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Books > Religion & Spirituality > General > Philosophy of religion
This interdisciplinary study introduces readers to Friedrich
Schleiermacher's diverse pathways of reflection and creative
practice that are related to the field of translation. By drawing
attention to Schleiermacher's various writings on a range of
subjects (including philology, criticism, hermeneutics, dialectics,
rhetoric and religion), the author makes it clear that the
frequently cited lecture UEber die verschiedenen Methoden des
UEbersetzens (On the Different Methods of Translating) represents
but a fraction of Schleiermacher's contributions to modern-day
insights into translation. The analysis of Schleiermacher's various
pathways of reflection on translation presented in this book leads
to the conclusion that translation is part of the essence of the
world, as it is a fundamental tool of our cognition and a
foundation of our existence. In Schleiermacher's works, transfer,
translation, mediation, and communication underpin our very
existence in the world and our self-awareness. At the same time,
they represent fundamental categories for a project that focuses on
the consolidation and assimilation - through translation - of that
which is foreign, different, diverse.
Peter C. Hodgson explores Hegel's bold vision of history as the
progress of the consciousness of freedom. Following an introductory
chapter on the textual sources, the key categories, and the modes
of writing history that Hegel distinguishes, Hodgson presents a new
interpretation of Hegel's conception of freedom. Freedom is not
simply a human production, but takes shape through the interweaving
of the divine idea and human passions, and such freedom defines the
purpose of historical events in the midst of apparent chaos.
Freedom is also a process that unfolds through stages of
historical/cultural development and is oriented to an end that
occurs within history (the 'kingdom of freedom'). The purpose and
the process of history are tragic, however, because history is also
a 'slaughterhouse' that shatters even the finest human creations
and requires a constant rebuilding. Hegel's God is not a supreme
being or 'large entity' but the 'true infinite' that encompasses
the finite. History manifests the rule of God ('providence'), and
it functions as the justification of God ('theodicy'). But the God
who rules in and is justified by history is a crucified God who
takes the suffering, anguish, and evil of the world into and upon
godself, accomplishing reconciliation in the midst of ongoing
estrangement and inescapable death. Shapes of Freedom addresses
these themes in the context of present-day questions about what
they mean and whether they still have validity.
What can we know about ourselves and the world through the sense of
touch and what are the epistemic limits of touch? Scepticism claims
that there is always something that slips through the
epistemologist's grasp. A Touch of Doubt explores the significance
of touch for the history of philosophical scepticism as well as for
scepticism as an embodied form of subversive political, religious,
and artistic practice. Drawing on the tradition of scepticism
within nineteenth- and twentieth-century continental philosophy and
psychoanalysis, this volume discusses how the sense of touch
uncovers contradictions within our knowledge of ourselves and the
world. It questions 1) what we can know through touch, 2) what we
can know about touch itself, and 3) how our experience of touching
the other and ourselves throws us into a state of doubt. This
volume is intended for students and scholars who wish to reconsider
the experience of touching in intersections of philosophy,
religion, art, and social and political practice.
Why is the philosopher Hegel returning as a potent force in
contemporary thinking? Why, after a long period when Hegel and his
dialectics of history have seemed less compelling than they were
for previous generations of philosophers, is study of Hegel again
becoming important? Fashionable contemporary theorists like Francis
Fukuyama and Slavoj Zizek, as well as radical theologians like
Thomas Altizer, have all recently been influenced by Hegel, the
philosopher whose philosophy now seems somehow perennial- or, to
borrow an idea from Nietzsche-eternally returning. Exploring this
revival via the notion of 'negation' in Hegelian thought, and
relating such negativity to sophisticated ideas about art and
artistic creation, Andrew W. Hass argues that the notion of
Hegelian negation moves us into an expansive territory where art,
religion and philosophy may all be radically conceived and broken
open into new forms of philosophical expression. The implications
of such a revived Hegelian philosophy are, the author argues, vast
and current. Hegel thereby becomes the philosopher par excellence
who can address vital issues in politics, economics, war and
violence, leading to a new form of globalised ethics. Hass makes a
bold and original contribution to religion, philosophy, art and the
history of ideas.
