Featured in Rolling Stone! The behind-the-scenes battle for the Rock Hall.For 25 years, the Rock and Roll Hall of Fame has defined Cleveland's image as the "Rock and Roll Capital of the World." But while the Rock Hall has become an iconic landmark for the city of Cleveland and for fans of rock and roll around the world, it was just one missed phone call away from never being built in Cleveland. If the prominent singer and actress Leslie Gore hadn't contacted radio personality Norm N. Nite in August 1983, the Hall of Fame would not be in Cleveland-period. Earlier that summer, Gore had learned that the newly formed Rock and Roll Hall of Fame Foundation was looking for a city to house their planned museum honoring the history of rock. Gore knew that a year earlier, Nite had pitched an idea for a similar museum, so she reached out to let him know that other figures in the music industry were working to turn his dream into a reality. Nite immediately joined the project's Rules and Nominating Committee and spearheaded the campaign to bring the museum to Cleveland. At the time, the search committee was considering several other cities, including Memphis, Detroit, and New York, but Nite argued that the city's deep historical connection to rock music through Alan Freed and the Moondog Coronation Ball made Cleveland the perfect location. He began lobbying local and state politicians, fundraising with music moguls and civic leaders, and promoting the museum to the broader Cleveland public. As fans got involved, especially with their overwhelming response to a USA Today phone poll, Nite's campaign to bring the Hall to Cleveland was ultimately successful. This book, told from Nite's insider perspective, draws on both first-person accounts and exclusive interviews with influential business leaders, government officials, and giants of the music industry. A detailed record of the Rock Hall's inception and creation, The House That Rock Built becomes a true tribute to the people who made it happen-through Herculean efforts-and to the music it celebrates.

The motivation this music provides is outstanding! Playing duets is important to the musical growth of young pianists. And with Alfred's Top Hits Duet Books, students get twice as many benefits. In addition to learning how to develop steady rhythm, listen for proper balance, and play with appropriate dynamics, students will also receive the enjoyment of playing specially arranged duets of pop music.
These duet collections are correlated page-by-page with lesson Books 1B, 2, 3 and 4 of Alfred's Basic Piano Library one of the best-selling piano methods in the world (it's translated into 13 languages).
All four duet books feature the best-known popular songs from films, Broadway musicals and best-selling CDs. The arrangers selected for this series include Alfred's best-known composers including Dennis Alexander, Tom Gerou, Margaret Goldston, Martha Mier, Catherine Rollin and George Peter Tingley.

Music in Arabia extends and challenges existing narratives of the region's distinctive but understudied music to reveal diverse and dynamic music cultures rooted in centuries-old heritage. Contributors to Music in Arabia bring a critical eye and ear to the contemporary soundscape, musical life, and expressive culture in the Gulf region. Including work by leading scholars and local authorities, this collection presents fresh perspectives and new research addressing why musical expression is fundamental to the area's diverse, transnational communities. The volume also examines music circulation as a commodity, such as with the production of early recordings, the transnational music industry, the context of the Arab Spring, and the region's popular music markets. As a bonus, readers can access a linked website containing audiovisual examples of the music, dance, and expressive culture introduced throughout the book. With the work of resident scholars and heritage practitioners in conversation with that of researchers from the United States and Europe, Music in Arabia offers both context and content to clarify how music articulates identity and nation among multiethnic, multiracial, and multinational populations.

The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits and why it matters. Peter Burkholder weaves a compelling story of people, their choices and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians.

Between the late '60s and early '80s, design house Hipgnosis created some of the most iconic and ubiquitous album artwork of all time. Their original lifespan coincided with the golden age of the 12-inch LP, beginning just as the Beatles' Sgt Pepper made the record sleeve the ultimate blank canvas and ending just as new technology looked set to usurp vinyl. Having originally been approached to design an album cover for their friends Pink Floyd, students Aubrey 'Po' Powell and Storm Thorgerson would go on to define the visual identity of rock and roll for the next fifteen years, swiftly gaining international prominence for their famed The Dark Side of the Moon artwork. This paved the way for other major musicians to set foot in the surreal photo-design world of Storm and Po, resulting in seminal Hipgnosis creations for the likes of Led Zeppelin, Paul McCartney, Genesis, Black Sabbath, ELO and Yes. In this authorised account, with access to previously unpublished material and exclusive contributions from David Gilmour, Jimmy Page, Peter Gabriel, Roger Waters, Robert Plant and even Aubrey Powell himself, Mark Blake goes behind the scenes of the Hipgnosis partnership to reveal the pioneering ambition and grand vision that led to their success, as well as the clashing egos and artistic differences that undermined it. The Hipgnosis story also offers hitherto-untold insight into some of music's most legendary bands, as viewed through the prism of the people who shaped their imagery and cultural legacy. With the work of Hipgnosis continuing to be referenced, reproduced and revered worldwide, Us and Them serves as a celebration, a cautionary tale and a compelling human drama, exploring the vital intersection between art and music.

