Television today means moving pictures in colour with sound, brought to the viewer by terrestrial or satellite broadcast, cable or recording medium. The technique and processes necessary to create, record, deliver and display television pictures form the major part of this book. Television Fundamentals is written in clear English, with a minimum of mathematics. Readers are taken, in a logical sequence of small steps, through the fundamental principles of the subject, with practical applications and a guide to troubleshooting included. Encoding, decoding, recording and transmission are treated in depth. John Watkinson is an independent consultant in digital video, audio and data technology. He is a Fellow of the AES and presents lectures, conference papers and training courses worldwide. he is the author of numerous other Focal Press books, including: Compression in Video and Audio, The Art of Digital Audio and The Art of Digital Video (now in their second editions), the Art of Data Recording, An Introduction to Digital Audio, An Introduction to Digital Video, The Digital Video Tape Recorder and RDAT.

Documenting theatrical and stage events under the often dramatic lighting designed for the production provides a number of specific photographic challenges, and is unlike most every other branch of photography. Theatre & Stage Photography provides an overview of basic photography as it applies to "available-light" situations, and will move both basic and experienced photographers through the process of accurately capturing both the production process and the resultant performance. The book is accompanied by additional web content found at stagephoto.org, including tutorials, author blog, a photo gallery, and more resources.

The only guide to the art and technique of color correction based on the invaluable knowledge of more than a dozen of the top colorists in the world. This book allows you unprecedented access to the way the masters of the craft approach their work. Containing decades of industry experience and professional colorist know-how, this book provides an understanding of what top-tier colorists look for in an image and how they know what to do to make it great. Featuring techniques performed in a variety of color correction software applications (DaVinci Resolve, Apple Color, Synthetic Aperture's Color Finesse, and more), this book turns what has long been a misunderstood "black art" into a set of skills that any colorist, editor, independent filmmaker, or motion graphics artist can begin to master. Packed with explanations, tips, and concepts that build on each other, you will learn how to: * fix poorly exposed shots and shots with color casts * create looks * match shots * master primary and secondary color correction techniques * use color correction to advance a story This edition includes * Downloadable resources containing two hours of video tutorials using DaVinci Resolve, extended interview transcripts and color correction sessions with the professional colorists featured in the book * A brand new tutorial-based chapter, with companion project files on the downloadable resources, so you can work along with the text * New insight from additional professional colorists, including legendary colorists, Bob Festa, Stefan Sonnenfeld, and Pankaj Baipai, showing you the 'hows' and 'whys' of each grade

This book is a useful source of guidance and reference for any operators who are in changing roles within the industry and provides an insight into current requirements, not only from a technical point of view, but from a practical perspective.

This book traces the history and current practice in film and television arguing that a solid base of knowledge of the craft of the skill is essential for the proper application of the new techniques. Based on the highly acclaimed and well-used first edition published by Thames and Hudson a decade and a half ago, this second edition has been thoroughly updated, revised and extended. The aesthetics and techniques of editing are examined in depth and illustrated with numerous examples from past and present films and individual editors' work. Of relevance to the directors, camera and sound people as well as editors and aspiring editors, it will provide an invaluable reference tool to all students of film and video.

Video Camera Techniques is an ideal starter guide for anyone owning a camcorder, newcomers to the field of broadcast or corporate video-making, or students who all wish to make videos to professional standards.

Written in Gerald Millserson's easy to understand style, this step by step guide will help you to master the operation of your camera and quickly develop your own style and imaginative skills.
This new edition now covers the latest types of video camera and gives guidance on camera handling and picture making form basics to advanced techniques.
Gerald Millerson's books on video and television have long been acknowledged as among the best ever published. For more in-depth coverage of all aspects of video production his highly acclaimed Video Production Handbook is the definitive work on the subject. He is the author of two other titles in the Media Manuals series - Lighting for Video and Effective TV Production. His other books published by Focal Press are The Technique of TV Production (now in its 12th edition), The Techniques of Lighting for TV and Film and TV Scenic Design Handbook.
Learn all you need to know to produce videos of a professional standard
Keep you up to date with the latest technologies
Comprehensive step-by-step guide to provide you with the knowledge and the confidence of working with any kind of camera

Digital Ultraviolet and Infrared Photography discusses the growing number of applications of ultraviolet and infrared photography. Scientific and technical photographers, such as those engaged in scientific, medical, forensic, and landscape and wildlife photography routinely use ultraviolet and infrared techniques, and these techniques are growing in use in creative photography. This is the first book to address the application and potential for both ultraviolet and infrared photography in both science and art. The author, Adrian Davies, discusses the how-to of ultraviolet and infrared digital recording with a dissection of techniques, camera requirements and camera conversion, a useful appendix of resources and equipment currently available and inspirational image examples throughout. Digital Ultraviolet and Infrared Photography is an essential read for photographers using these tools either professionally or creatively.

