"Directors and Designers "explores the practice of scenography--the creation of perspective in the design and painting of stage scenery--and offers new insight into the working relationships of the people responsible for these theatrical transformations. With contributions from leading practitioners and theorists, editor Christine White describes the way in which the roles of director and designer have developed over time. Featuring chapters on theater and site-specific performance, theatrical communication and aesthetics, and the cognitive reception of design by the audience, this volume provides a valuable resource on current approaches to scenography for professionals and students.

How do you develop both the craft of directing as well as a professional career in freelance directing in today's theatre industry? Drawing on his own extensive experience and that of other theatre professionals from the US and UK, Kent Thompson illuminates a pathway from training, apprenticeship and assistant directing to an established career as a director. Directing Professionally first lays out paths for aspirant directors to train, grow and succeed as directors, then advises freelance directors on how to establish and accelerate their professional careers. It also reveals the most significant ways those directors become artistic directors today. With a frank, thoughtful and often humorous examination of the job of professional direction and artistic direction, Thompson writes about the passion, commitment, artistic vision, directorial experience, leadership skills, and powerful persuasive gifts needed to succeed in this extraordinary field. Featuring case studies and brief interviews with professional theatre directors, artistic directors, producers, critics, managing/executive directors, and theatre leaders currently working in the field in the UK and the US, this volume will equip you to develop your career as a professional director in today's theatre.

Universally proclaimed as the most important Spanish playwright of the last half of the twentieth century, Antonio Buero Vallejo was deemed by a Madrid theater critic to be the greatest author of theater since Calderon de la Barca. This book explores ten of Buero's thirty plays, utilizing literary approaches ranging from the traditional to the radical. It breaks new ground by indicating how contemporary analyses can extrapolate vital interpretations in addition to what has been previously observed in Buero's theater. Simultaneously, the study metonymically evokes the depth and breadth of the plays not studied herein, suggesting they hold unexplored treasures for prospective explorers of the playwright's work.

"There is No Such Thing as a Natural Disaster" is the first critical scholarly book on the catastrophic impact of Hurricane Katrina on New Orleans. The disaster will go down in record as one of the worst in American history, not least because of the government's generally inept and cavalier response. But it's also a huge story for other obvious reasons. Firstly, the impact of the hurricane was uneven, and race and class (and tied to this, poverty) were deeply implicated in the unevenness. It was not by accident that the poorest and blackest neighborhoods were the ones that were buried under water. Secondly, the response underscored the impoverishment of social policy (or what passes for it) in both George W. Bush's America and more specifically the Republican-dominated South. Thirdly, New Orleans is not just any place - it's a great American city with a rich and unique history. People care about the place and what happens there. Fourthly, what happened and what will happen there can tell us a greatdeal about the state of urban and regional planning in contemporary America.
The book, edited by two eminent scholars/authors, gathers together ten excellent scholars to put forth a multifaceted portrait of the social implications of the disaster. And the disaster was primarily social in nature, as the title reminds us. The book covers the response to the disaster and the roles that race and class played, its impact on housing, the historical context of urban disasters in America, the nature of contemporary metropolitan planning, what the hurricane has taught us about planning, the role of the vast prison system in all of this, the future of economic development, the roles of business andthe media, and how the hurricane disproportionately impacted female headed households. In total, it offers a critical and comprehensive social portrait of the disaster's catastrophic effects on New Orleans.

