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Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (Hardcover, New Ed)
Loot Price: R4,306
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Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (Hardcover, New Ed)
Series: Ashgate Popular and Folk Music Series
Expected to ship within 12 - 17 working days
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Turbo-folk music is the most controversial form of popular culture
in the new states of former Yugoslavia. Theoretically ambitious and
innovative, this book is a new account of popular music that has
been at the centre of national, political and cultural debates for
over two decades. Beginning with 1970s Socialist Yugoslavia, Uros
Cvoro explores the cultural and political paradoxes of turbo-folk:
described as 'backward' music, whose misogynist and Serb
nationalist iconography represents a threat to cosmopolitanism,
turbo-folk's iconography is also perceived as a 'genuinely Balkan'
form of resistance to the threat of neo-liberalism. Taking as its
starting point turbo-folk's popularity across national borders,
Cvoro analyses key songs and performers in Serbia, Slovenia and
Croatia. The book also examines the effects of turbo on the broader
cultural sphere - including art, film, sculpture and architecture -
twenty years after its inception and popularization. What is
proposed is a new way of reading the relationship of contemporary
popular music to processes of cultural, political and social change
- and a new understanding of how fundamental turbo-folk is to the
recent history of former Yugoslavia and its successor states.
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