This is Ronnie Maasz's account of his more than fifty years in the film business as a cameraman. With candid humor, Maasz offers a light-hearted collage of the international locales, quirky people, exciting events, and special effects gone wrong that the author encountered during his noteworthy film career. He includes his impressions of working with talented performers including Janet Leigh, Sir Michael Caine, Christopher Lee, and Sir Laurence Olivier, as well as renowned directors Joseph L. Mankiewicz, Tony Richardson, and John Huston. In this charming memoir of life behind the camera, Maasz clearly illustrates that the art of filmmaking bridges the gap between people of many different backgrounds and sensibilities.

Producing Video for Teaching and Learning: Planning and Collaboration provides lecturers, researchers, professors, and technical staff in educational settings with a framework for producing video resources for teaching and learning purposes. This highly useful guide brings together the literature from the field into a constructive, developmental framework, prompting users to reflect on their own ideas at each stage of the production process. O'Donoghue makes clear distinctions between related aspects of video production, and offers working definitions where appropriate in order to address the academic and tertiary support technical audience. Interviews with established professionals in the field illustrate the possibilities-and limitations-of video for teaching and learning. Producing Video for Teaching and Learning gives readers the power to enhance the learning capacity of their own video materials.

In a film career that spanned more than seven decades, Freddie Francis distinguished himself as both an award-winning cinematographer and as a director of classic British horror films of the 1960s and 70s. From his formative years as a clapperboy and camera assistant in the 1930s to his work as camera operator, director of photography, and director through the 1990s, Francis had a unique behind-the-scenes perspective on filmmaking, particular British cinema. Throughout his career, Francis was honored with several BAFTA nominations and received Academy Awards for Sons and Lovers and Glory. Freddie Francis: The Straight Story from Moby Dick to Glory, a Memoir is a personal story by one of the great British filmmakers of the 20th century. In this engaging volume, Francis provides a firsthand account of working on such classics as The Small Back Room, Beat the Devil, Room at the Top, Saturday Night and Sunday Morning, The Elephant Man, The French Lieutenant's Woman, Cape Fear, and The Straight Story. He also reveals what is was like to work with some of the most significant filmmakers on both sides of the Atlantic, including Carol Reed, Rene Clair, Michael Powell, Emeric Pressberger, John Huston, Karel Reisz, Robert Mulligan, Jack Clayton, Martin Scorsese, and David Lynch. With his own brand of humor and charm, Francis recounts his career as a director for the British horror studios Hammer Films and its chief rival, Amicus Productions. Freddie Francis's memoir provides an insider's view of the British Film industry from the mid-1930s to the 1990s. As such, it will appeal to both scholars of cinema and anyone interested in the golden age of filmmaking in the latter half of the twentieth century.

This superb book provides a unique insight into professional visual effects for motion pictures. Special effects have long been used to enhance scale and place, and to suggest realities that are but imagined. Once intended to save money, special effects films have now developed into the dominant motion picture genre.

There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts: a unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing. This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, as well as practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production, and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production. It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema.

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color such as Hitchcock, Jarman and Sirk as well as others whose use of color has not yet been explored in such detail including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color-such as Hitchcock, Jarman and Sirk-as well as others whose use of color has not yet been explored in such detail-including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Advice, inspiration, and insight for taking remarkable concert photos

Concert photography poses a unique set of challenges to photographers, including night or low-light, inconsistent stage lighting, a moving subject matter, limitations on vantage point, complex exposure situations, and no chance for re-takes. Compounded with those hurdles is a lack of resources on this subject?until now. "All Access: Your Backstage Pass to Concert Photography" fills this gap and provides you with all the information you need to know, from choosing the right gear and camera settings to negotiating rights to publish or share photos as well as how to best edit your photos in post-production. Reveals essential techniques and valuable best practices for dealing with the unique challenges of concert photographyFeatures more than 200 stunning concert photographs to inspire you and illustrate the tips and techniques the author describesWritten by experienced author and well-known concert photographer Alan Hess

"All Access: Your Backstage Pass to Concert Photography" is an ideal resource if you are determined to learn the skills necessary to capture clear, well-composed, and professional-level concert photos.

Strong images only come about through a combination of technical excellence and thorough composition. While there is plenty of technical advice, photographers often turn to fine-art sources for the so-called 'rules of composition'. This book, however, acknowledges photography's quite different dynamic and offers a contemporary approach to composition more suited to the medium. The second edition of Basics Photography 01: Composition offers a contemporary approach to composition. Its six core chapters cover historical background and personal motivation, formal elements, space and time within the photographic frame and composition in real-world situations. The Basics Photography series, originally published by AVA Publishing, comprises a collection of titles including: Lighting, Composition, Capturing Colour, Post-Production Black & White, Post-Production Colour, Working in Black & White and Exposure. Easily accessible and highly readable, the books clearly explain and explore fundamental photographic concepts; they are fully indexed and illustrated with clear diagrams and inspiring imagery, building to provide an essential introduction to the subject.

