A beautifully illustrated study of the caves at Dunhuang, exploring how this important Buddhist site has been visualized from its creation to today Situated at the crossroads of the northern and southern routes of the ancient silk routes in western China, Dunhuang is one of the richest Buddhist sites in the world, with more than 500 richly decorated cave temples constructed between the fourth and fourteenth centuries. The sculptures, murals, portable paintings, and manuscripts found in the Mogao and Yulin Caves at Dunhuang represent every aspect of Buddhism. From its earliest construction to the present, this location has been visualized by many individuals, from the architects, builders, and artists who built the caves to twentieth-century explorers, photographers, and conservators, as well as contemporary artists. Visualizing Dunhuang: Seeing, Studying, and Conserving the Caves is a paperback edition of the ninth volume of the magnificent nine-volume hardback set, and examines how the Lo Archive, a vast collection of photographs taken in the 1940s of the Mogao and Yulin Caves, inspires a broad range of scholarship. Lavishly illustrated with selected Lo Archive and modern photographs, the essays address three main areas-Dunhuang as historical record, as site, and as art and art history. Leading experts across three continents examine a wealth of topics, including expeditionary photography and cave architecture, to demonstrate the intellectual richness of Dunhuang. Diverse as they are in their subjects and methodologies, the essays represent only a fraction of what can be researched about Dunhuang. The high concentration of caves at Mogao and Yulin and their exceptional contents chronicle centuries of artistic styles, shifts in Buddhist doctrine, and patterns of political and private patronage-providing an endless source of material for future work. Contributors include Neville Agnew, Dora Ching, Jun Hu, Annette Juliano, Richard Kent, Wei-Cheng Lin, Cary Liu, Maria Menshikova, Jerome Silbergeld, Roderick Whitfield, and Zhao Shengliang. Published in association with the Tang Center for East Asian Art, Princeton University

Part One: The Islamic Monuments of Bhadresvar: Introduction & History Part Two: A Study of the Islamic Inscriptions in Bhadresvar Studies and Sources on Islamic Art and Architecture: Supplements to Muqarnas contain textual primary sources for visual culture and scholarly historical examinations of topics and issues in Islamic art, architecture and culture.

The National Mall in Washington, D.C., is 'a great public space, as essential a part of the American landscape as the Grand Canyon,' according to architecture critic Paul Goldberger, but few realize how recent, fragile, and contested this achievement is. In "Monument Wars", Kirk Savage tells the Mall's engrossing story - its historic plan, the structures that populate its corridors, and the sea change it reveals regarding national representation. Central to this narrative is a dramatic shift from the nineteenth-century concept of a decentralized landscape, or 'ground'-heroic statues spread out in traffic circles and picturesque parks-to the twentieth-century ideal of 'space,' in which authority is concentrated in an intensified center, and the monument is transformed from an object of reverence to a space of experience. Savage's lively and intelligent analysis traces the refocusing of the monuments themselves, from that of a single man, often on horseback, to commemorations of common soldiers or citizens; and, from monuments that celebrate victory and heroism to memorials honoring victims. An indispensable guide to the National Mall, "Monument Wars" provides a fresh and fascinating perspective on over two hundred years of American history.

In the past few decades, thousands of new memorials - to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism - have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In "Memorial Mania", Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express - and claim - those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.

Built by the Boulton family between 1817 and 1820, the Grange is Toronto's oldest remaining brick house. During the nineteenth century, the Grange was at the centre of the city's social and political activity. Today, with its collection of furniture, artifacts, and art, it is an historic house museum and part of the Art Gallery of Ontario. In her fascinating essay, award-winning Canadian historian Charlotte Gray brings to life the saga of the Grange, the home of the Boultons and of Goldwin Smith in the 19th century. Devoting as much attention to the formidable women who ran the household as to the men who were key figures in the development of the city, she offers a fascinating portrait of a place and a time. Complementing Gray's essay are shorter essays and reproductions of works commissioned from artists Rebecca Belmore, Luis Jacob, Elizabeth LeMoine, Josiah McElheny, Elaine Reichek, and Christy Thompson that offer inventive responses to a complicated past.

Monuments have fascinated human beings and enriched cities as keepers of memories and history, as places to spend time, as meeting points, and as points of orientation through various times and in various forms. However, as a major component of the discipline of architecture and urban design, the term monument and its relation to the city are in crisis. This book explores a rediscovery of the concept of monuments as essential and creative parts of cities. Based on the re-reading of four powerful urban interplays in Sao Paulo, the concept of 'Monuments of Everyday Life' is outlined, revealing specific spatial patterns that are understood as alternatives to places of instability, commercialisation and homogenisation of urban space. These interplays are relevant as reference points of collective life and material representatives of collective values. Monuments of Everyday Life draws conclusions from the past, but also addresses relevant questions and potentials for urban futures.

