Lewis Wickes Hines documentary photography helped promote the cause of the National Child Labor Committee, which published there declaration in 1913. This text is a collection of photographs showing children at work from 1910 to 1935 as Hines travelled across America.

A scholarly work that aims to be both broad enough in scope to satisfy upper-division undergraduates studying folk belief and narrative and detailed enough to meet the needs of graduate students in the field.

In a spellbinding account of her two-year teaching stint and travels in China, Woronov provides, through numerous anecdotes, insight into the everyday life of the modern Chinese people. 20 photos.

First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

In 1974 the British progressive rock group Genesis released their double concept album The Lamb Lies Down on Broadway. The story was described by Genesis's then front-man Peter Gabriel as a 'moral fable' about Rael, a half-Puerto-Rican New York City street tough who is engulfed by a solid cloud into a series of strange adventures in a metaphysical realm. The album is a surreal allegory drawing its material from religious, literary and psychological themes. More than thirty years after its release, The Lamb Lies Down on Broadway still enthralls listeners, earning the distinction of being Genesis's most consistently selling back-catalogue release. Kevin Holm-Hudson analyses The Lamb within the context of Genesis's recorded output, within the progressive rock genre as a whole, and within the context of social and political changes of the mid 1970s. The Lamb marked a conscious shift in their story setting to America, and for the first time the songs were oriented to the present rather than the past or future. Significantly, while 1974 marked the peak of music industry growth and consolidation through corporate mergers, it was also the year in which America was confronted with its limits: through the first of the OPEC energy crises, the resignation of Richard Nixon, the withdrawal from Vietnam, and the effects of runaway inflation. Genesis's native Britain was also to feel the effects of the energy crisis, intensified by a period of economic slowdown that ultimately led to the rise of Thatcherism. The Lamb is set in New York City during this time of uncertainty. Within a few years the economic constraints would affect the industry as a whole and as a result progressive rock would suffer a precipitous drop in industry support. The Lamb Lies Down on Broadway thus makes a particularly rich subject for detailed study, providing compelling intersections between the musical, textual and socioeconomic aspects of an album.

Musical community is a notion commonly evoked in situations of intensive collective activity and fervent negotiation of identities. Passion Square shows, the daily singing of Chinese pop classics in parks and on street corners in the city of Wuhan, have an ambivalent relationship with these ideas. They inspire modest outward signs of engagement and are guided by apparently individualistic concerns; singers are primarily motivated by making a living through the relationships they build with patrons, and reflection on group belonging is of lesser concern. How do these orientations help complicate the foundations of typical musical community discourses? This Element addresses community as a quality rather than as an entity to which people belong, exploring its ebbs and flows as associations between people, other bodies and the wider street music environment intersect with its various theoretical implications. A de-idealised picture of musical community better acknowledges the complexities of everyday musical experiences.

"All respect to Chris Schwartz. He is a great visionary."-Nas "Fans of these artists will love the insider information."-Library Journal Before he started one of the most pivotal labels in hip-hop history, Chris Schwartz was a musician struggling to catch a break in 1980s Philadelphia. Ruffhouse divulges how he navigated the crime-infested, morally bankrupt music industry to found and build one of the world's most successful hip-hop labels and debuted some of its biggest stars. Ruffhouse Records launched the careers of Nas, The Fugees, Wyclef Jean, Cypress Hill, Kris Koss, and others, dominating the charts and generating global revenues of over one billion dollars. A saga of money, greed, envy, betrayal, violence, addiction, loss, and redemption, not to mention a whole lot of music, Ruffhouse reveals the inside story of the record companies, recording studios, tour buses, private jets, mansions, radio stations, and concert halls at the height of hip-hop's 1990s heyday while also uncovering the industry's darker side, from police stations to rehab clinics, courtrooms to prisons. Narrated in Schwartz's own candid, searing prose, Ruffhouse is a gripping portrayal of hip-hop culture at its tipping point, as it transitioned from urban curiosity to a global commercial platform. "Schwartz's insider tale will appeal."-Publishers Weekly

John Trumbull's sweeping historical paintings of battle scenes of the American Revolution hang in the United States Capitol in Washington, D.C., for all to see. This patriot-artist painted lifelike portraits of George Washington, Thomas Jefferson, and Benjamin Franklin, and he traveled around the country to capture realistic likenesses of the other Founding Fathers who drafted the Declaration of Independence in 1776. Pore over the landmark work left by this brilliant artist and become acquainted with a man who, despite great adversity, was determined to portray in lush detail the first stirrings of the nation that would become America. The inscription on John Trumbull's memorial fittingly reads: "To his country he gave his sword and pencil."

