A disturbing portrait of a modern American family 'Imagine Richard Yates becoming fascinated by Donald Antrim before writing Revolutionary Road and you'll have some idea of Love Orange. One of the most satisfying novels you will read this year. This book rules' Christian Kiefer, author of Phantoms 'I enjoyed every minute of it' Chris Power, author of Mothers 'A stunningly accurate portrayal . . . shining with vivid dialogue and observation' Chloe Aridjis, author of Sea Monsters '[A]n exuberant, comic, irresistibly dark examination of contemporary anxieties' Vanity Fair 'An exquisite balance of humour and pathos' Lunate An extraordinary debut novel by Natasha Randall, exposing the seam of secrets within an American family, from beneath the plastic surfaces of their new 'smart' home. Love Orange charts the gentle absurdities of their lives, and the devastating consequences of casual choices. While Hank struggles with his lack of professional success, his wife Jenny, feeling stuck and beset by an urge to do good, becomes ensnared in a dangerous correspondence with a prison inmate called John. Letter by letter, John pinches Jenny awake from the "marshmallow numbness" of her life. The children, meanwhile, unwittingly disturb the foundations of their home life with forays into the dark net and strange geological experiments. Jenny's bid for freedom takes a sour turn when she becomes the go-between for John and his wife, and develops an unnatural obsession for the orange glue that seals his letters... Love Orange throws open the blinds of American life, showing a family facing up to the modern age, from the ascendancy of technology, the predicaments of masculinity, the pathologising of children, the epidemic of opioid addiction and the tyranny of the WhatsApp Gods. The first novel by the acclaimed translator is a comic cocktail, an exuberant skewering of contemporary anxieties and prejudices.

This book is a dissertation on life, afterlife, and reincarnation given by Sylvia Browne's spirit guide, Francine. Within these pages, you'll find a 'gnostic' view of the world and the reason for life.

John Henry Newman (1801-90) described writing this account of his religious development as 'one of the most terrible trials that I have had'. Having inspired and led the Oxford or Tractarian Movement before he abandoned Anglicanism for the Church of Rome, Newman regularly found himself the target of virulent anti-Catholic prejudice in Victorian England. The Apologia was his autobiographical response to a public attack by the novelist Charles Kingsley on his personal integrity. With it he not only convinced a suspicious public of the sincerity of his beliefs, but he also produced a literary masterpiece which has often been compared with St Augustine's Confessions.

The Apologia, which ends with a brilliant defence of Catholicism, was a turning-point in English cultural history, successfully challenging the dominant tradition of 'no Popery'. For Newman personally the work was a 'mental child-bearing' as he recounted the dramatic story of a conversion which rocked the Church of England to its foundations and which was to have profound consequences for the Roman Catholic Church.