This book is a sumptuously produced journey around twelve privately owned country houses, asking what it is like to live in such places today. What role do they play in the twenty-first century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as Editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.

The remains of Kaniakapp--King Kamehameha III's summer residence--bear no traces of the feast that once served ten thousand of his subjects gathered in celebration of Hawaiian sovereignty. Although not all historic Hawaii residences are still standing, the pictures, photographs, and comprehensive maps in this book can provide a wealth of knowledge. Discover the site of Queen Ka'ahumanu's death, Princess Ruth Ke'eliklani's house, which rivaled the splendor of King Kalkaua's official palace, and Lili'uokalani's home, where Robert Wilcox plotted an armed insurrection to overthrow the Constitution of 1887. Using accounts by missionaries, ship captains, early visitors, and reports in English and Hawaiian-language media, this groundbreaking book provides an extensive look into the now-lost residences of the kingdom's elite. Learn about the historic events that took place in the residences of Hawaiian royalty and see how the island chiefs lived their everyday lives.

This book explores the rich but understudied relationship between English country houses and the portraits they contain. It features essays by well-known scholars such as Alison Yarrington, Gill Perry, Kate Retford, Harriet Guest, Emma Barker and Desmond Shawe-Taylor. Works discussed include grand portraits, intimate pastels and imposing sculptures. Moving between residences as diverse as Stowe, Althorp Park, the Vache, Chatsworth, Knole and Windsor Castle, it unpicks the significance of various spaces - the closet, the gallery, the library - and the ways in which portraiture interacted with those environments. It explores questions around gender, investigating narratives of family and kinship in portraits of women as wives and daughters, but also as mistresses and celebrities. It also interrogates representations of military heroes in order to explore the wider, complex ties between these families, their houses, and imperial conflict. This book will be essential reading for all those interested in eighteenth-century studies, especially for those studying portraiture and country houses. -- .

'Somerville knows more about wooden barn construction than almost anyone alive.'-The Telegraph 'A joyful reminder of why nature, being outside, being together and creating beauty is so good for the soul.'-Kate Humble, broadcaster and author of A Year of Living Simply 'For all our advances, it's hard to deny the modern world brings with it new ills of disconnection and disenfranchisement, but here in Barn Club they've found their cure.'-Barn the Spoon, master craftsman and author of Spon Nature meets traditional craft in this celebration of the elm tree, beautiful buildings and community spirit. Barn Club calls on us to discover our landscapes more intimately and to explore the joys of making beautiful things by hand, together. When renowned craftsman Robert Somerville moved to Hertfordshire, he discovered an unexpected landscape rich with wildlife and elm trees. Nestled within London's commuter belt, this wooded farmland inspired Somerville, a lifelong woodworker, to revive the ancient tradition of hand-raising barns. Barn Club follows the building of Carley Barn over the course of one year. Volunteers from all walks of life joined Barn Club, inspired to learn this ancient skill of building elm barns by hand, at its own quiet pace and in the company of others, while using timber from the local woods. The tale of the elm tree in its landscape is central to Barn Club. Its natural history, historic importance and remarkable survival make for a fascinating story. This is a tale of forgotten trees, a local landscape and an ancient craft. This book includes sixteen pages of colour photographs, and black and white line drawings of techniques and traditional timber frame barns feature throughout.

Travel and the British country house explores the ways in which travel by owners, visitors and material objects shaped country houses during the long eighteenth century. It provides a richer and more nuanced understanding of this relationship, and how it varied according to the identity of the traveller and the geography of their journeys. The essays explore how travel on the Grand Tour, and further afield, formed an inspiration to build or remodel houses and gardens; the importance of country house visiting in shaping taste amongst British and European elites, and the practical aspects of travel, including the expenditure involved. Suitable for a scholarly audience, including postgraduate and undergraduate students, but also accessible to the general reader, Travel and the British country house offers a series of fascinating studies of the country house that serve to animate the country house with flows of people, goods and ideas. -- .