Understanding light is fundamental to good photography. How any image is lit will change how the viewer sees and interprets the content. The second edition of Lighting teaches the theory and background of how light works, the different types of light and the rules it obeys. The book gives guidance on how to measure, control and use light for the best photographic exposure. With new images and case studies, this edition encourages a bolder and more innovative approach to the use of light in photography.

Photography FAQs: Portraits is an introduction to the school of photography concerned with the most engaging of subjects: other people.Formulated as an encyclopaedia of questions and answers across 50 topics, this book covers every aspect of portrait photography, from hardware to lighting, composition to software.It offers detailed responses to key, reader-defined questions drawn from photographic workshops, consumer press and Internet forums. As such, it is an invaluable and handy reference.The Photography FAQs series is a comprehensive, pocket-size reference for the amateur photographer in the field (or the studio). Each title is formulated as an encyclopaedia of 50 questions and answers covering every aspect of the key photography subjects that come up again and again, including genres such as landscape, portraiture and travel and shooting in monochrome. Each topic is supported by lively, accessible text, inspirational images and clear, easy-to-navigate design that makes this series a quick-and easy reference.

Photography FAQs: Black and White covers every aspect of black & white photography, from capturing the image to filtration, to developing and printing an image and successful presentation.The title offers detailed responses to the key, reader-defined questions drawn from photographic workshops, consumer press and internet forums, and, as such, is an invaluable and handy reference.The Photography FAQs series is a comprehensive, pocket-size reference for the amateur photographer in the field (or the studio). Each title is formulated as an encyclopaedia of 50 questions and answers covering every aspect of the key photography subjects that come up again and again, including genres such as landscape, portraiture and travel and shooting in monochrome. Each topic is supported by lively, accessible text, inspirational images and clear, easy-to-navigate design that makes this series a quick-and easy reference.

This book provides an in-depth exploration of scientific photography. Highlighting the best practices needed to make, distribute, and preserve scientific visual information using digital photographic methods and technologies, it offers solutions to some of the biggest challenges facing photographers. Written by a team of international, award-winning image makers with over 300 years of cumulative experience, this comprehensive resource explains the foundations used, the tools required, and the steps to needed for creating the optimal photograph in a range of environments and circumstances. Topics covered include: * ethical practices * aerial photography * close-up and macro photography * computational photography * field photography * geological photography * imaging with invisible spectrums * photographing small animals in captivity * time-based imaging * image processing in science Showcasing modern methods, this book equips readers with the skills needed to capture and process the best image possible. Designed for basic and intermediate photographers, Natural Science Imaging and Photography exists as an essential contemporary handbook.

This book provides an in-depth exploration of scientific photography. Highlighting the best practices needed to make, distribute, and preserve scientific visual information using digital photographic methods and technologies, it offers solutions to some of the biggest challenges facing photographers. Written by a team of international, award-winning image makers with over 300 years of cumulative experience, this comprehensive resource explains the foundations used, the tools required, and the steps to needed for creating the optimal photograph in a range of environments and circumstances. Topics covered include: * ethical practices * aerial photography * close-up and macro photography * computational photography * field photography * geological photography * imaging with invisible spectrums * photographing small animals in captivity * time-based imaging * image processing in science Showcasing modern methods, this book equips readers with the skills needed to capture and process the best image possible. Designed for basic and intermediate photographers, Natural Science Imaging and Photography exists as an essential contemporary handbook.

Packed with gems of wisdom from the current 'masters of light', this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.

Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.

David A. Ellis has interviewed some of the most influential and highly regarded cameramen of the last half century and more, and he has assembled these exchanges in Conversations with Cinematographers. While their names may not be known by the general public, these men and their work have left indelible imprints on the silver screen. Among those interviewed are several award-winning artists: * Douglas Slocombe (Kind Hearts and Coronets, Julia, Raiders of the Lost Ark) * Oswald Morris (The Guns of Navarone, Fiddler on the Roof, Oliver!) * Christopher Challis (A Shot in the Dark, Chitty Chitty Bang Bang, Top Secret!) * Billy Williams (Women in Love, The Wind and the Lion, Gandhi) * Freddie Francis (Sons and Lovers, The Elephant Man, Glory) * Chris Menges (The Killing Fields, The Mission, The Reader) * John De Borman (The Full Monty, Hamlet, An Education) * Gilbert Taylor (Dr. Strangelove, A Hard Day's Night, Frenzy, Star Wars) * Jack Cardiff (Black Narcissus, The Red Shoes, The African Queen) * Nicolas Roeg (Fahrenheit 451, Far from the Madding Crowd, Petulia) * Alex Thomson (Excalibur, Legend, Hamlet) * Walter Lassally (Tom Jones, Zorba the Greek, Heat and Dust) * Anthony Dod Mantle (Slumdog Millionaire, The Last King of Scotland, 127 Hours) Along with several camera operators who were also interviewed, these cinematographers recount their experiences on sets and reveal what it was like to work with some of the most acclaimed directors of all time, including Alfred Hitchcock, Fred Zinnemann, Carol Reed, John Huston, David Lynch, and Steven Spielberg. With valuable insight into the craft of moviemaking, this collection of interviews will appeal to film professors, scholars, and students, as well as anyone with an interest in the art of cinematography.

