Simone Weil (1909-1943) was a defining figure of the twentieth century; a philosopher, Christian, resistance fighter, anarchist, feminist, Labour activist and teacher. She was described by T. S. Eliot as 'a woman of genius, of a kind of genius akin to that of the saints', and by Albert Camus as 'the only great spirit of our time'. Originally published posthumously in two volumes, these newly reissued notebooks, are among the very few unedited personal writings of Weil's that still survive today. Containing her thoughts on art, love, science, God and the meaning of life, they give context and meaning to Weil's famous works, revealing an unique philosophy in development and offering a rare private glimpse of her singular personality.

The Great Goddess, in her various puranic and tantric forms, is often figured as sitting on a corpse which is identified as Shiva-as-shava (God Shiva, the consort of the Devi and an iconic representation of the Absolute without attributes, the Nirguna Brahman). Hence, most of the existing critical works and ethnographic studies on Shaktism and the tantras have focused on the theological and symbolic paraphernalia of the corpses which operate as the asanas (seats) of the Devi in her various iconographies. This book explores the figurations of the Goddess as corpse in several Hindu puranic and Shakta-tantric texts, popular practices, folk belief systems, legends and various other cultural phenomena based on this motif. It deals with a more intricate and fundamental issue than existing works on the subject: how and why is the Devi - herself - figured as a corpse in the Shakta texts, belief systems and folk practices associated with the tantras? The issues which have been raised in this book include: how does death become a complement to life within this religious epistemology? How does one learn to live with death, thereby lending new definitions and new epistemic and existential dimensions to life and death? And what is the relation between death and gender within this kind of figuration of the Goddess as death and dead body? Analysing multiple mythic narratives, hymns and scriptural texts where the Devi herself is said to take the form of the Shava (the corpse) as well as the Shakti who animates dead matter, this book focuses not only on the concept of the theological equivalence of the Shava (Shiva as corpse) and the Shakti (Energy) in tantras but also on the status of the Divine Mother as the Great Bridge between the apparently irreconcilable opposites, the mediatrix between Spirit and Matter, death and life, existence-in-stasis and existence-in-kinesis. This book makes an important contribution to the fields of Hindu Studies, Goddess Spirituality, South Asian Religions, Women and Religion, India, Studies in Shaktism and Tantra, Cross-cultural Religious Studies, Gender Studies, Postcolonial Spirituality and Ecofeminism.

A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.

Experiencing the Worlds Religions examines the practices and beliefs of major religions with a focus on how religion shapes both individuals and cultures. The authors narrative writing style allows students to experience the worlds major religions first hand through his own experiences as well as through illustrations, art, and architecture.

Pierre-Andre Liege, one of the foremost French theologians of the 20th century, influenced John XXIII and Paul VI, and sat on Vatican II committees with both the future John Paul II and Benedict VI. Fifty years on from Vatican II is a good time to remember the decade of dramatic struggle and pioneering work that preceded it, and review what it accomplished. This book explores the life and work of Pierre-Andre Liege, presenting it to an English speaking readership for the first time. Discussing the impact and profound challenges Liege's work raises for spirituality and church life today, Bradbury tackles issues including: the organisation of parish life rooted in theological criteria; cradle to grave corporate Christian formation; a compelling vision of what the church is for and why, and how should this be expressed in practice. Bradbury argues that for faith to match real life, the church today needs to let go of much baggage, align its talk to its action, and radically re-examine the question of what the church needs to do to conform to the Gospel. This book takes critical issues confronting practical theology and the church, breaking them open in a lively and accessible style.

It is by fitting the world into neatly defined boxes that Buddhist, Hindu, and Jain philosophers were able to gain unparalleled insights into the nature of reality, God, language and thought itself. Such categories aimed to encompass the universe, the mind and the divine within an all-encompassing system, from linguistics to epistemology, logic and metaphysics, theology and the nature of reality. Shedding light on the way in which Indian philosophical traditions crafted an elaborate picture of the world, this book brings Indian thinkers into dialogue with modern philosophy and global concerns. For those interested in philosophical traditions in general, this book will establish a foundation for further comparative perspectives on philosophy. For those concerned with the understanding of Indic culture, it will provide a platform for the continued renaissance of research into India's rich philosophical traditions.

