With television programming being broadcast worldwide in real time, the industry needs a common professional language. Constantly changing technology, however, has resulted in continuously changing terminology, sometimes leaving even the most knowledgeable broadcasters with a lack of understanding. In this dictionary over 1,500 terms and acronyms, both modern and classical, are presented. The definitions are designed to be straightforward and jargon-free (except where defining jargon), permitting ease of use to readers from a variety of fields. Ample cross-references are provided.

There is an astonishing world just waiting to be photographed underwater. With marine biologist Dr Alexander Mustard as your guide you can learn all you need to know to explore the amazing creatures and landscapes that lie beneath the surface. From information about diving equipment and cameras, to crucial advice on understanding and controlling light underwater, this book provides all the background you need before you take the plunge. Topics covered include wide-angle light, macro lighting, ambient light and macro techniques. All this is illustrated, of course, with stunning images of the weird and wonderful animals and sights he has encountered beneath the waves.

This superb book provides a unique insight into professional visual effects for motion pictures. Special effects have long been used to enhance scale and place, and to suggest realities that are but imagined. Once intended to save money, special effects films have now developed into the dominant motion picture genre.

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color-such as Hitchcock, Jarman and Sirk-as well as others whose use of color has not yet been explored in such detail-including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color such as Hitchcock, Jarman and Sirk as well as others whose use of color has not yet been explored in such detail including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Venice from the Sky is an outstanding photographic record by Riccardo Roiter Rigoni and Debora Gusson, the fruit of five years' regular flying by helicopter over Venice and its Lagoon. The flights were not confined to the city of Venice, but included all the islands of the splendid Lagoon, from Torcello to Burano, by way of Murano, as well as the wonderful island of San Francesco del Deserto, the military defences in the southern part of the Lagoon, the Lido and Pellestrina, not to mention the many now abandoned islands, large and small, located in one of the most beautiful places in the world.

Introduction to Crime Scene Photography acquaints the reader with the essentials of basic crime scene photography techniques. It looks at the concepts related to composition and relates them to the types of photographs captured by crime scene photographers. It explains how to capture images based on the exposure settings chosen to produce the effect desired. It considers the techniques used needed to control and maximize Depth of Field (DOF), and reviews how the different lenses will affect an image. Organized into seven chapters, the book begins with an overview of crime scene photography and composition, including the three cardinal rules of good photography. It then proceeds with a discussion of the benefits of bounce flash and how to utilize this technique to properly compose the subject of interest. It also explains how to capture any image necessary at the crime scene by combining the concepts of composition, nonflash exposure, DOF, flash exposure, and the use of various types of lenses. In addition, the reader is introduced to various energy sources and filters, digital processing of evidentiary photography, and legal issues related to photographs and digital images. Examples and illustrations are provided throughout to demonstrate how the concepts examined tend to form a sort of symbiotic relationship. This text will benefit scene investigators and photographers, forensic consultants, forensic scientists, undergraduate students in forensic and/or criminal justice programs, law enforcement professionals, and anyone who wants to acquire the skills needed to be a successful crime scene photographer.

Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.

A history of the lightweight workhorse camera that transformed postwar cinematography This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. Norris Pope, Palo Alto, California, is program director for scholarly publishing at Stanford University Press. The author of Dickens and Charity, he has a doctorate in modern history from Oxford University. He owns--and often uses--an Arriflex 35.

Trope New York, the fifth volume in the Trope City Editions series, celebrates the architecture and urban landscapes of the “city that never sleeps,� one of the world’s cultural capitals. The collection highlights the photographic images of emerging and independent photographers from New York and beyond, who through their passion for the craft, creative development, and social media smarts have attracted impressive followings on Instagram. This carefully curated and bound collection of photographs offers a new perspective of New York. Each chapter is accompanied by a map, along with the locations where the photographs were taken. From high above Central Park to the lights of Times Square, these images command a strong point of view: digitally processed, filtered, toned, de-saturated, sharpened, for a very urban sensibility. Showcasing both the colorful flash and quiet elegance of contemporary New York, the images reveal distinctive and dramatic visions of one of the world’s greatest cities. A thoroughly modern collection, the book includes photographs of some of the city's iconic destinations like the Empire State Building, Grand Central Station, and the Chrysler Building, as well as some of the city's newest attractions, including Little Island, the Edge, and the Oculus.

