Main Street America is kicking up its heels—and you're invited to the party!

Goodbye sprawl-and-mall—hello downtown! Long-neglected town centers are coming to life once again, and the buzz is back on main streets all across the country. Come celebrate their rebirth with this one-of-a-kind guide to over 700 local festivals and events nationwide. From the weird and wacky to the wild and wonderful, the fun starts with Main Street Festivals. Which will you do first?

Enter a rubber duck race . . . Join a "walk of art" scavenger hunt . . .

Find hot-rod heaven . . . Play cow patty bingo . . .

See antiques and heirloom displays . . .

Discover "bullistic" bull riding . . . Go to a hog slopping contest . . .

Eat black dirt cake . . . Hear blues, bluegrass, and brass bands . . .

Watch a Little Miss National Peanut Pageant . . .

Inside you'll also learn where to find: an onion rodeo, cornstalk shooting, a beautiful baby bagel contest, arts and crafts demonstrations, the perfect-pierogie cookoff, a slugburger fest, quilting exhibitions, farmer olympics, and more. . . . There's something for everyone in Main Street Festivals.

'The entire town is disguised', declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks - nobles, clergy, imposters, seducers, con men - could be found mixing at every level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In "Venice Incognito", James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.

Germany's cultural glory and for a time Germany's political shame: the operatic festival established by Richard Wagner in 1876 is one of the most intriguing phenomena in modern European intellectual history. The oldest and best known of all musical festivals, Bayreuth soon after Wagner's death in 1883 became the center of a reactionary and nationalistic ideological cult. This book is the first to provide a frank and fully rounded account of the institution and the way it operates. The focus of the study is a critical analysis of the performances and productions, brought alive with photographs and sketches of stage settings, conductors, singers, and costumes from 1876 to 1990. Around this artistic history is woven the remarkable story of why, against tremendous odds, Wagner built his famous Festspielhaus and established his controversial festival and of how his descendants have managed to keep it alive. At the same time, the book traces the institution's association with nationalism and racism, its eventual debasement into "Hitler's court theatre," and its postwar liberation from its chauvinist, anti-Semitic past. With its own form of Wagnerian Gesamtkunstwerk-linking art, the personalities of the Wagner family, and German ideological development-this provocative study will be compelling reading not only for Wagner enthusiasts but also for anyone interested in European intellectual history since 1876.

Partial Contents: At the Gates of the Supernatural; The Mysteries of the Pyramids; Ancient Oracles, the Sibyls and the Fates; Magic from the Beginning of the Christian Era to the End of the Middle Ages; Supernatural Sciences and Curiosities; General Theory of the Horoscope; General Keys of Astrology. Numerous charts and diagrams. Several rare rituals are included. This massive work on magic should be in every magician's library.

The immensely entertaining history of the rise and fall of an American institution, the medicine show

A Choice Outstanding Academic Title 2019 This book documents and discusses the meaning(s) of the creative process at play in the crafting and staging of circus acts. It highlights the experience of circus artists as their skills develop and mature into public performances that create aesthetic and emotional values in the modern economy of live spectacles. It scrutinizes the meaning that circus acts produce for the spectators and for the artists themselves who live this process from the inside. This is a book for those studying semiotics and wanting to see it applied to a real life milieu in accessible and passionate prose. The Meaning of the Circus is grounded on the personal experience of Professor Paul Bouissac as both a circus entrepreneur and a researcher with decades of primary material on the significance of past and contemporary circus acts. It is based on substantial accounts provided by many men and women who have agreed to share the challenges, joys, and anxieties of their life as artists. Personal and rigorous, it contributes to the hermeneutics of the circus arts by adding existential depth to the production and reception of their performances.

