“Die lewensstroom vat ons na onbekende plekke. Ons kan kies watter bagasie ons met ons saamneem – dikwels is dit goed wat maar kon gebly het. Soms verborge dinge waarvan ons nie eens aktief bewus is nie. Soos die eendmossels buite sig op die boeg,” skryf Susanna Pienaar.

Susanna, ’n musikus, is ’n lewenslustige, suksesvolle vrou – ondernemend en vol waagmoed. Met die Pase vertrek sy na ‘n kunstefees. Daar, in ’n spookagtig donker kerk, begin die aanloop tot traumatiese gebeure wat haar lewe binne vier en twintig uur drasties verander. Sy word gestroop van alles wat vir haar kosbaar is – die gebruik van haar vingers en ander ledemate, haar finansiële welvaart, haar geliefde Lucas. Uiteindelik word sy gedurende haar mediese behandeling en fisieke rehabilitasie gelykgemaak met medemense wie se enigste tuiste onder bokse, onder brûe was.

Haar worsteling met haar verliese en soeke na identiteit lig die sluier oor die invloede in haar verlede, hoe dit haar lank gelede op ’n plattelandese dorpie gevorm het: die onskuld en kameraderie van kinders; die obskure doen en late van die gemeenskappie (dikwels goeie mense); haar worsteling met godsdiens in ’n huis waar die gesin uitmekaar geskeur word deur geloofsverskille tussen ouers. En ook die onnoembare ...

Die laaste noot? deur Susanna Pienaar oor haar lewenservarings staan in die teken van “Da Capo al fine” – ’n musikale aanwysing wat beteken: begin weer voor en speel tot die laaste noot ...

There are a lot of good things about getting older. When you’re young you want everyone to like you and to make an impression. When you’re old you don’t give a damn.' Kate Turkington is fearless and fun, even now in her 80s. From the war-worn East End of London to raising a young family in a remote part of eastern Nigeria and building a career as one of SA's most loved broadcasters, Kate's story is remarkable and revealing. You'll laugh. You'll cry. You will cheer. You may well be shocked.

Mark Pilgrim has wanted to ‘be on radio’ since he was thirteen years old, yet it always seemed like an unobtainable dream. It took a life-threatening illness to motivate him to pursue his passion.

At the age of eighteen his radio dream was on the back burner. Mark had just completed the first year of a B.Com degree at university and had secured a bursary to complete his studies. Things were looking good. Then the blow fell: he was diagnosed with testicular cancer. After surgery and throughout months of chemotherapy his initial despair was transformed into determination. He found the inner strength to fight the illness, change his career direction, and to make his lifelong dream a reality.

Beyond The Baldness is a personal account of Mark’s journey of determination, following every opportunity to audition for radio and television. From the humble beginnings of living in a trailer park, today Mark is one of South Africa’s best-known and most recognisable personalities, having deejayed on South Africa’s biggest radio stations and hosted some of the most memorable television shows like ‘Big Brother’ and SA’s biggest ever game show ‘The Power of 10’. His voice is also used in countless radio and television commercials.

As a motivational speaker, Mark spends a lot of his time engaging with delegates at conferences, chatting about his experience with cancer as well as the sudden heart attack he had at the age of 38.

His positive approach to life is inspirational and it will encourage everyone who reads this book to chase their dreams!

Regardt se lewe het glad nie naby God begin het nie, maar hy het beslis die pad na Hom gevind. Hy vertel van sy vroegste kinderjare in Bez Valley tot die punt waar sy lewe op die kruin van sy loopbaan, ná ’n onverskillige lewe met drank en ’n vergeefse soeke na ’n dieper sin, heeltemal uitmekaarval. Hy het sy gesin en huis verloor, maar een oggend met ’n babelaas en trane wat oor sy wange loop ’n onvergeetlike ontmoeting met God gehad wat sy hele lewe vir goed verander het.

Regardt is die merkwaardige verhaal van ’n man wat nooit sy passie vir die lewe en vir rolprente verloor het nie, maar wat op ’n swaar manier moes leer dat toewyding en gehoorsaamheid aan God die vreugde en sin bring wat hom opgewonde maak oor sy lewe. Vandag is hy gelukkig getroud met Clara Joubert.

Die lig van die silwerdoek skyn weer op hom en oor sy lewe sê hy met oortuiging: “Dis nie luck nie – net genade.”

Bheki Mseleku is widely considered one of the most accomplished jazz musicians to have emerged from South Africa. His music has a profound significance in recalling and giving emphasis to that aspect of the African American jazz tradition originating in the rhythms and melodies of Africa. The influences of Zulu traditional music, South African township, classical music and American jazz are clearly evident and combine to create an exquisite and particularly lyrical style, evoking a sense of purity and peace that embraces the spiritual healing quality central to his musical inspiration.

The Artistry of Bheki Mseleku is an in-depth study of his musical style and includes annotated transcriptions and analysis of a selection of compositions and improvisations from his most acclaimed albums including ‘Celebration’, ‘Timelessness’, ‘Star Seeding’, ‘Beauty of Sunrise’ and ‘Home at Last’. Mseleku recorded with several American jazz greats including Ravi Coltrane, Joe Henderson, Pharoah Sanders, Charlie Haden, Billy Higgins and Abbey Lincoln. His music serves as a vital link to the African–American musical art form that inspired many of the South African jazz legends.