Strong images only come about through a combination of technical excellence and thorough composition. While there is plenty of technical advice, photographers often turn to fine-art sources for the so-called 'rules of composition'. This book, however, acknowledges photography's quite different dynamic and offers a contemporary approach to composition more suited to the medium. The second edition of Basics Photography 01: Composition offers a contemporary approach to composition. Its six core chapters cover historical background and personal motivation, formal elements, space and time within the photographic frame and composition in real-world situations. The Basics Photography series, originally published by AVA Publishing, comprises a collection of titles including: Lighting, Composition, Capturing Colour, Post-Production Black & White, Post-Production Colour, Working in Black & White and Exposure. Easily accessible and highly readable, the books clearly explain and explore fundamental photographic concepts; they are fully indexed and illustrated with clear diagrams and inspiring imagery, building to provide an essential introduction to the subject.

"Chromatic Cinema" provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. Offers both a history and a theory of screen color in the first full-length study ever publishedProvides an in-depth yet accessible account of color's spread through and ultimate effacement of black-and-white cinema, exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosisEngages with film studies, art history, visual culture and technology studies in a truly interdisciplinary mannerIncludes 65 full-color illustrations of films ranging from Expressionist animation to Hollywood and Bollywood musicals, from the US 'indie' boom to1980s neo-noir, Hong Kong cinema, and recent comic-book films

Photography FAQs: Portraits is an introduction to the school of photography concerned with the most engaging of subjects: other people.Formulated as an encyclopaedia of questions and answers across 50 topics, this book covers every aspect of portrait photography, from hardware to lighting, composition to software.It offers detailed responses to key, reader-defined questions drawn from photographic workshops, consumer press and Internet forums. As such, it is an invaluable and handy reference.The Photography FAQs series is a comprehensive, pocket-size reference for the amateur photographer in the field (or the studio). Each title is formulated as an encyclopaedia of 50 questions and answers covering every aspect of the key photography subjects that come up again and again, including genres such as landscape, portraiture and travel and shooting in monochrome. Each topic is supported by lively, accessible text, inspirational images and clear, easy-to-navigate design that makes this series a quick-and easy reference.

Photography FAQs: Black and White covers every aspect of black & white photography, from capturing the image to filtration, to developing and printing an image and successful presentation.The title offers detailed responses to the key, reader-defined questions drawn from photographic workshops, consumer press and internet forums, and, as such, is an invaluable and handy reference.The Photography FAQs series is a comprehensive, pocket-size reference for the amateur photographer in the field (or the studio). Each title is formulated as an encyclopaedia of 50 questions and answers covering every aspect of the key photography subjects that come up again and again, including genres such as landscape, portraiture and travel and shooting in monochrome. Each topic is supported by lively, accessible text, inspirational images and clear, easy-to-navigate design that makes this series a quick-and easy reference.

Time-lapse photography has grabbed the attention of photographers, but few understand how to maximize its potential. This practical book introduces its rich scope and explains how it can be used as a powerful communication tool. By drawing on the ideas behind stills photography and video, it gives a full and inspirational account of this exciting technique, and shares tips and tricks from both genres.

This book provides an in-depth exploration of scientific photography. Highlighting the best practices needed to make, distribute, and preserve scientific visual information using digital photographic methods and technologies, it offers solutions to some of the biggest challenges facing photographers. Written by a team of international, award-winning image makers with over 300 years of cumulative experience, this comprehensive resource explains the foundations used, the tools required, and the steps to needed for creating the optimal photograph in a range of environments and circumstances. Topics covered include: * ethical practices * aerial photography * close-up and macro photography * computational photography * field photography * geological photography * imaging with invisible spectrums * photographing small animals in captivity * time-based imaging * image processing in science Showcasing modern methods, this book equips readers with the skills needed to capture and process the best image possible. Designed for basic and intermediate photographers, Natural Science Imaging and Photography exists as an essential contemporary handbook.

This book provides an in-depth exploration of scientific photography. Highlighting the best practices needed to make, distribute, and preserve scientific visual information using digital photographic methods and technologies, it offers solutions to some of the biggest challenges facing photographers. Written by a team of international, award-winning image makers with over 300 years of cumulative experience, this comprehensive resource explains the foundations used, the tools required, and the steps to needed for creating the optimal photograph in a range of environments and circumstances. Topics covered include: * ethical practices * aerial photography * close-up and macro photography * computational photography * field photography * geological photography * imaging with invisible spectrums * photographing small animals in captivity * time-based imaging * image processing in science Showcasing modern methods, this book equips readers with the skills needed to capture and process the best image possible. Designed for basic and intermediate photographers, Natural Science Imaging and Photography exists as an essential contemporary handbook.

