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Books > Arts & Architecture > Performing arts > Other public performances & spectacles
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
All The Tricks And Secrets Of The Famous Herrmann Fully Explained And Demonstrated. Many Of The Tricks Are Easily Executed Without Apparatus.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Many books exist on various aspects of event management, reflecting
growing academic and professional interest, but there has not been
a book written on Event Studies until now. As the event management
field expands, there is a growth in demand for advanced texts,
particularly with a multidisciplinary research and theoretical
orientation. Event Studies is the first text to embrace this new
direction in the field of event management providing:
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
With Instructions For Using And Making The Ventrilo.
MARIONETTES MASKS and SHADOWS BY WINIFRED H. JVIILLS Head of Art Department, Fairmount Junior High Training School, Cleveland, Ohio LOUISE M. DUNN Assistant Curator of Education, the Cleveland Museum of Art, Cleveland, Ohio Illustrated by CORYDON BELL Garden City, New York DOUBLEDAY, DORAN COMPANY, INC. 1928 To Adventurers among Puppets and Plays CONTENTS MARIONETTES I. The Marionette Its Family Tree . II. The Marionette Its Famous Friends III. Choosing Your Play IV. Making Your Stage V. Making Your Marionette VI. Making Your Scenery .... VII. Making Your Properties VIIL Lighting Your Stage .... IX Training Your Puppeteers . X. Presenting Your Play . . i 25 33 47 S 84 1 02 112 VII Contents MASKS . I. The Map of the Mask 143 II. Occasions for Wearing the Mask . . 152 III. Making the Mask ....... 160 IV. The Costume and Setting for the Mask. 168 V. The Mask with Pantomime, Music and Dance . 196 SHADOWS I. The Mystery of the Shadow ., II. Making a Shadow Play . III. Producing Cut-out Shadow Plays IV. Producing Human Shadow Plays Bibliography . . . Index 205 212 215 225 24 265 Vlll ILLUSTRATIONS Tree of the Marionettes .... Frontispiece HALFTONES MARIONETTES FACING PAGE Marionette play, Men of Iron given by ninth year pupils, Fairmount Junior High School, Cleveland, Ohio 18 Scenes from Marionette play, cc Adventures of Alice, given by ninth year pupils Fairmount Junior High School at the Cleveland Museum of Art. Marionettes made by Tuesday Marionette Club 34 ix Illustrations FACING PAGE Scenes from the Marionette play, Men of Iron 98 Marionette Ballet, Tetrouchka .... 114 Upper. Marionettes from The Adventures of Alice. Lower Left. Bear and Trainer from Men of Iron Lower Right. Marionettefrom Tetrouchka. 130 MASKS Masks made by students in Summer School, Cleveland School of Education. Indian Corn Maidens. Clowns. Japanese Characters Old Woman, Devil Mask, Old Man. .... 146 Upper Row. Bishop, Queen, King, Middle Row. Lady in Waiting, Crusader, Child Lower Row. Jester, Old Woman, Little Jack, 1 50 Masks. Upper Mummer, Queen, Jester Middle Egyptian Priest, Persian Poet, Greek Maiden Lower. Columbine and Pierrot . . 158 Characters from Christmas Mask . ., . 162 Scene from Christmas Mask given by ninth year Fairmount Junior High School pupils at the Cleveland Museum of Art. Lady in Waiting, King . 178 SHADOWS Upper Scene from cut out shadow play, The Traveling Musicians of Bremen-Lower Behind the scene in a cut out shadow play, given by eighth grade pupils of Fairmount Junior High School, Cleveland, Ohio . . 210 Illustrations FACING PAGE Scenes from the cut out shadow play, The Traveling Musicians of Bremen. . . . 214 Behind the scenes in the human shadow play The Indian and the Oki. 222 Scenes from the human shadow play, c The Indian and the Old 226 More scenes from the human shadow play, The Indian and the Oki 232 Scenes from the human shadow play, The Shepherdess 236 FULL PAGE LINE DRAWINGS PAGE Constructional drawing of Marionette stage, back view 50 Side view of Marionette stage, with lighting 51 Knight Marionette 77 FACING PAGE The Map of the Mask . 144 XI
With a low rate of immigration and a high rate of interracial marriage, Japanese Americans today compose the Asian ethnic group with the largest proportion of mixed-race members. Within Japanese American communities, increased participation by mixed-race members, along with concerns about overassimilation, has led to a search for cultural authenticity, giving new answers to the question, Who is Japanese American? In Pure Beauty, Rebecca Chiyoko King-O'Riain tackles this question by studying a cultural institution: Japanese American community beauty pageants in San Francisco, Los Angeles, Seattle, and Honolulu. King-O'Riain employs rich ethnographic fieldwork to discover how these pageants seek to maintain racial and ethnic purity amid shifting notions of cultural identity. She uses revealing in-depth interviews with candidates, queens, and community members, her experiences as a pageant committee member, and archival research--including Japanese and English newspapers, museum collections, private photo albums, and mementos--to establish both the importance and impossibility of racial purity. King-O'Riain examines racial eligibility rules and tests, which encompass not only ancestry but also residency, community service, and culture, and traces the history of pageants throughout the United States. Pure Beauty shows how racial and gendered meanings are enacted through the pageants, and reveals their impact on Japanese American men, women, and children. King-O'Riain concludes that the mixed-race challenge to racial understandings of Japanese Americanness does not necessarily mean an end to race as we know it and asserts that race is work--created and re-created in a social context.Ultimately, she determines that the concept of race, fragile though it may be, is still one of the categories by which Japanese Americans are judged. Rebecca Chiyoko King-O'Riain is lecturer in sociology at the National University of Ireland, Maynooth.