This new edition of an all-time best-seller is completely revised and updated and details the components and step-by-step use of over forty of the most widely used film cameras. Significant new topics include time code and time code slates, video assist, and the Steadicam film stabilizing system. Among a few of the new camera systems are the Aaton 16mm; Arriflex 535, 35-3, 35-BL3 and -BL4, and 16BL; Fries 35R3; and the all new Panavision Panaflex 35mm and 16mm. The book teaches basic film camera procedures and troubleshooting techniques. It also looks at all the components, accessories (including lenses), and support systems.
Details the step-by-step use of most film cameras.
Updated to cover the newest cameras.
Describes both the technique and equipment necessary to be an efficient cameraman.

In Producing Great Sound for Film and Video, Fourth Edition audio guru Jay Rose revises his popular text for a new generation of filmmakers. You'll learn practical, time-saving ways to get better recordings, solve problems with existing audio, create compelling tracks, and boost your filmmaking to the next level! Here you'll find real-world advice and practical guidelines for every aspect of your soundtrack: planning and budgeting, field and studio recording, editing, sound effects and music, audio repair, processing, and mixing. Rose's combination of solid technical information and a clear, step-by-step approach has made this the go-to book for producers and film students for over a decade. New in this edition: Insights and from-the-trenches tips from top professionals Instructions for getting the best results from new DSLRs and digital recorders What you need to know about new regulations for wireless mics and broadcast loudness An expanded "How Do I Fix This?" section to help you solve problems quickly Whether you're an aspiring filmmaker who wants better tracks, or an experienced professional looking for a reference, Producing Great Sound for Film and Video, Fourth Edition has the information you need.

Selected Tips and Photographs From Pet Photography 101 by Andrew Darlow: Tip #1 Should you buy a DSLR, or a high-end Point and Shoot (a.k.a. a compact camera) to photograph your pets and other family members? What about a camera that can do both stills and video? Andrew gives an overview of what's out there and how to find just the right camera (or cameras) for you and your family. He also covers tips for taking better photos with your camera phone/smartphone. Tip #24 Learn how to find inexpensive, yet powerful handheld reflectors around the house, in your local hardware store or at another retailer, and find out what specific light stands and accessories you can use to hold them in place. Also learn techniques for using the sun as a "lightbulb in the sky." Tip #49 Valuable tips for getting your pets to stand still so that you can get great photographs of them (this is the pet photography question Andrew is most frequently asked!). Other suggestions in this tip include ways to get your pets moving around in interesting ways for better still photos or video clips. Tip #83 This tip covers an important yet often overlooked topic-organizing your photos. Andrew introduces the process and links to an online step-by-step tutorial with downloadable folders for keeping your images organized (whether you use Mac or Windows). Tip #99 This tip covers the reasons why continuous-tone photo prints from a photo lab or retail store are a great option. It also includes additional resources, including a link to a 4 x 6-inch calibration file on the companion site to help make sure you are getting proper color, density and sharpness. The book's companion site: www.PhotoPetTips.com, contains additional links, tips and information as well as free excerpts-including all of Chapter 2 as a free downloadable PDF.

Digital Ultraviolet and Infrared Photography discusses the growing number of applications of ultraviolet and infrared photography. Scientific and technical photographers, such as those engaged in scientific, medical, forensic, and landscape and wildlife photography routinely use ultraviolet and infrared techniques, and these techniques are growing in use in creative photography. This is the first book to address the application and potential for both ultraviolet and infrared photography in both science and art. The author, Adrian Davies, discusses the how-to of ultraviolet and infrared digital recording with a dissection of techniques, camera requirements and camera conversion, a useful appendix of resources and equipment currently available and inspirational image examples throughout. Digital Ultraviolet and Infrared Photography is an essential read for photographers using these tools either professionally or creatively.