"There is No Such Thing as a Natural Disaster" is the first critical scholarly book on the catastrophic impact of Hurricane Katrina on New Orleans. The disaster will go down in record as one of the worst in American history, not least because of the government's generally inept and cavalier response. But it's also a huge story for other obvious reasons. Firstly, the impact of the hurricane was uneven, and race and class (and tied to this, poverty) were deeply implicated in the unevenness. It was not by accident that the poorest and blackest neighborhoods were the ones that were buried under water. Secondly, the response underscored the impoverishment of social policy (or what passes for it) in both George W. Bush's America and more specifically the Republican-dominated South. Thirdly, New Orleans is not just any place - it's a great American city with a rich and unique history. People care about the place and what happens there. Fourthly, what happened and what will happen there can tell us a greatdeal about the state of urban and regional planning in contemporary America.
The book, edited by two eminent scholars/authors, gathers together ten excellent scholars to put forth a multifaceted portrait of the social implications of the disaster. And the disaster was primarily social in nature, as the title reminds us. The book covers the response to the disaster and the roles that race and class played, its impact on housing, the historical context of urban disasters in America, the nature of contemporary metropolitan planning, what the hurricane has taught us about planning, the role of the vast prison system in all of this, the future of economic development, the roles of business andthe media, and how the hurricane disproportionately impacted female headed households. In total, it offers a critical and comprehensive social portrait of the disaster's catastrophic effects on New Orleans.

An invaluable collection of documents and discussions of the work of one of the most significant theatre practitioners of the last fifty years. This unique set of reminiscences, written by one of the actors who worked closely with Kantor over a long period of time, ranges from the anecdotal to the theoretical. Kantor's work offers some of the most disconcerting allegories of Modernism and a quintessential expression of the unconscious during a bitter period of human history. Kantor's stern but affectionate guardianship of his troupe of travelling players comes off Miklaszewski's pages with warmth, humanity and humour.

This sixth volume in this established series deals with the biochemical responses of fish to different environmental/ecological factors. Environmental Toxicology captures vital issues affecting the responses of fish to the chemical surroundings of their environment. Chapters included in this volume identify the systems found in fish to deal with xenobiotics, hormonal interactions initiated in the presence of these chemicals, the unique mechanisms used by fish to adjust to the present chemicals, and the new and evolving mixtures of chemicals in their environment. Also included, is a crucial review of the new methods being applied in fish systems to understand the effects of xenobiotics to fish fitness - a key theme in environmental health and critical to the future of fish populations.
* Entirely new topic discussion and most recent volume in the acclaimed series
* Includes chapters detailed on a cellular level
* Introduces discussion of pharmaceutical effects on fish

The first edition of Directing in the Theatre represented a pioneering effort in its field. Now, the revised edition offers an expanded array of materials for use in the study of directing. There are new cases about censorship, non-traditional casting, theater safety, ethics, and other subjects of both current and enduring interest. This edition also features the introduction of "Briefs," which are shortened, streamlined cases designed to stimulate discussions about such issues as gender in casting, auditions, giving and taking notes, and learning lines. The number of cases has grown from twenty-two to forty-seven, each of which can be used at both beginning and advanced levels of directing study. The corresponding Instructor's Manual, is available free upon request.

In the last decade a greater demand has been placed on cameramen to record sound as well as pictures on location. For anyone wanting to learn about the basics of recording sound, specific to single camera location work this book provides an ideal grounding. It covers the equipment a single operator would use, methods and examples of how to learn sound techniques and ways of successfully working alone. While it offers an account of audio theory, including post-production it also explains the essential audio technology basics. Covering typical techniques including live broadcasting, it teaches practical everyday instruction on what microphones to rig, how to sound balance everyday news, magazine and current affairs etc.
Techniques are explained and laid out in an accessible format supported by diagrams and are organised in easy to browse topics for quick reference. The author's approach is clear yet comprehensive, offering real hands-on experience of the skills involved in broadcast audio. This manual is seen as a basic, practical introduction to tackling the problems of recording sound on location as a cameraman, thus providing the necessary experience and knowledge required of everyday operation.
*Practical advice allows you to apply techniques to the real world
*Contains essential audio technology theory for a thorough grounding in the principles
*An accessible guide for everyday use

