In 1622 Rubens published a splendid volume on Genoese Renaissance architecture, with precise engravings depicting facades and plans of a dozen villas and palaces. In publishing famous examples of 'modern' architecture, Rubens intended to trace the development of architecture in his own country and all over Europe. He believed that the true principles of good building, both aesthetically and functionally, were discovered by the Ancients and rediscovered in Renaissance Italy. In publishing his book at the height of his fame, Rubens succeeded in presenting himself not only as a great painter but also as a connoisseur and authoritative teacher in the field of architecture. This two-volume part of the Corpus Rubenianum explains the history of Rubens's book, analyses in detail his comments and interpretations of the original plans and reproduces all drawings.

The Miami estate of Vizcaya, like its palatial contemporaries Biltmore and San Simeon, represents an achievement of the Gilded Age, when country houses and their gardens were a conspicuous measure of personal wealth and power. In Vizcaya: An American Villa and Its Makers, a celebrated architecture critic and writer and an award-winning landscape architect explore the little-known story of Vizcaya, an extraordinary national treasure. Witold Rybczynski and Laurie Olin use a rich collection of illustrations, historic photographs, and narrative to document the creation of this stunning house and landscape. Vizcaya was completed in 1916 as the winter retreat of Chicago industrialist James Deering. The cosmopolitan bachelor, who chose Miami for its warm climate, enlisted the guidance of artist Paul Chalfin, with whom he traveled throughout Italy to survey houses and gardens. With the assistance of architect F. Burrall Hoffman, Jr., and garden designer Diego Suarez, the 180-acre site on Biscayne Bay was transformed into a grand estate, complete with lagoons, canals, citrus groves, a farm village, a yacht harbor, and a 40-room Baroque mansion. The lure of this architectural and landscape masterpiece, named for a Spanish Basque province, is undeniable. John Singer Sargent planned a short visit in 1917 but stayed for several months, producing an inspired series of watercolors, many of which are reproduced here for the first time. The book is further enriched by archival material and by the color images of noted photographer Steven Brooke, paying homage to Vizcaya as a lens through which readers learn about architecture, landscape and garden design, interior decoration, and art.

"Hall's consummate history is not just the story of the evolution of one of the world's great collections... The book is also a through-the-keyhole insight into the shifting tastes, good or bad, of 1,000 years of monarchs." - The Times The Royal Collection is the last great collection formed by the European monarchies to have survived into the twenty-first century. Containing over a million artworks and objects, it covers all aspects of the fine and decorative arts, from paintings by Rembrandt and Michelangelo to grand sculpture, Faberge eggs and some of the most exquisite furniture ever made. The Royal Collection also offers a revealing insight into the history of the British monarchy from William the Conqueror to Queen Elizabeth II, recording the tastes and obsessions of kings and queens over the past 500 years. With unprecedented access to the royal residences of St James' Palace, Windsor Castle and Buckingham Palace, Art, Passion & Power traces the history of this national institution from the Middle Ages to the present day, exploring how royalty used the arts to strengthen their position as rulers by divine right and celebrating treasures from the Crown Jewels to the "Abraham" tapestries in Hampton Court Palace. Author Michael Hall examines the monarchy's response to changing attitudes to the arts and sciences during the Enlightenment and celebrates the British monarchy's role in the democratisation of art in the modern world. Packed with glimpses of rarely seen artworks, Art, Passion & Power is a visual treat for all art enthusiasts. Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion & Power is the definitive statement on the British monarchy's treasures of the art world.

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned and the project was abandoned with only one storey complete. Empty, unfinished, and in a gradual state of decay, the building was considered an eyesore. Yet in the early 20th century the Unfinished Palazzo's quality of fairytale abandonment, and its potential for transformation, were to attract and inspire three fascinating women at key moments in their lives: Luisa Casati, Doris Castlerosse and Peggy Guggenheim. Each chose the Palazzo Venier as the stage on which to build her own world of art and imagination, surrounded by an amazing supporting cast, from d'Annunzio and Nijinsky, via Noel Coward and Cecil Beaton, to Yoko Ono. Luisa turned her home into an aesthete's fantasy where she hosted parties as extravagant and decadent as Renaissance court operas - spending small fortunes on her own costumes in her quest to become a `living work of art' and muse to the artists of the late belle epoque and early modernist eras. Doris strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art-lovers from around the world. Mackrell tells each life story vividly in turn, weaving an intricate history of these legendary characters and the Unfinished Palazzo that they all at different times called home.

