This Historic Structure Report on Fort Jay, Governors Island National Monument, provides a chronology of its physical evolution, describes its architectural elements, and identifies its character- defining features.

This report presents a technical history of the commemorative stones and makes recommendations for further research. Following the history and recommendations is a catalog of the stones, the most thorough and extensive to date. There were a number of stones donated to the monument but never installed; a catalog of these stones is also included.

The report is a compilation of historic data to support the rehabilitation and stabilization of the Hot Springs Complex.

This final study of Castle Williams, Governors Island National Monument, provides a chronology of its physical evolution, describes its architectural elements, and identifies its character- defining features.

Do you like to go treasure hunting in obvious or out of the way places? Do you like to view fine art in galleries large and small? This book will give you directions to New Mexico's amazing New Deal treasures and to buildings and bridges, murals and sculptures, paintings and people who made them. They are not necessarily in the most obvious places, and yet many are in places that one routinely visits. They have been patiently waiting in our cities, our villages, our parks, rarely witnessed as being "treasures." They were constructed perhaps even by your own artistic ancestors. This book is full of clues. Go sleuthing Growing up in Portales, New Mexico, Kathryn Akers Flynn lived in an area with a New Deal courthouse, a New Deal post office, and New Deal schools. She worked at the local swimming pool and partied in the city park, both built during the Depression era. In high school she was a cheerleader on 1930s football fields for onlookers in Work Progress Administration bleachers and camped out at a nearby Civilian Conservation Corps created park and lake. She never knew any of these structures were fashioned by the New Deal, nor did she notice the New Deal treasures in Salt Lake City while at the University of Utah where she received her Bachelor's Degree or the New Deal structures in Carbondale, Illinois where she earned her Master's Degree at Southern Illinois University. Returning to New Mexico, she had a career in the state health and mental health administration that included directorship of Carrie Tingley Hospital, a New Deal facility with many public art treasures. It wasn't until she became Deputy Secretary of State of New Mexico that she realized what was around her. As a result she went on to edit three editions of the "New Mexico Blue Book" featuring information about New Deal creations all over the state. This book presents the history and whereabouts of many such treasures found since compiling an earlier book, "Treasures on New Mexico Trails," and another that focuses on New Deal programs nationwide, "The New Deal: A 75th Anniversary Celebration." She also assisted with the compilation of "A More Abundant Life, New Deal Artists and Public Art in New Mexico" by Jacqueline Hoefer, also from Sunstone Press and an apt companion for "Public Art and Architecture in New Mexico." She was instrumental in creating the National New Deal Preservation Association, and now serves as Executive Director.

Enjoy 200 full color pages of amazing four-color interior photography featuring the interior design work of the internationally renowned designer Perla Lichi.

In Grateful Memory Of The Soldiers And Sailors Of That Town Who Served In The War For The Preservation Of The Union.

In Grateful Memory Of The Soldiers And Sailors Of That Town Who Served In The War For The Preservation Of The Union.

This is a lively and engaging look at patriotism and collective memory.In ""Here, George Washington Was Born"", Seth C. Bruggeman examines the broader history of commemoration in the United States by focusing on the George Washington Birthplace National Monument in Virginia's Northern Neck, where contests of public memory have unfolded with particular vigor for nearly eighty years.Washington left the birthplace with his family at a young age and rarely returned. The house burned in 1779 and would likely have passed from memory but for George Washington Parke Custis, who erected a stone marker on the site in 1815, creating the first birthplace monument in America. Both Virginia and the U.S. War Department later commemorated the site, but neither matched the work of a Virginia ladies association that in 1923 resolved to build a replica of the home. The National Park Service permitted construction of the ""replica house"" until a shocking archeological discovery sparked protracted battles between the two organizations over the building's appearance, purpose, and claims to historical authenticity.Bruggeman sifts through years of correspondence, superintendent logs, and other park records to reconstruct delicate negotiations of power among a host of often unexpected claimants on Washington's memory. By paying close attention to costumes, furnishing, and other material culture, he reveals the centrality of race and gender in the construction of Washington's public memory and reminds us that national parks have not always welcomed all Americans. What's more, Bruggeman offers the story of Washington's birthplace as a cautionary tale about the perils and possibilities of public history by asking why we care about famous birthplaces at all.

