This book rediscovers a spiritual way of preparing the actor
towards experiencing that ineffable artistic creativity defined by
Konstantin Stanislavski as the creative state. Filtered through the
lens of his unaddressed Christian Orthodox background, as well as
his yogic or Hindu interest, the practical work followed the
odyssey of the artist, from being oneself towards becoming the
character, being structured in three major horizontal stages and
developed on another three vertical, interconnected levels.
Throughout the book, Gabriela Curpan aims to question both the
cartesian approach to acting and the realist-psychological line,
generally viewed as the only features of Stanislavski's work. This
book will be of great interest to theatre and performance academics
as well as practitioners in the fields of acting and directing.
General
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