The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting history, negotiating tradition, material performances in contemporary theatre, and hybrid forms. Its wide range of topics, which span 15 countries over five continents, encompasses: * visual dramaturgy * theatrical juxtapositions of robots and humans * contemporary transformations of Indonesian wayang kulit * Japanese ritual body substitutes * recent European productions featuring toys, clay, and food. The book features newly commissioned essays by leading scholars such as Matthew Isaac Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor. It also celebrates the vital link between puppetry as a discipline and as a creative practice with chapters by active practitioners, including Handspring Puppet Company's Basil Jones, Redmoon's Jim Lasko, and Bread and Puppet's Peter Schumann. Fully illustrated with more than 60 images, this volume comprises the most expansive English-language collection of international puppetry scholarship to date.

The Kwagh-hir Theater: A Weapon for Social Action represents a significant milestone in the documentation and theorization of non-Western theater. The book describes how the Tiv people of Nigeria used their indigenous theater to fight against British colonialism and oppression by dominant groups in Nigeria. It celebrates the power of the theater to give voice to the voiceless and to become a catalyst for positive change.

The Kwagh-hir Theater: A Weapon for Social Action represents a significant milestone in the documentation and theorization of non-Western theater. The book describes how the Tiv people of Nigeria used their indigenous theater to fight against British colonialism and oppression by dominant groups in Nigeria. It celebrates the power of the theater to give voice to the voiceless and to become a catalyst for positive change.

First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

The hand-puppet play starring the characters Punch and Judy was introduced from England and became extremely popular in the U.S. in the 1800s. This book contains the record of what the author has learned about almost 350 American Punch players. And it explores the significance of the 19th-century American show as a reflection of the attitudes and conditions of its time and place. The century was a time of changing feelings about what it means to be human. There was an intensified awareness of the racial, cultural, social and economical diversity of the human species, and a corresponding concern for an understanding and experience of human oneness. The American Punch and Judy show was one of the manifestations of these conditions.

This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.

Although today's children can enjoy professional puppetry on television, there is nothing like experiencing a live performance. Live presentations, most of which are amateur productions, delight children now just as they have done in years past. This book will be a resource for schools, libraries, and other community groups that present puppet shows. The 31 plays are for children, pre-school through the primary grades. Some celebrate seasons and holidays, and others are appropriate for any time of year. Several of the shows invite young viewers to participate, and a final section is "just for libraries," dealing with topics that concern children applying for a library card, borrowing and taking care of books, joining a summer reading club, and visiting the library, both as individuals and with a school class. Each play is accompanied by production notes, so beginners will know exactly how to go about putting on a show. In addition to information about staging the plays, there are suggestions about planning programs, manipulating puppets, pre-taping, and using music to enhance the production. Simple patterns for making both hand and mouth action puppets are also included.

First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

Nations in Southeast Asia have gone through a period of rapid change within the last century as they have grappled with independence, modernization, and changing political landscapes. Governments and citizens strive to balance progress with the need to articulate identities that resonate with the pre-colonial past and look towards the future. Puppets and Cities: Articulating Identities in Southeast Asia addresses how puppetry complements and combines with urban spaces to articulate present and future cultural and national identities. Puppetry in Southeast Asia is one of the oldest and most dynamic genres of performance. Bangkok, Jakarta, Phnom Penh, and other dynamic cities are expanding and rapidly changing. Performance brings people together, offers opportunities for economic growth, and bridges public and private spheres. Whether it is a traditional shadow performance borrowing from Star Wars or giant puppets parading down the street-this book examines puppets as objects and in performance to make culture come alive. Based on several years of field research-watching performances, working with artists, and interviewing key stakeholders in Southeast Asian cultural production-the book offers a series of rich case studies of puppet performance from various locations, including: theatre in suburban Bangkok; puppets in museums in Jakarta, Indonesia; puppet companies from Laos PDR, the National Puppet Theatre of Vietnam, and the Giant Puppet Project in Siem Reap, Cambodia; new global puppetry networks through social media; and how puppeteers came together from around the region to create a performance celebrating ASEAN identity.

When Sally Wallace--an accomplished miniaturist for more than forty years--visited Moscow with her husband, she fell in love with the onion domes and architecture of St. Basil's Cathedral and traveled home with the idea to recreate it in miniature. Now, in her new book A Russian Fantasy, Wallace takes readers on a tour of the miniature inspired by St. Basil's, her most ambitious to date. Within these pages, photos show the detailed exterior which replicates the cathedral, a Russian Orthodox church in Red Square built in the sixteenth century, while the interior reveals an entirely original design, complete with a museum, a workshop, an astronomical observatory, and living quarters. A tribute to all of the artisans who contributed their work, this photo journal documents the elaborate craftsmanship that brings the miniature to life.

Indonesian wayang kulit (shadow puppet) performance is one of the oldest and greatest storytelling traditions in the world and lies close to the heart of Javanese culture. These flat puppets, made from water buffalo hide, are elaborately decorated and perforated to cast spectacular shadows when used in performances that are usually based on classical literature with contemporary issues incorporated into particular scenes, and are always accompanied by a gamelon orchestra. An art of and for the people, wayang kulit remains a popular and significant form of cultural expression to this day. This book describes a collection of gold and bronze leaf Surakarta-style wayang kulit including over 200 wayang characters, which are identified by name and briefly introduced, providing a glimpse inside the puppet box.

