Spanning fifteen years of expeditions first begun in 1975, this captivating, fully illustrated memoir takes the reader on a journey into the heart of the Kalahari Desert and records, from an outsider’s perspective, the vanishing hunter-gatherer culture of the San people (or ‘Bushmen’, as some call themselves) of the Kalahari.

Fifty years ago, a young South African psychology professor set off on the first of what would be many expeditions into the Kalahari Desert. There he began keeping a daily journal. Out in the bush he recorded his impressions of one of humanity’s oldest societies, even as it was disappearing before him. Half a century later, with the Bushmen’s way of life now mostly extinct, Allen Zimbler’s vivid words and photography provide a powerful depiction of a people who could survive in the harshest of conditions. Theirs was an deeply egalitarian, cooperative, knowledgeable and resourceful society, one in which men and women enjoyed equal standing.

But Bushmen are now threatened across southern Africa with marginalization and discrimination. Since diamonds were first discovered in the Central Kalahari Reserve in the early 1980s, the Bushmen of the region have been fighting for the right to their ancestral lands. They have suffered three big clearances – their homes dismantled, their water supply destroyed – and most have been moved to resettlement camps far from the reserve and forced to abandon their traditional lifestyle as hunter-gatherers.

With its tales of poison-arrow hunts, water making and bone-throwing divination, Kalahari Diaries offers a fascinating glimpse of a vanishing culture and invites the reader to consider a different, more harmonious way of living.

It includes a photographic appendix of Bushman artefacts from the author’s collection – of jewellery, utensils, toys and weapons, all crafted from bone, hide, eggshell, wood and seeds of the desert. It aims to raise funds to build schools for one of the last remaining traditional Bushman communities in northern Namibia.

England has a long and involved relationship with the sea. It has provided a final line of defence against invasion, the route over which the country's global trade has travelled, the source of a bountiful harvest of fish and seafood that has sustained the population, the essential links in the empire that saw Britain emerge as the world's first 'Great Power', and, more recently, it has fostered the leisure industry. For many, the sea was to provide their final view of their homeland as emigration took them to far-flung corners of the world, while for others, perhaps fleeing religious or political persecution, the sea offered them a route to safety. For almost a century the photographers from the Aerofilms company recorded Britain from the air. Alongside the photographs taken of the great castles and abbeys of the country, the views also recorded industrial and commercial activity - including the docks and ports that were an essential part in maintaining Britain's place in the world. In this book, Peter Waller has delved through the collection of Aerofilms photographs held by Historic England to explore the country's maritime heritage. Selecting 150 images, the author looks at how the docks and ports have evolved since the years immediately after World War I, how traditional patterns of trade have changed, how the Royal Navy has shrunk and how the leisure industry has come to dominate.

Featuring a series of images, this title takes you on a tour of South-East England. It includes photographs of the South Downs, the Weald of Kent, the Thames and its estuary, and the White Cliffs of Dover, as well as castles, stately homes and gardens.

This book is an investigation of the widely overlooked photographic style of pictorialism in the American West between 1900 and 1950 and argues that western pictorialist photographers were regionalists that had their roots in the formidable photographic heritage of the nineteenth-century West. Driven by a wealth of textual and visual primary sources, the book addresses the West's relationship with the eastern centers of art in the early century, the diversity of practitioners such as women, Japanese Americans, Indigenous Americans, western rural workers, etc., and the style's final demise as it related to the modernism of Group F.64. Couched in the rhetoric of regionalism; it is a refreshing and innovative approach to an overlooked wealth of American cultural production.

Images are everywhere. They are displayed in streets. They are leafed through in magazines. They jump out of our screens. And what we most remember about them is the emotion they rouse. The work of photo stylists is still not widely known. Yet this work is vital to conveying the right fashion message. This publication takes you into the anteroom of professions in fashion to discover the work behind the scenes of photo creation: preliminary style drafts, photo studios and casting. It is also a chance to dive into the basics of framing and photography. Theories, focus points, tutorials and interviews with professionals will help you better contemplate the job of photo stylist.

This guidance covers the practical application of photogrammetry in recording cultural heritage, with particular reference to structure from motion (SfM) techniques. Our audience for this document includes survey contractors, archaeological contractors, voluntary organisations and specialists. Photogrammetric image acquisition and processing, until recently requiring a considerable investment in hardware and software, are now possible at a fraction of their former cost. This has led to a huge increase in the use of photogrammetry in cultural heritage recording. The skills required to apply the techniques successfully and accurately are discussed, and background information on how various parts of the process work is provided so that better results can be achieved through better understanding. Photogrammetry is characterised by its versatility, and is applicable over a wide range of scales, from landscapes to small objects. The particular requirements needed at these different scales are outlined, and both imaging techniques and useful ancillary equipment are described. The different types of outputs are discussed, including their suitability for further interrogation using a range of established analytical techniques and the presentation options available. A range of case studies illustrates the application of photogrammetry across a variety of projects that broadly reflect the areas discussed in the text. This document is one of a number of Historic England technical advice documents on how to survey historic places.