The Technical Brief is a collection of single-focus articles on technical production solutions, published three times a year by the prestigious Yale School of Drama. The primary objective of the publication is to share creative solutions to technical problems so that fellow theatre technicians can avoid having to reinvent the wheel with each new challenge. The range of topics includes scenery, props, painting, electrics, sound, and costumes. The articles each describe an approach, device, or technique that has been tested on stage or in a shop by students and professionals.
Some articles included: Growing Flowers on Stage; Break-Away Glass; Photo-Murals for the Stage; Quiet Wire-Rope Curtain Track; Free Standing Curved Stairs; A Measured Approach to Kerfing; A Low-Voltage Remote Controller for Special Effects; Toggle-Clamp Locks; Comparing Four Plastics as Scenery Glides; Low Pressure Air Casters; A Simple Lift Jack; Using a Piano to Create a Reverberation Effect; Horn-Hat Mics for Sound Reinforcement
* Ten years of The Technical Brief articles bound in one complete volume
* Great reference of tips and solutions to unique technical challenges in theatre production
* Solutions provided by contributors from over twenty different drama programs

Uva's Guide To Cranes, Dollies, and Remote Heads is a comprehensive guide to all the latest equipment-what it is, how to use it and where to find it. This new book is designed to provide the more experienced professional with a streamlined reference to the equipment without the how-to information beginners require. Like the Grip Book 2E, it lists standards and features of all the different types of equipment covered, and with the recent explosion of new equipment introduced into the film industry this reference is invaluable!
As a reference guide, Uva's Guide To Cranes, Dollies and remote heads provides must-have information for a larger group of film professionals. Producers, directors, and DPs, and others responsible for securing equipment for a project will consider this an indispensable tool that will become an industry standard.
Comprehensive guide to all the latest equipmentOffers a streamlined reference to the equipment without the how-to information beginners requireAccessible to Directors, Producers, Production managers, and DPs, as well as to Grips and other film technicians

An easy to follow, quick reference introductory guide for beginning professionals and students in filmmaking and postproduction. It explains all film laboratory procedures in the context of the wide range of technology that is used by filmmakers, explaining what happens and why at every stage. A technical understanding of film processing and printing, telecine and laboratory and digital processes will help you get the best results for your film. The book is particularly useful for those who have come to film making from other media - video or digital.

The book is based on the author's own experience as a lab technician and technical film consultant and provides answers to many frequently asked questions. The different pathways for film production and postproduction are demonstrated as well as the function of the lab at each stage of the process. The complete range of services is offered, with particular emphasis on the often confusing requirements for super 16 and the blow up to 35mm, the intricacies of negative cutting to match a non-linear edit and the process of grading and regrading for the answer print.
This new edition includes:
* An update on all digital formats of image and sound
* Revision sections on Super 16, Super 35
* Additional information on syncing rushes at telecine and to digital images
* The latest telecine machines
* A new, clear and simple glossary
-Gain a complete understanding of film laboratory procedures
-Describes how to use a laboratory's services to gain the best results for film
-Broaden your knowledge through answers to the most frequently asked questions concerning film technology

The experiences of a diverse range of progressive theater and performance makers in their own words. Curated stories from over 75 interviews and informal exchanges offer insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists in the United States over the past 55 years. In this work, performers, often unknown beyond their immediate audience, articulate diverse influences. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices bring the reader from 1965 through the first wave of the covid-19 pandemic in 2020. They point to more diverse and inclusive practices and give hope for the future of the art.

This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others.
Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.

The Continuity Supervisor is a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. Formerly titled 'The Continuity Handbook: a guide for single-camera shooting, this new edition covers the latest technological changes which affect the Continuity Supervisor.

Avril Rowlands worked at the BBC for any years as a PA. She has been involved in specialised training for the television industry and major film and television colleges. Her highly acclaimed residential courses attract students from major television companies worldwide. She is also a writer and independent television producer.
Benefit from the inside knowledge and expertise of an highly acclaimed teacher and independent producer
Up date yourself on the latest developments in post-production
Discover the various way to lay out a film script