Country houses and the British empire, 1700-1930 assesses the economic and cultural links between country houses and the Empire between the eighteenth and twentieth centuries. Using sources from over fifty British and Irish archives, it enables readers to better understand the impact of the empire upon the British metropolis by showing both the geographical variations and its different cultural manifestations. Barczewski offers a rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences. In so doing, she restores them to their true place of centrality in British culture over the last three centuries, and provides fresh insights into the role of the Empire in the British metropolis. -- .

Considering its territorial and social influence and the superlative nature of its furnishings and collections, Weston Park is not as well known as one might expect. The house and contents, with its thousand acre landscape park, was gifted to the nation in 1986 by Richard, 7th Earl of Bradford. Until then, the house had always passed by descent, often through the female line, and it had stood at the centre of an estate with a wide geographical spread, linking it with neighbouring counties and with the urban centres of Walsall, Bolton and Wigan. Weston Park's owners and staff had a pivotal role in the development of these places, whilst the family were involved in national affairs, in politics, the legal profession, and the military. Their seat at Weston Park provided not only a fitting home, visited by royalty and politicians, but also became a repository of important patronage and of collections. These included, in 1735, the highly significant late seventeenth and early eighteenth century collection of paintings that had been assembled by Francis Newport, 1st Earl of Bradford and his younger son, Thomas. Meticulously researched and beautifully illustrated, this book seeks to tell the story of the house, its setting, extraordinary collections, and the influence that it has had on wider communities through the history of those who have owned and cared for it.

'Julie Summers has an amazing instinct for unearthing good stories and telling quotes.' Craig Brown, The Mail On Sunday 'This is an enjoyable book, peppered with examples of under-reported wartime heroism.' Robert Leigh-Pemberton, The Daily Telegraph 'It's hard to believe that there are still untold stories about Britain and World War II, but Julie Summers has unearthed a fascinating one that she tells with great verve and style. All in all, Uninvited Guests is a sheer delight.' Lynne Olson, author of Citizens of London and Last Hope Island A remarkable narrative set against the dark days of World War Two, from one of the country's foremost social historians. Our Uninvited Guests perfectly captures the spirit of upheaval at the beginning of the Second World War when thousands of houses were requisitioned by the government to provide accommodation for the armed forces, secret services and government offices as well as vulnerable children, the sick and the elderly, all of whom needed to be housed safely beyond the reach of Hitler's Luftwaffe. Julie Summers gives the reader a behind-the-scenes glimpse of life in some of Britain's greatest country houses that were occupied by people who would otherwise never have set foot in such opulent surroundings.Blenheim Palace was colonised by schoolboys who slept in the Long Library; Polish special agents trained in the grounds of Audley End House, learning to forge and lie their way into occupied Europe in the old nursery. Brocket Hall, former home of Queen Victoria's favourite Lord Melbourne, was used as a maternity home for women from the East End of London, and the Rothschilds' magnificent French chateau-inspired Waddesdon Manor housed a hundred children under five. The Northern Highlands, where the fierce warriors of Scotland's past developed their unconventional military skills, played host to the most extreme form of warfare, training agents in the fine arts of sabotage, subterfuge and assassination. The juxtaposition of splendour and opulence with the everyday activities of people whose needs were at odds with their new surroundings is at the heart of this book. This thought-provoking and evocative narrative captures a crucial period in the social history of Britain. Praise for Julie Summers: 'Superb...highly recommended' Who Do You Think You Are Magazine 'A remarkable collection of stories...a rich and moving book' Mail on Sunday 'Summers is a good and knowledgeable writer...powerful, emotional stuff' Independent 'A poignant, lingering account' BBC History Magazine 'A revelation - full of information, reminiscences, humour and social history. Reading it not only gave me great pleasure but also made me proud to be a member of such a long lasting, valuable and vital organisation' Helen Carey OBE, former chairman of the National Federation of Women's Institutes

Wilton Park is a unique phenomenon: part of the Britih Government but academically independent; well-known among policy makers, but with a low public profile; created to help foster democracy in post-war Germany, but now with global reach; a vehicle for international dialogue, never one for British propaganda.

