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Introduction to Kalophony, the Byzantine "Ars Nova" - The "Anagrammatismoi" and "Mathemata" of Byzantine Chant (Paperback, New edition)
Loot Price: R1,846
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Introduction to Kalophony, the Byzantine "Ars Nova" - The "Anagrammatismoi" and "Mathemata" of Byzantine Chant (Paperback, New edition)
Series: Studies in Eastern Orthodoxy, 1
Expected to ship within 12 - 17 working days
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The anagrams, or more generally, the mathemata and morphologically
related kalophonic forms of Byzantine melopoeia, constitute the
artistic creations by which Psaltic Art is known in all its
splendour and becomes an object of admiration. Kalophony as ars
nova was born following the recovery of the city of Constantinople
after the Latin occupation of Byzantium (AD 1204-1261) during the
long reign of Andronicus II (1282-1328) and reached its final form
in the first half of the fourteenth century. During the years
1300-1350, four key composers and teachers of the Psaltic Art
imposed a new attitude of melic composition on the preexisting
forms and designated new compositional techniques dominated by the
beautifying kallopistic element. They created new compositions in
the new spirit of kallopismos and musical verbosity. This new
musical creation was christened with the term kalophony and this
period is the golden age of Byzantine Chant. Originally published
under the title Hoi anagrammatismoi kai ta mathemata tes byzantines
melopoiias (1979 plus seven reprints), this publication thoroughly
investigates and reveals for the first time the entire magnitude of
Byzantine kalophony with its individual forms, serving as a
systematic introduction to the Greek Byzantine music culture and
that of the Byzantine Psaltic Art at the height of its expression.
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