Last Night In Brixton is the fantastic new live album from electronic music duo Groove Armada. Recorded at their final live band show in October 2010, Groove Armada present a collection of hits spanning the width of their career, never failing to capture the intense live performance that has become synonymous with Groove Armada over the past 15 years. Last Night In Brixton is a modest yet exciting tribute to the venue and the experiences that took place within it, retrospectively acknowledging previous shows and the people that made it all possible. Now available physically and digitally for the first time, this 16 track super album is a must have for any Groove Armada fan. '14th March 2002. Soundcheck at Brixton Academy for the first time. An unforgettable moment to see an iconic venue from the stage. Brixton tops all expectations. Old school cinema scale, fantastical carvings, towering doors. Who could have guessed then that we would spend over 16 hours playing on that stage, to more than 70,000 people; that it would become home, and that it would be here where the GA Live experience ended, 8 years later, on the 16th October 2010.' Andy & Tom

True is the debut studio album from Swedish DJ Avicii. Utilizing influences as diverse as country and bluegrass and fusing them with his trademark melodious EDM sound, Avicii uses a whole array of guest collaborators including Nile Rodgers, Adam Lambert, Dan Reynolds Imagine Dragons, and many more to create a bold and adventurous record.

Herbie Hancock's lackluster string of electric albums around this period was enhanced by this one shining exception: an incorrigibly eclectic record that flits freely all over the spectrum. Using several different rhythm sections, Herbie Hancock is much more the imaginative hands-on player than at any time since the prime Headhunters period, overdubbing lots of parts from his ever-growing collection of keyboards. He has regained a good deal of his ability to ride in the groove. "Calypso" finds him playing synthesized steel drums and interacting with customary complexity and ebullience with V.S.O.P. mates Tony Williams and Ron Carter. Disco rears its head, but inventively this time on "Just Around the Corner," and in league with Jaco Pastorius' vibrating, interlacing bass, Hancock gets off some good, updated jazz-funk on "Spiraling Prism" and "4 AM." There is even a reunion of the original Headhunters on a rhythmically tangled remake of "Shiftless Shuffle"; drummer Harvey Mason sounds like a rhythm machine gone bonkers. Easily the outstanding track -- and one of Hancock's most haunting meditations -- is "Textures," where he plays all of the instruments himself. This would be the last outcropping of electronic delicacy from Hancock for some time, and it was mostly -- and unjustly -- overlooked when it came out. ~ Richard S. Ginell