Why did the British Government create such an institution in 1946? What impact did it have? How did it evolve from a training centre for German prisoners of war to today's international policy forum?

In Victory, Magnanimity, in Peace, Goodwill tells the story for the first time. It describes how it was Winston Churchill who proposed Wilton Park's post-war role. But its founding father was a German: Heinz Koeppler, a historian who had fled from Hitler to Magdalen College, Oxford, and had worked in Britain's wartime Political Intelligence Department. After the war, he fought as many battles as during it, to resisit Government cuts and to maintain Wilton Park's academic independence as a centre of frank, searching and off-the-record debate. Koeppler's legacy is today's thriving institution.

The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.

Historic House Museums in the United States and the United Kingdom: A History addresses the phenomenon of historic houses as a distinct species of museum. Everyone understands the special nature of an art museum, a national museum, or a science museum, but "house museum" nearly always requires clarification. In the United States the term is almost synonymous with historic preservation; in the United Kingdom, it is simply unfamiliar, the very idea being conflated with stately homes and the National Trust. By analyzing the motivation of the founders, and subsequent keepers, of house museums, Linda Young identifies a typology that casts light on what house museums were intended to represent and their significance (or lack thereof) today. This book examines: * heroes' houses: once inhabited by great persons (e.g., Shakespeare's birthplace, Washington's Mount Vernon); * artwork houses: national identity as specially visible in house design, style, and technique (e.g., Frank Lloyd Wright houses, Modernist houses); * collectors' houses: a microcosm of collecting in situ domesticu, subsequently presented to the nation as the exemplars of taste (e.g., Sir John Soane's Museum, Isabella Stewart Gardner Museum); * English country houses: the palaces of the aristocracy, maintained thanks to primogeniture but threatened with redundancy and rescued as museums to be touted as the peak of English national culture; English country houses: the palaces of the aristocracy, maintained for centuries thanks to primogeniture but threatened by redundancy and strangely rescued as museums, now touted as the peak of English national culture; * Everyman/woman's social history houses: the modern, demotic response to elite houses, presented as social history but tinged with generic ancestor veneration (e.g., tenement house museums in Glasgow and New York).

The story of the Stuart dynasty is a breathless soap opera played out in just a hundred years in an array of buildings that span Europe from Scotland, via Denmark, Holland and Spain to England. Life in the court of the House of Stuart has been shrouded in mystery: the first half of the century overshadowed by the fall and execution of Charles I, the second half in the complete collapse of the House itself. Lost to time is the extraordinary contribution the Stuarts made to the fabric of sovereignty. Every palace they built, painting they commissioned, or artwork they acquired was a direct reflection of the lives that they led and the way that they thought. Palaces of Revolution explores this rich history in graphic detail, giving a unique insight into the lives of this famous dynasty. It takes us from Royston and Newmarket, where James I appropriated most of the town centre as a sort of rough-and-ready royal housing estate, to the steamy Turkish baths at Whitehall where Charles II seduced his mistresses. We see the intimate private lives of the monarchs, presented through the buildings in which they lived and the objects they commissioned, creating an entirely new narrative of the Stuart century. Palaces of Revolution traces this extraordinary period across the places and palaces on which the action played out, giving us a thrilling new history of this remarkable dynasty.

Wilton Park was once a secret camp for interrogating enemy generals during World War II. But it took on its true, unique role in 1946 as a training centre for German prisoners-of-war. This volume tells of its history and the extraordinary life of Heinz Koeppler, its founding father.

One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built is the first book-length study devoted to the architectural projects of a single Chinese emperor. Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time. Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.

Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation.

Boughton House in Northamptonshire is a house of contrasts. Its magnificent, and at the same time, formal exterior in the French style gives little hint of the rambling Tudor manor house embedded within. Involvement with the law and politics at the highest level generated the wealth of its founders and builders, but enlightened artistic patronage and a strong aesthetic sense have been characteristic of many generations of the Dukes of Montagu and of Buccleuch since the 17th century. This book looks at the house and its furnishings.

