Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all-collective, national, or private-is the major preoccupation of the texts and critiques in this diverse collection.

Ever since its foundation in 2002, the Guantanamo Bay Detention Facility has become the symbol for many people around the world of all that is wrong with the 'war on terror'. Secretive, inhumane, and illegal by most international standards, it has been seen by many as a testament to American hubris in the post-9/11 era. Yet until now no one has written about the most revealing part of the story - the prison's first 100 days. It was during this time that a group of career military men and women tried to uphold the traditional military codes of honour and justice that informed their training in the face of a far more ruthless, less rule-bound, civilian leadership in the Pentagon. They were defeated. This book tells their story for the first time. It is a tale of how individual officers on the ground at Guantanamo, along with their direct superiors, struggled with their assignment from Washington, only to be unwittingly co-opted into the Pentagon's plan to turn the prison into an interrogation facility operating at the margins of the law and beyond.

With specially commissioned artworks and dynamic combat ribbon diagrams, this volume reveals how the 'last of the gunfighters', as the F-8 was dubbed by its pilots, prevailed against the growing MiG threat of the Vietnamese People's Air Force. When the Vietnam War began, the F-8 was already firmly established as a fighter and reconnaissance aircraft. It entered combat as an escort for Alpha strike packages, braving the anti-aircraft artillery and surface-to-air missiles alongside the A-4 Skyhawk bombers and meeting MiGs for the first time on 3 April 1965. Although the Crusader was nicknamed 'last of the gunfighters', its pilots employed 'secondary' AIM-9D Sidewinder missiles in all but one of their MiG kills, with guns also used as back-up in three. Its 20 mm guns were unreliable as they often jammed during strenuous manoeuvres, although they were responsible for damaging a number of MiGs. However, in combat the F-8 had the highest 'exchange ratio' (kills divided by losses) at six-to-one of any US combat aircraft involved in the Vietnam War. Through the copious use of first-hand accounts, highly detailed battlescene artwork, combat ribbon diagrams and armament views, Osprey's Vietnam air war specialist Peter E. Davies charts the successful career of the F-8 Crusader over Vietnam.

Abandoned In Hell is a searing piece of combat literature for readers with an interest in military history, from William Albracht and Marvin J. Wolf. In October 1969, William Albracht, the youngest Green Beret captain in Vietnam, took command of a remote hilltop outpost called Firebase Kate held by only 27 American soldiers and 156 Montagnard militiamen. At dawn the next morning, three North Vietnamese Army regiments attacked. After five days, Kate's defenders were out of ammo and water. Albracht led his troops on a daring night march, an outstaning feat.

Vietnam is an ancient and beautiful land, with a deep history of occupational conflict that remains an enigma in Americans' collective memory. It is still easy to forget that Vietnam is a country and not a war, even as America's role in Vietnam inflamed and divided the American citizenry in ways that are still evident today. It is as if Vietnam's civil war resurrected our own. And if you are a Vietnam War veteran or a family member of a vet, it's worse, because, even after a half-century, many of the wounds won't heal. What do you do when you have given up on forgetting? Chuck Forsman is one of a sizable number of aging Vietnam vets who have found deep satisfaction in revisiting Vietnam, supporting charities, orphanages, and clinics, doing volunteer work and more-anything to redeem what the U.S. military did there. He is also a renowned painter and photographer who depicts places and environments in ways that become unforgettable visual experiences for the contemporary viewer. Lost in Vietnam chronicles a journey, not a country. They were taken on visits averaging two months each and two-year intervals over a decade. Forsman traveled largely by motorbike throughout the country-south, central, and north-sharing his experiences through amazing photographs of Vietnam's lands and people. His visual journey of one such veteran's twofold quest: the one for redemption and understanding, and the other to make art. The renowned Le Ly Hayslip introduces the book and sets the table for Forsman's incredible sojourn.

