Viva la Vida or Death and All His Friends (also known as Viva la Vida) is the fourth studio album by English alternative rock band Coldplay. The album was released on 12 June 2008 in the UK and on 17 June 2008 in North America. Coldplay released four singles from the record. Violet Hill and Viva la Vida in early May 2008, with both receiving sucess, and Viva la Vida in particular becoming Coldplay's first British, American, and Global number one hit. Other singles included Lost! and Lovers in Japan. Read more on Last.fm.

Moon Safari is the first full-length studio album by the French band Air, released in 1998. The album is considered a classic of the chillout genre. It scored hits with the tracks "Sexy Boy", "Kelly Watch the Stars" and "All I Need" (which features vocals by Beth Hirsch). Moon Safari debuted at number five in the UK album charts mainly due to almost universally glowing reviews by the British music press and the success of the single "Sexy Boy".

England's Beat Goes On Label does two-fers better than almost anyone else. They remaster the music, pop the CDs into durable, slim-line jewel cases, and offer authoritative liner notes as well as a tidy, if not overly attractive, paper slipcase. This double-disc includes the two middle period Return to Forever releases, Where Have I Known You Before, originally issued in 1974, and No Mystery, released in 1975, which was also the band's final album for Polydor -- they moved to Columbia for 1976's classic Romantic Warrior. The first of these two discs introduced the band's legendary -- though not original -- lineup: with Chick Corea on keyboards, bassist Stanley Clarke, drummer Lenny White, and new guitarist Al DiMeola, who replaced Bill Connors. The now corny sci-fi imagery was perfect for the mid-'70s, and the stellar blend of knotty compositions and intense solo improvisation made for one of RTF's most compelling albums. No Mystery, featuring the same personnel, generally got shorter shrift, but hindsight being 20/20, that's unwarranted. Time has proven it to be a very consistent -- though admittedly less groundbreaking -- offering; it's worthy of real reconsideration in the 21st century. These records were, along with Hymn of the Seventh Galaxy and Romantic Warrior, Billy Cobham's Spectrum, Tony Williams' Lifetime, the Mahavishnu Orchestra's Inner Mounting Flame and Birds of Fire, the epitome of jazz-rock fusion; Miles Davis' music of the era was always something more mysterious, more speculative, and far funkier than this muscular -- and masculine -- blurred out blend of instrumental pyrotechnics. The BGO versions of these albums sound a whole level or two better than the domestic budget reissues. ~ Thom Jurek

Collecting two very different albums by the late Cuban trombonist Juan Pablo Torres, this twofer begins with a 1975 exploration of stylized romanticism recorded with the Cuban state orchestra. String-laden and sultry, it's greatly enhanced by the contribution of the pianist Pedro Coton, who lends focus to the after-hours feel. The final eight tracks are characterized by Torres's freewheeling experimentalism, whether fusing Cuban and Andalucian rhythms on "Malaguena" or combining "Para Vigo Me Voy," "Frenesi," and "El Bodeguero" in a feast of Afro-Cuban jazz.