This book, first published in 1973, gives a vivid picture of British-Indian social life from the eighteenth century to Independence, as well as of the houses themselves. The Government Houses were not only buildings on a palatial scale, but were also a background to a way of life that was as full of contrasts as the Raj itself. The author peoples the houses with some of the men and women who lived in them during the course of their history, and in doing so provides a chapter of social history which has not been written before.

Scholarly and innovative with visually stunning line drawings and photographs, this volume provides readers with a compelling record of the unbroken pattern of reciprocal use and exchange between the countryside and the walled city of Florence, from the thirteenth century up to the present day. Defying the traditional and idealized interpretation of the Florentine Villa, the author: analyzes the economic factors that powered the investment in and building of country houses and estates from the early Renaissance times onwards, as well as the ideology and the architectural and literary models that promoted the Florentine villa explores the area between Florence and Sesto in its history, morphology and representation looks at the villas existing in the area. A contribution to the protection of the important cultural heritage of the landscape in the Florentine area and of its historic buildings, villas and gardens, this study makes engaging reading, not only for scholars and students in architecture, landscape design and social history, but also for the well informed reader interested in art, architecture and gardens.

Elizabeth of Bohemia, known to some as the Winter Queen and to others as the Queen of Hearts, was one of those rare figures whose personality still fascinates us across the centuries. The daughter of James I, she combined charm and humour with courage in the face of adversity and a steely determination to regain her patrimony after she and her husband were driven from the throne of Bohemia. Among the many men who championed Elizabeth's sorrowful fortunes, Lord Craven was the most faithful. Brave, wealthy and supremely generous, this latter-day knight errant threw everything he could into his efforts to recapture the Palatinate for his heroine, risking his life and spending enormous sums in financing a military campaign. After all schemes had come to naught he came to live at Elizabeth's threadbare court in the Hague, supporting her financially and befriending her talented but unruly family. His estates, confiscated by the Commonwealth, were returned at the Restoration, and he busied himself in planning fine houses for Elizabeth's use on her return to England in 1661.Sadly she died the same year but Ashdown House in Berkshire still remains as a poignant memorial to Craven's single-minded devotion.

Part of the prestigious academic book series Documenting the Image, this is a fascinating survey illustrated by extremely rare photographs of the burned architectural and landscape complex known as the Rape of the Summer Palace.
In 1860, Western armies brought ruin to the treasured seat of the Qing emperors near Beijing. One hundred and fifty images have been collected to date as a support for an extensive study of the building of the palaces and their subsequent destruction.
This book is a rigourous analysis of the work and experiences of the European photographers, both amateur and professional, working in Beijing during this period, and, as such, becomes an account of the development of photography itself. Offering a fascinating glimpse into 19th-Century China, the book gives an historical overview of the political situation.

Beyond the Gatehouse is a lighthearted, witty but factual biographical account of the eccentric lifestyles of the builders and residents of some of England's best-known country houses. Extraordinary buildings require extraordinary people, and over the centuries our historic houses have produced more than their fair share of oddballs. Insulated from the outside world by vast wealth, rolling acres and the social status that a title implies, aristocrats have always been able to amuse themselves - and now us - by pursuing their idiosyncratic interests and manias to the point of eccentricity. David Long lifts the lid on all that's bizarre, implausible, unthinkable and delightfully wacky about our glorious heritage homes and their unusual occupants.

Discover Britain's magnificent heritage of country houses in this lavishly illustrated guide to the architectural treasures of the United Kingdom. Spanning the years from 1714 to the start of the 21st century, this book includes the period's finest examples of architecture, such as Blenheim Palace, Arundel Castle and Clarence House. An in-depth guide to the history of every house features information on its design, construction and the stories of its best-known inhabitants, as well as profiles of celebrated architects. Timelines and maps trace the development of Britain's architectural legacy, while a glossary introduces key terms and an A-Z listing make it easy to find every property listed. This complete reference book will delight and inform in equal measure.