Originally published in the 1930s, this is a wonderfully detailed guide to marionettes, puppetry and the construction and production of a show. It contains over a hundred diagrams and illustrations detailing all the various designs for puppets and instructions for their construction. All the secrets of the trade are laid in in simple language and instructions, along with clear and detailed diagrams. This is an exhaustive manual for anyone interested in puppetry. Contents Include: By Way of Introduction Puppetry In Foreign Countries The Stage Scenery and Properties Lighting Marionettes in the Making Marionettes Continued Controls and Strings Trick Dolls The Marionette in Action The Glove Puppet Productions Bibliography Materials and Where To Obtain Them Marionettes In London Museums Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.Keywords: Making Marionettes Farm Books Puppetry Stage Scenery London Museums Glove Puppet Puppet Productions Marionette Foreign Countries 1900s Puppets 1930s Wonderfully Illustrations Bibliography Dolls Lighting
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Originally published in the 1940s, the author, a master of his craft, has clearly and concisely explained the making of both hand and string puppets, and also clearly shown how they may be used in appropriate settings. With the idea of giving asistance to the novice, and help to the more advanced student, the book is written in plain and concise language; the diagrams and photographs should explain the intricacies of puppet-making, leaving the individual to fill in the details from his own imagination. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: Glove Puppets - String Puppets - Puppets with Wire Frame Foundation - Carved Wooden Puppets - Dressing The Puppets - Controls - The Glove Puppet Stage - The Play
"Filled with delicious rodeo tidbits. Stratton's the perfect tour
guide, a natural-born storyteller whose prose is as lean as a
cowboy and as poetic as a sunset, rendered with a delight and
wonder that are downright infectious."--"The Boston Globe" Rodeo
has grown into an international, prime-time television sport.
Steeped in tradition and Western spirit, it calls aspiring cowboys
and cowgirls to its rough-and-tumble fame as they repeatedly risk
their lives for eight seconds of triumph. In "Chasing the Rodeo,"
Kip Stratton takes us into the addictive core of rodeo, bull
riding, and the circuit. Immersed in this world, he collides with
the specter of his "rodeo bum" father, finding part of the cowboy
dream that was his father's legacy. "Chasing the Rodeo" is a
tribute to the famed characters of the old West and a riveting look
at the superstars of the new. And best of all, it's one bucking,
riveting, glorious ride.
Originally published in the 1930s, this is a graded sequence in puppet works, especially designed for use in schools, giving a sound start to school or home circle in puppet work. The art of making simple puppets, stage and scenery, of producing simple puppet plays, is thoroughly examined. The book is extensively illustrated with diagrams and examples. Contents Include STAGE ONE: Why Puppetry The Significance of Puppetry How to Make a Glove Puppet Simple Glove Puppets Various forms of Cut-outs A Puppet Finger in a Plastic Material Puppets from Waste Scenery and Design A Brief History of Puppetry The Puppet Teaches Nemo-A Puppet Play STAGE TWO: The Puppet in Terms of Manipulation, Shape and Movement Jumping-Jack Puppies A Simple Puppet A Simple Jointed Puppet How to Make a Puppet Head Scenery and Design Types of Theatres Ecce Signum A Simple Puppet Play STAGE THREE: How to Begin The Points of a Puppet How to Make A puppet Head How to Make the Arms How to Make the Hands How to Make the Feet and Legs How to Make the Body of the Puppet Controls Storing the Puppet The Stage Parts of a Stage Lighting Proportions of the Human Body The Sacred Flame-A Simple Puppet Play
1927. Tully, novelist, journalist, lecturer, Hollywood columnist of the 1920s and 30s, road kid, chainmaker, boxer, circus handyman, tree surgeon; an inheritor of the tradition of the literary wanderer, and father of another, the school of hard-boiled writing. A quote in the beginning of the book by George Jean Nathan reads, If there is a writer in America today who can lay hold of mean people and mean lives and tear their mean hearts out with more appalling realism, his work is unknown to me. One of his autobiographical works, Circus Parade is a series of his none too happy and often ironical incidents with a circus.