Country houses and the British empire, 1700-1930 assesses the economic and cultural links between country houses and the Empire between the eighteenth and twentieth centuries. Using sources from over fifty British and Irish archives, it enables readers to better understand the impact of the empire upon the British metropolis by showing both the geographical variations and its different cultural manifestations. Barczewski offers a rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences. In so doing, she restores them to their true place of centrality in British culture over the last three centuries, and provides fresh insights into the role of the Empire in the British metropolis. -- .

This title contains 2 books in slipcase. It includes an history and description of The Palace of Christian VII at the royal castle, Amalienborg, in Copenhagen.

Visits to country houses are an important leisure pursuit throughout the British Isles, not just to appreciate their superb architecture, great paintings and elaborate furniture but also to experience something of the past life of our great families and their households. Mark Girouard suggested in Life in the English Country House that 'even when the customs have gone, the houses remain, enriched by the accumulated alterations, and often accumulated contents of several centuries. Abandoned lifestyles can be disinterred from them in much the same way as from the layers of an archaeological dig'. By the 19th century, life in most country houses changed as a result of various technical inventions such as improved water supplies, flushing water closets, boilers and pipes to provide central heating, internal communications by bells and then telephones, and better lighting by means of gas and electricity. Country houses, however, were usually too far from urban centres to take advantage of centralised sources of supply and so were obliged to set up their own systems if they wanted any of these services to improve the comfort of daily living. Some landowners chose to do this; others did not, and this book examines the motivations for their decisions. It also sets out to discover what evidence has survived for the impact of technological innovation on the buildings, contents, parks and gardens of country houses and on the lives of the people within them. In the course of their research, the authors have visited nearly one hundred houses around the United Kingdom, mostly those open to the public and the majority in the hands of the National Trust. Many books have been devoted to the life of those in domestic service in such houses, but this book looks not so much at the social records of their lives as the actual physical evidence for the greater levels of comfort and convenience sought by landowners in country houses from the 18th to the early 20th centuries.

Winner of the International Society of Place, Landscape, and Culture Fred B. Kniffen Award A reexamination of working-class architecture in late nineteenth-century urban America As the multifamily building type that often symbolized urban squalor, tenements are familiar but poorly understood, frequently recognized only in terms of the housing reform movement embraced by the American-born elite in the late nineteenth century. This book reexamines urban America's tenement buildings of this period, centering on the immigrant neighborhoods of New York and Boston. Zachary J. Violette focuses on what he calls the "decorated tenement," a wave of new buildings constructed by immigrant builders and architects who remade the slum landscapes of the Lower East Side of Manhattan and the North and West Ends of Boston in the late nineteenth century. These buildings' highly ornamental facades became the target of predominantly upper-class and Anglo-Saxon housing reformers, who viewed the facades as garish wrappings that often hid what they assumed were exploitative and brutal living conditions. Drawing on research and fieldwork of more than three thousand extant tenement buildings, Violette uses ornament as an entry point to reconsider the role of tenement architects and builders (many of whom had deep roots in immigrant communities) in improving housing for the working poor. Utilizing specially commissioned contem-porary photography, and many never-before-published historical images, The Decorated Tenement complicates monolithic notions of architectural taste and housing standards while broadening our understanding of the diversity of cultural and economic positions of those responsible for shaping American architecture and urban landscapes. Winner of the International Society of Place, Landscape, and Culture Fred B. Kniffen Award