Readers of Mike Uva's GRIP BOOK who are interested in more detailed information on the work of the grip department will welcome his new rigging manual, clearly detailing all the ways to mount cameras and lights both on a set as well as on location.
The book covers the latest truss systems, rigging equipment and portable stages, as well as lifts, boom arms and camera mounts for every type of moving vehicle. The book is not limited to equipment specifications, however; Uva offers tips and tricks throughout in order to make the process of setting up and shooting safer and more efficient. Grips often need to invent makeshift solutions in a short time, and Uva shares many such devices developed over his years in the film and TV industry. This book will help grips and key grips move on to the bigger feature projects and commercials that require this equipment. It will also be useful for directors of photography and producers in pre-planning the required equipment for specific shots.
Offers detailed information on the use and operation of the latest rigging equipment
Includes some hard-to-find information on camera mounts for difficult situations such as aircraft, boats, cars, trains, and even people
Time-tested tips and tricks for smooth and safe set-up and operation

The Changing Room traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines:
* tribal rituals and shamanic practices in the Balkans and Chinese-Tibet
* the gender-bending elements of Greek and early Christian religion
* the homosexual appeal of the boy actor on the traditional stage of China, Japan and England
* the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator
* artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls.
Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. Written with elegance, authority and wit by one of the world's leading theatre historians, it is a must for anyone interested in questions of cross-dressing, theatre, and gender.

eBook available with sample pages: 0203411072

The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines:
* tribal rituals and shamanic practices in the Balkans and Chinese-Tibet
* the gender-bending elements of Greek and early Christian religion
* the homosexual appeal of the boy actor on the traditional stage of China, Japan and England
* the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator
* artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls.
Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.

Digital Design for Custom Textiles: Patterns as Narration for Stage and Film is a beginner's guide for creating custom textile patterns for performing arts production, with an emphasis on storytelling through design using hand and digital design techniques. The book offers essential information for the beginning digital designer, such as: methods of designing patterns, appliques, and unique textures for custom textiles; custom textile examples including various styles of pattern repeats, digital embroidery, and cut and sew textiles; full-color, step-by-step instructions and practice exercises; production timelines; a textiles and patterns glossary. Digital Design for Custom Textiles will allow students and design professionals to embrace digital media to enhance their work, apply digital alternatives to find the perfect fabrics and embellishments, and create more meaningful and personalized designs for the stage.

Concert Sound and Lighting Systems provides comprehensive coverage of equipment and setup procedures for touring concert systems. The new edition will cover the new equipment now available and discuss other venues where the skills and technology are being used.
This new edition incorporates the continuing developments in concert sound and lighting systems maintaining the premise that the reader has had no previous experience. The practical how-to illustrations teach the reader about the equipment, and this thoroughly updated edition will include new equipment such as radio microphones, in-ear monitoring, digital audio products and digital lighting products. The author also discusses new venues outside the
traditional concert touring environment and applies the skills and technology to such diverse events as product launches, theatrical arena spectaculars and outdoor stadium productions. In addition to an introductory section on touring concerts, there are sections on sound systems and lighting systems and an explanation of how all the parts fit together to create a professional, safe, efficient show.
Includes 100 photographs and drawings illustrating the equipment and its proper use
Electrical formulas and wiring information with a special section on safety
Sample production checklists

This guide to the fundamentals of stage lighting includes a series of projects to allow experimentation, discussion and analysis. The necessary equipment is described in relation to its purpose, along with checklists and hints for practical use.
The practical handling of light, with observation of the relationship of cause to effect, is central to the study of stage lighting. Rehearsal pressures usually restrict the time available for experimenting with lighting for a performance, but laboratory-style projects can be used to enable specific lighting problems to be solved.
The core of this book is a series of 'discovery' projects using minimal resources, to explore the use of light in the theatre, with particular emphasis on the interaction of conflicting visual aims. The projects cover all the major scenarios likely to be encountered by lighting students and have been tried and tested by the author, who has taught lighting students all over the world for over 30 years.
The book has been updated to include more on safety and the latest technology including:
- fixed instruments using the new lower wattage high efficiency lamps in combination with dichronic reflectors
- an increase in the availability, reliability, range and usage of 'moving light' technology based on remotely controlled instruments.
New lighting projects have also been added.
If you are studying the art and craft of stage lighting this book is an excellent working manual that will provide you with the technical knowledge and skill to cope with a range of lighting situations.
*Includes a series of projects to allow experimentation, discussion and analysis
*Provides checklists and hints forpractical use
*Now fully updated to include the latest technology

