What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.

When I Loved Myself Enough is a beautiful collection of wisdom that is startling in its simplicity. By the end of the book the message becomes clear: loving yourself holds the key to loving others and having others love you. By sharing her insights, the author also shows us how to feel the same sense of peace and quiet joy that illuminated her life.

This book began as one woman's gift to the world, hand-made by Kim McMillen and handed out to friends. After Kim's death her daughter Alison continued making the books - and word of mouth turned this into an underground bestseller in America. Today, over two decades later, it brings comfort and inspiration to readers around the world.

Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recover his original teachings.

Almost 100 years have passed since Carl Schmitt gave his controversial definition of the sovereign as the one who decides on the exception in his by now classic Political Theology (1922). Written at a time of crisis, the book sought to establish the institution of sovereignty, not from within a well-functioning governing machine of the state in a situation of normality, but rather as the minimal condition of state order in the moment of governmental breakdown. The book appeared anachronistic already at its publication. Schmitt went against Max Weber's popular thesis defining secularization as a disenchantment of the world characterizing modern societies, and instead suggested that the concepts of modern politics mirrored a metaphysics originating in Christianity and the church. Nevertheless, the concept of political theology has in recent years seen a revival as a field of research in philosophy as well as political theory, as studies in the theological sub-currents of politics, economics and sociality proliferate.

Oxford Studies in Metaphysics is the forum for the best new work in this flourishing field. OSM offers a broad view of the subject, featuring not only the traditionally central topics such as existence, identity, modality, time, and causation, but also the rich clusters of metaphysical questions in neighbouring fields, such as philosophy of mind and philosophy of science. Besides independent essays, volumes will often contain a critical essay on a recent book, or a symposium that allows participants to respond to one another's criticisms and questions. Anyone who wants to know what's happening in metaphysics can start here.

The discerning open-minded reader, prepared to forego the geocentric paradigm of most human philosophy and science, will be carried away by this text which offers a cosmic perspective of the evolution of life on our planet, of the history and future of mankind, as well as of meaning in the universe.

The possibility of a more advanced civilization than our own provides a cosmic perspective on developments on our earth. The text reproaches earthly scientists, philosophers and religious thinkers for their geocentric approach: they tend to accept this earth as the centre of the universe. But like Galileo we should all be open to the new and unexpected.

This text is challenging and thought-provoking with an unusual perspective.

What can philosophy teach us about cinema? Can cinema transform how we understand philosophy? How should we describe the competing approaches to philosophizing on film? New Philosophies of Film answers these questions by offering a lucid introduction to the exciting developments and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental approaches to cinema and puts forward a pluralist film philosophy, grounded in practical examples from film, documentaries and television series. Now thoroughly updated to showcase the most recent developments in the field, this 2nd edition features: · New chapters on phenomenology, cinematic ethics, philosophical documentary film and television as philosophy, incorporating feminist, socio-political, ethical and ecological approaches to cinema · Contemporary case studies including Carol, Roma, Melancholia, two Derrida documentaries, and the Netflix series Black Mirror · Expanded coverage of Gilles Deleuze and Stanley Cavell, two of the most influential philosophers of film · An updated bibliography, filmography and reading lists, with links to online resources to support further study Demonstrating how the film-philosophy encounter can open up new paths for thinking, New Philosophies of Film is an essential resource for putting interdisciplinary inquiry into practice.