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Books > Arts & Architecture > Music > Other types of music > Sacred & religious music
Ideal for use with choirs and worship teams, it supports
congregational melodies. Spiral bound so it lies flat in music
folders or on music stands. Many unison melodies are expanded into
2-, 3-, and 4-part harmony. Also included are entire musical
arrangements - including descants and optional endings - and
stanzas for the Pew Edition selections that contain only the
refrain. Choirs can turn songs from The Faith We Sing into anthems.
Singer's Edition coordinates with both the Accompaniment and
Simplified Editions and can be used with the MIDI and CD Editions.
Imogen Holst, 1907-84, was a much-loved source of inspiration for
countless musicians and students who encountered her over the years
of her involvement with the Dartington Summer School of Music and
the Aldeburgh Festival. This book conveys her infectious enthusiasm
and insight as a choral conductor. Here she sets out, clearly and
concisely, a wealth of practical information on the physical
business of conducting which will be of particular value to the
amateur conductor. She deals with the forming and training of a
choir, the presentation and rehearsal of the music, and how to
approach public performances and competitions. Her final chapter
gives advice on the rehearsal of specific choruses by Purcell,
Handel, and Britten. Originally published in 1973, this edition has
been corrected and updated by Lowinger Maddison, Archivist for the
Holst Foundation.
Christians sing because we are people of hope. Yet our hope is
unlike other kinds of hope. We are not optimists; nor are we
escapists. Christian hope is uniquely shaped by the resurrection of
Jesus Christ from the dead and by the promise of our own future
resurrection. How is that hope both expressed and experienced in
contemporary worship? In this volume in the Dynamics of Christian
Worship series, pastor, theologian, and songwriter Glenn Packiam
explores what Christians sing about when they sing about hope and
what kind of hope they experience when they worship together.
Through his analysis and reflection, we find that Christian worship
is crucial to both the proclamation and the formation of Christian
hope. The Dynamics of Christian Worship series draws from a wide
range of worshiping contexts and denominational backgrounds to
unpack the many dynamics of Christian worship-including prayer,
reading the Bible, preaching, baptism, the Lord's Supper, music,
visual art, architecture, and more-to deepen both the theology and
practice of Christian worship for the life of the church.
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