The publication of this work was, we might say, forced upon us by the demand, before even a page of manuscript was prepared for the press. The demand was caused by members of the Temple, who recognized the necessity of a printed text book, from which they could study the meanings of the cards and their indications under the seven planets. These brothers and sisters naturally wished to perfect themselves in emblem reading as rapidly as possible, and they could not so perfect themselves, without a full and complete set of tables that they could study and refer to at will. The next trouble that arose was the question of expense, as, aside from the printing, engraving, binding, electrotyping and matters of that kind, the author's time was, and is now so valuable that the item far overbalances those mentioned. It was finally decided that the most feasible plan, was to get out enough copies to supply more than our immediate membership and to sell them to outsiders under certain restrictions.

"How to Read People's Minds." (Burlingame). -- Explains how Johnstone successfully accomplished the feat of driving blindfolded through the streets of Chicago, from one hotel to another, and found, while still blindfolded, a page in the register thought of by a committee, finishing by writing the name of the person who registered. Explains also in a most lucid manner how to teach dogs to do tricks in magic, lightning calculations, etc., with programs of various performers. 48 pages, illustrated.

Contemporary Clowning as Social Performance in Colombia brings to light the emergence of new kinds of clowning in everyday life in Colombia, focusing particularly on the pervasive presence of clowns in the urban landscape of Bogota. In doing so it brings a fresh and updated perspective on what clowning is as well as what it does in the 21st century. Featuring descriptions of more than 24 distinct clown performers, Barnaby King provides an engaging and lively account of the performative moment in which clowning transpires, analyzing the techniques and processes at work in producing what is commonly named as "clowning". In contrast with their North American and European counterparts, clowns in Latin America are seen every day in public settings, are popular cultural figures and sometimes claim to exercise real political influence. Drawing on five years of co-performative ethnography, the book argues that clown artists have thrived by adapting their craft to changing social and economic conditions, in some cases by allying themselves with authority and power, and in others by generating spaces for creativity and resistance in adverse circumstances. By applying performance theory to clowning in a specific cultural context this is the first work to propose an appropriate scholarly response to the diversity and ingenuity of clowning beyond Europe and North America.