As the world becomes increasingly globalised Islam faces some important choices. Does it seek to "modernise" in line with the cultures in which it is practised, or does it retain its traditions even if they are at odds with the surrounding society? This book utilizes a critical rationalist viewpoint to illuminate many of the hotly contended issues in modern Islam, and to offer a fresh analysis. A variety of issues within Islam are discussed in this book including, Muslims and modernity; Islam, Christianity and Judaism; approaches to the understanding of the Quran; Muslim identity and civil society; doctrinal certainty and violent radicalism. In each case, the author makes use of Karl Popper's theory of critical rationalism to uncover new aspects of these issues and to challenge post-modern, relativist, literalist and justificationist readings of Islam. This is a unique perspective on contemporary Islam and as such will be of significant interest to scholars of Religious Studies, Islamic Studies and the Philosophy of Religion.

Baruch Spinoza’s Ethics is a dense masterpiece of sustained argumentative reasoning. It earned its place as one of the most important and influential books in Western philosophy by virtue of its uncompromisingly direct arguments about the nature of God, the universe, free will, and human morals.

Though it remains one of the densest and most challenging texts in the entire canon of Western philosophy, Ethics is also famous for Spinoza’s unique approach to ordering and constructing its arguments. As its full title – Ethics, Demonstrated in Geometrical Order – suggests, Spinoza decided to use the rigorous format of mathematical-style propositions to lay out his arguments, just as the Ancient Greek mathematician Euclid had used geometrical propositions to lay out the basic rules of geometry.

In choosing such a systematic method, Spinoza’s masterwork shows the crucial aspects of good reasoning skills being employed at the highest level. The key use of reasoning is the production of an argument that is well-organised, supports its conclusions and proceeds logically towards its end. Just as a mathematician might demonstrate a geometrical proof, Spinoza sought to lay out a comprehensive philosophy for human existence – an attempt that has influenced generations of philosophers since.

This book examines a number of landmark shifts in our account of the relationship between human and divine existence, as reflected through the perception of time and corporeal experience. Drawing together some of the best scholars in the field, this book provides a representative cross-section of influential trends in the philosophy of religion (e.g. phenomenology, existential thought, Biblical hermeneutics, deconstruction) that have shaped our understanding of the body in its profane and sacred dimensions as site of conflicting discourses on presence and absence, subjectivity and the death of the subject, mortality, resurrection and eternal life.

The cognitive science of religion is a new discipline that looks at the roots of religious belief in the cognitive architecture of the human mind. The Roots of Religion deals with the philosophical and theological implications of the cognitive science of religion which grounds religious belief in human cognitive structures: religious belief is 'natural', in a way that even scientific thought is not. Does this new discipline support religious belief, undermine it, or is it, despite many claims, perhaps eventually neutral? This subject is of immense importance, particularly given the rise of the 'new atheism'. Philosophers and theologians from North America, UK and Australia, explore the alleged conflict between truth claims and examine the roots of religion in human nature. Is it less 'natural' to be an atheist than to believe in God, or gods? On the other hand, if we can explain theism psychologically, have we explained it away. Can it still claim any truth? This book debates these and related issues.

What is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.

True theodicy is partly a theoretical corrective to evangelistic impatience: discounting the distortions arising from over-eager salesmanship. And partly it is a work of poetic intensification, dedicated to faith's necessary struggle against resentment. This book contains a systematic survey of the classic theoretical-corrective theodicy tradition initiated, in the early Seventeenth Century, by Jakob Boehme. Two centuries later, Boehme's lyrical thought is translated into rigorous philosophical terms by Schelling; and is, then, further, set in context by Hegel's doctrine of providence at work in world history. The old 'God' of mere evangelistic impatience is, as Hegel sees things, 'dead'. And so theodicy is liberated, to play its proper role: illustrated here with particular reference to the book of Job, the post-Holocaust poetry of Nelly Sachs, and the thought of Simone Weil. A boldly polemical study, this book is a bid to re-ignite debate on the whole topic of theodicy. As such, it will be of great interest to scholars in religious studies, theology and philosophy.