Memorialisation and the Cornish Funeral Monument Industry 1497-1660 presents an extensive appraisal of several cohesive style groups of monuments, being the products of specific monument workshops in Cornwall, SW England, from the end of the fifteenth century to the Commonwealth. People used memorials to make statements. By examining every Cornish monument from 1497 to 1660uthe good, the unprepossessing, and the downright baduit is only then, with this mass of information, that one can truly contextualise motivations across the social spectrum and comprehend the contemporary meaning of the monuments to the countyAes inhabitants. These statements provide direct contemporary evidence as regards the identity of the commemorateduespecially their Cornishnessuand crucially how they sensed their identity then, rather than how we judge it now. In this work the tombs themselves are described, their iconography, design sources and sculptural perspectives are explored, and the motives of the patrons are deduced. The author goes on to discuss the methods and motives of Cornish memorialisation, identifying an unusualu if not uniqueusustained surge in monument commissions from Cornish workshops towards the end of the sixteenth century, using slate. The overall context of individual commemoration in Cornwall is analysed using wills and probate accounts as a guide to other means of remembrance, both pre- and post-Reformation, building on the motivations for tomb erection. This paradigm of Cornish memorialisation is compared with trends in Kilkenny, Ireland, and Finistere, France, to open up a matrix of memorialisation in the Celtic / Atlantic periphery. One of the discourses of a tomb which is frequently overlooked is its location in the church itself, therefore the author analyses monument positions to reveal how factors such as lineage status, and monumental continuity, affected the positioning of tombs. In the Appendices, the database of Cornish monuments acts as a reference tool to the arguments in the text of this book. The monuments of Kilkenny and Finistere are similarly itemised, together with analyses of masonsAe and helliersAe probate documents, wider sets of Cornish wills, and lists of individually priced burial locations in St Neot and Liskeard. Numerous illustrations of the monuments themselves are also presented, most of which have never been pictured before.

this study documents current and historical conditions of HS-11's interior configurations and finishes. Investigation for this study was conducted by Kingston Heath (principle investigator), Fred Walters (co-investigator), and Aaron Lemchen (graduate student) with Alison K. Hoagland consulting during the period of September 2004 through August 2005. This study is divided into three major parts. The first part consists of the presentation of the HS-11's history and its historic context. The second part consists of gathering new physical evidence from the building itself. The third part of the study will be the evaluation, analysis and conclusions based upon data provided by the previous two parts.

Gutzon Borglum, the sculptor of Mount Rushmore National Memorial, hoped that ten thousand years from now, when archaeologists came upon the four sixty-foot presidential heads carved in the Black Hills of South Dakota, they would have a clear and graphic understanding of American civilization. Borglum, the child of Mormon polygamists, had an almost Ahab-like obsession with Colossalism- a scale that matched his ego and the era. He learned how to be a celebrity from Auguste Rodin how to be a political bully from Teddy Roosevelt. He ran with the Ku Klux Klan and mingled with the rich and famous from Wall Street to Washington. Mount Rushmore was to be his crowning achievement, the newest wonder of the world, the greatest piece of public art since Phidias carved the Parthenon. But like so many episodes in the saga of the American West, what began as a personal dream had to be bailed out by the federal government, a compromise that nearly drove Borglum mad. Nor in the end could he control how his masterpiece would be received. Nor its devastating impact on the Lakota Sioux and the remote Black Hills of South Dakota. Great White Fathers is at once the biography of a man and the biography of a place, told through travelogue, interviews, and investigation of the unusual records that one odd American visionary left behind. It proves that the best American stories are not simple they are complex and contradictory, at times humorous, at other times tragic.

In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory. In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory. Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from 'high art' to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.

A comprehensive guide to the individual churches, catacombs, embellishments and artefacts of Early Christian Rome. The author describes precisely where the extant features are situated and provides details on what can be seen. The ground plans of each site studies allows the reader to compare the proportions of each church with another.;From the 1st-century visits of the Apostles Peter and Paul to the end of the 9th-century Carolingian Renaissance, the book also includes dates of emperors and popes, and important historical events relating to this period in Rome. A historical introduction places the monuments in the context of the Early Christian period and its development in Rome.

This is an annotated translation of what is perhaps the most important Ottoman literary source for the architectural monuments and urban form of the Ottoman capital, Istanbul: Hafiz Huseyin bin Ismail Ayvansarayi's Hadikat al-Cevami (The Garden of Mosques). There are also separate descriptions of each of Istanbul's more than 800 mosques, plus accounts of its medreses, tombs, tekkes and other pious foundations.

Taking as its focus memorials of the First World War in Britain, this book brings a fresh approach to the study of public symbols by exploring how different motives for commemorating the dead were reconciled through the processes of local politics to create a widely valued form of collective expression. It examines how the memorials were produced, what was said about them, how support for them was mobilized and behaviour around them regulated. These memorials were the sites of contested, multiple and ambiguous meanings, yet out of them a united public observance was created. The author argues that this was possible because the interpretation of them as symbols was part of a creative process in which new meanings for traditional forms of memorial were established and circulated. The memorials not only symbolized emotional responses to the war, but also ambitions for the post-war era. Contemporaries adopted new ways of thinking about largely traditional forms of memorial to fit the uncertain social and political climate of the inter-war years.This book represents a significant contribution to the study of material culture and memory, as well as to the social and cultural history of modern warfare.

