nationality, as the Soviet Union constructed a new identity for
itself in a rapidly changing world. The same identity discourse
underwent another transformation in the post-Stalin years, when the
Soviet agent, underground in the enemy camp, became a metaphor for
double life of the 'Soviet man'. A landmark new survey of a genre
little known in the West, The Soviet Spy Thriller shines new light
on cultural politics in the Soviet Union, and offers a fascinating
counterpoint to the Western spy thrillers that will be so familiar
to most readers.
Near the end of World War II and after, a small-town Nebraska
youth, Jimmy Kugler, drew more than a hundred double-sided sheets
of comic strip stories. Over half of these six-panel tales retold
the Pacific War as fought by "Frogs" and "Toads," humanoid
creatures brutally committed to a kill-or-be-killed struggle. The
history of American youth depends primarily on adult reminiscences
of their own childhoods, adult testimony to the lives of youth
around them, or surmises based on at best a few creative artifacts.
The survival then of such a large collection of adolescent comic
strips from America's small-town Midwest is remarkable. Michael
Kugler reproduces the never-before-published comics of his father's
adolescent imagination as a microhistory of American youth in that
formative era. Also included in Into the Jungle! A Boy's Comic
Strip History of World War II are the likely comic book models for
these stories and inspiration from news coverage in newspapers,
radio, movies, and newsreels. Kugler emphasizes how US propaganda
intended to inspire patriotic support for the war gave this young
artist a license for his imagined violence. In a context of
progressive American educational reform, these violent comic
stories, often in settings modeled on the artist's small Nebraska
town, suggests a form of adolescent rebellion against moral
conventions consistent with comic art's reputation for "outsider"
or countercultural expressions. Kugler also argues that these
comics provide evidence for the transition in American taste from
war stories to the horror comics of the late 1940s and early 1950s.
Kugler's thorough analysis of his father's adolescent art explains
how a small-town boy from the plains distilled the popular culture
of his day for an imagined war he could fight on his audacious,
even shocking terms.
This collection brings together three international and
contemporary plays that each denounce violence against women,
alongside interviews with the creators and practitioners who
brought them to life. With interviews with writers, directors and
producers, who discuss the conception and staging of their plays,
their hope is to de-glamourize the staging of violence, to give
voice to the survivors of gendered violence, and to create
awareness and empathy within the audiences. Little Stitches
(London, 2014): four short pieces by Isley Lynn, Raul Quiros Molina
, Bahar Brunton and Karis E. Halsall on the issue of Female Genital
Mutilation as seen from the point of view of by-standers, health
professionals, women who support the practice and, finally,
survivors. 'Kubra' (Sydney, 2016) by Dacia Maraini, features a
young female protagonist who was subjected to FGM/C as a child, and
now brings her case to court. Rape Trial (Rome, 2018), adapted for
theatre by Renato Chiocca from the international award-winning
documentary of the same title made for Italian state television in
1979, shows how attitudes toward sexual violence, and judicial
procedures, tend to turn rape survivors from accusers into accused,
in court and in everyday discourse.
Le Levite d'Ephraim, Rousseau's re-imagining of the final chapters
of the Book of Judges, contains major themes of Rousseau's oeuvre
and lays forth central concerns of his intellectual projects. Among
the themes highlighted in the concentrated narrative are: the
nature of signs and symbols and their relationship to the
individual and society that produce them; the role of hospitality
in constituting civil society; the textually-displayed moral
disorder as foreshadowing political revolution; and finally, the
role of violence in creating a unified polity. In Le Levite
d'Ephraim, Rousseau explores the psychological and communal
implications of violence and, through them, the social and
political context of society. The incarnation of violence on the
bodies of the women in this story highlights the centrality of
women in Rousseau's thought. Women are systematically dismembered,
both literally and figuratively, and this draws the reader's
attention to the significance of these women as they are
perennially re-membered inside and outside the text. This study of
these themes in Le Levite d'Ephraim places it in relation to the
biblical text at its origins and to Rousseau's own writings and
larger cultural concerns as he grapples with the challenges of
modernity.
The brand new heartwarming festive read from bestseller Sarah
Bennett!Music sensation Aurora Storm finally has her career back on
track, but then she's caught up in a media storm. Desperate to
distract from the story, she enlists the one man she trusts to
pretend to be her boyfriend. Meanwhile, in the small seaside
village of Mermaids Point, Nick Morgan never expected to see Aurora
again. When she calls out of the blue needing his help, he agrees
at once. It feels like she's back in his life for a reason, and
he's determined to make the most of it. Aurora joins Nick and the
rest of his family for their festive celebrations and, as the snow
falls, Aurora finds herself caught up in the romance of Christmas.
