A Mile of Make Believe examines the unique history of the Santa Claus parade in Canada. This volume focuses on the Eaton's sponsored parades that occurred in Toronto, Montreal and Winnipeg as well as the shorter-lived parades in Calgary and Edmonton. There is also a discussion of small town alternatives, organized by civic groups, service clubs, and chambers of commerce. By focusing on the pioneering effort of the Eaton's department store Steve Penfold argues that the parade ultimately represented a paradoxical form of cultural power: it allowed Eaton's to press its image onto public life while also reflecting the decline of the once powerful retailer. Penfold's analysis reveals the "corporate fantastic" - a visual and narrative mix of meticulous organization and whimsical style- and its influence on parade traditions. Steve Penfold's considerable analytical skills have produced a work that is simultaneously a cultural history, history of business and commentary on consumerism. Professional historians and the general public alike would be remiss if this wasn't on their holiday wish list.

Adaptacion para titeres o teatro, de tan genial obra literaria de don Miguel de Cervantes, Escrita e interpretada, por Juan Catalina, titiritero, hasta la medula, hacedor de sus propias obras, tanto en la construccion de los titeres, como escenografia, . Texto y musicas. Lleva repartiendo sonrisas por toda la peninsula, iberica. Desde el 93 con su propia compania de teatro, Juan Catalina ha creado desde entonces 13 obras literarias que poco a poco iran pasando a papel, en los tiempos venideros para que el tiempo no las borre o caigan en el olvido. Veremos aqui a un titiritero de la epoca que va recorriendo los pueblos y ciudades con su viejo carromato, recordando las venturas y desventuras las mas veces de tan conocido caballero andante...

Now available in paperback, this volume presents a theory of the circus as a secular ritual and introduces a method to analyze its performances as multimodal discourse. The book's chapters cover the range of circus specialties (magic, domestic and wild animal training, acrobatics, and clowning) and provide examples to show how cultural meaning is produced, extended and amplified by circus performances. Bouissac is one of the world's leading authorities on circus ethnography and semiotics and this work is grounded on research conducted over a 50 year span in Europe, Asia, Australia and the Americas. It concludes with a reflection on the potentially subversive power of this discourse and its contemporary use by activists. Throughout, it endeavours to develop an analytical approach that is mindful of the epistemological traps of both positivism and postmodernist license. It brings semiotics and ethnography to bear on the realm of the circus.

Tank om du plotsligt fick ett levande monster Ett monster med rosa svans som at strumpor Nikolas fick ett pa sin fodelsedag. Han dopte det till Bopinku. Egentligen var Bopinku bara ett spel, men sa hande nagot konstigt pa natten. Nu finns han pa riktigt... Men hur lange ska Nikolas kunna gomma ett monster? Vad hander om han det med det till skolan? Tank om hans rektor marker nagot? Som tur ar finns hans basta kompis William... Las den spannande berattelsen om Monstret Bopinku - en rolig, nutida saga som handlar om vanskap, TV-spel och ett riktigt monster.

Henryk Jurkowski's seminal 1988 text, "Aspects of Puppet Theatre," was ground-breaking in its analysis of puppetry as an important performing art. Focusing on the cultural and social functions of puppetry, Jurkowski traced the role of puppetry in cultural life, from its ritualistic roots to its influence on modernist art and presence in contemporary theatre. This new edition of a classic brings the original text back to life, including four additional essays and a new introduction, edited and translated by leading puppetry scholar Penny Francis.

The secrets of the world's greatest illusions revealed! Learn clever tricks and daring deceptions! An indispensible guide for the home Magician! Beginning with instruction in simple sleights-of-hand, which may be mastered and performed by any amateur magician for the delight of their friends, The Book of Magic includes directions in the performance of more sophisticated illusions, and exposes the methods behind such famous feats as levitation, sawing a woman in half, or disappearing an elephant. A fascinating look into the Art of Conjuring, The Book of Magic provides practical hints, tips and inspiration for any aspiring illusionist, and is an essential addition to the library of all Magicians.

Es un conocido titiritero, quien va por los pueblos y ciudades, con su viejo carromato contando las hazanas del mayor heroe de todos los tiempos, don Rodrigo Diaz de Vivar. El Cid Campeador ayudado por sus titeres, extranos instrumentos musicales y algun que otro voluntario.

Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning, vaudeville, puppetry, and minstrel shows. With "The Minstrel Show" or "Civil Rights in a Cracker Barrel" (1965) they expressed support of the civil rights movement. With "L'Amant Militaire" (1967) they voiced support of Vietnam War protests.

To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre, "Festive Revolutions" explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for dodging censorship. Productions like "Ripped Van Winkle" continue today to rekindle the radicalism the Troupe inherited from the culture of the 1960s.

"Festive Revolutions" shows that such forms have inspired political theatre for centuries.

El Teatro de titeres es una de las expresiones artisticas mas antigua, rica, poderosa, magica y diversa, creada por y para el disfrute del ser humano. Este manual esta disenado para que puedas crear divertidos titeres de bolsa. Colorea, decora, recorta y pega los patrones sobre una bolsa de papel y luego presenta tus obras de teatro, canciones o poemas.

This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.

Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.

Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.

One of the most colorful breed of men in 19th-century circusdom was the press agent, whose duty was to act as "an umpire between the show and the newspapers," and promote his company's greatness in order to generate public interest in advance of the performances. Charles H. Day, one of the leading "puffers" of his time, was particularly active between 1872-87, but unlike many of his colleagues, was also published widely in the entertainment newspapers and magazines. William L. Slout has collected together the best of Day's colorful and evocative essays of 19th-century circus life, and has also added a helpful Circus Personnel Reference Roster, notes, and detailed index.

After years of being out of print, the story behind 'The Greatest Show on Earth' is back for new generations to discover. Through the early twentieth century, the Ringling Brothers created a spectacle like no one had ever seen, and one that still wows audiences to this day. Yet what most people do not know is that events behind the scenes rivaled the excitement and intrigue of the center ring.Originally published in 1960, and told with remarkable honesty by the nephew of the original Ringling brothers, ""The Circus Kings"" remains a clear and unexaggerated telling of what the circus was like for those who lived it.

Famous color woodcut printmaker Gustave Baumann was a superb wood-carver who was captivated by puppet theater. In the 1930s Baumann carved a collection of marionettes for plays he wrote about New Mexico's cultural heritage. Featuring twenty-five marionettes photographed from the permanent collection of the New Mexico Museum of Art, this entertaining book tells the story of Baumann's theater, describing in detail the plays, sets, and costuming, and highlights the extraordinary wood-carving artistry of this master.

Do racial minorities in the United States assimilate to American values and institutions, or do they retain ethnic ties and cultures? In exploring the Japanese American experience, Lon Kurashige recasts this tangled debate by examining what assimilation and ethnic retention have meant to a particular community over a long period of time. This is an inner history, in which the group identity of one of America's most noteworthy racial minorities takes shape. From the 1930s, when Japanese immigrants controlled sizable ethnic enclaves, to the tragic wartime internment and postwar decades punctuated by dramatic class mobility, racial protest, and the influx of economic investment from Japan, the story is fraught with conflict.
The narrative centers on Nisei Week in Los Angeles, the largest annual Japanese celebration in the United States. The celebration is a critical site of political conflict, and the ways it has changed over the years reflect the ongoing competition over what it has meant to be Japanese American. Kurashige reveals, subtly and with attention to gender issues, the tensions that emerged at different moments, not only between those who emphasized Japanese ethnicity and those who stressed American orientation, but also between generations and classes in this complex community.