Haunted Houses and Ghostly Encounters presents a history of Western ethnography of animism in East Timor during the Portuguese period. The book consists of ten chapters, each one a narrative of the work and experience of a particular ethnographer. Part One deals with colonial ethnography and Part Two with professional anthropology. Covering a selection of seminal 19th- and 20th-century ethnographies, the author explores the relationship between spiritual beliefs, colonial administration, ethnographic interests and fieldwork experience. It is argued that the presence of outsiders precipitated a new 'transformative animism' as colonial control over Portuguese Timor was consolidated. This came about because increasingly powerful outsiders posed threats and offered rewards to the Timorese just as the powerful ancestor spirits had long done; consequently, the Timorese ritualised their dealings with outsiders following their established model for appealing to spirits. Bringing colonial and professional ethnography into the one frame of reference, it is shown that ethnographers of both types not only bore witness to these processes of transformative animism, they also exemplified them. The book presents an original synthesis of East Timor's history, culture and anthropology.

This book examines a number of landmark shifts in our account of the relationship between human and divine existence, as reflected through the perception of time and corporeal experience. Drawing together some of the best scholars in the field, this book provides a representative cross-section of influential trends in the philosophy of religion (e.g. phenomenology, existential thought, Biblical hermeneutics, deconstruction) that have shaped our understanding of the body in its profane and sacred dimensions as site of conflicting discourses on presence and absence, subjectivity and the death of the subject, mortality, resurrection and eternal life.

The thought of G. W. F. Hegel (1770--1831) haunts the world of theology. Constantly misunderstood, and often maliciously misrepresented, Hegel nevertheless will not go away. Perhaps no other thinker in Christian tradition has more radically sought to think through the requirements of perfect open-mindedness, identified as the very essence of the truly sacred. This book is not simply an interpretation of Hegel. Rather, it belongs to an attempt, so far as possible, to re-do for today something comparable to what Hegel did for his day. Divine revelation is on-going: never before has any generation been as well positioned as we are now, potentially to comprehend the deepest truth of the gospel. So Hegel argued, of his own day. And so this book also argues, of today. It is an attempt to indicate, in Trinitarian form, the most fundamentally significant ways in which that is the case. Thus, it opens towards a systematic understanding of the history of Christian truth, essentially as an ever-expanding medium for the authentic divine spirit of openness.

Jung's psychology describes the origin of the Gods and their religions in terms of the impact of archetypal powers on consciousness. For Jung this impact is the basis of the numinous, the experience of the divine in nature and in human nature. His psychology, while possessed of a certain claim to science, is based on depths of subjective experience which transcends psychology and science as ordinarily understood. Jung and his Mystics: In the end it all comes to nothing examines the mythic nature of Jung's psychology and thought, and demonstrates the influence of mysticism and certain religious thinkers in formulating his own work. John P. Dourley explores the influence of Mechthild of Magdeburg and fellow mystics/Beguines, and traces the mystic impulse and its expression through Meister Eckhat and Jacob Boehme to Hegel in the nineteenth century. All of these mystics were of the apophatic school and understood the culmination of their experience to lie in an identity with divinity in a nothingness beyond all form, formal expression or immediate activity. Dourley shows how this is still of relevance in our lives today. The book concludes that Jung's understanding of mysticism could greatly alleviate the conflict between faiths, religious or political, by drawing attention to their common origin in the depths of the human. Jung and his Mystics: In the end it all comes to nothing is aimed at scholars and senior research students in Jungian Studies, including religionists, theologians and philosophers of religion, especially those with an interest in mysticism. It will also be essential reading for those interested in the connection between religious and psychological experience.

Since the 1960s a fresh wave of new religions and what has come to be termed 'spiritualities' have been evident on a global scale. This volume in The Library of Essays on Sexuality and Religion focuses on these 'new' religions and their often contentious attitudes towards human sexuality. Part 1, through previously-published articles, provides instances of affirming orientations of the 'new' religions towards sexuality. This entails scrutinising examples of innovative religion from a historical perspective, as well as those of a more contemporary nature. Part 2 examines, with pertinent illustrations, the controversial character of 'new' religions in their 'cultist' forms and matters of sexual control and abuse. Part 3 considers sexuality as articulated through paganism, the occult and esotericism in the postmodern setting. Part 4 examines both hetero- and non-hetero- expressions of sexuality through the so-called 'New Spiritualities', Quasi-religions and the more 'hidden' forms of religiosity.

If music has ever given you 'a glimpse of something beyond the horizons of our materialism or our contemporary values' (James MacMillan), then you will find this book essential reading. Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Jonathan Arnold offers unique insights as a professional singer of sacred music in liturgical and concert settings worldwide, as an ordained Anglican priest and as a senior research fellow. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, including James MacMillan and Rowan Williams, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. Intended by the composer and inspired by religious intentions this theological and spiritual heart reflects our inherent need to express our humanity and search for the mystical or the transcendent. Offering a unique examination of the relationship between sacred music and secular society, this book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.