Simon Norfolk's book Afghanistan; chronotopia is now recognised as a classic of photography. It establised Norfolk's reputation as one of the leading photographers in the world and has been exhibited in more than 30 venues worldwide. For the first time since 2001, Simon Norfolk has returned to the country. This time he follows in the footsteps of the Irish photographer John Burke, a superb, yet virtually unknown, war photographer whose eloquent and beautiful photographs of the Second Anglo-Afghan War (1878-1880) form a most extraordinary record. Using unwieldy wet-plate collodion negatives and huge wooden cameras Burke shot landscapes, battlefields, archaeological sites, street scenes, portraits of British officers and ethnological group portraits of Afghans in what amounts to a record of an Imperial encounter. The range of work is tremendously broad and yet suffused with a delicate humanism. These are also the first ever pictures made in Afghanistan. With this book, one hundred and thirty years too late, John Burke's time has at last come. Norfolk's new work looks at what happens when you add half a trillion US war dollars to an impoverished and broken country such as Afghanistan. Very loosely re-photographic in nature, the work is more of an 'Improvisation on a theme' by John Burke, and is presented as an artistic collaboration between Burke and Norfolk. It features photographs by Burke never before published as well as Norfolk's new pictures from Kabul and Helmand.

During the Vietnam War, the US Air Force secretly trained pilots from Laos, skirting Lao neutrality in order to bolster the Royal Lao Air Force and their own war efforts. Beginning in 1964, this covert project, "Water Pump," operated out of Udorn Airbase in Thailand with the support of the CIA. This Secret War required recruits from Vietnam-border region willing to take great risks-a demand that was met by the marginalized Hmong ethnic minority. Soon, dozens of Hmong men were training at Water Pump and providing air support to the US-sponsored clandestine army in Laos. Short and problematic training that resulted in varied skill levels, ground fire, dangerous topography, bad weather conditions, and poor aircraft quality, however, led to a nearly 50 percent casualty rate, and those pilots who survived mostly sought refuge in the United States after the war. Drawing from numerous oral history interviews, Fly Until You Die brings their stories to light for the first time-in the words of those who lived it.

Pham Xuan An was one of the twentieth century's greatest spies. While working as a correspondent for Time during the Vietnam War, he sent intelligence reports - written in invisible ink or hidden inside spring rolls in film canisters - to Ho Chi Minh and his generals in North Vietnam. Only after Saigon fell in 1975 did An's colleagues learn that the affable raconteur in their midst, acclaimed as ""dean of the Vietnamese press corps,"" was actually a general in the North Vietnamese Army. In recognition of his tradecraft and his ability to spin military losses - such as the Tet Offensive of 1968 - into psychological gains, An was awarded sixteen military medals. After the book's original publication, WikiLeaks revealed that Thomas A. Bass's account of An's career was distributed to CIA agents as a primer in espionage. Now available in paper with a new preface, An's story remains one of the most gripping to emerge from the era.

The U.S.-led intervention in Afghanistan mobilized troops, funds, and people on an international level not seen since World War II. Hundreds of thousands of individuals and tens of billions of dollars flowed into the country. But what was gained for Afghanistan-or for the international community that footed the bill? Why did development money not lead to more development? Why did a military presence make things more dangerous? Through the stories of four individuals-an ambassador, a Navy SEAL, a young Afghan businessman, and a wind energy engineer-Noah Coburn weaves a vivid account of the challenges and contradictions of life during the intervention. Looking particularly at the communities around Bagram Airbase, this ethnography considers how Afghans viewed and attempted to use the intervention and how those at the base tried to understand the communities around them. These compelling stories step outside the tired paradigms of 'unruly' Afghan tribes, an effective Taliban resistance, and a corrupt Karzai government to show how the intervention became an entity unto itself, one doomed to collapse under the weight of its own bureaucracy and contradictory intentions.