Which memorial's unveiling were the public barred from, so that no disruption could be caused by suffragettes? Why is a Danish prisoner of war remembered in Reading? Who was Goldwin Smith, whose birthplace is marked by a plaque on Friar Street? Did the sculptor responsible for the lion in the Forbury really commit suicide because of it? How many times did Queen Victoria visit Reading, and did she like her statue? The stories behind Reading's memorials bring the people and events of Reading's past to life. This book describes aspects of the town's history by considering some of its - often not well known - plaques, statues and monuments. Even the better known memorials have secrets to yield in the tales of their origins. With descriptions of where the memorials can be found, along with photographs to help identification, the book reveals vivid glimpses of life in Victorian Reading, and reminds us of the physical, as well as social legacy, our forebears left behind them.

Why is the broad avenue leading to St. Peter's called the Street of Reconciliation? What does the Via dei Fori Imperiali--where the ancient imperial forums lie--have to do with Mussolini? How does the name Piazza Navona disclose what is hidden under the square? Via Roma tells Rome's secrets one street at a time. In this brilliant guide, Willemijn van Dijk takes readers across time and place as they wander along the roads of the ancient Italian capital. Street by street, fifty of them, van Dijk allows the stones to reveal their origins, their makers, the significance of their names, and the history they continue to echo. Caesars, popes, dictators, mafia dons, generals, philosophers, and artists. Architecture, ideas, romance, food, and intrigue. Rome is the eternal city to which all roads lead, and van Dijk unfolds the city's rich past through those roads. Via Roma is an indispensable book for any and every inquisitive lover, and visitor, of the city along the Tiber.

Installed at Plymouth, Massachusetts, in 1921 to commemorate the tercentenary of the landing of the Pilgrims, Cyrus Dallin's statue Massasoit was intended to memorialize the Pokanoket Massasoit (leader) as a welcoming diplomat and participant in the mythical first Thanksgiving. But after the statue's unveiling, Massasoit began to move and proliferate in ways one would not expect of generally stationary monuments tethered to place. The plaster model was donated to the artist's home state of Utah and prominently displayed in the state capitol; half a century later, it was caught up in a surprising case of fraud in the fine arts market. Versions of the statue now stand on Brigham Young University's campus; at an urban intersection in Kansas City, Missouri; and in countless homes around the world in the form of souvenir statuettes. As Lisa Blee and Jean M. O'Brien show in this thought-provoking book, the surprising story of this monumental statue reveals much about the process of creating, commodifying, and reinforcing the historical memory of Indigenous people. Dallin's statue, set alongside the historical memory of the actual Massasoit and his mythic collaboration with the Pilgrims, shows otherwise hidden dimensions of American memorial culture: an elasticity of historical imagination, a tight-knit relationship between consumption and commemoration, and the twin impulses to sanitize and grapple with the meaning of settler-colonialism.

'A refreshingly original meditation... I wish I had written it myself' Literary Review Graveyards are oases: places of escape, peace and reflection. Liminal sites of commemoration, where the past is close enough to touch. Yet they also reflect their living community - how in our restless, accelerated modern world, we are losing our sense of connection to the dead. Jean Sprackland - the prize-winning poet and author of Strands - travels back through her life, revisiting her once local graveyards. In seeking out the stories of those who lived and died there, remembered and forgotten, she unearths what has been lost.

This book provides a holistic and longitudinal study of war memorialisation in the UK, France and the USA from 1860 to 2014. Moving beyond the social-political circumstances of a memorial's construction, this study examines memorialisation as a continuing and transformative process. It explores the many ways in which war memorials are repeatedly appropriated, and re-appropriated, undergoing both physical and symbolic transformations. In order to study this full range of transformations, this book presents a unique analytical model that conceptualises objects of memory within three intersecting timescales: the chronological timescale, the conflict timescale and the object timescale. This new methodology facilitates an innovative, holistic approach of understanding engagement with a monument at any given moment in time, allowing meaningful comparisons to be made across both spatial and cultural boundaries. In doing so, it enables an approach to the cultural heritage conflict that moves beyond the socio-political to conceptualise war memorials within a shared cultural experience.

Nine killed in Charleston church shooting. White supremacists demonstrate in Charlottesville. Monuments decommissioned in New Orleans and Chapel Hill. The headlines keep coming, and the debate rolls on. How should we contend with our troubled history as a nation? What is the best way forward? This first book in UGA Press's History in the Headlines series offers a rich discussion between four leading scholars who have studied the history of Confederate memory and memorialization. Through this dialogue, we see how historians explore contentious topics and provide historical context for students and the broader public. Confederate Statues and Memorialization artfully engages the past and its influence on present racial and social tensions in an accessible format for students and interested general readers. Following the conversation, the book includes a "Top Ten" set of essays and articles that everyone should read to flesh out their understanding of this contentious, sometimes violent topic. The book closes with an extended list of recommended reading, offering readers specific suggestions for pursuing other voices and points of view.

A study of American attempts to come to terms with the legacy of the Vietnam War, this book highlights the central role played by Vietnam veterans in shaping public memory of the war. Tracing the evolution of the image of the Vietnam veteran from alienated dissenter to traumatised victim to noble warrior, Patrick Hagopian describes how efforts to commemorate the war increasingly downplayed the political divisions it spawned in favour of a more unifying emphasis on honouring veterans and promoting national "healing."