A history of the lightweight workhorse camera that transformed postwar cinematography This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. Norris Pope, Palo Alto, California, is program director for scholarly publishing at Stanford University Press. The author of Dickens and Charity, he has a doctorate in modern history from Oxford University. He owns--and often uses--an Arriflex 35.

Covering the basics of producing great audio tracks to accompany video projects, Using Soundtrack provides recording and editing tips and guidance on noise reduction tools, audio effects, and Final Cut Pro's powerful real-time audio mixer. Readers also learn how Soundtrack can be used to give video projects a professional finish with the addition of custom, royalty-free scoring. Theory is presented on a need-to-know basis and practical tutorials provide hands-on techniques for common tasks, including editing video to audio, editing audio to video, changing the length of a music bed, editing dialog, and mixing dialog with music and sound effects. The accompanying downloadable resources include tutorial lessons and sample media.

Manipulation of the photograph is as old as photography itself. It has embodied and enlivened political propaganda, satire, publicity and commercial art, and created evocations of the 'brave new world' of the future through surreal and fantastic visions. Photomontages were made by, among others, the Dadaists, John Heartfield, El Lissitzky, Hannah Hoch and Alexander Rodchenko, and many of their works were reproduced for the first time in print when this groundbreaking study was originally published. Revered by academics, critics and readers alike, this new edition with updates is still the only definitive guide to the subject. With 225 illustrations in colour

With television programming being broadcast worldwide in real time, the industry needs a common professional language. Constantly changing technology, however, has resulted in continuously changing terminology, sometimes leaving even the most knowledgeable broadcasters with a lack of understanding. In this dictionary over 1,500 terms and acronyms, both modern and classical, are presented. The definitions are designed to be straightforward and jargon-free (except where defining jargon), permitting ease of use to readers from a variety of fields. Ample cross-references are provided.

Location filming is growing in popularity with the abundance of affordable cameras. You don't need a studio, a broadcast truck, or even extensive knowledge of how to use a 16mm film camera--all you need is a digital camera, and you can take your job on the road and shoot wherever action is happening! This book will give you the knowledge and confidence you need to take your on-location shooting skills to the next level.
Better Location Filming is packed with the things you will need to know to have great results while shooting your documentary, interview, sporting event, fashion or glamour event, or current affairs/news show. Beyond introductory techniques, the author will tell you how to plan, troubleshoot, handle legal requirements and issues, and of course - he'll teach you all about location filming equipment. Practical and filled with hands-on pointers, this book is perfect for working and aspiring film & video professionals seeking a leg up in their careers.
As a bonus, advanced tips are included for novices who are ready to take shooting techniques to the next level.
* Learn the basics of shooting properly on location - no matter what equipment you are using
* Includes the latest camera information
* Covers the gamut of types of location filming
* Realistic/practical information

Providing valuable guidance on how to combine journalistic writing ability with video practice, and offering information on key skills, Practising Videojournalism gives both students and practicing journalists access to a wide job market, and keeps them in step with the multi-skilled journalist demanded by the media today.

Vivien Morgan presents invaluable information on key skills such as:

• identifying and researching stories
• interviewing
• producing scripts and pitching ideas
• practical advice on how to use a small video camera
• how to think visually about the impact of the footage
• framing shots for maximum impact
• the use of exchangeable lenses and of a lightweight tripod
• the importance of getting clean sound
• editing.

Defining videojournalism and tracing its developments from its emergence in the 1980s to present day, the book examines satellite broadcasting, online new media and print journalism, as well as mapping the changing face of news

With end of section bullet points and summaries to highlight key concepts, Practising Videojournalism provides students and practicing journalists with both practical information and historical, technological and social context.

Providing valuable guidance on how to combine journalistic writing ability with video practice, and offering information on key skills, Practising Videojournalism gives both students and practicing journalists access to a wide job market, and keeps them in step with the multi-skilled journalist demanded by the media today. Vivien Morgan presents invaluable information on key skills such as: identifying and researching stories interviewing producing scripts and pitching ideas practical advice on how to use a small video camera how to think visually about the impact of the footage framing shots for maximum impact the use of exchangeable lenses and of a lightweight tripod the importance of getting clean sound editing. Defining videojournalism and tracing its developments from its emergence in the 1980s to present day, the book examines satellite broadcasting, online new media and print journalism, as well as mapping the changing face of news With end of section bullet points and summaries to highlight key concepts, Practising Videojournalism provides students and practicing journalists with both practical information and historical, technological and social context.