Ranked in the "Top 10 Military Books of 2018" by Military Times. "In war, destruction is everywhere. It eats everything around you. Sometimes it eats at you." -Major Scott Huesing, Echo Company Commander From the winter of 2006 through the spring of 2007, two-hundred-fifty Marines from Echo Company, Second Battalion, Fourth Marine Regiment fought daily in the dangerous, dense city streets of Ramadi, Iraq during the Multi-National Forces Surge ordered by President George W. Bush. The Marines' mission: to kill or capture anti-Iraqi forces. Their experience: like being in Hell. Now Major Scott A. Huesing, the commander who led Echo Company through Ramadi, takes readers back to the streets of Ramadi in a visceral, gripping portrayal of modern urban combat. Bound together by brotherhood, honor, and the horror they faced, Echo's Marines battled day-to-day on the frontline of a totally different kind of war, without rules, built on chaos. In Echo in Ramadi, Huesing brings these resilient, resolute young men to life and shows how the savagery of urban combat left indelible scars on their bodies, psyches, and souls. Like war classics We Were Soldiers, The Yellow Birds, and Generation Kill, Echo in Ramadi is an unforgettable capsule of one company's experience of war that will leave readers stunned.

From 1945 to 1973, 115,427 US military men were advisors in Vietnam. Of these, 66,399 were combat advisors. Eleven were awarded the Medal of Honor, 378 were killed and 1393 were wounded. Combat advisors, officers and NCOs, lived and fought with Vietnamese combat units, advising on tactics, weapons, and liaising with local US military support. This is the story of my first tour as a combat advisor 1966-1967. My training began at the Army Special Warfare School in unconventional warfare, Vietnamese culture and customs, advisor responsibilities, then Vietnamese language school. To get to Vietnam, I had to hitchhike across the Pacific, a colorful story. In-country I was senior advisor to a city infantry defense force and then an infantry mobile rapid reaction force. The author's respect for his Vietnamese comrades grew as combat operations against Viet Cong and North Vietnamese Army units and conducting operations with US Marines were part of what we did. A major battle is described where the 320-man Vietnamese battalion makes a night helicopter assault on a 1200-man NVA regiment. And, on a different night, the Viet Cong stopped the war for the author to obtain a US Marine helicopter to med-evac a wounded baby.

***SOON TO BE A MAJOR HOLLYWOOD FILM*** 'This is aerial drama at its best. Fast, powerful, and moving.' Erik Larson Devotion tells the gripping story of the US Navy's most famous aviator duo - Tom Hudner, a white New Englander, and Jesse Brown, a black sharecropper's son from Mississippi. Against all odds, Jesse beat back racism to become the Navy's first black aviator. Against all expectations, Tom passed up Harvard to fly fighter planes for his country. While much of America remained divided by segregation, the two became wingmen in Fighter Squadron 32 and went on to fight side-by-side in the Korean War. Adam Makos follows Tom and Jesse's dramatic journey to the war's climatic battle at the Chosin Reservoir, where they fought to save an entire division of trapped Marines. It was here that one of them was faced with an unthinkable choice - and discovered how far they would go to save a friend.

" On April 30, 1975, Saigon and the government of South Vietnam fell to the communist regime of North Vietnam, ending -- for American military forces -- exactly twenty-five year of courageous but unavailing struggle. This is not the story of how America became embroiled in a conflict in a small country half-way around the globe, nor of why our armed forces remained there so long after the futility of our efforts became obvious to many. It is the story of what went wrong there militarily, and why. The author is a professional soldier who experienced the Vietnam war in the field and in the highest command echelons. General Palmer's insights into the key events and decisions that shaped American's military role in Vietnam are uncommonly perceptive. America's most serious error, he believes, was committing its armed forces to a war in which neither political nor military goals were ever fully articulated by our civilian leaders. Our armed forces, lacking clear objectives, failed to develop an appropriate strategy, instead relinquishing the offensive to Hanoi. Yet an achievable strategy could have been devised, Palmer believes. Moreover, our South Vietnamese allies could have been bolstered by appropriate aid but were instead overwhelmed by the massive American military presence. Compounding these errors were the flawed civilian and military chains of command. The result was defeat for America and disaster for South Vietnam. General Palmer presents here an insider's history of the war and an astute critique of America's military strengths and successes as well as its weaknesses and failures.