The author of the first complete text on clown ministry is back by popular demand with this follow-up book. Clown ministry has grown, changed and flourished in the decade-plus since its inception. This book updates through inspirational features and dynamic new material. Part I - Who's Who contains profiles on the "movers and shakers" in the clown ministry field, including "Where are they now?" looks at clowns featured in The Clown Ministry Handbook. Veteran clown ministers from America and abroad share performance tips and anecdotes, their philosophies of clown ministry and more. "Before and after" photographs (with clown makeup and without) and other illustrations add a delightful dimension to the clowns' stories. Part II - Everything New contains seventy-five clown skits for all the traditional holidays and a few untraditional ones as well, such as Good Neighbor Day, National Procrastination Week and even National Nothing Day! Some contain spoken dialog and some are pantomimed. Skits are included for any number of clowns, from one to a whole troupe. Prop lists and production notes accompany each skit. Contains a wealth of fresh, funny material.

Karagiozis -- a form of comic folk drama employing stock puppet figures -- was immensely popular in Greece until recent years, when newer forms of entertainment have virtually eclipsed it. Derived from ancient Byzantine and Greek sources, it takes its name from the principal puppet character, the clever, humpbacked fool-hero Karagiozis, who appears in many guises, surrounded by a cast of folk caricatures from all walks of life. Kostas and Linda Myrsiades present here a tripartite view of Karagiozis: a translation of a typical text taken directly from a live performance; interviews with one of the last master Karagiozis puppeteers; and an analysis of the place of this indigenous genre in Greek life and culture. The first part of the book examines critical issues concerning the context of Karagiozis performance: its place as an expression of an unofficial social world, as a gender statement that reveals the split vision of its culture, as an expression of a pluralistic society, and as an indigenous event shaped by economic, geographic, political, and social forces. The second portion offers insights from interviews with Giorgos Haridimos, until his retirement Greece's preemi-nent Karagiozis player, and a translation of his classic text "Karagiozis Baker" reflecting an actual performance by Haridimos. Through novel verbal and typographic devices, Kostas Myrsiades succeeds in preserving the full flavor of his oral source -- its rhythms and intonations, its linguistic nuances, and even audience reactions -- to convey the actual experience of the theatergoer. This unique translation thus establishes a model for collecting and disseminating oral theatrical tradition. Folklorists, cultural historians, and students of theater will appreciate this introduction to an ancient but little known folkloric form.

A collection of thirty-two clown skits for one or two performers, accompanied by tips for aspiring clowns on props, gestures, terminology, and safety.

For one year, Alma Guillermoprieto lived in Manguiera, a village near Rio de Janeiro, to learn the ritual of samba--the sensuous song and dance marked by a rapturous beat--and to take part in Rio's renowned carnivale parade.

This gratifying study of a phenomenon that has imprinted itself upon the folklore of big--city life, is a joyful book focusing upon the street performers in Washington Square Park in New York City.

While documenting the complex expressions of street performance in a specific outdoor environment over a period of four years, "Drawing a Circle in a Square" gives a broad examination to the relationship between outdoor performance and urban culture.

In this book we learn that most American cities prohibit street performance, charging such entertainers with vagrancy or soliciting, the performer--joyfully, cautiously, heroically--persists.

On sidewalks throughout the country, in theaters reduced to their barest essentials, the performer juggles, blows fire, performs magic, and tells jokes, appealing both to our sense of humor and to our longing for a moment of spontaneity in our city--structured lives.

"Drawing a Circle in a Square" is the first scholarly documentation and analysis of street performance. Based primarily upon original research, it makes a contribution that is as much toward a particular subject. Promoting the study of performance as an important and valuable vehicle for inter-disciplinary research and thought, it is a model of the kinds of research being developed in the emerging field of performance studies.

The 30 original, reproducible puppet scripts in this collection are designed for the one-person show. Advice and suggestions on all aspects of presenting a puppet show, patterns for puppets, and illustrated instructions for construction accompany the scripts. Grades PreK-3.