’n Bekroonde joernalis, Malvory Adams, skrik wakker in ’n hospitaalbed en wonder hoe hy daar beland het. Dit tref hom soos ’n tienpondhamer tussen die oë: Sy selfmoordpoging het misluk! ’n Bleddie “Samaritaan” het hom uit die kloue van die dood weggeruk.

Malvory se hartverskeurende lewensreis sleep jou enduit saam en laat jou by tye na jou asem snak.

Als is nie net swart en wit nie skets ’n prentjie van swaarkry, stryd, sukses, selfvernietiging, ’n dans met die dood en die lewe.

’n QR-kode word ook by Als is nie net swart en wit nie ingesluit van sy nuutste liedjie, “Hemel-Dal” asook ’n Engelse weergawe genaamd “Heaven’s Vale”.

Met sy heel eerste verskyning op televisie as hoërskool-laaitie het Rian van Heerden reeds die volk die josie ingemaak. Sedertdien het hy dikwels koerantvoorblaaie gehaal - en is telkens afgedank! - vir sy omstrede uitlatings. In dié boek skryf hy onbeskaamd oor al die goed wat mense meen hy eerder nié moes gesê het nie. Hy maak vir die eerste keer sy hart oop oor sy persoonlike lewe, sy worsteling met gaywees en sy eerste liefdesverhouding. Blatant eerlik, skreeusnaaks, aangrypend.

What a discovery! In 2014, several years after he moved to Australia, John Coetzee sold his house in Cape Town, unaware that he was leaving behind unique documents from his teenage years. In the attic of his former home, the new owners discovered a forgotten brown suitcase and a large cardboard box, containing a complete photographic archive of old prints and negatives from Coetzee?s childhood never seen before.

The photographs in this photobook (taken with what John Coetzee refers to as his ?spy camera?) date back to John?s first two years of high school when the Coetzee family moved from Worcester to Cape Town. The images provide insight into his childhood through his own lens. He shows us his world and the things that interested him most: friends and teachers at school, cricket matches, the surroundings of Cape Town, the family Karoo farm and his home life. His mother Vera, especially, was a favourite subject.

The photographs are fascinating due to their imperfections, and because they show young Coetzee?s interest in documenting time and movement in order to capture life itself. At first glance, the photographs appear to depict scenes from everyday rural life in the 1950s, but their playfulness, straightforwardness, and self-awareness ensure that the photos are not merely nostalgic. Every now and then we catch a glimpse of the social reality of Cape Town during the apartheid years.

And for the readers of Boyhood the photographs are an intriguing visual chronicle of Coetzee?s life. Although many know him as a serious and philosophical writer, here we also see his playful, boyish side and the search for his own identity. Through Coetzee?s lens we see the fleeting moments from a past which is now captured in the emulsions of his negatives.

The book also has an exclusive interview with John Coetzee about his boyhood and photo experiments.

Jeremy Maggs has been a journalist and a television and radio presenter for over 30 years, with a front-row seat to major news events in the run-up to and during the birth of South Africa’s democracy and beyond. He was also the host of the hugely successful television show, Who Wants to Be a Millionaire?, and so became a household name.

He has worked with some of the country’s most respected journalists, interviewed many famous people from around the world, and been at the forefront of developments as the craft morphed into a social media hydra. From Nelson Mandela’s release from prison to his death in 2013, and throughout the many political and news events that have gripped South Africans, Jeremy has been in the thick of the newsrooms that covered the stories.

Written in an engaging and self-deprecating style, this book is an unexpectedly funny and candid, behind-the-scenes account of what was unfolding in those newsrooms as the stories broke, peppered with anecdotes around those involved in making those stories happen.

Tumi Morake modelled her public persona on her mother, a charming and contentious woman who used her big, bold voice to say what others were afraid to utter. It’s the personality that Tumi took on stage in the mostly male space of stand-up comedy, and the one that gave her the courage to join a white, Afrikaans radio station and comment about apartheid on air.

But there’s only so much you can find out about Tumi from the stage, the screen and the internet. And Then Mama Said… is the voice of Tumi in private, as well as a behind-the-scenes perspective of a pioneering South African star who has been both deeply loved and viciously hated by her audiences.

Tumi gets frank about the race row at Jacaranda FM; the Jaguar car accident that cyber bullies said she deserved; the body-shaming she endured on the set of Our Perfect Wedding; and her tumultuous relationship with her beloved husband. Throughout her story, she carries the voice of her mother, and with it the indispensable life lessons that made her who she is today.

Andile Gaelesiwe is the adored Khumbul' ekhaya host. She was raped by her father at the age of 11. The second rape was by a taxi driver who beat her up. Andile entered the music scene with the big hit of the late 90s, Abuti Yo. She started Open Disclosure for rape survivors. This fierce, at times funny memoir, an insight into Andile’s consciousness that keeps reviving her will reverberate in young and adult readers.