John Trumbull's sweeping historical paintings of battle scenes of the American Revolution hang in the United States Capitol in Washington, D.C., for all to see. This patriot-artist painted lifelike portraits of George Washington, Thomas Jefferson, and Benjamin Franklin, and he traveled around the country to capture realistic likenesses of the other Founding Fathers who drafted the Declaration of Independence in 1776. Pore over the landmark work left by this brilliant artist and become acquainted with a man who, despite great adversity, was determined to portray in lush detail the first stirrings of the nation that would become America. The inscription on John Trumbull's memorial fittingly reads: "To his country he gave his sword and pencil."

No life in popular music touched on as many major musical milestones as that of The Beach Boys' Carl Wilson. While he is often unjustly overlooked as a mere adjunct to his more famous brothers Brian and Dennis, Carl was a major international rock star from his early teens. The proud owner of one of the greatest voices in popular music-one that graced some of the most important records of the pop era, including 'God Only Knows' and 'Good Vibrations'-Wilson was also one of the first musicians to bring the electric guitar to the forefront of rock'n'roll. His musical skills provided The Beach Boys' entree into the music business, from which he then stewarded their onstage journey through the ups and downs of the 60s to their comeback in the 70s and into the role of 'America's band' in the 80s. Along the way, Carl quietly endured his own battles with obesity, divorce, substance abuse, and ultimately terminal cancer, all the while working to protect his family's business and legacy. This major new biography reveals the true story of modern rock'n'roll, lived from the centre of the most important decades of popular music.

You will hear a Nile Rodgers song today. It will make you happy. Legendary producer and co-founder of Chic, Nile wrote 'We are Family' for Sister Sledge and 'I'm Coming Out' for Diana Ross, and then produced Let's Dance for David Bowie and Like a Virgin for Madonna. But before he reinvented pop music Nile Rodgers invented himself. Le Freak is an astonishing, exuberant and inspiring story of a creative genius. It is also a stunning recreation of a time and place - by the man who wrote its soundtrack.

I have been seeking P.F. Sloan, but no one knows where he's gone. -from the song 'P.F. Sloan' by Jimmy Webb. Absolutely none of 'em could beat ol' P.F. -Lester Bangs, Rolling Stone magazine. What's Exactly The Matter With Me? is a first-person account of an extraordinary life and pilgrimage through the most fascinating years of American and English musical culture. This is a story of dreams, success, destruction, and miraculous resurrection; the incredible, heartbreaking, and ultimately inspiring story of one of the greatest songwriters in American music-and also one of the most elusive and mysterious. P.F. Sloan was one of the most prolific and influential geniuses to emerge from the golden age of the 60s, and a pioneer of folk-rock. Between 1965 and 1967, 150 of his songs were recorded by major acts, and 45 of those made the charts. No other songwriter has ever come close to achieving so great number of hits in such a short period of time. From his little studio at Dunhill Records, P.F. Sloan was a veritable hit-machine, writing for The Mamas and The Papas (that's Sloan's infectious guitar lick on 'California Dreamin"), Jan and Dean (the falsetto you hear on most of their hits is Sloan's), Barry McGuire (the brilliant and controversial 'Eve Of Destruction'), Johnny Rivers ('Secret Agent Man'), The Turtles, The Fifth Dimension, and many, many more. He wrote so many songs, in fact, that Dunhill sold him as seven different acts. Unsurprisingly, he wound up exhausted and broken, thus beginning a long journey into the wilderness-a journey of UFOs and psychiatric hospitals, healing and survival, and, ultimately, redemption.

Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.

From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationships While the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie, Virginia Grohl never expected her son to become a musician, let alone a rock star. But when she saw him perform in front of thousands of screaming fans for the first time, she knew that stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised children who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and well-being in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour? Virginia decided to seek out other celebrity mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother. With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and music fans everywhere.

From producing her own albums, to designing her own stage performances, Kate Bush has been an innovator throughout her career. With hits such as 'Wuthering Heights', 'Babooshka' and 'Running Up That Hill', her music has always been ethereal and her endearing image has often been regarded as one of mystique. The creativity and the conviction with which she has made her music continue to be an inspiration to not only her legions of fans, but many of her peers. In celebration of Kate's entire career to date and complemented with a narrative by Laura Shenton MA LLCM Dip(RSL), this visual biography is packed with photos - many of which haven't been published before (including several from her 1979 tour).