While blacks have played an important role - as explorers, scouts, Indian consorts, soldiers, cowboys, farmers - in the exploration, conquest, and settlement of the American West, they have received scant attention from the chroniclers of the pageant of western development.Few of rodeo's early heroes matched the achievements of the black cowboy Bill Pickett, and his story is recounted here for the first time in book form. Pickett grew up in Texas in the 1880's, the child of former slaves, to become nationally famous as the star of the 101 Ranch Wild West Show. Pickett was associated with such western figures as Tom Mix, Will Rogers, Milt Hinkle, and Lucille Mulhall, and earned a reputation as an all around cowboy of legendary abilities. His greatest claim to fame is as the originator of steer wrestling, the only rodeo event to the traced to one individual. Audiences all over the United States, South America, Canada, and England were amazed to see the ""Dusky Demon"" fell on thousand-pound steers and bring them down bite-'em style with his teeth. In spite of a life of incredible physical daring - afoot and unarmed he once took on an enraged fighting bull in a Mexico City arena - he lived to age sixty, to die with his boots on in a professional career had been with the 101 Ranch, and his funeral was on the ranch's last great events. In recognition of his many achievements Pickett was elected to the Cowboy Hall of Fame in 1971, the first black cowboy to be so honored. The author brings together all that is known about Pickett, sorting out the facts and legends, and un telling the story sheds new light on early-day rodeo and 101 Ranch life.

A MUST HAVE for ALL Ventriloquists 52 Complete routines Will suit various puppets This book was first written in 1989 - the jokes are over 25 years old Some humour never dies However you need to bear in mind that some of the jokes are dated and corny. Even if you are just searching for new gags to use in your present routine, this book is jam packed full of a variety of great items. The dialogues have been written in such a way that they will suit any kind of vent doll and personality. Also bear in mind that when a comedian buys a joke book, he may only find one or two jokes that suit his personality. This book should be treated in the same way. If you find all the routines useable - lucky you. However, even if you just get one useable gag that enhances a current routine, that is worth gold A massive number of topics are covered You will find something for all tastes and occasions, including: General, On Stage, Hobbies, More School, Famous, Sport, Family, General Cheekiness, Sick, Airplanes, School Again, The Problem, Marriage, Interview, Holidays, Mr. Entertainment, The Alphabet, Mother's-In-Law, My Dog, Television, More Sport, More General Cheekiness, More School Again, Opera, More Family, General Again, Overseas, Even More School Again, My Other Dog, General Knowledge, Jobs, Who's Being Clever Now? More Television, And Still... Even More School, Family, Religion, Even More General Cheekiness, Space, Driving Exam, And... Even More General Cheekiness, Sailor Boy, Hot Dog? Hamburger? Oh No Not Even More School, Inventions, How Much Cheekier Can You Get? Modem Music, Animals, Difficult Old Dummy, Love, It Can't Be More General Cheekiness, On Strike.

Every year, magic is gaining greater popularity because it offers more rewards than almost any other hobby. The time spent learning tricks, practicing them and working out individual notions is a pastime in itself.

Harry Blackstone was one of the great magicians of the twentieth century. Along with his equally famous peers Houdini and Thurston, Blackstone's feats of legerdemain dazzled audiences around the globe.

The present volume is Blackstone's legacy to the parlor magician. All of the props required can usually be found in the average household and those not easily at hand may be purchased at a neighborhood shop. Indeed, here are 200 tricks... feats of magic... which will mystify and entertain but may be performed in anyone's living room.

88 new tricks (no duplication with Self-Working Card Tricks): impromptu card tricks, telephone tricks, shuffle setups, telepathy with cards, gambling secrets, tricks with torn and folded cards, card-forcing secrets, card tricks with props, vanishing cards, tricks with aces only, card deck that operates like a calculator, more. 96 illustrations.

A MASTERCLASS IN MAGIC FROM THE WORLD'S COOLEST MAGICIAN: DYNAMO In this fully illustrated guide to modern magic, Dynamo shows you how you can perform magic yourself. Learn how to make water freeze instantly, read your friends' minds, make chewing gum float 360 degrees around your head, slice a banana without even touching it, discover superhuman strength and many more mind-blowing illusions. The Book of Secrets will be the first step on an exciting journey for budding magicians, providing hours of breathtaking fun for all the family. #BeTheMagic

