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Care Instructions
Machine mat required for use with Cricut Maker, Cricut Explore, Cricut Explore One®, Cricut Explore Air®, Cricut Explore Air 2, and Cricut Expression machines.
The Neon Bug kit is a wonderful DIY project for children who love brightly coloured cute bugs
New Giotto Schoolpaint, the new ready-to-use paint that washes easily off hands and clothes so there's no need to worry about mess. Bright, intense colours that are easy to apply and mix together, supplied in the original Giotto bottle with label and yellow cap. All the quality and safety of Giotto, now in washable format.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
Pigment Index: PR177 Colour Lightfastness: Good Colour Transparency: Transparent Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
These canvases are triple primed for Oil and Acrylic and are reinforced with Swedish pine.
These canvases are triple primed for Oil and Acrylic and are reinforced with Swedish pine.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
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