If music has ever given you 'a glimpse of something beyond the horizons of our materialism or our contemporary values' (James MacMillan), then you will find this book essential reading. Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Jonathan Arnold offers unique insights as a professional singer of sacred music in liturgical and concert settings worldwide, as an ordained Anglican priest and as a senior research fellow. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, including James MacMillan and Rowan Williams, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. Intended by the composer and inspired by religious intentions this theological and spiritual heart reflects our inherent need to express our humanity and search for the mystical or the transcendent. Offering a unique examination of the relationship between sacred music and secular society, this book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.

First published in 1938, this title presents the greater part of the 1933 Gifford Lectures in natural theology, given by Edwyn Bevan. The questions raised regarding the element of symbolism in religious conceptions takes the reader to the very heart of the religious problem, and addresses some of the most fundamental questions posed by theology and comparative religion: the nature of 'Spirit'; the spiritual efficacy of sacred histories and the images they utilise, in particular those found in the Bible; the ambiguous role of language, not only in relation to God but also to the world around us; and the uncertainties pertaining to 'rationalism' and 'mysticism'. Symbolism and Belief offers the student of theology, philosophy, scriptural exegesis and anthropology a wide-ranging resource for the study of religious discourse.

Exploring the religious category of dying to self, this book aims to resolve contemporary issues that relate to detachment. Beginning with an examination of humility in its general notion and as a religious virtue that detachment presupposes, Kellenberger draws on a range of ancient, medieval, modern, and contemporary sources that address the main characteristics of detachment, including the work of Meister Eckhart, St. Teresa, and Simone Weil, as well as writers as varied as Gregory of Nyssa, Rabi'a al-Adawiyya, SAren Kierkegaard, Andrew Newberg, John Hick and Keiji Nishitani. Kellenberger explores the key issues that arise for detachment, including the place of the individual's will in detachment, the relationship of detachment to desire, to attachment to persons, and to self-love and self-respect, and issues of contemporary secular detachment such as inducement via chemicals. This book heeds the relevance of the religious virtue of detachment for those living in the twenty-first century.

Were holy men historical figures or figments of the theological imagination? Did the biographies devoted to them reflect facts or only the ideological commitments of their authors? For decades, scholars of late antiquity have wrestled with these questions when analysing such issues as the Christianization of Europe, the decline of paganism, and the 'rise of the holy man' and of the hagiographical genre. In this book Peter Turner suggests a new approach to these problems through an examination of a wide range of spiritual narrative texts from the third to the sixth centuries A.D.: pagan philosophical biographies, Greek and Latin Christian saints' lives, and autobiographical works by authors such as Julian and Augustine. Rather than scrutinizing these works for either historical facts or religious and intellectual attitudes, he argues that a deeper historicity can be found only in the interplay between these types of information. On the textual level, this analysis recognises the genuine commitment of spiritual authors to write truthfully and to record realistically a world felt to be replete with spiritual and symbolic meaning. On the historical level, it argues that holy men, expecting the same symbolism within their own lives, adopted lifestyles which ultimately provoked and confirmed this world view. Such praxis is detectable not only in the holy men who inspired biography but also in the period's scattered autobiographical writings. As much a historical as a textual phenomenon, this spiritually-minded scrutiny of the world created interpretations which were always open and contested. Therefore, this book also associates spiritual narrative texts with only one possible voice of religious experience in a constant dialogue between believers, opponents, and the sceptical undecided.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

Divination is any ritual and its associated tradition performed in order to ask a more-than-human intelligence for guidance. A universal human practice, it has received surprisingly little academic attention. This interdisciplinary collection by leading scholars in the field is dedicated to fascinating new insights into divination and oracles arising from recent work in anthropology, religious studies, history and classical studies. Central importance is given to the practical and theoretical perspectives of diviners as well as scholars of divination; several contributors are both. This book explores philosophical issues such as the nature of divinatory intelligence, the relationship between divinatory and metaphorical truth, the primacy of ontology over epistemology, the importance of reflexivity in scholarly studies of divination, and astrology as the principal Western form of divination. The ethnographic and historical examples range from contemporary Nigeria, urban Cuba, Mayan Guatemala and the shamanic cultures of the circumpolar Arctic to classical Greece and ancient Judea.