When Alice Cooper became the stuff of legend in the early '70s, their shows were monuments of fun and invention. Riding on a string of hits like "I'm 18" and "School's Out," they became America's highest-grossing act, producing four platinum albums and hitting number one on the U.S. and U.K. charts with Billion Dollar Babies in 1973. As teenagers in Phoenix, Dennis Dunaway and lead singer Vince Furnier, who would later change his name to Alice Cooper, formed a hard-knuckles band that played prisons, cowboy bars and teen clubs. Their journey took them from Hollywood to the ferocious Detroit music scene. From struggling for recognition to topping the charts, the Alice Cooper group was entertaining, outrageous, and one-of-a-kind. Dennis Dunaway, the bassist and co-songwriter for the band, tells a story just as over-the-top crazy as their (in)famous shows. Snakes! Guillotines! Electric Chairs! is the riveting account of the band's creation in the '60s, strange glory in the '70s, and the legendary characters they met along the way.

The Rolling Stones are one of the most influential, prolific, and enduring Rock and Roll bands in the history of music. This groundbreaking, specifically commissioned collection of essays provides the first dedicated academic overview of the music, career, influences, history, and cultural impact of the Rolling Stones. Shining a light on the many communities and sources of knowledge about the group, this Companion brings together essays by musicologists, ethnomusicologists, players, film scholars, and filmmakers into a single volume intended to stimulate fresh thinking about the group as they vault well over the mid-century of their career. Threaded throughout these essays are album- and song-oriented discussions of the landmark recordings of the group and their influence. Exploring new issues about sound, culture, media representation, the influence of world music, fan communities, group personnel, and the importance of their revival post-1989, this collection greatly expands our understanding of their music.

'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of - and back into - history.

With a foreword by MARK KNOPFLER 'An uplifting journey through the sheer hard work, pitfalls and thrills of navigating a great rock band to the pinnacle of success. I so enjoyed the ride!' ROGER TAYLOR __________ Dire Straits filled giant stadiums around the world and sold hundreds of millions of records. Throughout the eighties they were one of the biggest bands on the planet. Their classic songs - 'Sultans of Swing', 'Romeo and Juliet', 'Money for Nothing', 'Brothers In Arms' - formed the soundtrack of a generation and live on today: still racking up sales, still being played on the radio on every continent. In My Life in Dire Straits, John Illsley - founding member, bassist and mainstay - evokes the spirit of the times and tells the story of one of the great live acts of rock history. Starting with his own unlikely beginnings in Middle England, he recounts the band's rise from humble origins in London's spit-and-sawdust pubs to the best-known venues in the world, the working man's clubs to Madison Square Garden, gigging with wild punk bands to the Live Aid stage at Wembley. Until, ultimately, the shattering demands of touring on a global scale and living life in the spotlight took their inevitable toll. John's story is also a tribute to his great friend Mark Knopfler, the band's lead singer, songwriter and gifted guitarist - the only band members to stay the fifteen-year distance. Told with searching honesty, soulful reflection and wry humour, this is the first and only account of that incredible story.

This new edition of this standard work adds several new information the book, so that sound engineering and architects can better assess the acoustic value of a Rock and Pop Venue. In particular, new insights to the influence of sound absorbers in reflected and important ISO standards are included into the new edition. Based on the first ever scientific investigations on recommendable acoustics for amplified music conducted by the author, this book sets forward precise guidelines for acoustical engineers to optimize the acoustics in existing or future halls for amplified music. It Gives precise guidelines on how to design the acoustics in venues that present amplified music Debates essential construction details, including placement of sound system and use of possible building materials, in the architectural design of new venues or the renovation of old ones Portrays 75 well-known European Rock & Pop venues, their architecture and acoustic properties. 20 venues were rated for their acoustics by music professionals leading to an easy-to-use assessment methodology

Born in Birmingham, Steve Winwood was already a semi-professional musician, playing keyboards and guitar, while still at school. As lead vocalist with The Spencer Davis Group, he had had two chart-topping singles by the time he was aged eighteen. In 1967 he formed Traffic, long noted as one of the major British psychedelic groups whose music also borrowed from jazz and folk influences as well as rock and pop. A brief hiatus saw him join forces with Eric Clapton in the short-lived Blind Faith, thereafter returning to Traffic until they disbanded in 1974 (and briefly reformed twenty years later). Throughout his subsequent solo career, he has been much respected on both sides of the Atlantic as a vocalist, all-round musician and regular collaborator with or session player for other artists. This is the first biography for nearly thirty years.