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Books > Music > Other types of music > Sacred & religious music

Contemporary Worship Music and Everyday Musical Lives (Paperback): Mark Porter Contemporary Worship Music and Everyday Musical Lives (Paperback)
Mark Porter
R1,514 Discovery Miles 15 140 Ships in 12 - 19 working days

Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals' musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants' musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.

Mis himnos favoritos (Spanish, Hardcover): Mn Juana E Cipion Mis himnos favoritos (Spanish, Hardcover)
Mn Juana E Cipion
R822 Discovery Miles 8 220 Ships in 12 - 19 working days
Performing the Ramayana Tradition - Enactments, Interpretations, and Arguments (Hardcover): Paula Richman, Rustom Bharucha Performing the Ramayana Tradition - Enactments, Interpretations, and Arguments (Hardcover)
Paula Richman, Rustom Bharucha
R2,929 Discovery Miles 29 290 Ships in 12 - 19 working days

The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.

Songs of Zion (Paperback): J. Jefferson Cleveland, Verolga Nix Songs of Zion (Paperback)
J. Jefferson Cleveland, Verolga Nix; Illustrated by J. Cleveland
R441 Discovery Miles 4 410 Ships in 10 - 15 working days

Features gospels, spirituals, ethnic benedictions, chants, and songs from the African-American Liberation that reflect black heritage and traditions and the contemporary black experience. *Songbook, paper Also available is an Accompanist's Edition, Spiral order #9780687391219"

Jewish Religious Music in Nineteenth-Century America - Restoring the Synagogue Soundtrack (Paperback): Judah M. Cohen Jewish Religious Music in Nineteenth-Century America - Restoring the Synagogue Soundtrack (Paperback)
Judah M. Cohen
R928 Discovery Miles 9 280 Ships in 12 - 19 working days

In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen's careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen's research defines more clearly the sound of 19th-century American Jewry.

A Paradise of Priests - Singing the Civic and Episcopal Hagiography of Medieval Liege (Hardcover): Catherine Saucier A Paradise of Priests - Singing the Civic and Episcopal Hagiography of Medieval Liege (Hardcover)
Catherine Saucier
R1,941 Discovery Miles 19 410 Ships in 12 - 19 working days

Embraces an all-encompassing interdisciplinary methodology to uncover the symbiosis of saintly and civic ideals in music, rituals, and hagiographic writing celebrating the origins and identity of a major clerical center. Medieval Liege was the seat of a vast diocese in northwestern Europe and a city of an exceptional number of churches, clergymen, and church musicians. Recognized as a priestly paradise, the city accommodated as many Masses each day as Rome. In this volume, musicologist Catherine Saucier examines the music of religious worship in Liege and reveals within the liturgy and ritual a civic function by which local clerics promoted the holy status of their city. Analyzing hagiographic and historical writings, religious art, and sung ceremonies relevant to the city's genesis, destruction, and eventual rebirth, Saucier uncovers richly varied ways in which liegeois clergymen fused music with text, image, and ritual to celebrate the city's sacred episcopal origins and saintly persona. A Paradise of Priests forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies, and is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. CatherineSaucier is assistant professor of music history at Arizona State University.

One Hundred Latin Hymns - Ambrose to Aquinas (Hardcover): Peter G. Walsh One Hundred Latin Hymns - Ambrose to Aquinas (Hardcover)
Peter G. Walsh; As told to Christopher Husch
R884 R825 Discovery Miles 8 250 Save R59 (7%) Ships in 12 - 19 working days

How I wept at your hymns and songs, keenly moved by the sweet-sounding voices of your church wrote the recently converted Augustine in his "Confessions." Christians from the earliest period consecrated the hours of the day and the sacred calendar, liturgical seasons and festivals of saints. This volume collects one hundred of the most important and beloved Late Antique and Medieval Latin hymns from Western Europe.

These religious voices span a geographical range that stretches from Ireland through France to Spain and Italy. They meditate on the ineffable, from Passion to Paradise, in love and trembling and praise. The authors represented here range from Ambrose in the late fourth century ce down to Bonaventure in the thirteenth. The texts cover a broad gamut in their poetic forms and meters. Although often the music has not survived, most of them would have been sung. Some of them have continued to inspire composers, such as the great thirteenth-century hymns, the "Stabat mater "and "Dies irae.""