Throughout the twentieth century, live theatre has been challenged by a range of new media based on increasingly sophisticated technologies. In Stages for Tomorrow, Francis Reid, one of the world's best known and best loved lighting designers, gives a unique insight into some of the key developments of live performance technology this century and offers a view of where the future lies - a must for any theatre professional who takes their job seriously.
Throughout the twentieth century, live theatre has been challenged by a range of new media based on increasingly sophisticated technologies - audio recording, film, radio, television, video recording - and it has survived them all. Now live performance faces an information technology explosion where the reality is claimed to be virtual.
In Stages for Tomorrow, Francis Reid, one of the world's best known and best loved lighting designers, gives a unique insight into some of the key developments of live performance technology this century and offers a view of where the future lies - a must for any theatre professional who takes their job seriously. The book covers every aspect of staging a live performance: from its relationship with photographic and digital media, old and new, to factors affecting the architectural design of buildings which house performances of ephemeral arts. The technology of staging styles is covered, with ongoing engineering solutions for scenery, light and sound. The book also examines developments in costume design, marketing and training. Whether student or seasoned professional - this is a guide to the technical theatre that you won't want to be without - now, or in the future!
Francis Reid is a worldrenowned freelance theatre lighting designer. He lectures, writes and advises on the subject of theatre design and technology.
a unique insight into the technical theatre industry
puts the theatre professional's knowledge in context
written in an approachable style

Mixing a Musical: Broadway Theatrical Sound Techniques, Second Edition pulls the curtain back on one of the least understood careers in live theatre: the role and responsibilities of the sound technician. This comprehensive book encompasses every position from shop crew labor to assistant designer to sound board operator and everything in between. Written in a clear and easy to read style, and illustrated with real-world examples of personal experience and professional interviews, Slaton shows you how to mix live theatre shows from the basics of equipment and set ups, using sound levels to creating atmosphere, emotion and tension to ensure a first rate performance every time. This new edition gives special attention to mixing techniques and practices. And, special features of the book include interviews with some of today's most successful mixers and designers.

Few artists have left as great a mark on twentieth-century theatre as has the Russian director Vsevolod Meyerhold. With ample justification, he has been called the Picasso of the modern theatre. Like that great painter, Meyerhold was a visionary, a ceaseless experimenter with new forms and techniques, the leader of an aesthetic revolution.
Meyerhold's productions were an encyclopedia of theatrical history, incorporating everything from circus tricks to highly stylized elements of the Kabuki theatre. In the twenties and thirties, Meyerhold's theatre became a mecca for those seeking new theatrical ideas. There was hardly a figure of importance in the theatre at that time who did not come to Moscow to see his work. And many, including Brecht, stayed on to study.
Unlike Stanislavsky, Meyerhold was not a theoretician. He left behind no large body of theoretical writings summing up his many years of experience in the theatre. What do remain and must take the place of both Meyerhold's theoretical wr

This book examines the ritualistic and mythological features derived from various religious traditions depicted in ten Ibsen plays. The worshipping of the Great Mother, the Mysteries of Eleusis, the Hebrew Passover Meal and Yom Kippur, alongside with the most sacred feasts of Christianity, are identified in Ibsen's texts in a way not discovered before. The outcome is a fascinating voyage through a landscape of ritualistic visions. Throughout the book the author illustrates how the plays contribute to the revival of the sacred in modernist theatre. Each chapter of the book contains a synopsis of the play interpreted, followed by a detailed analysis, which focuses on religious concepts and mythological elements incorporated in Ibsen's texts. The following plays are interpreted: Emperor and Galilean, Brand, Peer Gynt, A Doll's House, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, When We Dead Awaken.