The question of God and cosmology is far from abstract. In fact,
the subject raises the deepest questions of human existence: "Why
is there something rather than nothing?" Or, to put it more
personally, "Why am I here?", Structured as a debate, the 2014
Greer-Heard Forum focused on the issue of God and cosmology and its
impact on life and self-understanding. Christian philosopher
William Lane Craig and atheist cosmologist Sean Carroll presented
their views before a packed crowd of more than nine hundred people.
Spirited, civil, and often humorous, the debate highlighted not
only their positions, but the full range of possibilities. In this
volume, the content of that debate is reprinted and supplemented by
a range of reflections by other conference presenters. The purpose
of the Greer-Heard Point-Counterpoint Forum is to provide a venue
for fair-minded dialogue on subjects of importance in religion and
culture. The goal is a respectful exchange of ideas, without
compromise.
A New Physiognomy of Jewish Thinking is a search for authenticity
that combines critical thinking with a yearning for heartfelt
poetics. A physiognomy of thinking addresses the figure of a life
lived where theory and praxis are unified. This study explores how
the critical essays on music of German-Jewish thinker, Theodor
Wiesengrund Adorno (1903-1969) necessarily accompany the downfall
of metaphysics. By scrutinizing a critical juncture in modern
intellectual history, marked in 1931 by Adorno's founding of the
Frankfurt Institute for Social Research, neglected applications of
Critical Theory to Jewish Thought become possible. This study
proffers a constructive justification of a critical standpoint,
reconstructively shown how such ideals are seen under the
genealogical proviso of re/cognizing their original meaning.
Re/cognition of A New Physiognomy of Jewish Thinking redresses
neglected applications of Negative Dialectics, the poetics of God,
the metaphysics of musical thinking, reification in Zionism, the
transpoetics of Physics and Metaphysics, as well as correlating
Aesthetic Theory to Jewish Law (halakhah). >
In this groundbreaking study, Stephen H. Webb offers a new
theological understanding of the material and spiritual: that, far
from being contradictory, they unite in the very stuff of the
eternal Jesus Christ.
Accepting matter as a perfection (or predicate) of the divine
requires a rethinking of the immateriality of God, the doctrine of
creation out of nothing, the Chalcedonian formula of the person of
Christ, and the analogical nature of religious language. It also
requires a careful reconsideration of Augustine's appropriation of
the Neo-Platonic understanding of divine incorporeality as well as
Origen's rejection of anthropomorphism. Webb locates his position
in contrast to evolutionary theories of emergent materialism and
the popular idea that the world is God's body. He draws on a little
known theological position known as the ''heavenly flesh''
Christology, investigates the many misunderstandings of its origins
and relation to the Monophysite movement, and supplements it with
retrievals of Duns Scotus, Caspar Scwenckfeld and Eastern Orthodox
reflections on the transfiguration. Also included in Webb's study
are discussions of classical figures like Barth and Aquinas as well
as more recent theological proposals from Bruce McCormack, David
Hart, and Colin Gunton. Perhaps most provocatively, the book argues
that Mormonism provides the most challenging, urgent, and
potentially rewarding source for metaphysical renewal today.
Webb's concept of Christian materialism challenges traditional
Christian common sense, and aims to show the way to a more
metaphysically sound orthodoxy.
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The Prophet
(Hardcover)
Kahlil Gibran; Contributions by John Baldock; Introduction by John Baldock
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Ernst Troeltsch was a theologian and sociologist but he was also a
philosopher of culture. He was concerned with the "spirit of the
modern world" throughout most of his academic life and chose to
investigate a number of critical issues which he believed were
especially problematic for the modern world. This book is an
exploration of many of the key issues. It begins with an
explanation of what Troeltsch believed the "spirit of the modern
world" to be and then to explaining the debt that Troeltsch owed to
Friedrich Schleiermacher for an understanding of the modern world.
Chapters are then devoted to Troeltsch's investigations into issues
such as the relationship between church and state, the role of
natural law, the problems of historicism and pessimism, and it
concludes with his observations about politics in war and in
revolution. This work will be of interest to those concerned with
understanding the modern world.
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