For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl - more than a genre, but a movement in its own right. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the 'zine and music culture of the Riot Grrrl movement empowered young women to speak out against sexism and oppression. The movement created a powerful new force of liberation and unity within and outside of the women's movement. This is a collection of the original material of the Riot Grrrl movement.

ABBA was the biggest selling pop group of the Seventies. Between their first single in 1972, when the group was not yet called ABBA, and their final singles in 1982, ABBA recorded and released 98 unique songs. In addition they recorded versions of some of their biggest hits in Swedish, German, French, and Spanish; performed a number of songs in concert that were never released on record; and recorded a number of songs that didn't see the light of day at the time, but have been released from the archive the decades since the group "took a break" at the end of 1982.Everyone remembers ABBA's biggest hits - songs like 'Waterloo', 'Mamma Mia', 'Fernando', 'Dancing Queen', 'Take A Chance On Me', 'Chiquitita', and 'The Winner Takes It All' - but there are many gems to be found on the eight studio albums and 21 singles released during the group's lifetime. ABBA: Song by Song is a look at every single song by the Swedish supergroup, written by a life-long ABBA fan. Find out what inspired the songs, what went in to recording them, and their impact around the world in the 1970s and 80s and beyond.

One of the first books in this new series, this pocket guide features the story of Led Zeppelin: from the first meeting of Jimmy Page and Robert Plant to the untimely death of John Bonham; the music: their fifty best songs unpicked and coverage of their solo careers; and the passengers, collaborators, colleagues, and the cargo: films, places, myths, and memorabilia.

Machine Gun Kelly revisit his 2019 album Hotel Diablo as he makes his debut in the world of comics! Between Heaven and Hell lies a waystation for the soul--a place where your deeds in life are the keys to your eternity in the afterlife--at the Hotel Diablo. And it's Lydia Lopez's first night behind the front desk. Every guest's got a story to tell and a lesson to learn... Co-written by film and music superstar Machine Gun Kelly with Eliot Rahal (Archie Comics) and Ryan Cady (DC Comics). Art by Martin Morazzo (Ice Cream Man) and a host of talented illustrators. Full Creator List: ILLUSTRATORS: Martin Morazzo; Victor Ibanez; Nelson Blake II; Amilcar Pinna; Rachel Smartt; Roberta Ingranata WRITERS: Machine Gun Kelly, Eliot Rahal & Ryan Cady EDITOR: Chris Robinson COVER ARTISTS: Martin Morazzo & Aladdin Collar PRINT ARTISTS: Jenna Cha; Trevor Henderson; Leslie Hung

This is an intimate, loving portrait of Michael Jackson, illuminating the private man like never before; now fully revised and updated to include the trial of Dr. Conrad Murray. 'Let the boy sing if he wants to sing!' said Mama Martha. 'You want to sing, Michael?' Michael's five-year-old face lit up. In the front room, Joseph begrudgingly turned on the music. Jackie, Tito and I stood to one side to let him have his moment. What he produced stunned everyone. This was Michael, shy but confident, knowing exactly what to do. He played the mic, he worked the floor; he sang beautifully. I didn't know where that voice came from. 'Heaven,' said Mother.