My Jesus - From Heartache to Hope (Paperback): Anne Wilson My Jesus - From Heartache to Hope (Paperback)
Anne Wilson; Foreword by Matthew West
R444 R400 Discovery Miles 4 000 Save R44 (10%) Ships in 9 - 17 working days

"Whatever you are feeling, God can handle it--all of it. The tears, screams, and questions. God invites you to let Him tend to your heart." In the bluegrass fields of Kentucky, Anne Wilson and her siblings, Jacob and Elizabeth, grew up in the security and love of their family--and Jesus. But when Jacob died in a car accident, Anne was thrust into a painful journey of grief and soul-wrestling that led to God calling her to create songs that glorified Him. My Jesus weaves together Anne's personal story with an encouraging message to anyone longing for God to wipe away their tears. No matter what season of life you're facing, My Jesus comes alongside you to: Show how God can bring purpose out of loss Offer hope in the midst of heartbreak Remind you that God never abandons you Discover the beauty that can emerge from suffering as you read Anne's story of growing closer to the God who always makes a way. Praise for My Jesus: "I love how Anne Wilson invites us into the cracks and crevices of her life and how she built her life on Jesus. My Jesus is personal, and it takes you on a journey through some of the most foundational parts of Anne's life that develop into a large picture where it is so clear that God was the artist of it all. As I read through each page, I felt like I was at coffee with Anne, hearing her story." --Sadie Robertson Huff, author, speaker, and founder of Live Original "The song 'My Jesus' has impacted so many of our lives in such important ways. Reading this book, being in the moments with Anne and her family, and hearing her faith rise up when her heart was broken, Anne has told a true and deep story that we all need to read." --Annie F. Downs, New York Times bestselling author of That Sounds Fun

Let all mortal flesh keep silence (Sheet music, Vocal score): Benedict Sheehan Let all mortal flesh keep silence (Sheet music, Vocal score)
Benedict Sheehan
R804 Discovery Miles 8 040 Ships in 12 - 19 working days

for SATB unaccompanied Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing with the hymn tune 'Picardy', is steeped in the Orthodox tradition, and has pure harmonies and a beautiful stillness.

Make We Merry (Sheet music, SATB vocal score): David Bednall Make We Merry (Sheet music, SATB vocal score)
David Bednall
R447 Discovery Miles 4 470 Ships in 12 - 19 working days

for SATB and organ, and optional brass ensemble and timpani Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depicted, from quiet expectance and gentle wonder to boisterous jubilation, and the different movements provide a wonderfully paced journey through these moods. The final movement brings back motifs from the opening and grows to a thrillingly climactic ending to this exciting Christmas concert work. This piece was originally commissioned in a version for upper voices by Benenden School.

The Lion's Ear - Pope Leo X, the Renaissance Papacy, and Music (Paperback): Anthony M Cummings The Lion's Ear - Pope Leo X, the Renaissance Papacy, and Music (Paperback)
Anthony M Cummings
R1,001 Discovery Miles 10 010 Ships in 12 - 19 working days

For centuries, the Renaissance papacy has been celebrated for its generous patronage of the arts. Pope Leo X, son of the legendary Lorenzo "the Magnificent" de'Medici, is widely understood to be one of the greatest patrons of music in European history, and one of the emblematic figures of the Italian Renaissance.The Lion's Ear is the first full-length scholarly treatment of the musical patronage of a Renaissance pope and provides an evocative picture of the musical life of the pre-Reformation papacy. The various uses of music in early modern Rome---music for public festivals, such as carnival; for the liturgical ceremonies of the Sistine Chapel; to accompany daily dining and festive banqueting; for the celebration of saints' feast days; and for theatrical performances---are vividly described and analyzed and give a detailed understanding of the place of music in the life of one of its most important early modern benefactors. Anthony M. Cummings takes an interdisciplinary approach to his subject matter, bringing together the history of music, art, philosophy, and ecclesiastical history to locate the music in its broadest and deepest contexts. Through materials such as diplomatic correspondence, the book aims to reconstruct the atmosphere of the musical life in Leo X's court, presenting the subject matter in a way that will appeal to scholars and students of musicology and early modern history. Art historians, ecclesiastical historians, and specialists from many other disciplines have long produced scholarly findings useful for understanding the pre-Reformation papacy, its alliance with the Italian Renaissance, and the extraordinary artistic legacy of that alliance. Anthony M. Cummings complements that scholarship with his thorough and imaginative account of music's relationship with that vibrant and fascinating culture, the first by a specialist in the musical life of early modern Europe.