Go beyond the mechanics of Final Cut Express HD 3.5--learn how to edit with it! More than a button-pushing manual--this workshop give you firsthand experience with the art and technique of editing. You develop a working knowledge of this powerful editing application with eleven tutorials that cover each and every essential, including: * setting up your system and understanding the interface * getting your material into FCE and organizing it * slicing, dicing, and organizing clips * editing to build and trim a sequence of shots * adding transitions * using sound to refine your edit * titling with FCE and Photoshop * animating images to create engaging scenes * adding special effects filters * compositing to enhance your projects * outputting your material The downloadable resources contain a video introduction to FCE that is especially designed for iMovie users. It compares and contrasts the two applications to ease the transition. The downloadable resources portion contains project media, demo software, and free plug-ins for your use.

Apprentice yourself to a master of classical animation techniques with this beautiful handbook of insider tips and techniques. Apply age-old techniques to create flawless animations, whether you're working with pencil and animation paper or a 3D application. Author Tony White starts with the basics, and expands his discussion to more advanced topics, like how to animate quadrupeds, working with fluidity and flexibility, and dialogue. White brings years of production experience and even more time as an instructor to the book, ensuring that The Animator's Notebook will serve well as your mentor in a book. The art from the book comes to life in the clips available on the book's web site.You'll get:

Harness the full power of After Effects by mastering its native plug-in effects. Author Chad Perkins breaks down the creation and application of each native plug-in effect available in the After Effects toolset. He also shows you how each can be used optimally in your own media project, when and why it makes sense to use each, and how to "break the rules" by using effects in unconventional ways. Completely updated for CS6 and revised to include coverage of Keylight and the Cycore effects, you will learn every effect from color correction to distortion to simulation and all in between, putting the full power of After Effects in your hands. Included is instruction for using, among others: The 3D Camera Tracker The Cycore effects Matte tools, including Keylight and Refine Matte Color correction tools A wide array of pattern generating tools The downloadable resources include project files, allowing you work hand-in-hand with the lessons contained in the book. Customers who buy an electronic version of the book can contact Peter Linsley ([email protected]) with their receipt and Focal Press will grant access to the companion files.

"Show me a world I haven t seen before!" These words from veteran cinematographer Barry Braverman will resonate as you read (and re-read) this revamped edition of Video Shooter. The third edition takes you beyond the technicalities of sensors, lenses, and tripods, to instill a practical and inspired appreciation for the craft of both the camera and the stories you choose to tell. Braverman draws from decades of personal experience on high-profile documentaries and feature films to explain the makings of a compelling visual storyteller. This is no ordinary dull-as-dishwater camera book! With wit and humor Video Shooter, Third Edition explores the discipline of the 2D and 3D imagemaker, from the need to maintain a clear point of view and eyeline, to the emotional impact of lens choice and color palette. You ll learn to avoid generic shots and angles, and apply the principle of exclusion to maintain rigorous control of the frame. You ll understand how close-ups can drive a story and how composition, selective focus, and simple lighting direct the viewer s eye inside the frame. Most of all you ll learn not to make it too easy by challenging your viewers, you ll elevate the value of your work and your reputation as a craftsman. Whether you shoot with a sophisticated 4K camcorder, large-sensor DSLR, or an iPhone, the lessons of Video Shooter, Third Edition will enhance your storytelling skills by helping you exploit a camera s capabilities to the maximum. New to Video Shooter, Third Edition: 3D storytelling and techniques fundamentals of image capture and stereo production with an emphasis on simple integrated one-piece 3D camcorders Video storytelling with DSLRs how to get the best look out of these large sensor cameras despite the compromises Post-camera imaging, filtering, stabilizing Outputting your show to t

Enhance your animated features and shorts with this polished guide to channeling your vision and imagination from a former Disney animator and director. Learn how to become a strong visual storyteller through better use of color, volume, shape, shadow, and light - as well as discover how to tap into your imagination and refine your own personal vision. Francis Glebas, the director of Piglet's Big Day, guides you through the animation design process in a way that only years of expertise can provide. Discover how to create unique worlds and compelling characters as well as the difference between real-world and cartoon physics as Francis breaks down animated scenes to show you how and why to layout your animation.