Originally published in the 1930s, this is a graded sequence in puppet works, especially designed for use in schools, giving a sound start to school or home circle in puppet work. The art of making simple puppets, stage and scenery, of producing simple puppet plays, is thoroughly examined. The book is extensively illustrated with diagrams and examples. Contents Include STAGE ONE: Why Puppetry The Significance of Puppetry How to Make a Glove Puppet Simple Glove Puppets Various forms of Cut-outs A Puppet Finger in a Plastic Material Puppets from Waste Scenery and Design A Brief History of Puppetry The Puppet Teaches Nemo-A Puppet Play STAGE TWO: The Puppet in Terms of Manipulation, Shape and Movement Jumping-Jack Puppies A Simple Puppet A Simple Jointed Puppet How to Make a Puppet Head Scenery and Design Types of Theatres Ecce Signum A Simple Puppet Play STAGE THREE: How to Begin The Points of a Puppet How to Make A puppet Head How to Make the Arms How to Make the Hands How to Make the Feet and Legs How to Make the Body of the Puppet Controls Storing the Puppet The Stage Parts of a Stage Lighting Proportions of the Human Body The Sacred Flame-A Simple Puppet Play

Jim Henson was the creative force behind a huge catalog of television series, films, specials, and other productions, even excepting the Muppets. This collection of essays delves into the rest of Henson's body of work, including projects developed during his lifetime and those that represent his legacy. Covered here are Fraggle Rock, The Dark Crystal, Labyrinth, The Jim Henson Hour, Dinosaurs, Farscape, and more. The breadth and depth of Henson's influence on both audiences and later productions remains palpable on screens large and small, as this collection attests.

Banned, marginalised, tolerated or neglected, puppets were a major form of entertainment of the subordinate classes in the nineteenth century. Showmen travelled from one end of Europe to the other bringing everything from biblical plays to melodramas and variety to audiences who experienced them as their only form of dramatic entertainment. The first study of its kind in English, Popular Puppet Theatre in Europe is less a history than a comparative study, highlighting a significant aspect of social and cultural history from a national and transnational perspective. It examines the showmen, their audiences, the performance context, and the technical and practical aspects of the puppets and their stages.

Marionettes are loved by puppeteers and audiences for what they can do on stage, but they can be challenging to design, make and perform. This beautiful book clearly explains the process from making the puppets to putting them on strings and bringing them alive. Detailed step-by-step instructions are given to make three marionettes - a walking bird, a dancer and a wooden man - each using different tools and materials, with progressively more tricky techniques. Written by a leading puppeteer, it celebrates the art of the marionette.

Paul McPharlin is one of the 20th century's most important contributors to the art of puppetry. Over a period of nine years he created some 20 productions with marionettes, rod puppets, hand puppets and shadow figures. He was also a prolific writer whose technical, theoretical and historical works contributed significantly to a puppetry revival. His book ""The Puppet Theatre in America"" is considered the definitive history of American puppetry. Though shy and aloof, McPharlin was also energetic. He had an ability to bring people together and used this knack to found a national puppetry organization, Puppeteers of America. Besides the author's extensive research on McPharlin and puppetry, the book draws on significant contributions from McPharlin's wife, puppeteer and author Marjorie Batchelder McPharlin, who allowed the use of her 18 - year correspondence with Paul in the creation of the book. The chapters take the reader through McPharlin's childhood as a loner in Detroit, his maturation and education in New York, and his early, erratic and often unsuccessful attempts at making a living. His puppeteering years, 1929 to 1937, are detailed, as are the later years that saw him first working for the WPA and then being drafted into the army to serve in World War II at age 38. He continued making important contributions to the art of puppetry until a brain tumor took his life at age 45 in 1948. Appendices present two of McPharlin's plays, ""The Barn at Bethlehem: A Christmas Play"" and ""Punch's Circus"". Another appendix details puppetry imprints, including yearbooks, plays, handbooks, worksheets and books. A fourth lists Paul McPharlin's Puppeteers, members of the Marionette Fellowship of Detroit.

Introduction to Puppetry Arts shares the history, cultures, and traditions surrounding the ancient performance art of puppetry, along with an overview of puppet construction and performance techniques used around the world. From its earliest beginnings in the ancient Middle East and Asia, through its representations in Medieval/Renaissance Europe, up until its modern-day appearances in theatre, television, and film, this book offers a thorough overview of how this fascinating art form originated and evolved. It also includes easy-to-follow instructions on how to create puppets for performance and display and an in-depth resource list and bibliography for further research and information. Written for students in puppetry arts and stagecraft courses, Introduction to Puppetry Arts offers a comprehensive look at this enduring craft and provides a starting point for creating a wide range of puppets, from marionettes and hand puppets to mascots and character costumes.