Take a wild ride into the TIGERS Preserve and witness the unique animal friendships created there. Wild Family reminds us that friendships aren't just for humans. When the life-and-death struggle of the natural world is removed, even animals that would be mortal enemies in the wild can become best buds. This collection of stories and photographs chronicles these unusual interspecies animal friendships. A depressed black lab named Pharos finds his purpose in life by helping to train two liger cubs, Aries and Yeti. German shepherd Anubis helps Woola the wolf grow into a healthy and well-adjusted adult. Chimpanzee Anjana helps her trainer raise two white tiger cubs born prematurely during a hurricane. Adorable photographs accompany these heartwarming stories, all told from the perspective of Doc, the proprietor of the TIGERS Preserve. Each story points to the same conclusion--that all kinds of animals, like all kinds of humans, are capable of empathy, compassion, and love.

An account of Oxford-educated Nell Stroud's life in the circus. It is also the story of the people of the circus, from the trapeze artists and clowns to the high-wire acts and grooms, as Nell reveals their commitment and expertise, and their hard, marginalized lives. Following a terrible riding accident which left her mother permanently brain-damaged, Nell ran away to the circus. What she found there was a life which became more real to her than the one she left behind. She found people who had sacrificed their lives for their art, who worked in all weathers, perfecting some of the most dramatic and beautiful acts she had ever seen. She found third-generation show-people who travelled around forgotten parts of Britain to bring their abstract, polished, multi-layered show to ever-dwindling audiences. She found herself in an art form that may soon be lost. Nell lived and worked among the circus people for several years, but she is not one of them: she was not born in the circus. In their words she is a "josser" a person in the circus from the outside world.

'I immersed myself in magic. I read every book I could get my hands on and practised and practised, day after day and night after night. Magic became my world...some might say an obsession.' When you're a kid life can seem tough; tougher for some than others. But the darkest of times can also be the most enlightening. When his late granddad showed him magic for the first time, Steven Frayne knew there was more to life than hiding from bullies. He had a destiny. A calling. In that moment Dynamo was born: the most exciting magician of the 21st century. Since then, Dynamo has shocked, thrilled and amazed men, women and children, from all walks of life, all over the world. With his mind-blowing illusions, he has catalysed a whole new era of magic. Now, in his very first book, Dynamo invites you to join him on a breathtaking journey across the globe. Be prepared to levitate Lindsay Lohan in Singapore, transform snow into diamonds in the Austrian mountains, and walk on water across the River Thames. Along the way, he reveals how to make the impossible possible, what it takes to pull off the greatest stunts man has seen, and why everyone needs magic in their lives. This is no illusion. This is Dynamo revealed.

A staple of American popular culture during the nineteenth and early twentieth centuries, the freak show seemed to vanish after the Second World War. But as Rachel Adams reveals in "Sideshow U.S.A.," images of the freak show, with its combination of the grotesque, the horrific, and the amusing, stubbornly reappeared in literature and the arts. Freak shows, she contends, have survived because of their capacity for reinvention. Empty of any inherent meaning, the freak's body becomes a stage for playing out some of the twentieth century's most pressing social and political concerns, from debates about race, empire, and immigration, to anxiety about gender, and controversies over taste and public standards of decency.
"Sideshow U.S.A." begins by revisiting the terror and fascination the original freak shows provided for their audiences, as well as exploring the motivations of those who sought fame and profit in the business of human exhibition. With this history in mind, Adams turns from live entertainment to more mediated forms of cultural expression: the films of Tod Browning, the photography of Diane Arbus, the criticism of Leslie Fiedler, and the fiction Carson McCullers, Toni Morrison, and Katherine Dunn. Taken up in these works of art and literature, the freak serves as a metaphor for fundamental questions about self and other, identity and difference, and provides a window onto a once vital form of popular culture.
Adams's study concludes with a revealing look at the revival of the freak show as live performance in the late 1980s and the 1990s. Celebrated by some, the freak show's recent return is less welcome to those who have traditionally been its victims. At the beginning of a new century, Adams sees it as a form of living history, a testament to the vibrancy and inventiveness of American popular culture, as well as its capacity for cruelty and injustice.
"Because of its subject matter, this interesting and complex study is provocative, as well as thought-provoking."--"Virginia Quarterly Review"