The start of a brand new series from bestselling author Fay Keenan.Life in London has lost its sparkle for Stella Simpson. So when she gets the opportunity to escape to the country for a year, it seems too good a chance to miss. In the beautiful Somerset countryside, the majestic Roseford Hall has been painstakingly restored and is now ready for its grand opening. And as the writer in residence, Stella gets to see it all - from the rowdy resident peacocks, the hidden secrets of the Hall, to befriending the Lord of the Manor himself. At the other end of Roseford, single father, Chris Charlton is facing his own refurbishment woes. Rocked by a tragedy two years previously, his plans for crumbling Victorian wreck Halstead House are as stuck as he is. As Roseford Hall prepares to welcome a new era, and Halstead House's future is under threat, Chris and Stella find themselves drawn to one another. Can they finally leave their pasts behind, and will Chris and Stella be able to embrace their new beginnings together - or apart... Escape to the beautiful, idyllic English countryside with Fay Keenan. Romantic, feel-good and utterly charming, this is perfect for all fans of Julie Houston, Cathy Bramley and Holly Martin. What authors and readers say about Fay Keenan's novels: 'This novel has such a gorgeous setting. A lovely light read and the perfect book to pack in your suitcase and take on holiday. Recommended.' Della Galton 'A gorgeous rural romance full of warmth and charm.' Victoria Connelly 'Guaranteed to put a spring in your step. Feel-good, frisky and great fun with a hearty dash of romance and intrigue.' Julie Houston 'Moving, funny, thoughtful and romantic. Bring on the next one!' Jenny Kane 'This is a lovely and heart-warming story, that has a serious side hidden within the romance.' Amazon reviewer 'It was a wonderful book, guaranteed to put a smile on your face.' Amazon reviewer 'I was so engrossed in the storyline, which is thoroughly heart-warming, that I read the entire book without stopping. I always enjoy Keenan's books and am looking forward to the next one!' Amazon reviewer

The start of a brand new series from bestselling author Fay Keenan.Life in London has lost its sparkle for Stella Simpson. So when she gets the opportunity to escape to the country for a year, it seems too good a chance to miss. In the beautiful Somerset countryside, the majestic Roseford Hall has been painstakingly restored and is now ready for its grand opening. And as the writer in residence, Stella gets to see it all - from the rowdy resident peacocks, the hidden secrets of the Hall, to befriending the Lord of the Manor himself. At the other end of Roseford, single father, Chris Charlton is facing his own refurbishment woes. Rocked by a tragedy two years previously, his plans for crumbling Victorian wreck Halstead House are as stuck as he is. As Roseford Hall prepares to welcome a new era, and Halstead House's future is under threat, Chris and Stella find themselves drawn to one another. Can they finally leave their pasts behind, and will Chris and Stella be able to embrace their new beginnings together - or apart... Escape to the beautiful, idyllic English countryside with Fay Keenan. Romantic, feel-good and utterly charming, this is perfect for all fans of Julie Houston, Cathy Bramley and Holly Martin. What authors and readers say about Fay Keenan's novels: 'This novel has such a gorgeous setting. A lovely light read and the perfect book to pack in your suitcase and take on holiday. Recommended.' Della Galton 'A gorgeous rural romance full of warmth and charm.' Victoria Connelly 'Guaranteed to put a spring in your step. Feel-good, frisky and great fun with a hearty dash of romance and intrigue.' Julie Houston 'Moving, funny, thoughtful and romantic. Bring on the next one!' Jenny Kane 'This is a lovely and heart-warming story, that has a serious side hidden within the romance.' Amazon reviewer 'It was a wonderful book, guaranteed to put a smile on your face.' Amazon reviewer 'I was so engrossed in the storyline, which is thoroughly heart-warming, that I read the entire book without stopping. I always enjoy Keenan's books and am looking forward to the next one!' Amazon reviewer

Escape to hills high above the French Riviera with international bestseller Jennifer Bohnet.After tragically losing her husband, Nicola Jacques and her teenage son Oliver relocate to his father's family's olive farm in the hills above the French Riviera. Due to a family feud, Oliver has never known his father's side of the family but Grandpapa Henri is intent that Oliver will take over the reins of the ancestral farm and his rightful inheritance. Determined to keep her independence from a rather controlling Grandpapa, Nicola buys a run-down cottage on the edge of the family's Olive Farm and sets to work renovating their new home and providing an income by cultivating the small holding that came with the Cottage. As the summer months roll by, Nicola and Oliver begin to settle happily into their new way of life with the help of Aunts Josephine and Odette, Henri's twin sisters and local property developer Gilles Bongars. But the arrival of some unexpected news and guests at the farm, force Nicole and Aunt Josephine to assess what and where their futures lie. This book was previously published as The French Legacy.

Cabins have become one of the favourite hiding places for people looking for a perfect place to rest and connect with nature. Environmentally friendly homes, cutting-edge sustainable architecture that have ecological solutions and a low environmental impact, and buildings with smart and compact design, in which the spaces are open and shared, connected to each other and to the environment.