But having tasted worldwide fame, can she ever be content with
village life? Two weeks is all Nick has to prove to Aurora that
there's a happy ending for them both in Mermaids Point. There's
always a second chance for love in a Sarah Bennett story, so escape
to the seaside village of Mermaids Point for a festive, feel-good
treat. Perfect for all fans of Trisha Ashley, Holly Martin and
Milly Johnson. Praise for Sarah Bennett: 'A gorgeous story packed
with love, romance and heartfelt emotion. Will bring sunshine into
your day!' Phillipa Ashley 'Cosy, heartwarming and moving, this
story is as beautiful as its cover.' Samantha Tonge 'Happy Endings
at Mermaids Point has passion in spades, romance to make you blush
and a community that cares. I hoped this story would just keep on
going.' Celia Anderson 'What a finale to a fabulous season! I
absolutely loved the story and it was wonderful to see all the
characters get their much deserved happily ever after! An
absolutely gorgeous Christmas read!' Katie Ginger 'This is a real
page turner, with a brisk plot and a really emotional core. The
community we've grown to love at Mermaid's Point is alive with
love, laughter and vibrancy!' Fay Keenan 'I loved Nick and Aurora's
story, and want the Morgan family to adopt me. Sarah Bennett has
surpassed herself.' Jules Wake 'This is the perfect escapist read
and I can't wait to follow the characters in what promises to be a
wonderful series. Five sparkling stars!' Rachel Griffiths'What a
Mer-mazing book! I'm so glad this is a series and I'll get to meet
the characters again because you won't want to leave them after the
final page.' Catherine Miller 'I inhaled this book in two days.
Absolutely gorgeous. Sarah Bennett is back, and better than ever!'
Rachel Burton 'A perfect heartwarming read full of family, romance
and intrigue, set in a stunning location - what's not to love?'
Bella Osborne
A remarkable exploration of Wonder Woman's creation, mysterious
identity, and evolution-and her extraordinary impact on her legions
of fans. For generations, Wonder Woman has been a symbol of
equality and female empowerment, her complex saga deeply rooted
within the feminist movement. A staple of the comic book industry,
she is arguably the best-known female superhero of all time. In
Wonder Woman: Warrior, Disruptor, Feminist Icon, Regina Luttrell
details this legendary superhero's origins, history, and evolution,
from an ambassador of peace and love to the fiercest warrior in the
DC Universe. Luttrell reveals how Wonder Woman's journeys are a
reflection of each wave within the feminist movement and how her
impact on culture and society continues to be felt today. Wonder
Woman has become the epitome of technological sophistication,
globalization, and modern-day feminism. She is truly a warrior, a
disrupter, and a feminist icon. Luttrell's fascinating history
includes the perspectives of famed feminist Gloria Steinem in her
essay "Be the Wonder Woman You Can Be," as well as personal
interviews with creator William Moulton Marson's surviving family
members. Featuring a captivating examination of the oft-overlooked
contributions of Marston's life partners and inspirations Elizabeth
Holloway Marston and Olive Byrne, Wonder Woman is an incredible,
in-depth exploration of this iconic feminist superhero.
So this English professor comes into class and starts talking about
the textual organization of jokes, the taxonomy of puns, the
relations between the linguistic form and the content of humorous
texts, and other past and current topics in language-based research
into humor. At the end he stuffs all
What stands out about racism is its ability to withstand efforts to
legislate or educate it away. In The Racist Fantasy, Todd McGowan
argues that its persistence is due to a massive unconscious
investment in a fundamental racist fantasy. As long as this fantasy
continues to underlie contemporary society, McGowan claims, racism
will remain with us, no matter how strenuously we struggle to
eliminate it. The racist fantasy, a fantasy in which the racial
other is a figure who blocks the enjoyment of the racist, is a
shared social structure. No one individual invented it, and no one
individual is responsible for its perpetuation. While no one is
guilty for the emergence of the racist fantasy, people are
nonetheless responsible for keeping it alive and thus responsible
for fighting against it. The Racist Fantasy examines how this
fantasy provides the psychic basis for the racism that appears so
conspicuously throughout modern history. The racist fantasy informs
everything from lynching and police shootings to Hollywood
blockbusters and musical tastes. This fantasy takes root under
capitalism as a way of explaining the failures and disappointments
that result from the relationship to the commodity. The struggle
against racism involves dislodging the fantasy structure and to
change the capitalist relations that require it. This is the
project of this book.