Although cinematographers are vital to the filmmaking process, they don't always get the recognition they deserve. Directors of cinematography often are responsible for the look of a film and its lasting impression on the viewer, but their skills are not as readily appreciated as those of directors or screenwriters. David A. Ellis had the privilege of meeting with a number of accomplished cinematographers to discuss their art and craft. In Conversation with Cinematographers features interviews with 21 directors of photography--as well as two notable camera operators--most of whom still work in film and television today. In this volume, readers are taken behind the scenes of some of the most successful films and shows of the last several decades. Interviewed in this book are: * Sue Gibson (Hear My Song, The Forsyte Saga) * Gavin Finney (Colditz, Mr Selfridge, Wolf Hall) * Oliver Stapleton (The Cider House Rules, State and Main, The Proposal) * Phil Meheux (The Fourth Protocol, Casino Royale) * Brian Tufano (Trainspotting, Billy Elliot, The Evacuees) * Clive Tickner (Traffik, The Puppet Masters, Inspector Morse) * Stephen Goldblatt (The Prince of Tides, Angels in America, The Help) * Seamus McGarvey (High Fidelity, Atonement, The Hours) * Peter MacDonald (Excalibur, Hamburger Hill, Rambo 3) * Mike Southon (Gothic, Doctor Who: The Hider in the House) * Rob Hardy (Every Secret Thing, Testament of Youth, Ex Machina) * Harvey Harrison (101 Dalmatians, The Expendables, Sahara) * Mike Valentine (Shakespeare in Love, Skyfall, The Bourne Ultimatum) * Robin Browne (Gandhi, A Passage to India, Air America) * Adam Suschitzky (Life on Mars, The Whisperers) * Ken Westbury (Dr. Fischer of Geneva, The Singing Detective) * Simon Kossoff (Young Charlie Chaplin, Client 9,The Daisy Chain) * Chris Seager (Call the Midwife, Game of Thrones) * David Worley (Quantum of Solace, Thor: The Dark World, The Full Monty) * Trevor Coop (Amadeus, Ballykissangel, Chocolat) * Haris Zambarloukos (Mama Mia, Cinderella, Jack Ryan: Shadow Recruit) * Peter Hannan (The Gathering Storm, My House in Umbria, The Razor's Edge) * Roger Pratt (Shadowlands, Harry Potter and the Goblet of Fire, Batman) These cinematographers recount their experiences on sets and reveal what it was like to work with some of the most acclaimed directors of recent times, including Danny Boyle, Francis Ford Coppola, Clint Eastwood, Lasse Hallstrom, David Lynch and Steven Spielberg. With valuable insight into the craft of moviemaking and featuring more than forty photos, this collection of interviews will appeal to film professors, scholars, and students, as well as anyone with an interest in the art of cinematography.

New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of figures such as Pierce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin, and Baudrillard.
The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Bunuel, Godard, Hitchcock, Varda, Akerman, and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy, and literature.

Completely updated for current HD, UHD, 2K, and 4K workflows, Avid Editing blends the art and aesthetics of motion picture editing with technical, hands-on instruction. Appropriate for beginners and intermediate users who need to refresh their knowledge of essential post-production techniques, this fully revamped and full-color sixth edition is also an excellent tool for editors coming to Avid from other non-linear editing platforms. Topics covered include trimming, audio, effects, titles, color correction, customization, inputting, and outputting. A robust accompanying online eResource features professionally shot footage and Avid project files, allowing readers to work alongside the lessons taught in the book. The new edition covers: Avid Media Composer licensing choices Changes to the Avid user interface Basic and advanced visual effects Mastering Avid's audio tools Exploring Avid's Title Tool and NewBlue Titler Pro Understanding double-system sound techniques Syncing picture and sound files Understanding and applying LUTs The latest HD, UHD, 2K, and 4K Workflows

Enables readers to produce top-grade results whether they are lighting off-the-cuff with a portable compact kit or tackling a major project with an extensive heavy-duty rig. It does not assume technical knowledge or previous experience and after covering
basics it guides readers towards the most effective ways of tackling particular projects, and shows typical professional solutions to everyday situations.

Wide coverage of all aspects of lighting provides an understanding of the techniques involved
Benefit from the inside knowledge and expertise of the author
Easy to understand jargon free step by step guide to tackling everyday situations

The Practical Guide to Documentary Editing sets out the techniques, the systems and the craft required to edit compelling professional documentary television and film. Working stage by stage through the postproduction process, author Sam Billinge explores project organization, assembling rushes, sequence editing, story structure, music and sound design, and the defining relationship between editor and director. Written by a working documentary editor with over a decade's worth of experience cutting films for major British and international broadcasters, The Practical Guide to Documentary Editing offers a unique introduction to the craft of documentary editing, and provides working and aspiring editors with the tools to master their craft in the innovative and fast-paced world of contemporary nonfiction television and film.

