An easy to follow, quick reference introductory guide for beginning
professionals and students in filmmaking and postproduction. It
explains all film laboratory procedures in the context of the wide
range of technology that is used by filmmakers, explaining what
happens and why at every stage. A technical understanding of film
processing and printing, telecine and laboratory and digital
processes will help you get the best results for your film. The
book is particularly useful for those who have come to film making
from other media - video or digital.
The book is based on the author's own experience as a lab
technician and technical film consultant and provides answers to
many frequently asked questions. The different pathways for film
production and postproduction are demonstrated as well as the
function of the lab at each stage of the process. The complete
range of services is offered, with particular emphasis on the often
confusing requirements for super 16 and the blow up to 35mm, the
intricacies of negative cutting to match a non-linear edit and the
process of grading and regrading for the answer print.
This new edition includes:
* An update on all digital formats of image and sound
* Revision sections on Super 16, Super 35
* Additional information on syncing rushes at telecine and to
digital images
* The latest telecine machines
* A new, clear and simple glossary
-Gain a complete understanding of film laboratory procedures
-Describes how to use a laboratory's services to gain the best
results for film
-Broaden your knowledge through answers to the most frequently
asked questions concerning film technology
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