The Santa Killer is coming to town...One night less than two weeks
before Christmas, a single mother is violently assaulted. It's a
brutal crime at the time of year when there should be goodwill to
all. When DI Barton begins his investigation, he's surprised to
find the victim is a woman with nothing to hide and no reason for
anyone to hurt her. A few days later, the mother of the woman
attacked rings the police station. Her granddaughter has drawn a
shocking picture. It seems she was looking out of the window when
her mother was attacked. And when her grandmother asks the young
girl who the person with the weapon is, she whispers two words. Bad
Santa. The rumours start spreading, and none of the city's women
feel safe - which one of them will be next? He's got a list. It's
quite precise. It won't matter even if you're nice. Ross Greenwood
is back with his bestselling series, perfect for fans of Mark
Billingham and Ian Rankin. Praise for Ross Greenwood: 'Ross
Greenwood is at the top of his game.' Owen Mullen 'Move over Rebus
and Morse; a new entry has joined the list of great crime
investigators in the form of Detective Inspector John Barton. A
rich cast of characters and an explosive plot kept me turning the
pages until the final dramatic twist.' author Richard Burke 'Master
of the psychological thriller genre Ross Greenwood once again
proves his talent for creating engrossing and gritty novels that
draw you right in and won't let go until you've reached the
shocking ending.' Caroline Vincent at Bitsaboutbooks blog 'Ross
Greenwood doesn't write cliches. What he has written here is a
fast-paced, action-filled puzzle with believable characters that's
spiced with a lot of humour.' author Kath Middleton
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The Odyssey
(Paperback, Reissue)
Homer; Introduction by Adam Roberts; Notes by Adam Roberts; Series edited by Keith Carabine
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R141
R119
Discovery Miles 1 190
Save R22 (16%)
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Ships in 9 - 17 working days
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With an Introduction and Notes by Adam Roberts, Royal Holloway,
University of London. Homer's great epic describes the many
adventures of Odysseus, Greek warrior, as he strives over many
years to return to his home island of Ithaca after the Trojan War.
His colourful adventures, his endurance, his love for his wife and
son have the same power to move and inspire readers today as they
did in Archaic Greece, 2800 years ago. This poem has been
translated many times over the years, but Chapman's sinewy,
gorgeous rendering (1616) stands in a class of its own. Chapman
believed himself inspired by the spirit of Homer himself, and
matches the breadth and power of the original with a complex and
stunning idiom of his own. John Keats expressed his admiration for
the resulting work in the famous sonnet, 'On first looking into
Chapman's Homer': 'Much have I travelled in the realms of gold...'
This new Wordsworth edition of Chapman's Homer contains accessible
annotation, and a detailed introduction that places his masterpiece
in the context of his own day, and discusses its influences on
later poets.
Oscar Wilde had one of literary history's most explosive love
affairs with Lord Alfred "Bosie" Douglas. In 1895, Bosie's father,
the Marquess of Queensberry, delivered a note to the Albemarle Club
addressed to "Oscar Wilde posing as sodomite." With Bosie's
encouragement, Wilde sued the Marquess for libel. He not only lost
but he was tried twice for "gross indecency" and sent to prison
with two years' hard labor. With this publication of the uncensored
trial transcripts, readers can for the first time in more than a
century hear Wilde at his most articulate and brilliant. The Real
Trial of Oscar Wilde documents an alarmingly swift fall from grace;
it is also a supremely moving testament to the right to live, work,
and love as one's heart dictates.
'York Notes Advanced' offer an accessible approach to English
Literature. This series has been completely updated to meet the
needs of today's A-level and undergraduate students. Written by
established literature experts, York Notes Advanced introduce
students to more sophisticated analysis, a range of critical
perspectives and wider contexts.
This engaging and fresh biography begins by examining how
Shakespeare's life turns into myth so comfortably as to seduce even
the most sceptical scholar. The early departure, the late return.
Public success, private loss. A twilight of plays about family
reunions, a death at home in the biggest house in town, the one he
walked by as a schoolboy and eyed with envy, or at least ambition.
Shakespeare led an orbital life, everything returned to where it
began. He even had the dramatic good sense to die on his birthday.
One of the appealing dynamics of the Shakespeare myth is the
contrast of his humble beginnings and his lofty achievements,
persuading us that genius might blossom anywhere. William
Shakespeare: A Brief Life honours these myths, but also explores
some of the mysteries: why Shakespeare left Stratford, who he ran
with in London, why he put down his pen and at last came home
again. Ultimately, the book explores the compelling contrast
between the mere fifty two years Shakespeare lived, with the
prolonged after lives of his work and his story, which show no sign
of ending.
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