Late antiquity is increasingly recognised as a period of important cultural transformation. One of its crucial aspects is the emergence of a new awareness of human individuality. In this book an interdisciplinary and international group of scholars documents and analyses this development. Authors assess the influence of seminal thinkers, including the Gnostics, Plotinus, and Augustine, but also of cultural and religious practices such as astrology and monasticism, as well as, more generally, the role played by intellectual disciplines such as grammar and Christian theology. Broad in both theme and scope, the volume serves as a comprehensive introduction to late antique understandings of human individuality.

In the digital world, Kierkegaard's thought is valuable in thinking about aesthetics as a component of human development, both including but moving beyond the religious context as its primary center of meaning. Seeing human formation as interrelated with aesthetics makes art a vital dimension of human existence. Contributing to the debate about Kierkegaard's conception of the aesthetic, Kierkegaard, Aesthetics, and Selfhood argues that Kierkegaard's primary concern is to provocatively explore how a self becomes Christian, with aesthetics being a vital dimension for such self-formation. At a broader level, Peder Jothen also focuses on the role, authority, and meaning of aesthetic expression within religious thought generally and Christianity in particular.

This first volume of The History of Evil covers Graeco-Roman, Indian, Near Eastern, and Eastern philosophy and religion from 2000 BCE to 450 CE. This book charts the foundations of the history of evil among the major philosophical traditions and world religions, beginning with the oldest recorded traditions: the Vedas and Upanisads, Confucianism and Daoism, and Buddhism, and continuing through Graeco-Roman and Judaeo-Christian schools of thought. This cutting-edge treatment of the history of evil at its crucial and determinative inception will appeal to those with particular interests in the ancient period and early theories and ideas of evil and good, as well as those seeking an understanding of how later philosophical and religious developments were conditioned and shaped.

The Divine Institutes of Lactantius was a vigorous riposte to pagan criticism and persecution of Christianity, which came to a head in the 'Great' Persecution of Diocletian in the early fourth century AD. This edition has been prepared with students and scholars of intellectual history in mind, but it will also appeal to those concerned with ecclesiastical history and patristics, and to anyone interested in tracing the impact of classical philosophy and literature on an early Christian thinker.

Anselm of Canterbury (1033-1109 CE), in his work Proslogion, originated the "ontological argument" for God's existence, famously arguing that "something than which nothing greater can be conceived," which he identifies with God, must actually exist, for otherwise something greater could indeed be conceived. Some commentators have claimed that although Anselm may not have been conscious of the fact, the Proslogion as well as his Reply to Gaunilo contains passages that constitute a second independent proof: a "modal ontological argument" that concerns the supposed logical necessity of God's existence. Other commentators disagree, countering that the alleged second argument does not stand on its own but presupposes the conclusion of the first. Anselm's Other Argument stakes an original claim in this debate, and takes it further. There is a second a priori argument in Anselm (specifically in the Reply), A. D. Smith contends, but it is not the modal argument past scholars have identified. This second argument surfaces in a number of forms, though always turning on certain deep, interrelated metaphysical issues. It is this form of argument that in fact underlies several of the passages which have been misconstrued as statements of the modal argument. In a book that combines historical research with rigorous philosophical analysis, Smith discusses this argument in detail, finally defending a modification of it that is implicit in Anselm. This "other argument" bears a striking resemblance to one that Duns Scotus would later employ.

Two experienced educators offer an up-to-date introduction to philosophy from a Christian perspective that covers the four major areas of philosophical thought: epistemology, metaphysics, philosophy of religion, and ethics. Written from an analytic perspective, the book introduces key concepts and issues within the main areas of philosophical inquiry in a comprehensive yet accessible way, inviting readers on a quest for goodness, truth, and beauty that ultimately points to Jesus as the source of all.