No Wider War is the second volume of a two-part exploration of America's involvement in Indochina from the end of World War II to the Fall of Saigon. Following on from the first volume, In Good Faith, which told the story from the Japanese surrender in 1945 through America's involvement in the French Indochina War and the initial advisory missions that followed, it traces the story of America's involvement in the Vietnam War from the first Marines landing at Da Nang in 1965, through the traumatic Tet Offensive of 1968 and the gradual Vietnamisation of the war that followed, to the withdrawal of American forces and the final loss of the South in 1975. Drawing on the latest research, unavailable to the authors of the classic Vietnam histories, including recently declassified top secret National Security Agency material, Sergio Miller examines in depth both the events and the key figures of the conflict to present a masterful narrative of America's most divisive war.

Exploring Korean history from its ancient roots to the present day, A Brief History of Korea is the story of a people with a rich and united culture that has become two Koreas in modern times--one isolated and secretive and the other among the world's most successful economies. Korean culture developed on a 600-mile-long peninsula, bordered on the north by mountains and three sides by the sea, set apart from the Asian mainland. Korea was one of the last countries in Asia to be visited by Westerners and its borders have remained largely unchanged since it was unified in the seventh century. Though it is one of the world's oldest and most ethnically homogeneous states, Korea was not born in a vacuum. Geographically isolated, the country was heavily influenced by powerful China and was often used as a bridge to the mainland by Japan. Calling themselves as "a shrimp among whales," Koreans borrowed elements of government, culture and religion all the while fiercely fighting to maintain independence from powerful neighbors. This fascinating book tells the story of Korean domestic dynasties, empires and states, as well as foreign conquest, occupation and division. Today, the two Koreas are starkly different--North Korea a nation closed to the world and South Korea an economic powerhouse and center of Asian democracy. Chronicling significant events right up through 2018's Singapore Summit, author Michael J. Seth presents a relevant, interesting and important history of Korea within a larger global context. Korea's history is a turbulent one, but ultimately the story of a resistant and resourceful people in search of lasting peace.

Rethinking Camelot is a thorough analysis of John F. Kennedy's role in the U/S. invasion of Vietnam and a probing reflection on the elite political culture that allowed and encouraged the Cold War. In it, Chomsky dismisses effort to resurrect Camelot--an attractive American myth portraying JFK as a shining knight promising peace, fooled only by assassins bent on stopping this lone hero who wold have unilaterally withdraws from Vietnam had he lived. Chomsky argues that U.S. institutions and political culture, not individual presidents, are the key to understanding U.S. behavior during Vietnam.

Toczek provides the first description of the entire battle of Ap Bac and places it in the larger context of the Vietnam War. The study thoroughly examines the January 1963 battle, complete with detailed supporting maps. Ironically, Ap Bac's great importance lies in American policymakers' perception of the battle as unimportant; for all their intelligence and drive, senior American government officials missed the early warning signs of a flawed policy in Southeast Asia by ignoring the lessons of the defeat of the South Vietnamese Army (ARVN) on 2 January 1963. The outcome of Ap Bac was a direct reflection of how the U.S. Army organized, equipped, and trained the ARVN. With all the ARVN officer corps's shortcomings, the South Vietnamese Army could not successfully conduct an American combined arms operations against a smaller, less well-equipped enemy. American leadership, both military and civilian, failed to draw any connection between ARVN's dismal performance and American policies toward South Vietnam. Although certain tactical changes resulted from the battle, the larger issue of American policy remained unchanged, including the structure of the advisory system.