Whether you are a working professional, a performance student or just interested in the techniques behind the effects, Secrets of Hollywood Special Effects provides the insights you've been looking for. This text is the comprehensive guide to special effects.
Many different kinds of effects are covered, including chemicals, pyrotechnics, weapons, levitation and weather. Written by a recognized expert in the field, this book contains over 200 illustrations and diagrams providing in depth coverage of every detail. Case studies and a "behind the scenes" look at the 'The Fisher King' are included.
Perfect for the professional or for the performance student.
Covers a wide variety of effects and techniques.
Numerous case studies and illustrations are included.

Author Loe Beerens, a veteran photographer on the international concert scene, relates his experience in and knowledge of all the important aspects of planning and photographing concerts of all kinds. From punk to classical and everything in between, Loe covers how the music industry is organized, how to get access, the right people to befriend, and the proper etiquette of concert photography.
From preparation to equipment selection, the reader will learn how to make the most of those three songs from this richly illustrated book. Shooting techniques for each of the major musical instruments are covered, as well as capturing the peak action, post-production techniques, shooting in low light, and marketing your images.
Whether you are a photography enthusiast, a working professional, or just a lover of music, you will benefit from this informative guide.

Packed with gems of wisdom from the current 'masters of light', this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.

Pictures from Abu Ghraib showed the power of the amateur image to grab the world's attention. The Asian tsunami, caught on camcorder, brought home the reality of what had happened more than any news report ever could. Around the world the increasing availability and affordability of technology has fuelled the world of social justice video activism. Film-making - at its best - has the power to change the way people think, and create real social change, and now the tools to do it are more accessible than ever before. This book shows how activists and human rights campaigners can harness the power of images and stories for their own purposes - it's a step-by-step guide to the handicam revolution. Written by leading video activists, and staff of the world-renowned human rights organization Witness, this practical handbook will appeal to experienced campaigners as well as aspiring video activists. It combines a comprehensive analysis of what's going on in this growing global field with a how-to primer to doing it yourself. Video for Change is packed with real-life stories from the fray, how-to guidance, and easy-to-use exercises. justice video documentation and advocacy. The authors cover every aspect of filmmaking from technical guidance to strategic and ethical issues, making it indispensable for both amateur and professional filmmakers. Witness has partnered with groups in more than 60 countries, bringing often unseen images & untold stories to the attention of key decision makers, the media & the general public. Editors & contributors include Thomas Harding (author - The Video Activist Handbook), Gillian Caldwell (producer - Bought and Sold and Executive Director - Witness), Katerina Cizek (producer -Seeing is Believing: Handicams, Human Rights & the News), Sukanya Pillay (former Program Coord. Witness) & Joanna Duchesne (long-time producer - Amnesty International), Sam Gregory (Witness) and Ronit Avni (Just Vision Project).

Understanding light is fundamental to good photography. How any image is lit will change how the viewer sees and interprets the content. The second edition of Lighting teaches the theory and background of how light works, the different types of light and the rules it obeys. The book gives guidance on how to measure, control and use light for the best photographic exposure. With new images and case studies, this edition encourages a bolder and more innovative approach to the use of light in photography.

Covering the basics of producing great audio tracks to accompany video projects, Using Soundtrack provides recording and editing tips and guidance on noise reduction tools, audio effects, and Final Cut Pro's powerful real-time audio mixer. Readers also learn how Soundtrack can be used to give video projects a professional finish with the addition of custom, royalty-free scoring. Theory is presented on a need-to-know basis and practical tutorials provide hands-on techniques for common tasks, including editing video to audio, editing audio to video, changing the length of a music bed, editing dialog, and mixing dialog with music and sound effects. The accompanying downloadable resources include tutorial lessons and sample media.

A practical, hands-on guide to lighting for video, this book explores how LEDs are changing the aesthetics of lighting and provides students with an indispensable guide to the everyday techniques required to produce professional-quality lighting in the age of LEDs and wireless control options. The book focuses on first-hand application of technical knowledge, beginning with simple lighting setups and progressing to more complicated scenarios, and features accompanying diagrams, illustrations and case studies to demonstrate their real-world application. Key topics covered include basic three-point lighting, lighting moving actors, set lighting and exposure, instrument selection, bringing style to your lighting, color temperature and the Kelvin scale, exterior lighting, lighting categories and genres, green-screen techniques, money and budgeting, and electricity and electrical distribution. The book also provides guidance on career paths including what a grip does, case studies with photos and diagrams, and an extensive glossary of set terminology to introduce students to the language of filmmaking. A must-have resource for film and media production students taking classes in lighting and/or cinematography.