Buddhas, gods, prophets and oracles are often depicted as asking questions. But what are we to understand when Jesus asks "Who do you say that I am?", or Mazu, the Classical Zen master asks, "Why do you seek outside?" Is their questioning a power or weakness? Is it something human beings are only capable of due to our finitude? Is there any kind of question that is a power? Focusing on three case studies of questions in divine discourse on the level of story - the god depicted in the Jewish Bible, the master Mazu in his recorded sayings literature, and Jesus as he is depicted in canonized Christian Gospels - Nathan Eric Dickman meditates on human responses to divine questions. He considers the purpose of interreligious dialogue and the provocative kind of questions that seem to purposefully decenter us, drawing on methods from confessionally-oriented hermeneutics and skills from critical thinking. He allows us to see alternative ways of interpreting religious texts through approaches that look beyond reading a text for the improvement of our own religion or for access to some metaphysically transcendent reality. This is the first step in a phenomenology of religions that is inclusive, diverse, relevant and grounded in the world we live in.

This volume stages a series of encounters between the French philosopher Jean-Luc Nancy and leading scholars of his work along four major themes of Nancy's thought: sense, experience, existence, and Christianity. In doing so, the volume seeks to remind readers that Nancy's sens has many meanings in French: aside from those that easily carry over into English, i.e., everything to do with "meaning" and "the senses"; it also includes the "way" they are "conducted," the "direction" they take, the "thrust" or "pulse" in which the circulation of sense exists. Faithful to this plural understanding of sens, the writings collected here aim to join Jean-Luc Nancy in the process of "making-sense" that animates his thinking, rather than to deliver a definitive summary of his position on any given issue. They are conceived of as notes "along the way," documenting "encounters" as moments of "(re)direction" and recording the "pulse" of sense that animates them. In that spirit, Nancy himself has provided each contribution with an "echo" in which he, in turn, responds to each author and thereby continues their mutual encounter. Aside from these echoes, this volume includes an original essay in which Nancy reflects upon the international trajectory of his thinking; a trajectory that is to be and undoubtedly will be continued, in many different directions, across and around the world. The chapters in this book were originally published as a special issue of Angelaki.

This book introduces Thomas Aquinas's moral, economic, and political thought, differentiating between philosophy (justice) and theology (charity) within each of the three branches of Aquinas's theory of human living. It shows how Aquinas's thought offers an integrated vision for Christian participation in the world, equipping readers to apply their faith to the complex moral, economic, and political problems of contemporary society. Written in an accessible style by an experienced educator, the book is well-suited for use in a variety of undergraduate courses and provides a foundation for understanding Catholic social teaching.

Using various and competing religious sensibilities, Introduction to the Philosophy of Religion helps students work through the traditional material and their own religious questions.

The sword has played an important role in the Japanese consciousness since ancient times. The earliest swords, made of bronze or stone, were clearly, by their design and form, used for ritualistic purposes rather than as weapons. Later, swords were associated only with the warrior class, and lack of physical strength and battle experience was compensated for by handling the sword in a way that was technically expert. Besides this sacred and artistic status, swordsmanship also acquired a philosophical reinforcement, which ultimately made it one of the Zen 'ways'. Zen Buddhism related the correct practice of swordsmanship to exercises for attaining enlightenment and selfishness, while Confucianism, emphasizing the ethical meaning, equated it to service to the state. This classic text, first published in English in 1978, includes a history of the development and an interpretation of Japanese swordsmanship, now esteemed as an art and honoured as a national heritage. It describes in detail the long, intensive and specialized training and etiquette involved, emphasizing and explaining the importance of both Zen and Confucian ideas and beliefs.

This book, first published in 1964, concerns the practice of Zen Buddhism. The practice is a particular form of meditation. In Japan, the only country in which it is any longer seriously pursued, the practice is called zazen. The author directs attention to zazen because it is being overlooked in the current interest in Zen.