All writers need to know how to adapt to new technology and thrive in the new opportunities that it provides. This book provides readers with the nuts-and-bolts of scripting for an array of audio-visual (AV) projects, whether it be a simple slide show,
a multi-image presentation, a computer-based interactive program, or a major multi-area extravaganza. The book is very readable and would be extremely good for reference. Valerie Bragg, Principa, The City Technology College, Kinghurst, British Journal
of Educational Technology, Sept. 1992. - British Journal of Education Technology, September 1992

Trope New York, the fifth volume in the Trope City Editions series, celebrates the architecture and urban landscapes of the “city that never sleeps,� one of the world’s cultural capitals. The collection highlights the photographic images of emerging and independent photographers from New York and beyond, who through their passion for the craft, creative development, and social media smarts have attracted impressive followings on Instagram. This carefully curated and bound collection of photographs offers a new perspective of New York. Each chapter is accompanied by a map, along with the locations where the photographs were taken. From high above Central Park to the lights of Times Square, these images command a strong point of view: digitally processed, filtered, toned, de-saturated, sharpened, for a very urban sensibility. Showcasing both the colorful flash and quiet elegance of contemporary New York, the images reveal distinctive and dramatic visions of one of the world’s greatest cities. A thoroughly modern collection, the book includes photographs of some of the city's iconic destinations like the Empire State Building, Grand Central Station, and the Chrysler Building, as well as some of the city's newest attractions, including Little Island, the Edge, and the Oculus.

David A. Ellis has interviewed some of the most influential and highly regarded cameramen of the last half century and more, and he has assembled these exchanges in Conversations with Cinematographers. While their names may not be known by the general public, these men and their work have left indelible imprints on the silver screen. Among those interviewed are several award-winning artists: * Douglas Slocombe (Kind Hearts and Coronets, Julia, Raiders of the Lost Ark) * Oswald Morris (The Guns of Navarone, Fiddler on the Roof, Oliver!) * Christopher Challis (A Shot in the Dark, Chitty Chitty Bang Bang, Top Secret!) * Billy Williams (Women in Love, The Wind and the Lion, Gandhi) * Freddie Francis (Sons and Lovers, The Elephant Man, Glory) * Chris Menges (The Killing Fields, The Mission, The Reader) * John De Borman (The Full Monty, Hamlet, An Education) * Gilbert Taylor (Dr. Strangelove, A Hard Day's Night, Frenzy, Star Wars) * Jack Cardiff (Black Narcissus, The Red Shoes, The African Queen) * Nicolas Roeg (Fahrenheit 451, Far from the Madding Crowd, Petulia) * Alex Thomson (Excalibur, Legend, Hamlet) * Walter Lassally (Tom Jones, Zorba the Greek, Heat and Dust) * Anthony Dod Mantle (Slumdog Millionaire, The Last King of Scotland, 127 Hours) Along with several camera operators who were also interviewed, these cinematographers recount their experiences on sets and reveal what it was like to work with some of the most acclaimed directors of all time, including Alfred Hitchcock, Fred Zinnemann, Carol Reed, John Huston, David Lynch, and Steven Spielberg. With valuable insight into the craft of moviemaking, this collection of interviews will appeal to film professors, scholars, and students, as well as anyone with an interest in the art of cinematography.

Laboratory Imaging and Photography: Best Practices for Photomicrography and More is the definitive guide to the production of scientific images. Inside, the reader will find an overview of the theory and practice of laboratory photography, along with useful approaches to choosing equipment, handling samples, and working with microscopic subjects. Drawing from over 150 years of combined experience in the field, the authors outline methods of properly capturing, processing and archiving the images that are essential to scientific research. Also included are chapters on applied close-up photography, artificial light photography and the optics used in today's laboratory environment, with detailed entries on light, confocal and scanning electron microscopy. A lab manual for the digital era, this peerless reference book explains how to record visual data accurately in an industry where a photograph can serve to establish a scientific fact. Key features include: Over 200 full-color photographs and illustrations A condensed history of scientific photography Tips on using the Adobe Creative Suite for scientific applications A cheat sheet of best practices Methods used in computational photography