The Nuwaubian Nation takes the reader on a journey into an African-American spiritual movement. The United Nuwaubian Nation has changed shape since its inceptions in the 1970s, transforming from a Black Hebrew mystery school into a Muslim utopian community in Brooklyn, N.Y.; from an Egyptian theme park into an Amerindian reserve in rural Georgia. This book follows the extraordinary career of Dwight York, who in his teens started out in a New York street gang, but converted to Islam in prison. Emerging as a Black messiah, York proceeded to break the Paleman's spell of Kingu and to guide his people through a series of racial/religious identities that demanded dramatic changes in costume, gender roles and lifestyle. Dr. York's Blackosophy is analyzed as a new expression of that ancient mystical worldview, Gnosticism. Referring to theories in the sociology of deviance and media studies, the author tracks the escalating hostilities against the group that climaxed in a Waco-style FBI raid on the Nuwaubian compound in 2002. In the ensuing legal process we witness Dr. York's dramatic reversals of fortune; he is now serving a 135-year sentence as his Black Panther lawyer prepares to take his case to the Supreme Court. This book presents fresh and important insights into racialist spirituality and the social control of unconventional religions in America.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

Design and Spirituality examines the philosophical context of our current situation and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency. It covers a wide range of topics broadly related to the main theme, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and the deeper, symbolic significance of (some) material things. The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and to think about where we are going, why we are going there and what really matters.

Su-un and His World of Symbols explores the image which Choe Che-u (Su-un), the founder of Donghak (Eastern Learning) Korea's first indigenous religion, had of himself as a religious leader and human being. Su-un gave his life so that he could share his symbols, his scriptures and the foundational principals of his religion with all people, regardless of their status, gender, age or education. His egalitarian creed challenged the major religious traditions in Korea, and Korean society as a whole, to reflect on the innate dignity of each individual, and to reform their social, ethical and religious practices to accord with the reality of the Divine presence in the 'sacred refuge' that lies within. Exploring the two symbols which Su-un created and used to disseminate his religion, and the two books of Scripture which he composed, this book breaks new ground by presenting the only major work in English which attempts to ascertain the image Su-un had of himself as the prototype of a new kind of religious leader in Korea, and by extension, East Asia.

Leading spiritual teacher John Philip Newell reveals how Celtic spirituality, listening to the sacred around us and inside of us, can help to heal the earth, overcome our conflicts and reconnect with ourselves. Sacred Earth, Sacred Soul offers a new spiritual foundation for our lives, once centered on encouragement,guidance and hope for creating a better world. Sharing the long hidden tradition of Celtic Christianity, explaining how this earth-based spirituality can help us rediscover the natural rhythms of life and deepen our spiritual connection with God, with each other and with the earth. Newell introduces some of Celtic Christianity's leading practitioners, both saints and pioneers of faith, whose timeless wisdom is more necessary than ever, including: Pelagius, who shows us how to look beyond sin to affirm our sacredness as part of all God's creation and courageously stands up for our principles in the face of oppression. Brigid of Kildare, who illuminates the interrelationship of all things and reminds us of the power of the sacred feminine to overcome those seeking to control us. John Muir, who encourages us to see the holiness and beauty of wilderness and what we must do to protect these gifts. Teilhard de Chardin, who inspires us to see how science, faith, and our future tell one universal story that beings with sacredness.

Since the early 1990s there have been various waves of interest in what is often described as masculine spirituality. While diverse, a commonality among these interests has been a concern that spirituality has become too feminine, and that mens experiences of the spiritual are being marginalized. Masculine spirituality is therefore about promoting what it perceives to be authentic masculine characteristics within a spiritual context. By examining the nature of these characteristics, Numen, Old Men argues that masculine spirituality is little more than a thinly veiled patriarchal spirituality. The mythopoetic, evangelical, and to a lesser extent Catholic mens movements all promote a heteropatriarchal spirituality by appealing to neo-Jungian archetypes of a combative and oppressive nature, or understanding mens role as biblically ordained leader of the family. Numen, Old Men then examines Ken Wilbers integral spirituality which aims to honour and transcend both the masculine and feminine, but which privileges the former to the extent where it becomes another masculine spirituality, with all its inherent patriarchal problems. Gay spirituality is then offered as a form of masculine spirituality which to a large degree resists patriarchal tendencies, suggesting a queering of spirituality could be useful for all men, both gay and straight.

A survey of ancient spirituality and Self-realization for the embodied soul in the modern day. With increasing levels of polarization, humanity is moving in the wrong direction. We need to recognize our most innate intentions and act on achieving them. Spirituality, in its broadest sense, calls for personal betterment. By becoming aware of one's own sense of spirituality--their belief system--the individual will set forth on the trajectory of improvement and enlightenment. The human, in its individuality, represents larger scale systems that define our existence. By consciously efforting towards a better personal ideal, the same changes will reflect in the external world around us. As a call for Self-realization in the modern world, Spirituality Will Save The World surveys spirituality through a contemporary lens backed by ancient insight and the author's personal experience. It is for anyone with an open-mind and an expanding perspective--written for the beginner by a beginner. This is not a text to be taken seriously. Have fun with the material as you begin to uncover or expand your belief system.