Who was the most beautiful woman in England in the twentieth century - and why did she become the most hated woman? Who spent GBP500,000 to remodel her house for a king's weekend visit? What country house has a roof that is seven acres in size? What prime minister's mother had at least twenty lovers? How many million individuals were killed in World War 1? The answers to such startling questions show that history is an unnerving mixture of breathtaking moments and punishing reversals. Written as a rattling good read, The Downton Era takes the reader on a journey through twentieth century England by pointing out the personal landmarks that make up history. When we see elegant country houses, we discover that such great piles of rock record the aristocratic arc of the English upper class from its Victorian heyday onward into the twentieth century. Titles and dances and hunts were social events that linked families and forged governments. By exploring the interwoven family chronicles of the Churchills and their cousins, the Mitfords, we see history at a personalized level. In their lives are woven together stories of great houses, the lure and weight of title, the range and challenge of political influence, and the privileged entrapments that undermined their dazzling social world. As with tragedy, the scale of greatness and disintegration in these families and their class makes for riveting reading.

With rare access, interior designer and artist Ashley Hicks has photographed the State Rooms of Buckingham Palace, home of Britain's monarch since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash. Hicks's eye brings a vibrant take on the formal spaces, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the opulently decorated State Rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art in the Royal Collection by Rembrandt, Rubens, Poussin, van Dyck, Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms. This intimate tour through the Buckingham Palace State Rooms is a necessary addition to the libraries of devotees of the royal family, English architecture, decoration, and the fine arts in general.

Published in memory of the architectural historian John Cornforth, these great house inventories document the taste and lifestyle of leading aristocratic patrons and the households that supported them. John Cornforth (1937-2004), the eminent architectural historian and passionate advocate of the historic interior, believed that inventories were an unrivalled primary resource for the interpretation of the historic interior. The book serves as a tribute to his lifelong interest in the field. Cornforth saw the importance of inventories in inspiring not just changes in approach to the history of the great house, but in underpinning the interpretation of the way in which these houses were used and lived in. They reflect the interest in household management, the daily lives of the servants who maintained the house while the owner was absent, and the equipment needed to provide for grand entertainments when the owner was at home. Now that there is such fascination with the history of food and life below stairs, the contents of the kitchen and scullery assume as much interest as the grand rooms of entertainment. These inventories provide an opportunity to compare the arrangements of the interiors of the great country houses and town houses of the same noble families in different generations. They will inspire yet fuller interpretations of the households they document, and appeal to country house visitors and historians of interiors, patronage and collecting, as well as to art directors of historical films and creative designers.

An artist’s record of the homes of 89 leading creatives from interior designers to ceramicists, antiques dealers, florists and chefs. SJ Axelby brings new life to interior portraiture, capturing in paint the favourite rooms of 89 leading creatives from interior designers to ceramicists and antiques dealers (and florists and chefs). A sumptuously illustrated record of a home or special project, each interior portrait is accompanied by a charming and quirky interview with the owner, in which we discover invaluable nuggets of design advice, cocktail choice, life hacks and so much more – all illustrated in watercolour by SJ. There is a long tradition of painting rooms to provide a record of grand homes, giving a glimpse into the life and times of previous generations. Today there is a resurgence of interest in our living spaces, but there is no book in the tradition of illustrated room portraiture to inspire you. SJ Axelby's Interior Portraits will take you into multiple unique and colourful homes, seen through the artist’s eye. Creating an authentic and characterful scheme is much like the composition of a painting: the shape, form, contrast, colour, pattern and texture all need to work in harmony. This pictorial guide includes not only Sarah-Jane’s original watercolours but scrapbook pages annotated with design wisdom from each room’s owners, which will enthuse and empower the reader to try new ideas in their own homes. It’s a creative who’s who of the international design world featuring mouth-watering compositions bursting with colour and pattern and displaying the true joy of a home that reflects its owner’s personality. With a foreword by Kit Kemp of Firmdale Hotels. Just a few of the creatives featured: Alexandra Tolstoy Alice Stori Liechtenstein Anna Spiro Ashley Hicks Ben Pentreath & Charlie McCormick Cath Kidston Padgham Erica Davies Flora Soames Henry Holland Kit Kemp Lucinda Chambers Lulu Lytle Luke Edward Hall & Duncan Campbell Matilda Goad Penny Morrison Robert Kime Skye McAlpine Sophie Conran