Christ lag in Todesbanden, BWV 4 - Vocal score (German, Paperback, Bga, West ed.): Johann Sebastian Bach Christ lag in Todesbanden, BWV 4 - Vocal score (German, Paperback, Bga, West ed.)
Johann Sebastian Bach; Contributions by Gustav Schreck; Translated by Henry Sandwith Drinker
R286 Discovery Miles 2 860 Ships in 10 - 15 working days

For this beloved Cantata, the classic vocal score arranged by Bernhard Todt as a companion to the renowned Bach Gesellschaft Ausgabe was re-engraved by G. Schirmer in the early part of the 20th century with Henry Drinker's English translation added beneath the original German text. Now available in an easy-to-use, convenient size designed to fit comfortably in choral folders.

A Cloud of Witnesses (Sheet music, Vocal score): Mack Wilberg A Cloud of Witnesses (Sheet music, Vocal score)
Mack Wilberg
R444 Discovery Miles 4 440 Ships in 12 - 19 working days

This dramatic choral work sets a text by David Warner that artfully weaves together multiple witnessing stories of Christ's Resurrection into a single narrative. Wilberg employs an effective array of musical techniques to depict the protagonists' experiences: from rapid figurations that move through the orchestra creating a sense of momentum and breathless astonishment to pairings of voicings to convey an act of collective witnessing and declamatory exclamations of praise. The work is scored for mixed voices without soloists, conveying a universal perspective on this story, and accompaniment is by piano four-hands or orchestra.

Vaughan Williams for Choirs 1 - 10 sacred pieces for accompanied SATB voices (Sheet music): Ralph Vaughan Williams Vaughan Williams for Choirs 1 - 10 sacred pieces for accompanied SATB voices (Sheet music)
Ralph Vaughan Williams; Arranged by John Leavitt
R335 Discovery Miles 3 350 Ships in 12 - 19 working days

A leading British composer of the twentieth-century, Ralph Vaughan Williams was a lifelong exponent of choral music and singing. This two-part collection of new arrangements and editions features well-loved and lesser-known Vaughan Williams songs, anthems, and carols - for today's mixed-voice choir. It presents unison or treble pieces scored for SATB, creating new repertoire, and provides new accompaniment options and durations that widen the appeal of the pieces for church or concert use. The adaptations may introduce or give new light to the repertoire, yet are complementary to the original settings published as single pieces. John Leavitt, being an experienced conductor, composer, editor, and champion of Vaughan Williams, brings great sensitivity to this process, and knows how best to maximize rehearsal time with choirs of various types and sizes.

O Lord, thou hast searched me, and known me (Sheet music, Vocal score): Bob Chilcott O Lord, thou hast searched me, and known me (Sheet music, Vocal score)
Bob Chilcott
R129 Discovery Miles 1 290 Ships in 12 - 19 working days

for SATB and organ This setting of Psalm 139 by Chilcott is warm and mesmerizing. The chant-like texture and shifting tonalities impart the sensation of being entranced in prayer. The words offer respite, as one is safe in the omnipresence of God. Tranquil yet powerful, this work captures a sense of the total stillness after a storm. The sustained chords in the organ swell and fall, binding and supporting the choir's phrases while adding to the magical atmosphere of the anthem.

Singing the Gospel along Scotland's North-East Coast, 1859-2009 (Paperback): Frances Wilkins Singing the Gospel along Scotland's North-East Coast, 1859-2009 (Paperback)
Frances Wilkins
R1,417 Discovery Miles 14 170 Ships in 12 - 19 working days

Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.

Introduction to Kalophony, the Byzantine "Ars Nova" - The "Anagrammatismoi" and "Mathemata" of Byzantine Chant (Paperback, New... Introduction to Kalophony, the Byzantine "Ars Nova" - The "Anagrammatismoi" and "Mathemata" of Byzantine Chant (Paperback, New edition)
Gregorios Th Stathis, Konstantinos Terzopoulos
R1,992 Discovery Miles 19 920 Ships in 12 - 19 working days

The anagrams, or more generally, the mathemata and morphologically related kalophonic forms of Byzantine melopoeia, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallopismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiias (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression.

Making Congregational Music Local in Christian Communities Worldwide (Paperback): Monique M Ingalls, Muriel Swijghuisen... Making Congregational Music Local in Christian Communities Worldwide (Paperback)
Monique M Ingalls, Muriel Swijghuisen Reigersberg, Zoe C. Sherinian
R1,406 Discovery Miles 14 060 Ships in 12 - 19 working days

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

Worship and the World to Come - Exploring Christian Hope in Contemporary Worship (Paperback): Glenn Packiam Worship and the World to Come - Exploring Christian Hope in Contemporary Worship (Paperback)
Glenn Packiam
R869 R747 Discovery Miles 7 470 Save R122 (14%) Ships in 10 - 15 working days