Professor Havens analyzes the efforts of Japanese antiwar organizations to portray the war as much more than a fire across the sea" and to create new forms of activism in a country where individuals have traditionally left public issues to the authorities. This path-breaking study examines not only the methods of the protesters but the tightrope dance performed by Japanese officials forced to balance outspoken antiwar sentiment with treaty obligations to the U.S.

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Marigold presents the first rigorously documented, in-depth story of one of the Vietnam War's last great mysteries: the secret peace initiative, codenamed "Marigold," that sought to end the war in 1966. The initiative failed, the war dragged on for another seven years, and this episode sank into history as an unresolved controversy. Antiwar critics claimed President Johnson had bungled (or, worse, deliberately sabotaged) a breakthrough by bombing Hanoi on the eve of a planned secret U.S.-North Vietnamese encounter in Poland. Yet, LBJ and top aides angrily insisted that Poland never had authority to arrange direct talks and Hanoi was not ready to negotiate. This book uses new evidence from long hidden communist sources to show that, in fact, Poland was authorized by Hanoi to open direct contacts and that Hanoi had committed to entering talks with Washington. It reveals LBJ's personal role in bombing Hanoi as he utterly disregarded the pleas of both the Polish and his own senior advisors. The historical implications of missing this opportunity are immense: Marigold might have ended the war years earlier, saving thousands of lives, and dramatically changed U.S. political history.

A Guardian Best Book of the Year "A gripping study of white power...Explosive." -New York Times "Helps explain how we got to today's alt-right." -Terry Gross, Fresh Air The white power movement in America wants a revolution. Returning to a country ripped apart by a war they felt they were not allowed to win, a small group of Vietnam veterans and disgruntled civilians who shared their virulent anti-communism and potent sense of betrayal concluded that waging war on their own country was justified. The command structure of their covert movement gave women a prominent place. They operated with discipline, made tragic headlines in Waco, Ruby Ridge, and Oklahoma City, and are resurgent under President Trump. Based on a decade of deep immersion in previously classified FBI files and on extensive interviews, Bring the War Home tells the story of American paramilitarism and the birth of the alt-right. "A much-needed and troubling revelation... The power of Belew's book comes, in part, from the fact that it reveals a story about white-racist violence that we should all already know." -The Nation "Fascinating... Shows how hatred of the federal government, fears of communism, and racism all combined in white-power ideology and explains why our responses to the movement have long been woefully inadequate." -Slate "Superbly comprehensive...supplants all journalistic accounts of America's resurgent white supremacism." -Pankaj Mishra, The Guardian

Peace in the Mountains analyzes student activism at the University of Pittsburgh, Ohio University, and West Virginia University during the Vietnam War era. Drawing from a wide variety of sources including memoirs, periodicals, archival manuscript collections, and college newspapers such as The Pitt News, author Thomas Weyant tracks the dynamics of a student-led campus response to the war in real time and outside the purview of the national media. Along the way, he musters evidence for an emerging social and political conscience among the student bodies of northern Appalachia, citing politics on campus, visions of patriotism and dissent, campus citizenship, antiwar activism and draft resistance, campus issues, and civil rights as major sites of contention and exploration.Through this regional chronicle of student activism during the Vietnam War era, Weyant holds to one reoccurring and unifying theme: citizenship. His account shows that political activism and civic engagement were by no means reserved to students at elite colleges; on the contrary, Appalachian youth were giving voice to the most vexing questions of local and national responsibility, student and citizen identity, and the role of the university in civil society. Rich in primary source material from student op-eds to administrative documents, Peace in the Mountains draws a new map of student activism in the 1960s and early 1970s. Weyant's study is a thoughtful and engaging addition to both Appalachian studies and the historiography of the Vietnam War era and is sure to appeal not only to specialists-Appalachian scholars, political historians, political scientists, and sociologists-but to college students and general readers as well.