It wasn't just clothes and hair that changed as the 1960s progressed - social awareness crept into youth culture and music ceased to be simply about dancing. A counter-culture gradually emerged, and rock 'n' roll was its defining feature. Pop music broadened beyond the traditional guitar-bass-drum format and started to experiment with new sounds. Musicianship reached unsurpassable levels, and for a brief, glorious time, genuinely experimental music coincided with the popular taste. The explosion of imagination and ambition that characterised the psychedelic movement of the late 1960s stretched the possibilities of the pop song to their limits. Never before or since were so many classic albums made in such a short time. Psychedelia is the most colourful, detailed and authoritative guide to these albums ever published. One hundred of them are evaluated here, using contemporary reviews, rare photographs and interviews, accompanied by a plethora of iconic images and reproductions of cover artwork.

Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (Go-Go's), Dave Alvin (The Blasters), Chris D. (The Flesh Eaters), Robert Lopez (The Zeros, El Vez), Jack Grisham (T.S.O.L.), Teresa Covarrubias (The Brat), as well as scenesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl, the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom and formed X, the band that became synonymous with, and in many ways defined, L.A. punk. Focusing on punk's evolutionary years, Under the Big Black Sun shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood's underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles. L.A. punk was born from rock 'n' roll, from country and blues and Latin music, the true next step in the evolution of rock music. It was born of art, culture, political, and economic frustration. It spoke of a Los Angeles that existed when regionalism still reigned in the USA. It sounded like Los Angeles. For the first time, the stories and photos from this now-fabled era are presented from those on the front lines. Stories that most have never heard about the art that was born under the big black sun

Since joining Deep Purple in 1973, David Coverdale has enjoyed a hugely successful career. Having been plucked from semi-professional obscurity by Deep Purple, within months he was cavorting around the globe with one of the biggest rock bands in the world and fronting Purple on its 1974 US tour which included performing in front of one of the biggest audiences ever for a one day concert at the California Jam in front of hundreds of thousands. After three albums the band finally succumbed to the internal frictions and called it a day in 1976. After initially launching himself with two solo albums, Coverdale set about rebuilding his career with his own band Whitesnake. By the early eighties sell out UK tours and hit singles proved that Coverdale was capable of achieving success with his own band and later that decade Whitesnake hit the heights in America, that he had experienced with Deep Purple, with its multi-million selling, eponymous 1987 album. By the early nineties Coverdale put the band on hold whilst enjoying a brief dalliance with Jimmy Page, as well as later finding time for further albums under his own name, but Whitesnake has continued to be at the forefront of Coverdale's career from the mid nineties and onwards and remain relevant in the new millennium. 2019 saw the release of the band's first new album in four years and now with Coverdale in his seventies, retirement is supposdely imminent. As such there is no better time to appraise his career. Beautifully designed and packaged, A Life In Vision documents key moments of David Coverdale's long and illustrious career as one of rock's finest singers with photos from Deep Purple through to the present day Whitesnake, along with stories that chart his career.

This album-matching folio features transcriptions, complete with tab, to 58 of The Stones' greatest early hits. Includes: Jumpin' Jack Flash * Honky Tonk Woman * Wild Horses * Brown Sugar * Sympathy for the Devil and 52 more -- over 300 pages of music.

From the Beatles to Beck, Sinatra to Sam Smith, a parade of era-defining artists have passed through the doors of the Capitol Records Tower, one of Hollywood's most distinctive landmarks and home to one of the world's most defining labels for the past 75+ years. To commemorate this extraordinary history of recorded music, TASCHEN presents this official account of Capitol Records, from its founding year of 1942 to today. With a foreword by Beck, essays by cultural historians and music and architecture critics, as well as hundreds of images from Capitol's extensive archives, we follow the label's evolution and the making of some of the greatest music of the 20th and 21st centuries. Through pop, rock, country, classical, soul, and jazz, the photographic and musical history includes the label's most successful, cool, hip, and creative stars, as well as the one-hit wonders who had their all-too-brief moments in the spotlight. Along the way, we encounter the likes of Miles Davis, Nat King Cole, the Kingston Trio, and Frank Sinatra in Capitol's first 20 years; the Beach Boys, the Band, and the Beatles in the 1960s; global rock magnets Pink Floyd, Wings, Steve Miller Band, Bob Seger, and Linda Ronstadt in the 1970s; Beastie Boys, Duran Duran, Radiohead, and Bonnie Raitt in the 1980s and 1990s; and such contemporary stars as Coldplay, Katy Perry, and Sam Smith. An unmissable milestone for music lovers, Capitol Records is a live and kicking celebration of the mighty giant of the industry that created the soundtrack to generations past, present, and future.