Small Format Aerial Photography and UAS Imagery: Principles, Techniques and Geoscience Applications, Second Edition, provides basic and advanced principles and techniques for Small Format Aerial Photography (SFAP), focusing on manned and unmanned aerial systems, including drones, kites, blimps, powered paragliders, and fixed wing and copter SFAP. The authors focus on everything from digital image processing and interpretation of data, to travel and setup for the best result, making this a comprehensive guide for any user. Nine case studies in a variety of environments, including gullies, high altitudes, wetlands and recreational architecture are included to enhance learning. This new edition includes small unmanned aerial systems (UAS) and discusses changes in legal practices across the globe. In addition, the book presents the history of SFAP, providing background and context for new developments.

If any scientific object has over the course of human history aroused the fascination of both scientists and artists worldwide, it is beyond doubt the moon. The moon is also by far the most interesting celestial body when it comes to reflecting on the dualistic nature of photography as applied to the study of the universe. Against this background, Selene's Two Faces sets out to look at the scientific purpose, aesthetic expression, and influence of early lunar drawings, maps and photographs, including spacecraft imaging. In its approach, Selene's Two Faces is intermedial, intercultural and interdisciplinary. It brings together not only various media (photography, maps, engravings, lithographs, globes, texts), and cultures (from Europe, America and Asia), but also theoretical perspectives. See inside the book.

This book is the perfect antidote to the stress of life in the 21st Century. It portrays the idyll of life in an 1850s village, "far from the sound of the train's whistle". The identity of the village was lost to the world for 150 years, and only by a miracle does this magical set of stereoscopic views survive, brought together for the very first time by Brian May and his co-author, photohistorian Elena Vidal. Their research is amazingly in-depth, but the book is utterly readable, and the pictures leap into glorious 3-D, viewed in the new focussing stereoscope which May has designed and produced, to bring the stereos to life, and then fold neatly into the slip-case of the book. The book gives an extraordinary insight into everyday village life at the time - with a woman at her spinning wheel, the blacksmith outside his smithy, three men at the grind stone sharpening a tool, the villagers in the fields, bringing in the harvest as well as often taking time to enjoy a good gossip. In every case the original verse which accompanied the view is reproduced. In addition, May and Vidal have researched and annotated all the views, revealing another layer of meaning, by exploring the history of these real characters, this idyllic village and its links with the present day. The result is a powerfully atmospheric and touching set of photographs." A Village Lost and Found brings master pioneering stereographer T. R. Williams's passionate life-work Scenes in Our Village to a new audience - in glorious 3-D, as never before. For an Electronic Press Kit for A Village Lost and Found click here

In his expansive history of documentary work in the South during the twentieth-century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to region's racial caste system and exploitative agricultural economy. Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and Civil Rights Movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial, documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century.

More photos are taken than ever before, but most are neglected and unused. This book suggests new creative directions and explains how you can produce distinctive and exciting works of art. Packed with technical advice and in-depth practical detail, it shows you how to use cameras and equipment for experimental photography. There are ideas on how to develop a creative eye and a personal photographic style. It explains when to use the rules of composition, and when to break them and shows you how to create amazing pictures from everyday objects. It provides inspiration, ideas and techniques for making abstract and pattern pictures, and using textures for artistic impact. Finally, it advises on using software to convert pictures to artwork and how to present art images for maximum effect. Through step-by-step guides and stunning examples, it also helps you create images that tell a personal story. It's an essential guide to help you take photos that count, not just click away.

As the need for geographical data rapidly expands in the 21st century, so too do applications of small-format aerial photography for a wide range of scientific, commercial and governmental purposes. Small-format Aerial Photography (SFAP) presents basic and advanced principles and techniques with an emphasis on digital cameras. Unmanned platforms are described in considerable detail, including kites, helium and hot-air blimps, model airplanes, and paragliders. Several case studies, primarily drawn from the geosciences, are presented to demonstrate how SFAP is actually used in various applications. Many of these integrate SFAP with ground-based investigations as well as conventional large-format aerial photography, satellite imagery, and other kinds of geographic information.

Successful audio-visual presentations are the result of careful management by--as well as creative collaboration between--the client and the professional communications firm. Because of their high visibility within the corporation, presentations risk falling prey to script by committee unless there is a clear plan at hand for managing the project. Executives who find themselves responsible for a presentation need to be fully aware of what audio-visual can and cannot do--and how to go about getting it done right. In this how-to guide for corporate executives, author Richard Worth covers every step of the process in sequence, from determining objectives to preparing for production and post-production. While the emphasis is on working with an audio-visual professional, Worth also includes do-it-yourself tips for readers who want to keep the project in-house.

Selecting slides, video, film or multimedia is one of the first choices to make. This decision, like others that follow, should be based on a determination of purpose, audience and message. Worth provides easy-to-follow worksheets to help get the planning process going. Readers looking for budget guidelines will learn how much money they will need to invest to get the presentations they want. And, to help readers select the communications professional they will be working with, Worth offers down-to-earth advice based on his years of practical experience. In non-technical language, he critiques and analyzes samples of script proposals and treatments, providing valuable insight into the creative process. Any executive or manager responsible for sales, training, public relations, fund-raising, employee relations, or recruitment will find this a valuable resource for planning and implementing effective presentations.