Is it "Stalinist" for a formerly communist country to tear down a statue of Stalin? Should the Confederate flag be allowed to fly over the South Carolina state capitol? Is it possible for America to honor General Custer and the Sioux Nation, Jefferson Davis and Abraham Lincoln? Indeed, can a liberal, multicultural society memorialize anyone at all, or is it committed to a strict neutrality about the quality of the lives led by its citizens?In Written in Stone, legal scholar Sanford Levinson considers the tangled responses of ever-changing societies to the monuments and commemorations created by past regimes or outmoded cultural and political systems. Drawing on examples from Albania to Zimbabwe, from Moscow to Managua, and paying particular attention to examples throughout the American South, Levinson looks at social and legal arguments regarding the display, construction, modification, and destruction of public monuments. He asks what kinds of claims the past has on the present, particularly if the present is defined in dramatic opposition to its past values. In addition, he addresses the possibilities for responding to the use and abuse of public spaces and explores how a culture might memorialize its historical figures and events in ways that are beneficial to all its members. Written in Stone is a meditation on how national cultures have been or may yet be defined through the deployment of public monuments. It adds a thoughtful and crucial voice into debates surrounding historical accuracy and representation, and will be welcomed by the many readers concerned with such issues.

Offers a new approach to landscape perception.This book is an extended photographic essay about topographic features of the landscape. It integrates philosophical approaches to landscape perception with anthropological studies of the significance of the landscape in small-scale societies. This perspective is used to examine the relationship between prehistoric sites and their topographic settings. The author argues that the architecture of Neolithic stone tombs acts as a kind of camera lens focussing attention on landscape features such as rock outcrops, river valleys, mountain spurs in their immediate surroundings. These monuments played an active role in socializing the landscape and creating meaning in it.A Phenomenology of Landscape is unusual in that it links two types of publishing which have remained distinct in archaeology: books with atmospheric photographs of monuments with a minimum of text and no interpretation; and the academic text in which words provide a substitute for visual imagery. Attractively illustrated with many photographs and diagrams, it will appeal to anyone interested in prehistoric monuments and landscape as well as students and specialists in archaeology, anthropology and human geography.

Inscriptions on buildings are a distinctive feature of Islamic architecture, and this book studies the 79 surviving monumental inscriptions in the Iranian world from the first five centuries of the Muslim era (A.D. 622-1106), the period in which all the major trends of monumental epigraphy in the area were set. These foundation, commemorative, and funerary texts come from the region between Iraq and Soviet Central Asia. Written primarily in Arabic, they embellished architectural monuments and furnishings whose nature implies the construction of major buildings. An extended introduction discusses such general topics as titulature, patronage, and stylistic development. Each text is then presented individually with photographs, drawings, transcriptions, translations and an extensive commentary, which presents the inscription in its larger palaeographic and historical contexts.

A beautifully illustrated study of the caves at Dunhuang, exploring how this important Buddhist site has been visualized from its creation to today Situated at the crossroads of the northern and southern routes of the ancient silk routes in western China, Dunhuang is one of the richest Buddhist sites in the world, with more than 500 richly decorated cave temples constructed between the fourth and fourteenth centuries. The sculptures, murals, portable paintings, and manuscripts found in the Mogao and Yulin Caves at Dunhuang represent every aspect of Buddhism. From its earliest construction to the present, this location has been visualized by many individuals, from the architects, builders, and artists who built the caves to twentieth-century explorers, photographers, and conservators, as well as contemporary artists. Visualizing Dunhuang: Seeing, Studying, and Conserving the Caves is a paperback edition of the ninth volume of the magnificent nine-volume hardback set, and examines how the Lo Archive, a vast collection of photographs taken in the 1940s of the Mogao and Yulin Caves, inspires a broad range of scholarship. Lavishly illustrated with selected Lo Archive and modern photographs, the essays address three main areas-Dunhuang as historical record, as site, and as art and art history. Leading experts across three continents examine a wealth of topics, including expeditionary photography and cave architecture, to demonstrate the intellectual richness of Dunhuang. Diverse as they are in their subjects and methodologies, the essays represent only a fraction of what can be researched about Dunhuang. The high concentration of caves at Mogao and Yulin and their exceptional contents chronicle centuries of artistic styles, shifts in Buddhist doctrine, and patterns of political and private patronage-providing an endless source of material for future work. Contributors include Neville Agnew, Dora Ching, Jun Hu, Annette Juliano, Richard Kent, Wei-Cheng Lin, Cary Liu, Maria Menshikova, Jerome Silbergeld, Roderick Whitfield, and Zhao Shengliang. Published in association with the Tang Center for East Asian Art, Princeton University