As half of celebrated eighties duo Soft Cell, Dave Ball's long career in music has been quite the ride - not least creating the instantly recognisable electronic sound that made `Tainted Love' a massive hit around the world. In his refreshing autobiography, Dave Ball recounts a musical journey from his first home-made amplifier to falling for northern soul and becoming an electronic pop wizard, first with Soft Cell and later with The Grid. Dave then pursued a dazzling array of collaborations as well as intermittent reformations of Soft Cell and The Grid. Electronic Boy is a compelling story from start to finish, told with relish, humour and honesty.

Black Vinyl White Powder is the definitive story of the British music industry's first five decades, as told by its ultimate insider. A key player since the 1960s - whether penning hits for Dusty Springfield, discovering Marc Bolan or managing a series of stellar acts ranging from the Yardbirds to Wham! - Simon Napier-Bell draws on his wealth of contacts and unparalleled personal experience to give an enthralling account of a business that became like no other. From the crazed debauchery of rock megastars like the Rolling Stones and Led Zeppelin to the ecstasy culture that shaped dance music in the 1980s, Napier-Bell charts the growth of a world in which bad behaviour is not only tolerated but encouraged; where drugs are as important as talent; and where artists are pushed to their mental and physical limits in the name of profit and ego. Filled with the voices of artists, producers, managers and record company execs, Black Vinyl White Powder is the most raucous, entertaining and revealing history of British pop ever written.

This volume gathers together twenty articles from among the best scholarly writing on rock music published in academic journals over the past two decades. These diverse essays reflect the wide range of approaches that scholars in various disciplines have applied to the study of rock, from those that address mainly the historical, sociological, cultural and technological factors that gave rise to this music, to those that focus primarily on analysis of the music itself. This collection of articles, some of which are now out of print or otherwise difficult to access, provides an overview of the current state of research in the field of rock music, and includes an introduction which contributes to the ongoing debate over the distinction (or lack thereof) between 'rock' and 'pop'.

Discover everything you need to know about the world's hottest young pop star in Olivia Rodrigo - The Ultimate Fan Book. Since releasing her debut single 'Drivers Licence' in January 2021, Olivia Rodrigo has rocketed to the top of charts around the world, and quickly become not only one of the most exciting young singer-songwriters of the moment, but one of the biggest stars in the world today. In Olivia Rodrigo - The Ultimate Fan Book, you'll discover how this former Disney starlet has found such amazing success with her catchy songs, striking fashion choices and incredible charm. Through lively text and dozens of gorgeous photographs, this Fan Book follows the rise and rise of Olivia, from High School Musical to her acclaimed album Sour, and highlights how she's only just getting started. Filled with quotes from Olivia and her closest collaborators, discussing fame, fashion, fans and more, as well as tons of stunning snaps from the red carpet to stadium stages, Olivia Rodrigo - The Ultimate Fan Book takes you onstage, in the studio and behind the scenes with one of the brightest stars on the planet.

What do pop songs have to say about love? Surprisingly, this book shows that most popular love songs express much more about alienation, infatuation, estrangement, jealousy, and heartbreak than about love.Scheff takes the reader on a tour of popular lyrics from eighty years of American song to reveal the emotional and relational meaning of lyrics. He shows that popular love songs typically steer listeners away from a healthy connection to the emotions surrounding love. Readers will gain a deeper understanding of love songs while appreciating the author's suggestions for how listeners and artists could enrich the art of the love song.

What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful.

Half a century after three teenage brothers decided to give a career in music a go, the Bee Gees are among the most successful and enduring names in popular music history. Trailblazing their way across pop music since the 1960s, Barry, Robin, and Maurice Gibb have made their songs Stayin' Alive, How Deep is Your Love, To Love Somebody, and I Started a Joke, timeless. Filled with staggering highs - especially as they became the definitive band of the disco era - The Little Guide to the Bee Gees is packed with quotes perfect for the music-lover in your life and just might help you stay alive. 'Contrary to popular belief, we have no leader. We call it a democratic dictatorship.' - Maurice Gibb 'We are brothers first, a pop group second.' - Barry Gibb 'Show business is something you have to have in you when you're born.' - Robin Gibb