Being a thoroughly reliable guide to the art of voice throwing and vocal mimicry by an entirely novel system of graded exercises. By ventriloquism, we mean the art, the act, or the practice of speaking or singing in such a manner that the voice appears to come, not from the person himself, but from some other place, as from the opposite side of the room, above or below, etc. A ventriloquist is the performer, the actor.
Puppetry is an exciting, flexible, malleable art form which can engage the creative forces of children or adults. Puppets can not only tell a story, they can be used to enhance the curriculum, present an idea or a concept in a compelling way, or teach any number of necessary skills. Children and adults presenting a puppet play are given a sense of their own inventive power. This reference work offers an A to Z view of working with puppets. From the most basic strategies of advertising and marketing your productions; to assembling the puppets out of household materials such as paper bags, cereal boxes, or gloves; to the more elaborate sculpting of armatures. Help with stages, curtains and props are also discussed along with the history of puppetry. Numerous photographs and illustrations give a visual of many of the finished products. This work concludes with an annotated bibliography and index.
"A fascinating history of the unexpected intersection of science, technology and show business." --John Steele Gordon, author of " Hamilton's Blessing" "Once upon a time, American know-how flourished through show-how: spectacular demonstrations by ever resourceful technological entrepreneurs. David Lindsay brings back these glorious (and sometimes infamous) theatricals in a delightful, witty, narrative with a serious point: the American inventor, now relegated to endless rehearsals, needs to resume a rightful place on the national center stage. For admirers and critics of technology and for veteran and inspiring inventors, "Madness in the Making" will give pleasure and inspire debate." --Edward Tenner. Author of "Why Things Bite Back"
Angels Can Fly, a Modern Clown User Guide, includes a mix of fiction which follows the adventures of ten clowns, some personal anecdotes from clowns from around the world, a total of 50 practical clown exercises, and some theory on the nature of modern clown. Clown is a fascinating, diverse, complex and exciting art form, which has existed around the planet for thousands of years. Like any art form it has to evolve to stay relevant to the culture nurturing it, and at the same time, and by its very nature, clown teases and turns upside down the cultural patterns and boundaries around us. This book is an attempt to chart the growth of modern clown, and to promote the process by providing, not only practical exercises for individuals and groups, but also reference points for thinking.
Volume 1 of 2. This work is Barnum's recollections of forty busy years. There is an almost universal, and not unworthy curiosity to learn the methods and measures, the ups and downs, the strifes and victories, the mental and moral personnel of those who have taken an active and prominent part in human affairs. But an autobiography has attractions and merits superior to those of a "life" written by another who cannot know all that helps to give interest and accuracy to the narrative. Barnum's narrative is interspersed with amusing incidents and even the recital of some very practical jokes. Such is simply because his natural disposition impels him to look upon the brighter side of life and he hopes that his humorous experiences will entertain the reader as much as they were enjoyed by himself.
Magic, Simon During suggests, has helped shape modern culture. Devoted to this deceptively simple proposition, During's superlative work, written over the course of a decade, gets at the aesthetic questions at the very heart of the study of culture. How can the most ordinary arts--and by "magic," During means not the supernatural, but the special effects and conjurings of magic shows--affect people? "Modern Enchantments" takes us deeply into the history and workings of modern secular magic, from the legerdemain of Isaac Fawkes in 1720, to the return of real magic in nineteenth-century spiritualism, to the role of magic in the emergence of the cinema. Through the course of this history, During shows how magic performances have drawn together heterogeneous audiences, contributed to the molding of cultural hierarchies, and extended cultural technologies and media at key moments, sometimes introducing spectators into rationality and helping to disseminate skepticism and publicize scientific innovation. In a more revealing argument still, "Modern Enchantments" shows that magic entertainments have increased the sway of fictions in our culture and helped define modern society's image of itself.
Learn how to throw your voice! Make your hand talk, your shoe sing, and your mother-in-law shut up! Everyone will be tongue-tied when you start talking to the lamp shade - and it talks back! Paul Stadelman, a professional ventriloquist who starred on his own television show for many years, shares with you the secrets that have made him a hilarious success. Ventriloquism, as taught in this book, is easy to learn. If you follow a few simple rules, anybody can do it. And it's so fun that once you start, you'll be talking to yourself for hours. The book explains how to use standard puppets as well as novelty figures such as balloon animals and gym socks. It includes 22 complete comedy dialogues to get you started. All are outrageously funny.
In 1770 in the imperial court of Vienna, one of the most extraordinary and baffling hoaxes in history was set in motion. As soon as it was unveiled to the cries of shocked courtiers, the Mechanical Turk became a sensation: a life-sized clockwork figure dressed in Eastern costume that, somehow, could play world-class chess. For decades this incredible automaton confounded audiences across Europe and America. It trounced grand masters, outwitted Napoleon, defeated Benjamin Franklin and was even said to have stopped Catherine the Great from cheating. What was its secret? Could a machine really think? During its chequered career the Turk sparked frenzied speculation and often downright fabrication, but it was nearly a century before the truth was finally discovered … |
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