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Visualizing Dunhuang - Seeing, Studying, and Conserving the Caves (Paperback)
Loot Price: R1,465
Discovery Miles 14 650
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Visualizing Dunhuang - Seeing, Studying, and Conserving the Caves (Paperback)
Series: Publications of the Tang Center for East Asian Art, Princeton University
Expected to ship within 12 - 17 working days
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A beautifully illustrated study of the caves at Dunhuang, exploring
how this important Buddhist site has been visualized from its
creation to today Situated at the crossroads of the northern and
southern routes of the ancient silk routes in western China,
Dunhuang is one of the richest Buddhist sites in the world, with
more than 500 richly decorated cave temples constructed between the
fourth and fourteenth centuries. The sculptures, murals, portable
paintings, and manuscripts found in the Mogao and Yulin Caves at
Dunhuang represent every aspect of Buddhism. From its earliest
construction to the present, this location has been visualized by
many individuals, from the architects, builders, and artists who
built the caves to twentieth-century explorers, photographers, and
conservators, as well as contemporary artists. Visualizing
Dunhuang: Seeing, Studying, and Conserving the Caves is a paperback
edition of the ninth volume of the magnificent nine-volume hardback
set, and examines how the Lo Archive, a vast collection of
photographs taken in the 1940s of the Mogao and Yulin Caves,
inspires a broad range of scholarship. Lavishly illustrated with
selected Lo Archive and modern photographs, the essays address
three main areas-Dunhuang as historical record, as site, and as art
and art history. Leading experts across three continents examine a
wealth of topics, including expeditionary photography and cave
architecture, to demonstrate the intellectual richness of Dunhuang.
Diverse as they are in their subjects and methodologies, the essays
represent only a fraction of what can be researched about Dunhuang.
The high concentration of caves at Mogao and Yulin and their
exceptional contents chronicle centuries of artistic styles, shifts
in Buddhist doctrine, and patterns of political and private
patronage-providing an endless source of material for future work.
Contributors include Neville Agnew, Dora Ching, Jun Hu, Annette
Juliano, Richard Kent, Wei-Cheng Lin, Cary Liu, Maria Menshikova,
Jerome Silbergeld, Roderick Whitfield, and Zhao Shengliang.
Published in association with the Tang Center for East Asian Art,
Princeton University
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