Introduction to Puppetry Arts shares the history, cultures, and traditions surrounding the ancient performance art of puppetry, along with an overview of puppet construction and performance techniques used around the world. From its earliest beginnings in the ancient Middle East and Asia, through its representations in Medieval/Renaissance Europe, up until its modern-day appearances in theatre, television, and film, this book offers a thorough overview of how this fascinating art form originated and evolved. It also includes easy-to-follow instructions on how to create puppets for performance and display and an in-depth resource list and bibliography for further research and information. Written for students in puppetry arts and stagecraft courses, Introduction to Puppetry Arts offers a comprehensive look at this enduring craft and provides a starting point for creating a wide range of puppets, from marionettes and hand puppets to mascots and character costumes.

The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects - objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature - Collodi's cruel, wooden Pinocchio, puppet-like characters in Kafka and Dickens, Rilke's puppet-angels, the dark puppeteering of Philip Roth's Mickey Sabbath - as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, "Puppet" evokes the startling power of puppets as mirrors of the uncanny in life and art.

Women and Puppetry is the first publication dedicated to the study of women in the field of puppetry arts. It includes critical articles and personal accounts that interrogate specific historical moments, cultural contexts, and notions of "woman" on and off stage. Part I, "Critical Perspective," includes historical and contemporary analyses of women's roles in society, gender anxiety revealed through the unmarked puppet body, and sexual expression within oppressive social contexts. Part II, "Local Contexts: Challenges and Transformations," investigates work of female practitioners within specific cultural contexts to illuminate how women are intervening in traditionally male spaces. Each chapter in Part II offers brief accounts of specific social histories, barriers, and gender biases that women have faced, and the opportunities afforded female creative leaders to appropriate, revive, and transform performance traditions. And in Part III, "Women Practitioners Speak," contemporary artists reflect on their experiences as female practitioners within the art of puppet theatre. Representing female writers and practitioners from across the globe, Women and Puppetry offers students and scholars a comprehensive interrogation of the challenges and opportunities that women face in this unique art form.

"Making and Manipulating Marionettes" is a superb guide to a craft and performance art that has fascinated audiences for over 2,000 years. Handsomely illustrated throughout, it presents precise instructions for the making of marionettes, both for plays and for acts in the variety tradition. All aspects of marionette design, construction, and control are covered, and there are rare insights into specialized designs and stringing techniques. Contents include an introduction to the marionette tradition and the principles and practicalities of marionette design; advice on materials and methods for carving, modeling, and casting puppet parts; detailed explanations for marionette control, stringing, and manipulation; step-by-step instructions for the construction and jointing of human and animal marionettes; and professional secrets for achieving a wide range of special effects.

Foam Patterning and Construction Techniques: Turning 2D Designs into 3D Shapes explains how to create your theatrical prop, puppet, or costume design using the unique and tricky medium of foam. Step-by-step instructions, photographs, and explanations illustrate how to translate your design from paper to reality by creating custom "skin" patterns, followed by creation of a foam mockup. The book details how to bring your project to life with varied finishing techniques, including using fur and fabric coverings and dying and painting foam. Numerous supplies, tools, and safety procedures and protocols are also covered.

Get ready to start nursery with the classic Sophie la girafe toy, in this boardbook full of gentle messages and tips. Join Sophie for her first day at nursery in this book specially made for little ones settling into a new day care environment. This short story is perfect for reading aloud together with babies and toddlers, building familiarity and confidence about their days at nursery or with a childminder. Each scene picks out key first words, to help toddlers building their language skills. Textured, trace-the-shape pages will engage curious readers as they turn the pages. For parents and carers, each page features short practical tips to help you and your child, consulted by Early Years expert Lizzie Noble. Sophie la girafe has sold more than 50 million teether toys worldwide, and now the iconic toy from France turns 60. Celebrate with Sophie as she steps into the pages of a brand new series of baby books. Designed for reading together with your baby or toddler, this would also make the perfect birthday or returning to work gift.

A practical, accessible and inspiring guide to using puppetry in theatre - the perfect entry point for anyone looking to use puppets in their productions, to explore what puppets can do, or to develop their puppetry skills. Written by an experienced theatre and puppetry director, Puppetry: How to Do It focuses on the performer and the craft of bringing any puppet to life. No puppet-making is required to use this book: starting just with simple objects, it lays out the skills required to unlock a puppet's limitless potential for expression and connection with an audience. Inside you'll discover fifty practical, easy-to-follow exercises - for use in a group or on your own - to develop elements of the craft, build confidence and help you improve your puppetry through play and improvisation. Also included are sections on different types of puppet, thinking about how the puppeteer is presented on stage and how to direct and devise puppet performances Ideal for actors and performers, for directors and designers, and for teachers and students of all ages and levels of experience, this book will demystify the art of puppetry, and help you become more confident and creative with all kinds of puppets and objects on stage. 'Based on the workshops he developed for training performers for War Horse, Mervyn has written this book to share his craft... the exercises are clear and easily reproducible for many different types of participants... a wonderful gift to the field of puppetry. I hope that it will be used widely to introduce adventurous spirits to this dynamic art form.' Cheryl Henson, President of the Jim Henson Foundation, from her Foreword.