Christians sing because we are people of hope. Yet our hope is unlike other kinds of hope. We are not optimists; nor are we escapists. Christian hope is uniquely shaped by the resurrection of Jesus Christ from the dead and by the promise of our own future resurrection. How is that hope both expressed and experienced in contemporary worship? In this volume in the Dynamics of Christian Worship series, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together. Through his analysis and reflection, we find that Christian worship is crucial to both the proclamation and the formation of Christian hope. The Dynamics of Christian Worship series draws from a wide range of worshiping contexts and denominational backgrounds to unpack the many dynamics of Christian worship-including prayer, reading the Bible, preaching, baptism, the Lord's Supper, music, visual art, architecture, and more-to deepen both the theology and practice of Christian worship for the life of the church.

Missa media nocte (Sheet music, Vocal score): Oliver Tarney Missa media nocte (Sheet music, Vocal score)
Oliver Tarney
R320 Discovery Miles 3 200 Ships in 12 - 19 working days

for SATB (with divisions) and organ or chamber ensemble This is an uplifting and celebratory setting of the Latin Missa brevis. The choir may be accompanied by organ, chamber ensemble, or a selection of ensemble instruments in combination with organ, opening up several compelling performance options. Four French carol melodies are woven into the music, and performance with glockenspiel and trumpet bring these particularly to the fore. The chosen carol melodies are often associated with hymns from other Church seasons, making the work suitable for performance throughout the year.

Samba Mass (Sheet music, Guitar, bass, and drum kit part): Bob Chilcott Samba Mass (Sheet music, Guitar, bass, and drum kit part)
Bob Chilcott
R398 Discovery Miles 3 980 Ships in 12 - 19 working days

for SSA or SATB, piano, and optional guitar, bass, and drum kit Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The stylistic piano part in the vocal score can be played as written or serve as a guide, and this optional guitar, bass, and drum kit part, with chord symbols, facilitates band accompaniment. Performers will enjoy exploring the interplay between voices and the rich, warm colours of the samba and bossa nova styles.

Samba Mass (Sheet music, SSA vocal score): Bob Chilcott Samba Mass (Sheet music, SSA vocal score)
Bob Chilcott
R411 Discovery Miles 4 110 Ships in 12 - 19 working days

for SSA, piano, and optional guitar, bass, and drum kit Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The work is framed by the gentle bossa nova style of the warm Kyrie and relaxed Agnus Dei, which is prefaced by a funky Benedictus. The compelling rhythms of samba come to the fore in the second movement, a vivacious Gloria, which is followed by a beautiful Sanctus that offsets a steady flow of quavers with rhythmic syncopations. The stylistic piano part can be played as written or serve as a guide, and an optional guitar, bass, and drum kit part is available separately for band accompaniment. Performers will enjoy exploring the interplay between voices and the rich, warm colours of the samba and bossa nova styles.

Make We Merry (Sheet music, SSAA vocal score): David Bednall Make We Merry (Sheet music, SSAA vocal score)
David Bednall
R415 Discovery Miles 4 150 Ships in 12 - 19 working days

for SSAA and organ, and optional brass ensemble and timpani Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depicted, from quiet expectance and gentle wonder to boisterous jubilation, and the different movements provide a wonderfully paced journey through these moods. The final movement brings back motifs from the opening and grows to a thrillingly climactic ending to this exciting Christmas concert work.

Da Vinci Requiem (Sheet music, Vocal score): Cecilia McDOWALL Da Vinci Requiem (Sheet music, Vocal score)
Cecilia McDOWALL
R495 Discovery Miles 4 950 Ships in 12 - 19 working days

for soprano and baritone soloists, SATB chorus, and orchestra This significant seven-movement work from Cecilia McDowall presents an imaginative pairing of extracts from The Notebooks of Leonardo da Vinci with texts from the Latin Missa pro defunctis. Da Vinci's reflective and penetrating insights into the nature of mortality and all that it encompasses cast new light on the familiar Requiem texts, and McDowall employs her orchestral forces to create a rich, atmospheric backdrop to the profound narrative presented by the chorus and soprano and baritone soloists. Dark, sonorous writing precedes an energetic 'Sanctus', and the closing bars of the luminous 'Lux aeterna' create a powerful allusion to da Vinci's concept of 'The Perspective of Disappearance'.

Baptist Hymnal (Hardcover, Revised ed.): Judson Press Baptist Hymnal (Hardcover, Revised ed.)
Judson Press
R518 R488 Discovery Miles 4 880 Save R30 (6%) Ships in 10 - 15 working days
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