A fresh perspective on British history from award-winning broadcaster Fatima Manji Why was there a Turkish mosque adorning Britain's most famous botanic garden in the eighteenth century? How did a pair of Persian-inscribed cannon end up in rural Wales? And who is the Moroccan man depicted in a long-forgotten portrait hanging in a west London stately home? Throughout Britain's museums, civic buildings and stately homes, relics can be found that reveal the diversity of pre-twentieth-century Britain and expose the misconceptions around modern immigration narratives. In her journey across Britain exploring cultural landmarks, Fatima Manji searches for a richer and more honest story of a nation struggling with identity and the legacy of empire. 'A timely, brilliant and very brave book' Jerry Brotton, author of This Orient Isle

Ancient American palaces still captivate those who stand before them. Even in their fallen and ruined condition, the palaces project such power that, according to the editors of this new collection, it must have been deliberately drawn into their formal designs, spatial layouts, and choice of locations. Such messages separated palaces from other elite architecture and reinforced the power and privilege of those residing in them. Indeed, as Christie and Sarro write, "the relation between political power and architecture is a pervasive and intriguing theme in the Americas."

Given the variety of cultures, time periods, and geographical locations examined within, the editors of this book have grouped the articles into four sections. The first looks at palaces in cultures where they have not previously been identified, including the Huaca of Moche Site, the Wari of Peru, and Chaco Canyon in the U.S. Southwest. The second section discusses palaces as "stage sets" that express power, such as those found among the Maya, among the Coast Salish of the Pacific Northwest, and at El Tajin on the Mexican Gulf Coast. The third part of the volume presents cases in which differences in elite residences imply differences in social status, with examples from Pasado de la Amada, the Valley of Oaxaca, Teotihuacan, and the Aztecs. The final section compares architectural strategies between cultures; the models here are Farfan, Peru, under both the Chimu and the Inka, and the separate states of the Maya and the Inka.

Such scope, and the quality of the scholarship, make Palaces and Power in the Americas a must-have work on the subject.

This book is all about Delhi and the Red Fort as the title suggests. Perhaps no other city in the world can boast its legacy as old as of Mahabharat times. From Rajputs, Delhi passed into the hands of rulers and invaders from Afghanistan and Trans-Oxania region. In Mughal Hindustan from the times of Shahjahan, Delhi became the power seat and his son Aurangzeb, the Alamgir, maintained Laskar-e-Azim, the largest army at that time in the world. The Mughal Emperors who came after Aurangzeb were weak, namby-pamby characters and given more to the life of pleasure. The formidable Mughal Empire started crumbling. The Nadir Shahs, Abdalis, Marathas, Jats and the Ruhelas expedited the ruin. The British East India Company not only completed the task but also became the new Rule, replacing the Great Mughals. The British could not ignore the mood of the people for long and had to leave the country. Finally, India became a free nation when the first Prime Minister Pandit Nehru unfurled the tri-color flag from the ramparts of Red Fort. The narration ends at this note. This book unfolds the tales of fourteen cities starting from Indraprastha to New Delhi of today. The buildings, gardens, bazaars, galis and kutches of old city of Delhi speak about the bygone days of Shahjahanabad. The grandeur of the Red Fort or Qila-e-Muella that included the Places of the Mughals and the Halls of Diwan-e-Aam and Diwan-e-Khas where Shahjahan used to hold his court surpassed those of the kingdoms of Balkh, Bukhara and Samarkand. The book carries 62 carefully chosen illustrations that add fragrance of the by-gone days.

This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal claims to secular power. As bishops lost temporal authority in their cities to emerging communal governments, they compensated architecturally and competed with the communes for visual and spatial dominance in the urban center. This rivalry left indelible marks on the layout and character of Italian cities.Moreover, Miller contends, this struggle for power had highly significant, but mixed, results for western Christianity. On the one hand, as bishops lost direct governing authority in their cities, they devised ways to retain status, influence, and power through cultural practices. This response to loss was highly creative. On the other hand, their loss of secular control led bishops to emphasize their spiritual powers and to use them to obtain temporal ends. The coercive use of spiritual authority contributed to the emergence of a "persecuting society" in the central Middle Ages.